{"title":"Alternative \u0026 Indie","description":null,"products":[{"product_id":"my-morning-jacket-the-waterfall-ii-clear-lp-vinyl","title":"My Morning Jacket – The Waterfall II (Clear LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Waterfall II arrived in October 2020, a surprise drop during a year when live music had gone quiet, giving longtime fans something genuinely warm to hold onto. Recorded during the same Stinson Beach sessions as its predecessor, the material here had been sitting for years, and hearing it finally surface adds a bittersweet, almost archival quality to the listening experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eStandard weight clear vinyl\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, \"this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSpinning my Wheels\u003c\/li\u003e\n\u003cli\u003eStill Thinkin\u003c\/li\u003e\n\u003cli\u003eClimbing the Ladder\u003c\/li\u003e\n\u003cli\u003eFeel You\u003c\/li\u003e\n\u003cli\u003eBeautiful Love\u003c\/li\u003e\n\u003cli\u003eMagic Bullet\u003c\/li\u003e\n\u003cli\u003eRun It\u003c\/li\u003e\n\u003cli\u003eWasted\u003c\/li\u003e\n\u003cli\u003eWelcome Home\u003c\/li\u003e\n\u003cli\u003eThe First Time\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882415112\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0530)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Spinning My Wheels\u003c\/li\u003e\n\u003cli\u003eA2 Still Thinkin'\u003c\/li\u003e\n\u003cli\u003eA3 Climbing The Ladder\u003c\/li\u003e\n\u003cli\u003eA4 Feel You\u003c\/li\u003e\n\u003cli\u003eA5 Beautiful Love (Wasn't Enough)\u003c\/li\u003e\n\u003cli\u003eB1 Magic Bullet\u003c\/li\u003e\n\u003cli\u003eB2 Run It\u003c\/li\u003e\n\u003cli\u003eB3 Wasted\u003c\/li\u003e\n\u003cli\u003eB4 Welcome Home\u003c\/li\u003e\n\u003cli\u003eB5 The First Time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJames Cerreta – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eJim James – Artwork\u003c\/li\u003e\n\u003cli\u003eNeil Krug – Artwork\u003c\/li\u003e\n\u003cli\u003eAnna Fritz – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eBrittany Howard – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eKacey Johansing – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eKyleen King – Backing Vocals\u003c\/li\u003e\n\u003cli\u003ePatti King – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eKevin Ratterman – Engineer\u003c\/li\u003e\n\u003cli\u003eMichael Finn (5) – Engineer\u003c\/li\u003e\n\u003cli\u003eDanny Cash – Layout\u003c\/li\u003e\n\u003cli\u003eEmily Lazar – Mastered By\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Mixed By\u003c\/li\u003e\n\u003cli\u003eDanny Clinch – Photography\u003c\/li\u003e\n\u003cli\u003eJim James – Producer\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Producer\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Recorded By\u003c\/li\u003e\n\u003cli\u003eAnna Fritz – Strings\u003c\/li\u003e\n\u003cli\u003eKyleen King – Strings\u003c\/li\u003e\n\u003cli\u003ePatti King – Strings\u003c\/li\u003e\n\u003cli\u003eJim James – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547559842110,"sku":"159723","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/My-Morning-Jacket-The-Waterfall-II-Clear-LP-Vinyl.jpg?v=1791058936"},{"product_id":"my-morning-jacket-evil-urges-cream-w-black-blob-2-lp-vinyl","title":"My Morning Jacket – Evil Urges (Cream w\/Black Blob 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJim James and company took a genuine left turn with this one, pushing into falsetto-heavy funk and slick R\u0026amp;B territory that caught plenty of longtime fans off guard before winning them over completely. The 2008 release captured MMJ at their most restless and experimental, and the years since have only made its ambition look more prescient.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNew repressing of the Grammy-nominated 5th studio album from My Morning Jacket. \"Evil Urges\" was an album of the year at SPIN and Rolling Stone upon it's release in 2008 and subsequent touring led to epic performances at Bonnaroo and on Saturday Night Live. Pressed on Cream\/Black Blob vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Evil Urges\u003cbr\u003e\nA2. Touch Me I'm Going To Scream Pt. 1\u003cbr\u003e\nA3. Highly Suspicious\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. I'm Amazed\u003cbr\u003e\nB2. Thank You Too!\u003cbr\u003e\nB3. Sec Walkin\u003cbr\u003e\nB4. Two Halves\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Librarian\u003cbr\u003e\nC2. Look At You\u003cbr\u003e\nC3. Aluminum Park\u003cbr\u003e\nC4. Remnants\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Smokin From Shootin\u003cbr\u003e\nD2. Touch Me I'm Going To Scream Pt. 2\u003cbr\u003e\nD3. Good Intentions\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882450915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (88088-21626-1 ATO0058)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2008  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Evil Urges\u003c\/li\u003e\n\u003cli\u003eA2 Touch Me I'm Going To Scream Pt. 1\u003c\/li\u003e\n\u003cli\u003eA3 Highly Suspicious\u003c\/li\u003e\n\u003cli\u003eB1 I'm Amazed\u003c\/li\u003e\n\u003cli\u003eB2 Thank You Too!\u003c\/li\u003e\n\u003cli\u003eB3 Sec Walkin\u003c\/li\u003e\n\u003cli\u003eB4 Two Halves\u003c\/li\u003e\n\u003cli\u003eC1 Librarian\u003c\/li\u003e\n\u003cli\u003eC2 Look At You\u003c\/li\u003e\n\u003cli\u003eC3 Aluminum Park\u003c\/li\u003e\n\u003cli\u003eC4 Remnants\u003c\/li\u003e\n\u003cli\u003eD1 Smokin From Shootin\u003c\/li\u003e\n\u003cli\u003eD2 Touch Me I'm Going To Scream Pt. 2\u003c\/li\u003e\n\u003cli\u003eD3 Good Intentions\u003c\/li\u003e\n\u003cli\u003eCD-1 Evil Urges\u003c\/li\u003e\n\u003cli\u003eCD-2 Touch Me I'm Going To Scream Pt. 1\u003c\/li\u003e\n\u003cli\u003eCD-3 Highly Suspicious\u003c\/li\u003e\n\u003cli\u003eCD-4 I'm Amazed\u003c\/li\u003e\n\u003cli\u003eCD-5 Thank You Too!\u003c\/li\u003e\n\u003cli\u003eCD-6 Sec Walkin\u003c\/li\u003e\n\u003cli\u003eCD-7 Two Halves\u003c\/li\u003e\n\u003cli\u003eCD-8 Librarian\u003c\/li\u003e\n\u003cli\u003eCD-9 Look At You\u003c\/li\u003e\n\u003cli\u003eCD-10 Aluminum Park\u003c\/li\u003e\n\u003cli\u003eCD-11 Remnants\u003c\/li\u003e\n\u003cli\u003eCD-12 Smokin From Shootin\u003c\/li\u003e\n\u003cli\u003eCD-13 Touch Me I'm Going To Scream Pt. 2\u003c\/li\u003e\n\u003cli\u003eCD-14 Good Intentions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eWes Garland – Lacquer Cut By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560235326,"sku":"411049","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/My-Morning-Jacket-Evil-Urges-Cream-wBlack-Blob-2-LP-Vinyl.jpg?v=1791058937"},{"product_id":"vampire-weekend-vampire-weekend-lp-vinyl","title":"Vampire Weekend – Vampire Weekend","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eVampire Weekend arrived in 2008 fully formed, releasing this debut after years of playing Columbia University dorms and downtown Manhattan venues where the band had already built a devoted following before most labels came calling. Ezra Koenig and company drew equally from Paul Simon's \"Graceland\" era and the college rock of Rostam Batmanglij's classical training, landing somewhere nobody had quite charted before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis NY four-piece draw on their diverse backgrounds and interests, experimenting with African guitar music, the Western classical canon, hazy memories of Cape Cod summers, winters in upper Manhattan, and reggaeton. \"Equal parts shruggy New York indie strumming and groovy Afro-pop, Vampire Weekend's organ-and-drum runs highlight narratives about relationships, punctuation, and sometimes both\" - Spin. Named \"Hot New Kids\" in Rolling Stone's \"Hot\" issue. 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The Meat Puppets' Curt and Cris Kirkwood even joined the band onstage, one of the night's quietly historic moments. Spinning this on vinyl only deepens the intimacy of a set that was already uncomfortably close to the bone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing of this live release from the Grunge heroes. Recorded in November 1993, less than six months before singer Kurt Cobain killed himself, Nirvana's MTV Unplugged is a watershed document that presents a band at the peak of its powers. Unlike any other unplugged affair, the diverse album is not a simple stripped-down regurgitation of greatest hits or a cash-it-in set of nostalgic favorites. Rather, the live effort is among the most emotionally naked spectacles ever released an album so starkly intense and profoundly personal, it's impossible not to get chills down the spine. The set list is as surprising as the stylistic makeover. 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in Van Nuys with producer Butch Vig, Nevermind captured a Seattle underground scene on the verge of exploding into something no one could have predicted. Kurt Cobain's melodic instincts and Dave Grohl's ferocious drumming gave the record a radio-ready punch that underground rock had never quite wielded before, pulling an entire generation away from the mainstream pop and hair metal dominating the charts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl pressing of this classic 1991 album from Kurt Cobain and the boys. Nevermind became a surprise success in late 1991, largely due to the popularity of its first single, \"Smells Like Teen Spirit\". By January 1992, it had replaced Michael Jackson's album Dangerous at #1 on the Billboard 200 chart. 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Recorded with producer Rick Rubin, who helmed some of the band's most celebrated work, the sessions found all four original members locked back into the telepathic chemistry that defined their classic run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOur only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.\u003c\/p\u003e\r\n\u003cp\u003eWe yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe.This is our life’s mission. We work, focus, and prepare, so that when the biggestwave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is theride that is the sum of our lives. Thank you for listening, we hope you enjoy it.\u003c\/p\u003e\r\n\u003cp\u003eOne of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including \"Best Rock Album\" for Stadium Arcadium, \"Best Rock Performance By a Duo or Group\" for \"Dani California, \"Best Rock Song\" for \"Scar Tissue,\" and \"Best Hard Rock Performance With Vocal\" for \"Give It Away.\" The band holds the record for the most No. 1 singles of all time at Alternative radio, a total of 11, and a combined 81 weeks at No. 1.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Summer (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Here Ever After (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Aquatic Mouth Dance (4:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Not The One (4:26)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Poster Child (5:16)\u003c\/div\u003e\n\u003cdiv\u003e2. The Great Apes (5:05)\u003c\/div\u003e\n\u003cdiv\u003e3. It's Only Natural (5:44)\u003c\/div\u003e\n\u003cdiv\u003e4. She's A Lover (3:41)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. These Are The Ways (3:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Whatchu Thinkin' (3:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Bastards Of Light (3:38)\u003c\/div\u003e\n\u003cdiv\u003e4. White Braids \u0026amp; 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(Total Pleasure\/Virgin Music Group) offers up the opportunity to relive or experience for the first time that enthralling evening, a historic occasion that found Annie Clark, Buckley and the orchestra reimagining 19 classics, staples and rarely played deep cuts spanning the St. Vincent catalog from 2007’s solo debut Marry Me up to 2024’s multiple-GRAMMY-winning All Born Screaming.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823375051060\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e St. Vincent\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Total Pleasure Records (none)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 We Put A Pearl In The Ground (Live) – 1:28\u003c\/li\u003e\n\u003cli\u003e2 Hell Is Near (Live) – 4:48\u003c\/li\u003e\n\u003cli\u003e3 Reckless (Live) – 4:18\u003c\/li\u003e\n\u003cli\u003e4 Violent Times (Live) – 4:15\u003c\/li\u003e\n\u003cli\u003e5 The Strangers (Live) – 4:29\u003c\/li\u003e\n\u003cli\u003e6 Black Rainbow (Live) – 4:16\u003c\/li\u003e\n\u003cli\u003e7 Marrow (Live) – 3:58\u003c\/li\u003e\n\u003cli\u003e8 The Bed (Live) – 4:00\u003c\/li\u003e\n\u003cli\u003e9 Smoking Section (Live) – 7:06\u003c\/li\u003e\n\u003cli\u003e10 Now, Now (Live) – 3:57\u003c\/li\u003e\n\u003cli\u003e11 Live In The Dream (Live) – 6:28\u003c\/li\u003e\n\u003cli\u003e12 The Nowhere Inn (Live) – 4:42\u003c\/li\u003e\n\u003cli\u003e13 Digital Witness (Live) – 4:00\u003c\/li\u003e\n\u003cli\u003e14 Los Ageless (Live) – 5:08\u003c\/li\u003e\n\u003cli\u003e15 The Party (Live) – 4:21\u003c\/li\u003e\n\u003cli\u003e16 New York (Live) – 3:43\u003c\/li\u003e\n\u003cli\u003e17 Paris Is Burning (Live) – 4:35\u003c\/li\u003e\n\u003cli\u003e18 Candy Darling (Live) – 3:30\u003c\/li\u003e\n\u003cli\u003e19 Slow Disco (Live) – 4:41\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547562594622,"sku":"193745611","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/St_-Vincent-Jules-Buckley-LIVE-IN-LONDON-BBC-Proms-at-the-Royal-Albert-Hall-LP-Vinyl.jpg?v=1791059011"},{"product_id":"the-strokes-first-impressions-of-earth-lp-vinyl","title":"The Strokes – First Impressions of Earth","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThree years after *Room on Fire*, the New York five-piece swung wider and harder, loading *First Impressions of Earth* with 14 tracks and a restless ambition that divided critics at the time but has aged considerably better than its initial reception suggested. Julian Casablancas pushed his vocals into rawer, more weathered territory here, and the album's sheer density rewards repeated listens in a way their leaner early work doesn't demand.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eExplicit Artwork.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. You Only Live Once (3:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Juicebox (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Heart In A Cage (3:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Razorblade (3:29)\u003c\/div\u003e\n\u003cdiv\u003e5. On The Other Side (4:38)\u003c\/div\u003e\n\u003cdiv\u003e6. Vision Of Division (4:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ask Me Anything (3:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Electricityscape (3:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Killing Lies (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Fear Of Sleep (4:00)\u003c\/div\u003e\n\u003cdiv\u003e4. 15 Minutes (4:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Ize Of The World (4:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Evening Sun (3:06)\u003c\/div\u003e\n\u003cdiv\u003e7. Red Light (3:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 828767317717\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RCA\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.3.06\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RCA (82876 73177-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2006  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 You Only Live Once – 3:09\u003c\/li\u003e\n\u003cli\u003eA2 Juicebox – 3:17\u003c\/li\u003e\n\u003cli\u003eA3 Heart In A Cage – 3:27\u003c\/li\u003e\n\u003cli\u003eA4 Razorblade – 3:29\u003c\/li\u003e\n\u003cli\u003eA5 On The Other Side – 4:38\u003c\/li\u003e\n\u003cli\u003eA6 Vision Of Division – 4:20\u003c\/li\u003e\n\u003cli\u003eA7 Ask Me Anything – 3:12\u003c\/li\u003e\n\u003cli\u003eB1 Electricityscape – 3:33\u003c\/li\u003e\n\u003cli\u003eB2 Killing Lies – 3:50\u003c\/li\u003e\n\u003cli\u003eB3 Fear Of Sleep – 4:00\u003c\/li\u003e\n\u003cli\u003eB4 15 Minutes – 4:34\u003c\/li\u003e\n\u003cli\u003eB5 Ize Of The World – 4:29\u003c\/li\u003e\n\u003cli\u003eB6 Evening Sun – 3:06\u003c\/li\u003e\n\u003cli\u003eB7 Red Light – 3:11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSteve Ralbovsky – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eThe Strokes – Arranged By\u003c\/li\u003e\n\u003cli\u003eLothar Quinte – Artwork (Album Cover: Ohne Titel, 1968)\u003c\/li\u003e\n\u003cli\u003eMilton Glaser – Artwork (Ask Me Anything: Music Notes And Yellow Room; Ize Of The World: Gun Barrel Eyes)\u003c\/li\u003e\n\u003cli\u003eSilvio Benigno Crespi – Artwork (Killing Lies: Exposition Internationale Des Artes Decoratifs Et Industriels Modernes (1925: Paris, France) Etoffe \u0026amp; Tapis Etrangers. Plate 19)\u003c\/li\u003e\n\u003cli\u003eGünter Fruhtrunk – Artwork (Rear Cover: Mathematik Der Intuition ( Hommage À Arp), 1962)\u003c\/li\u003e\n\u003cli\u003eMel Ramos – Artwork (Red Light: Leopard, 1967)\u003c\/li\u003e\n\u003cli\u003eJames Bellesini – Design (Album)\u003c\/li\u003e\n\u003cli\u003eDavid Kahne – Engineer\u003c\/li\u003e\n\u003cli\u003eSteve Sisco – Engineer (Assistant Mix)\u003c\/li\u003e\n\u003cli\u003eSuperstudio (2) – Illustration (Vision Of Division: © The Continuous Monument: St. Moritz Revisited, Project. Perspective, 1969)\u003c\/li\u003e\n\u003cli\u003eAlex Schomburg – Illustration (You Only Live Once: Rocketship)\u003c\/li\u003e\n\u003cli\u003eRyan Gentles – Management\u003c\/li\u003e\n\u003cli\u003eHowie Weinberg – Mastered By\u003c\/li\u003e\n\u003cli\u003eAndy Wallace – Mixed By\u003c\/li\u003e\n\u003cli\u003eSamuel van Hoogstraten – Painting (On The Other Side: Les Pantoufles The Slippers)\u003c\/li\u003e\n\u003cli\u003eGuido da Siena – Painting (On The Other Side: Nativity)\u003c\/li\u003e\n\u003cli\u003eRembrandt – Painting (On The Other Side: The Flayed Ox.1655)\u003c\/li\u003e\n\u003cli\u003eMaster Of Saint-Germain-Des-Pres – Painting (On The Other Side: The Pieta Of Saint-germain-des-pres)\u003c\/li\u003e\n\u003cli\u003eRichard Phillips (3) – Painting (Razorblade: Scout)\u003c\/li\u003e\n\u003cli\u003eJohn Foxx – Photography By (Electricityscape: Image #bb1863)\u003c\/li\u003e\n\u003cli\u003eJeff Prant – Photography By (Fear Of Sleep: West 83rd St., New York City 1996)\u003c\/li\u003e\n\u003cli\u003eHenry Groskinsky – Photography By (Heart In A Cage: The Brain; 15 Minutes: Loew's Paradise Theater)\u003c\/li\u003e\n\u003cli\u003eDan Winters (2) – Photography By (Multiflash)\u003c\/li\u003e\n\u003cli\u003eGérard Blot – Photography By (On The Other Side: Rembrandt Harmensz Van Rijn, The Flayed)\u003c\/li\u003e\n\u003cli\u003eErich Lessing – Photography By (On The Other Side: Samuel Van Hoogstraten Les Pantoufles The Slippers; Guido Da Siena Nativity)\u003c\/li\u003e\n\u003cli\u003eHervé Lewandowski – Photography By (On The Other Side: The Pieta Of Saint-germain-des-pres)\u003c\/li\u003e\n\u003cli\u003eMichael W. 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Synthesizer textures and falsetto vocals push against the tight, wiry guitar attack that made them famous, capturing a group more interested in exploration than expectation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. 2013 release, the highly anticipated fifth studio album from the New York Alt-Rock band. Features the first single \"All The Time\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Tap Out (3:41)\u003c\/div\u003e\n\u003cdiv\u003e2. All The Time (3:01)\u003c\/div\u003e\n\u003cdiv\u003e3. One Way Trigger (4:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Welcome To Japan (3:50)\u003c\/div\u003e\n\u003cdiv\u003e5. 80s Comedown Machine (4:48)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. 50\/50 (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Slow Animals (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Partners In Crime (3:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Chances (3:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Happy Ending (2:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Call It Fate, Call It Karma (3:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 887654557919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RCA\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.26.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RCA (88765455791, 88765-45579-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2013  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Tap Out – 3:41\u003c\/li\u003e\n\u003cli\u003eA2 All The Time – 3:01\u003c\/li\u003e\n\u003cli\u003eA3 One Way Trigger – 4:02\u003c\/li\u003e\n\u003cli\u003eA4 Welcome To Japan – 3:50\u003c\/li\u003e\n\u003cli\u003eA5 80's Comedown Machine – 4:48\u003c\/li\u003e\n\u003cli\u003eB1 50\/50 – 2:43\u003c\/li\u003e\n\u003cli\u003eB2 Slow Animals – 4:20\u003c\/li\u003e\n\u003cli\u003eB3 Partners In Crime – 3:33\u003c\/li\u003e\n\u003cli\u003eB4 Chances – 3:24\u003c\/li\u003e\n\u003cli\u003eB5 Happy Ending – 2:53\u003c\/li\u003e\n\u003cli\u003eB6 Call It Fate, Call It Karma – 3:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBrett Kilroe – Art Direction\u003c\/li\u003e\n\u003cli\u003eFabrizio Moretti – Art Direction\u003c\/li\u003e\n\u003cli\u003eBrett Kilroe – Design\u003c\/li\u003e\n\u003cli\u003eTina Ibañez – Design\u003c\/li\u003e\n\u003cli\u003eGus Oberg – Engineer\u003c\/li\u003e\n\u003cli\u003ePhil Joly – Engineer\u003c\/li\u003e\n\u003cli\u003eAndy VanDette – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eDave Kutch – Mastered By\u003c\/li\u003e\n\u003cli\u003eColin Lane (2) – Photography By (Original Band)\u003c\/li\u003e\n\u003cli\u003eJason McDonald – Photography By (Still Life)\u003c\/li\u003e\n\u003cli\u003eGus Oberg – Producer, Mixed By\u003c\/li\u003e\n\u003cli\u003eThe Strokes – Songwriter, Arranged By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547578650942,"sku":"355353","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633220612414-transparent-v2.png?v=1791446225"},{"product_id":"the-black-keys-turn-blue-lp-vinyl","title":"The Black Keys – Turn Blue","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in Los Angeles and released as the band was navigating real personal turbulence, Turn Blue finds Dan Auerbach and Patrick Carney stretching toward the warmth of 70s AM soul and classic rock balladry, a mood that sits closer to early Auerbach solo work than anything in the Keys' catalog. The psychedelic haze here owes as much to vintage FM radio as it does to the Akron basement blues where the duo started.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis eighth album from the Ohio garage rock duo is the follow-up to their 2011 breakthrough smash, El Camino. Recorded once again with Brian \"Danger Mouse\" Burton, the album sees the band change direction from its traditional raw blues-rock style toward a looser, smoother sound influenced by psychedelic soul. 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\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597955552\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.13.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch (542300-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2014  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Weight Of Love\u003c\/li\u003e\n\u003cli\u003eA2 In Time\u003c\/li\u003e\n\u003cli\u003eA3 Turn Blue\u003c\/li\u003e\n\u003cli\u003eA4 Fever\u003c\/li\u003e\n\u003cli\u003eA5 Year In Review\u003c\/li\u003e\n\u003cli\u003eB1 Bullet In The Brain\u003c\/li\u003e\n\u003cli\u003eB2 It's Up To You 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McCrary – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eAnn McCrary – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eRegina McCrary – Backing Vocals\u003c\/li\u003e\n\u003cli\u003ePatrick Carney – Drums, Keyboards, Percussion, Other (Etc.)\u003c\/li\u003e\n\u003cli\u003eKennie Takahashi – Engineer\u003c\/li\u003e\n\u003cli\u003eBill Skibbe – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eCollin Dupuis – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eGeoff Neal – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eBrian Burton – Keyboards, Piano, Other (Etc.)\u003c\/li\u003e\n\u003cli\u003eJohn Peets – Management\u003c\/li\u003e\n\u003cli\u003eBrian Lucey – Mastered By\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Mastered By (Lacquer)\u003c\/li\u003e\n\u003cli\u003eTchad Blake – Mixed By\u003c\/li\u003e\n\u003cli\u003eThe Black Keys – Performer\u003c\/li\u003e\n\u003cli\u003eDan Auerbach – Performer (The Black Keys 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class=\"relix-editorial\"\u003e\n\u003cp\u003eFrom the Sunset Strip to stadiums worldwide, the Chili Peppers built one of rock's most unlikely dynasties, blending funk, punk, and California soul into something that genuinely crossed generations. The two new songs recorded for this collection, \"Save the Population\" and \"Fortune Faded,\" give longtime fans a reason to revisit a catalog they already know by heart.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited double vinyl LP pressing. The Red Hot Chili Peppers' first Warner Bros. Greatest Hits album spans almost 15 years of rock greatness. Featuring all of the band's best- loved recordings, Greatest Hits includes \"Under The Bridge\" (#2 pop and gold), the Top 10 \"Scar Tissue,\" six classic Modern Rock #1s, a pair of Modern Rock Top 20s and three other fan favorites plus two brand-new songs. One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including Best Rock Album for Stadium Arcadium, Best Rock Performance By a Duo or Group for \"Dani California, Best Rock Song for \"Scar Tissue,\" and Best Hard Rock Performance With Vocal for \"Give It Away.\" The band holds the record for the most #1 singles of all time at alternative radio, a total of 11, and a combined 81 weeks at #1.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Under The Bridge\u003c\/div\u003e\n\u003cdiv\u003e2. Give It Away\u003c\/div\u003e\n\u003cdiv\u003e3. Californication\u003c\/div\u003e\n\u003cdiv\u003e4. Scar Tissue\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Soul To Squeeze\u003c\/div\u003e\n\u003cdiv\u003e2. Otherside\u003c\/div\u003e\n\u003cdiv\u003e3. Suck My Kiss\u003c\/div\u003e\n\u003cdiv\u003e4. By The Way\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Parallel Universe\u003c\/div\u003e\n\u003cdiv\u003e2. Breaking The Girl\u003c\/div\u003e\n\u003cdiv\u003e3. My Friends\u003c\/div\u003e\n\u003cdiv\u003e4. Higher Ground\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Universally Speaking\u003c\/div\u003e\n\u003cdiv\u003e2. Road Trippin'\u003c\/div\u003e\n\u003cdiv\u003e3. Fortune Faded\u003c\/div\u003e\n\u003cdiv\u003e4. Save The Population\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624854517\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.13.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. 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Recorded while they were still in high school, the album caught the attention of Partisan Records, home to fellow boundary-pushers like Fontaines D.C. and IDLES, a co-signing that speaks volumes about where this band is headed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGEESE \/ PROJECTOR - Geese is a band that begins and ends in Brooklyn, as a project between friends to build a home studio out of a basement. Their songs are born from the same ambition: make music by any means necessary. They began recording together with sneakers as mic stands and blankets draped over the amps, all within the afternoon following a school day, up until they ran the risk of noise complaints. Recently, they signed a record deal, so they are thinking about moving on from sneaker-laden mics and blanketed amps, but their musical ethos has not changed a bit. Curiously alien, yet strangely familiar, the band's debut album, Projector, is a product of five teenagers whose love of music touches every part of their lives: their restless anxiety about their futures, and their pent-up frustration with their present-a perspective all too familiar in today's uncertain world.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Rain Dance\u003c\/div\u003e\n\u003cdiv\u003e2. Low Era\u003c\/div\u003e\n\u003cdiv\u003e3. Fantasies \/ Survival\u003c\/div\u003e\n\u003cdiv\u003e4. First World Warrior\u003c\/div\u003e\n\u003cdiv\u003e5. Disco\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Projector\u003c\/div\u003e\n\u003cdiv\u003e2. Exploding House\u003c\/div\u003e\n\u003cdiv\u003e3. Bottle\u003c\/div\u003e\n\u003cdiv\u003e4. Opportunity Is Knocking\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5400863056582\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.3.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records (PTPS05LP); Play It Again Sam (PTPS05LP)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Rain Dance\u003c\/li\u003e\n\u003cli\u003eA2 Low Era\u003c\/li\u003e\n\u003cli\u003eA3 Fantasies \/ Survival\u003c\/li\u003e\n\u003cli\u003eA4 First World Warrior\u003c\/li\u003e\n\u003cli\u003eA5 Disco\u003c\/li\u003e\n\u003cli\u003eB1 Projector\u003c\/li\u003e\n\u003cli\u003eB2 Exploding House\u003c\/li\u003e\n\u003cli\u003eB3 Bottle\u003c\/li\u003e\n\u003cli\u003eB4 Opportunity Is Knocking\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePiotr Lapinski – Artwork\u003c\/li\u003e\n\u003cli\u003eLandon Yost – Cover\u003c\/li\u003e\n\u003cli\u003eJamie-James Medina – Design\u003c\/li\u003e\n\u003cli\u003eMatt de Jong – Design\u003c\/li\u003e\n\u003cli\u003eBjörn Wolfram – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eStefan Tenner (2) – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Mastered By\u003c\/li\u003e\n\u003cli\u003eDan Carey – Mixed By\u003c\/li\u003e\n\u003cli\u003eCameron Winter – Musician (Geese)\u003c\/li\u003e\n\u003cli\u003eDominic DiGesu – Musician (Geese)\u003c\/li\u003e\n\u003cli\u003eFoster Hudson – Musician (Geese)\u003c\/li\u003e\n\u003cli\u003eGus Green – Musician (Geese)\u003c\/li\u003e\n\u003cli\u003eMax Bassin – Musician (Geese)\u003c\/li\u003e\n\u003cli\u003eGeese (11) – Written-By, Producer, Recorded By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547579994430,"sku":"464645","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633221464382-transparent-v2.png?v=1791436161"},{"product_id":"my-morning-jacket-circuital-deluxe-edition-random-color-3-lp-vinyl","title":"My Morning Jacket – Circuital: Deluxe Edition (Random Color 3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at a converted gymnasium in Louisville, Circuital found Jim James and company leaning into cavernous acoustics and communal energy, a process that shaped the album's spacious, hymn-like quality. 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Holdin on to Black Metal (Jim Demo)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882470814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.9.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (880882174118)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2011  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Victory Dance – 5:40\u003c\/li\u003e\n\u003cli\u003eA2 Circuital – 7:20\u003c\/li\u003e\n\u003cli\u003eB1 The Day Is Coming – 3:18\u003c\/li\u003e\n\u003cli\u003eB2 Wonderful (The Way I Feel) – 4:17\u003c\/li\u003e\n\u003cli\u003eB3 Outta My System – 3:22\u003c\/li\u003e\n\u003cli\u003eC1 Holdin On To Black Metal – 4:19\u003c\/li\u003e\n\u003cli\u003eC2 First Light – 3:47\u003c\/li\u003e\n\u003cli\u003eC3 You Wanna Freak Out – 3:20\u003c\/li\u003e\n\u003cli\u003eD1 Slow Slow Tune – 4:31\u003c\/li\u003e\n\u003cli\u003eD2 Movin Away – 5:13\u003c\/li\u003e\n\u003cli\u003eDVD One Big Holiday – 28:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlex Smith – Arranged By (Strings\/horns)\u003c\/li\u003e\n\u003cli\u003eJason Seber – Arranged By (Strings\/horns)\u003c\/li\u003e\n\u003cli\u003eMy Morning Jacket – Arranged By (Strings\/horns)\u003c\/li\u003e\n\u003cli\u003eJeremy Kittel – Arranged By (Strings\/horns), Strings\u003c\/li\u003e\n\u003cli\u003eGary Burden – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eJenice Heo – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eRobin C. Hendrickson – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eKevin Ratterman – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eLowell Reynolds – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eChris Gregg (3) – Horns\u003c\/li\u003e\n\u003cli\u003eLeif Shires – Horns\u003c\/li\u003e\n\u003cli\u003eOscar Herstrom – Horns\u003c\/li\u003e\n\u003cli\u003eBob Ludwig – Mastered By\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Mastered By (Vinyl)\u003c\/li\u003e\n\u003cli\u003eBo Koster – Performer (My Morning Jacket)\u003c\/li\u003e\n\u003cli\u003ePatrick Hallahan – Performer (My Morning Jacket)\u003c\/li\u003e\n\u003cli\u003eTom Blankenship – Performer (My Morning Jacket)\u003c\/li\u003e\n\u003cli\u003eCarl Broemel – Performer (My Morning Jacket), Strings\u003c\/li\u003e\n\u003cli\u003eJim James – Performer (My Morning Jacket), Written-By, Producer, Mixed By, Cover (Concept)\u003c\/li\u003e\n\u003cli\u003eRoderick Trestrail – Photography By\u003c\/li\u003e\n\u003cli\u003eDanny Clinch – Photography By (Band On The Street All Fucked Up Pic)\u003c\/li\u003e\n\u003cli\u003eDaniel Martin Moore – Photography By (Black And White Photos In Heaven)\u003c\/li\u003e\n\u003cli\u003eEric Mayers – Photography By (Moonmen Pic)\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Producer, Engineer, Mixed By, Photography By (Gatefold Pic)\u003c\/li\u003e\n\u003cli\u003eBen Sollee – Strings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547580027198,"sku":"530288","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/My-Morning-Jacket-Circuital-Deluxe-Edition-Random-Color-3-LP-Vinyl.jpg?v=1791060950"},{"product_id":"talking-heads-little-creatures-lp-vinyl","title":"Talking Heads – Little Creatures","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1985, Talking Heads had spent years pushing art-rock into increasingly complex territory with Brian Eno, making *Little Creatures* a deliberate turn toward something more open and accessible. David Byrne leaned into Americana and folk textures, and the result connected with audiences who'd never set foot in a downtown New York art space. This reissue marks the first time the album has been back on wax in four decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLittle Creatures, originally released in 1985 includes the classics \"And She Was\" and \"Road To Nowhere\". 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The crystal clear vinyl pressing makes a fitting vessel for an album this sonically restless.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIn the summer of 2021, Geese emerged from out of nowhere, sparking a hype cycle unlike anything that had been seen for a young American rock band in recent memory. Suddenly a band that had previously planned to release some music, break up, and go away to college was touring the world. And during this entire process, that very same band everyone was getting to know ceased to exist. On a practical level, Geese are still the group we were introduced to in 2021. But spiritually, Geese have returned as an entirely different prospect. Their new album 3D Country is the sound of a restless, adventurous band redefining themselves. Anyone who has seen Geese live recently might’ve noticed the band adopted a different vibe onstage — more of a volcanic, unpredictable aesthetic. It turns out that wasn’t a flipside to the recordings of Projector, but foreshadowing that there was more to the story. Knowing they were now beyond teenage basement experiments and were instead making something for an audience who would hear it, Geese felt emboldened. “When we were writing Projector it was about narrowing the scope, trying to do more with less,” Gus Green says. “When we started writing for 3D Country we were trying to do a lot more and seeing what worked and what didn’t.” At the same time, they’re well aware of how significant a departure they’ve made. “As music listeners, we all appreciate bands who change over time, and are comfortable with risk,” Cameron Winter adds. 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Its debut on this 2002 compilation sent shockwaves through a fanbase that had spent years knowing only the bootlegged live versions. For collectors who missed the original CD pressing, this vinyl edition finally brings that chapter home in the format it deserves.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNirvana’s self-titled, double platinum-selling collection ‘Nirvana’ makes its vinyl debut. Originally released in 2002, ‘Nirvana’ features the rare and previously unreleased studio version of “You Know You’re Right,” the last song the band ever recorded, available exclusively on this compilation, plus 13 other classics.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. You Know You're Right (3:38)\u003c\/div\u003e\n\u003cdiv\u003e2. About A Girl (2:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Been A Son (2:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Sliver (2:14)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Smells Like Teen Spirit (5:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Come As You Are (3:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Lithium (4:17)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. In Bloom (4:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Heart-Shaped Box 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Win Butler and Régine Chassagne drew on their Houston upbringings to ground the album's restlessness in something specific and felt, which is exactly why it connected so broadly without ever losing its intimacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited double vinyl LP pressing in gatefold jacket. The Suburbs is the third studio album by Canadian indie rock band Arcade Fire, released in August 2010. The album debuted at #1 on the Irish Albums Chart, the UK Albums Chart, the US Billboard 200 chart, and the Canadian Albums Chart. It won Album of the Year at the 2011 Grammy Awards, Best International Album at the 2011 BRIT Awards, Album of the Year at the 2011 Juno Awards, and the 2011 Polaris Music Prize for best Canadian album. Two weeks after winning Grammy's Album of the Year, the album jumped from #52 to #12 on the Billboard 200, the album's highest ranking since August 2010.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Suburbs (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Ready To Start (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Modern Man (4:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Rococo (3:57)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Empty Room (2:52)\u003c\/div\u003e\n\u003cdiv\u003e2. City With No Children (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Half Light I (4:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Half Light II (No Celebration) (4:27)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Month Of May (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Wasted Hours (3:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Deep Blue (4:28)\u003c\/div\u003e\n\u003cdiv\u003e4. We Used To Wait (5:01)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Sprawl I (Flatland) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Sprawl II (Mountains Beyond Mountains) (5:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Suburban War (4:45)\u003c\/div\u003e\n\u003cdiv\u003e4. The Suburbs (Continued) (1:28)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854626310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.22.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records (MRG385); 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Recorded in the shadow of real grief, with several band members losing family during its creation, the Montreal collective channeled loss into something enormous and alive. Win Butler, Régine Chassagne, and their extended family of collaborators built a sound that rewired what rock music could carry emotionally.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eArcade Fire - Funeral - LP Vinyl Album\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Neighborhood #1 (Tunnels) (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Neighborhood #2 (Laïka) (3:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Une Année Sans Lumière (3:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Neighborhood #3 (Power Out) (5:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Neighborhood #4 (7 Kettles) (4:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Crown Of Love (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Wake Up (5:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Haïti 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Live at The Union Chapel]\u003c\/li\u003e\n\u003cli\u003eI Am An Astronaut [MENCAP Little Noise Sessions \/ Live at The Union Chapel]\u003c\/li\u003e\n\u003cli\u003eChasing Cars\u003c\/li\u003e\n\u003cli\u003eHeadlights On Dark Roads\u003c\/li\u003e\n\u003cli\u003eShut Your Eyes\u003c\/li\u003e\n\u003cli\u003eChasing Cars\u003c\/li\u003e\n\u003cli\u003eSet The Fire To The Third Bar\u003c\/li\u003e\n\u003cli\u003eYou're All I Have\u003c\/li\u003e\n\u003cli\u003eOpen Your Eyes\u003c\/li\u003e\n\u003cli\u003eYou're All I Have\u003c\/li\u003e\n\u003cli\u003eHands Open\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478548086\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e A\u0026amp;m\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv 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(1)\u003c\/li\u003e\n\u003cli\u003eRebecca Hirsch – Violin (1)\u003c\/li\u003e\n\u003cli\u003eRichard Milone – Violin (1)\u003c\/li\u003e\n\u003cli\u003eUrsula Gough – Violin (1)\u003c\/li\u003e\n\u003cli\u003eWarren Zielinski – Violin (1)\u003c\/li\u003e\n\u003cli\u003eBeatrix Lovejoy – Violin (2)\u003c\/li\u003e\n\u003cli\u003eCharles Sewart – Violin (2)\u003c\/li\u003e\n\u003cli\u003eKarin Leishman – Violin (2)\u003c\/li\u003e\n\u003cli\u003eMaya Magub – Violin (2)\u003c\/li\u003e\n\u003cli\u003ePauline Lowbury – Violin (2)\u003c\/li\u003e\n\u003cli\u003eRichard George – Violin (2)\u003c\/li\u003e\n\u003cli\u003eSteve Morris – Violin (2)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547784859966,"sku":"178038283","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Snow-Patrol-Eyes-Open-20-Year-Anniversary-Special-Edition-Gold-LP-Vinyl.png?v=1791079752"},{"product_id":"yellow-days-harmless-melodies-lp-vinyl","title":"Yellow Days – Harmless Melodies","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA teenager recording soul-drenched bedroom blues with the emotional gravity of someone twice his age, George van den Broek announced himself to the world with a confidence that stopped critics cold. This colored vinyl pressing adds a bonus track to the original seven-song run, making it the definitive physical edition of a debut that launched one of British independent music's most compelling young voices.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHarmless Melodies is the debut EP by British singer-songwriter Yellow Days, released in November 2016 on the Good Years Music label. At the time, George van den Broek was just 17 years old, and the record marked his first major introduction to the music world. HighClouds+1The EP's sound blends soulful, introspective vocals with lo-fi production and influences drawn from jazz, blues, and classic soul, creating moody, evocative tracks that feel both timeless and contemporary. It's seven tracks - including the standout \"Your Hand Holding Mine\" - feature reflective lyrics about love, heartbreak and everyday life, set against laid-back guitar, organ-tinged riffs, and thoughtful vocal delivery that belies his youth. HighClouds+1Critically, Harmless Melodies was praised as a breakout debut; reviewers highlighted his mature voice and unique style, with some outlets rating it highly (e. g. , 9\/10) and noting that it felt like a cohesive musical journey rather than just a collection of songs. Fans and reviewers alike found it soulful, introspective and refreshingly authentic, especially impressive from a teenager still developing his craft. 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