{"title":"Electronic","description":null,"products":[{"product_id":"omari-jazz-dream-child-2-lp-vinyl","title":"Omari Jazz – Dream Child (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOmari Jazz sits at the intersection of spiritual jazz and contemporary improvisation, carrying forward a lineage that runs through Coltrane and Sun Ra while remaining firmly rooted in the present. *Dream Child* arrives as a statement of intent, the kind of record that rewards patient listening and repeated spins, built for the heads who still believe in the transformative power of a needle hitting wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 706091209055\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Eulipion Arts\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Eulipion Arts (EA002)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Cadence! – 1:52\u003c\/li\u003e\n\u003cli\u003eA2 Little Web – 2:40\u003c\/li\u003e\n\u003cli\u003eA3 Dream Child – 2:34\u003c\/li\u003e\n\u003cli\u003eA4 Ur Worth – 2:04\u003c\/li\u003e\n\u003cli\u003eA5 GodBodyCharge – 0:47\u003c\/li\u003e\n\u003cli\u003eA6 Kindling – 1:26\u003c\/li\u003e\n\u003cli\u003eA7 Atlas – 1:26\u003c\/li\u003e\n\u003cli\u003eB1 Melanated – 1:53\u003c\/li\u003e\n\u003cli\u003eB2 Our Taproot – 1:05\u003c\/li\u003e\n\u003cli\u003eB3 River – 1:31\u003c\/li\u003e\n\u003cli\u003eB4 Prana – 1:04\u003c\/li\u003e\n\u003cli\u003eB5 Dream Matter – 1:47\u003c\/li\u003e\n\u003cli\u003eB6 Aware – 2:16\u003c\/li\u003e\n\u003cli\u003eC1 Bairn – 1:48\u003c\/li\u003e\n\u003cli\u003eC2 Seven Gates – 1:21\u003c\/li\u003e\n\u003cli\u003eC3 Nür – 2:04\u003c\/li\u003e\n\u003cli\u003eC4 Aurora – 2:16\u003c\/li\u003e\n\u003cli\u003eC5 Umi – 2:12\u003c\/li\u003e\n\u003cli\u003eC6 Fissure – 0:59\u003c\/li\u003e\n\u003cli\u003eC7 Neter – 1:35\u003c\/li\u003e\n\u003cli\u003eC8 Prism – 2:06\u003c\/li\u003e\n\u003cli\u003eD1 Infra – 0:48\u003c\/li\u003e\n\u003cli\u003eD2 Root – 3:13\u003c\/li\u003e\n\u003cli\u003eD3 Plasma – 2:10\u003c\/li\u003e\n\u003cli\u003eD4 Don't Blink – 1:28\u003c\/li\u003e\n\u003cli\u003eD5 Suijin – 1:31\u003c\/li\u003e\n\u003cli\u003eD6 Crucible – 1:27\u003c\/li\u003e\n\u003cli\u003eD7 Light Leak – 2:14\u003c\/li\u003e\n\u003cli\u003eD8 Old Leak – 2:42\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIvan Vldovic – Artwork By\u003c\/li\u003e\n\u003cli\u003eAdam Gonsalves – Mastered By\u003c\/li\u003e\n\u003cli\u003eHarris Cole – Mastered By\u003c\/li\u003e\n\u003cli\u003eOmari Jazz – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547545293118,"sku":"359292856","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633208881470-transparent-v2.png?v=1792218767"},{"product_id":"xiu-xiu-dear-god-i-hate-myself-2-lp-vinyl","title":"Xiu Xiu – Dear God I Hate Myself (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2010, \"Dear God, I Hate Myself\" arrived as Xiu Xiu's eighth studio album and found Jamie Stewart at a creative crossroads, channeling deeply personal darkness into some of the most melodically accessible material of his career. 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Thom Yorke's fractured vocals, Jonny Greenwood's orchestral textures, and the band's deep dive into Krautrock and Warp Records-era electronics produced something that genuinely unsettled listeners on first contact, and has only grown stranger and more essential with time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Known for their explorative and restless sound, taking influence from old style rock like The Beatles, The Rolling Stones, Neil Young and Pink Floyd as well as from electronica and hip hop, each of Radiohead's albums marks a cornerstone in their musical evolution. Debut Pablo Honey (1993) was their answer to grunge while follow-up albums The Bends (1995) and OK Computer (1997) offered atmospheric, almost avant-garde tones. With the near impossible task of following up their critically acclaimed masterpiece OK Computer, Radiohead took another bold leap at the turn of the millennium with Kid A, an experimental album built largely around the union of electronica and mood. Musically, Kid A is as accomplished as anything Radiohead has ever produced and it's overflowing with eye-opening musical mosaics which are absolutely stunning in their insight and beauty. Kid A initially proved to be controversial as critics labeled the mixture of electronic beats, jazz horns and strings as \"difficult\" but tracks like the soaring \"Optimistic\" kept fans loyal and saw Radiohead crowned as masters of composition. A left-field hit, Kid A was eventually nominated for a Grammy for Album of the Year and won for Best Alternative Album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Everything In Its Right Place (4:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Kid A (4:44)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The National Anthem (5:52)\u003c\/div\u003e\n\u003cdiv\u003e2. How To Disappear Completely (5:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Treefingers (3:43)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Optimistic (5:16)\u003c\/div\u003e\n\u003cdiv\u003e2. In Limbo (3:31)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Idioteque (5:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Morning Bell (4:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Motion Picture Soundtrack (6:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904078201\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Parlophone (TOCP-53835)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2006  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Japan\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Everything In Its Right Place – 4:11\u003c\/li\u003e\n\u003cli\u003e2 Kid A – 4:44\u003c\/li\u003e\n\u003cli\u003e3 The National Anthem – 5:51\u003c\/li\u003e\n\u003cli\u003e4 How To Disappear Completely – 5:56\u003c\/li\u003e\n\u003cli\u003e5 Treefingers – 3:42\u003c\/li\u003e\n\u003cli\u003e6 Optimistic – 5:16\u003c\/li\u003e\n\u003cli\u003e7 In Limbo – 3:31\u003c\/li\u003e\n\u003cli\u003e8 Idioteque – 5:09\u003c\/li\u003e\n\u003cli\u003e9 Morning Bell – 4:35\u003c\/li\u003e\n\u003cli\u003e10 Motion Picture Soundtrack – 7:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDr Tchock – Artwork (Landscapes, Knives, And Glue)\u003c\/li\u003e\n\u003cli\u003eStanley Donwood – Artwork (Landscapes, Knives, And Glue)\u003c\/li\u003e\n\u003cli\u003eJonny Greenwood – Composed By (Orchestra Score)\u003c\/li\u003e\n\u003cli\u003eJohn Lubbock – Conductor (Orchestra)\u003c\/li\u003e\n\u003cli\u003eGraeme Stewart – Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eThe Orchestra Of St. John's – Featuring\u003c\/li\u003e\n\u003cli\u003eChris Blair – Mastered By\u003c\/li\u003e\n\u003cli\u003eGerard Navarro – Recorded By (Assistant), Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eNigel Godrich – Recorded By (Direction), Engineer, Mixed By\u003c\/li\u003e\n\u003cli\u003eRadiohead – Recorded By (Direction), Written-By\u003c\/li\u003e\n\u003cli\u003ePlank (3) – Technician (Gaffer)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560497470,"sku":"359996","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213567294-transparent-v4.png?v=1791326584"},{"product_id":"radiohead-in-rainbows-lp-vinyl","title":"Radiohead – In Rainbows","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen Radiohead first dropped In Rainbows as a pay-what-you-want download in October 2007, it upended the music industry's assumptions about how records could reach listeners. The physical release that followed rewarded patience, with the warmth of Thom Yorke's vocals and Jonny Greenwood's string arrangements translating beautifully to vinyl, particularly on tracks like \"Nude\" and \"Reckoner.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRadiohead release their new album \"In Rainbows\" on XL Recordings on 31st December 2007.The album is released on CD and vinyl and will be followed by the release of the single \"Jigsaw Falling Into Place\" on January 14th January 2008. The single is already the most played track from the album on UK and US radio. \"In Rainbows\" was released in download format earlier this year, when it was received with huge acclaim in the press.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 15 Step (3:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Bodysnatchers (4:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Nude (4:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Weird Fishes\/Arpeggi (5:18)\u003c\/div\u003e\n\u003cdiv\u003e5. All I Need (3:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Faust Arp (2:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Reckoner (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. House Of Cards (5:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Jigsaw Falling Into Place (4:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Videotape (4:40)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904032418\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.20.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings (XLLP 324)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2007  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 15 Step – 3:57\u003c\/li\u003e\n\u003cli\u003eA2 Bodysnatchers – 4:02\u003c\/li\u003e\n\u003cli\u003eA3 Nude – 4:15\u003c\/li\u003e\n\u003cli\u003eA4 Weird Fishes\/Arpeggi – 5:18\u003c\/li\u003e\n\u003cli\u003eA5 All I Need – 3:49\u003c\/li\u003e\n\u003cli\u003eB1 Faust Arp – 2:10\u003c\/li\u003e\n\u003cli\u003eB2 Reckoner – 4:50\u003c\/li\u003e\n\u003cli\u003eB3 House Of Cards – 5:28\u003c\/li\u003e\n\u003cli\u003eB4 Jigsaw Falling Into Place – 4:09\u003c\/li\u003e\n\u003cli\u003eB5 Videotape – 4:40\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDr Tchock – Artwork\u003c\/li\u003e\n\u003cli\u003eStanley Donwood – Artwork\u003c\/li\u003e\n\u003cli\u003eMatrix Music School – Backing Vocals (Uncredited)\u003c\/li\u003e\n\u003cli\u003eEverton Nelson – Concertmaster (Strings Led By)\u003c\/li\u003e\n\u003cli\u003eSally Herbert – Conductor (Strings)\u003c\/li\u003e\n\u003cli\u003eKathryn Birnie – Crew (Studio Crew)\u003c\/li\u003e\n\u003cli\u003ePlank (3) – Crew (Studio Crew)\u003c\/li\u003e\n\u003cli\u003eRichard Young (10) – Crew (Studio Crew)\u003c\/li\u003e\n\u003cli\u003eTim Greaves (2) – Crew (Studio Crew)\u003c\/li\u003e\n\u003cli\u003eDan Grech-Marguerat – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eHugo Nicolson – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eNigel Godrich – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eRichard Woodcraft – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003ePeachy (2) – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eBrian Message – Management\u003c\/li\u003e\n\u003cli\u003eBryce Edge – Management\u003c\/li\u003e\n\u003cli\u003eChris Hufford – Management\u003c\/li\u003e\n\u003cli\u003eJulie Calland – Management\u003c\/li\u003e\n\u003cli\u003eCourtyard Management – Management (At)\u003c\/li\u003e\n\u003cli\u003eBob Ludwig – Mastered By\u003c\/li\u003e\n\u003cli\u003eJohnny Marr – Other (Thanks To (For Guitars)), Music Consultant (Counsel)\u003c\/li\u003e\n\u003cli\u003eColin Greenwood – Performer (Radiohead Are)\u003c\/li\u003e\n\u003cli\u003eEd O'Brien – Performer (Radiohead Are)\u003c\/li\u003e\n\u003cli\u003eJonny Greenwood – Performer (Radiohead Are)\u003c\/li\u003e\n\u003cli\u003ePhil Selway – Performer (Radiohead Are)\u003c\/li\u003e\n\u003cli\u003eThom Yorke – Performer (Radiohead Are)\u003c\/li\u003e\n\u003cli\u003eGraeme Stewart – Producer (Preproduction By)\u003c\/li\u003e\n\u003cli\u003eNigel Godrich – Producer, Mixed By\u003c\/li\u003e\n\u003cli\u003eThe Millennia Ensemble – Strings (Performed By)\u003c\/li\u003e\n\u003cli\u003eRadiohead – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561349438,"sku":"20957","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633214091582-transparent-v2.png?v=1791443535"},{"product_id":"radiohead-hail-to-the-thief-2-lp-vinyl","title":"Radiohead – Hail To The Thief (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in just two weeks at Oxford's Courtyard Studios in 2002, Hail to the Thief captures Radiohead at a moment of deliberate release, letting the songs breathe rather than agonizing over them the way Kid A and Amnesiac demanded. Tracks like \"2+2=5\" and \"There There\" hit with a directness the band hadn't shown in years, while the political anxiety running through the lyrics proved Yorke's unease with the early-2000s world order was anything but abstract.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRadiohead - Hail to the Thief (2Xlp) (45 Rpm) (180G) The sixth studio album by Radiohead, originally released in 2003, Hail to the Thief was seen as a return to alternative rock, drawing it's sound from every era of the band's existence. Band members described the album as having a more \"swaggering\" sound and a relaxed recording process, in contrast to previous tense sessions. At nearly an hour in length, the album is the band's longest, with many of it's songs within the two-to-three-minute range, shorter than the band's average. Thom Yorke said he was inspired by Beatles songs of that length which he thought felt much longer. 45rpm Double LP 180g Vinyl\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 2 + 2 = 5 (The Lukewarm.)\u003c\/div\u003e\n\u003cdiv\u003e2. Sit Down. Stand Up. (Snakes \u0026amp; Ladders.)\u003c\/div\u003e\n\u003cdiv\u003e3. Sail To The Moon. (Brush The Cobwebs Out Of The Sky.)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Backdrifts. (Honeymoon Is Over.)\u003c\/div\u003e\n\u003cdiv\u003e2. Go To Sleep. (Little Man Being Erased.)\u003c\/div\u003e\n\u003cdiv\u003e3. Where I End And You Begin. (The Sky Is Falling In.)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. We Suck Young Blood. (Your Time Is Up.)\u003c\/div\u003e\n\u003cdiv\u003e2. The Gloaming. (Softly Open Our Mouths In The Cold.)\u003c\/div\u003e\n\u003cdiv\u003e3. There There. (The Boney King Of Nowhere.)\u003c\/div\u003e\n\u003cdiv\u003e4. I Will. (No Man's Land.)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. A Punchup At A Wedding. (No No No No No No No No.)\u003c\/div\u003e\n\u003cdiv\u003e2. Myxomatosis. (Judge, Jury \u0026amp; Executioner.)\u003c\/div\u003e\n\u003cdiv\u003e3. Scatterbrain. (As Dead As Leaves.)\u003c\/div\u003e\n\u003cdiv\u003e4. A Wolf At The Door. (It Girl. Rag Doll.)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904078515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.20.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol Records (724358454314)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2008  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 2 + 2 = 5\u003c\/li\u003e\n\u003cli\u003eA2 Stand Up. 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Recorded with collaborators including the National's Aaron Dessner, it arrived as Vernon's most overtly spiritual and formally experimental statement, treating the studio itself as a confessional.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e22 stands for Justin Vernon. The number’s recurrence in his life has become a meaningful pattern through encounter and recognition. A mile marker, a jersey number, a bill total. The reflection of '2' is his identity bound up in duality: the relationship he has with himself and the relationship he has with the rest of the world. A Million is the rest of that world: the millions of people who we will never know, the infinite and the endless, everything outside one’s self that makes you who you are. The other side of Justin’s duality is the thing that completes him and what he searches for. 22, A Million is thus part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. When Justin sings, “I’m still standing in the need of prayer” he begs the question of what’s worth worshipping, or rather, what is possible to worship. If music is a sacred form of discovering, knowing and being, then Bon Iver’s albums are totems to that faith. The poly-fi record formed at the congruence of a bold yet delicate sonic palette. These sounds were the way out from the suffocating enclosure and captivity of anxiety. The ten songs of 22, A Million are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard coincidence. If 2011’s Bon Iver, Bon Iver built a habitat rooted in physical spaces, then 22, A Million is the letting go of that attachment to a place.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 22 (Over Soon) (2:46)\u003c\/div\u003e\n\u003cdiv\u003e2. 10 Death Breast ⚄ ⚄ (2:23)\u003c\/div\u003e\n\u003cdiv\u003e3. 715 - Creeks (2:09)\u003c\/div\u003e\n\u003cdiv\u003e4. 33 “God” (3:28)\u003c\/div\u003e\n\u003cdiv\u003e5. 29 #Strafford Apts (4:04)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. 666 ʇ (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. 21 Moon Water (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. 8 (Circle) (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. ____45_____ (2:46)\u003c\/div\u003e\n\u003cdiv\u003e5. 1000000 Million (3:54)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605230016\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jagjaguwar\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jagjaguwar (JAG300)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 22 (Over Soon) – 2:46\u003c\/li\u003e\n\u003cli\u003eA2 10 Death Breast ⚄ ⚄ – 2:23\u003c\/li\u003e\n\u003cli\u003eA3 715 - Creeks – 2:09\u003c\/li\u003e\n\u003cli\u003eA4 33 “God” – 3:28\u003c\/li\u003e\n\u003cli\u003eA5 29 #Strafford Apts – 4:04\u003c\/li\u003e\n\u003cli\u003eB1 666 ʇ – 4:12\u003c\/li\u003e\n\u003cli\u003eB2 21 Moon Water – 3:08\u003c\/li\u003e\n\u003cli\u003eB3 8 (Circle) – 5:06\u003c\/li\u003e\n\u003cli\u003eB4 ____45_____ – 2:46\u003c\/li\u003e\n\u003cli\u003eB5 1000000 Million – 3:54\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eEric Timothy Carlson – Artwork (Art)\u003c\/li\u003e\n\u003cli\u003eAdam Voith – Booking (Books)\u003c\/li\u003e\n\u003cli\u003eBoche (2) – Booking (Books)\u003c\/li\u003e\n\u003cli\u003eRob Challice – Booking (Books)\u003c\/li\u003e\n\u003cli\u003eSloan (11) – Booking (Books)\u003c\/li\u003e\n\u003cli\u003eJosh Sundquist – Management\u003c\/li\u003e\n\u003cli\u003eKyle Frenette – Management\u003c\/li\u003e\n\u003cli\u003eMolly Smith (4) – Management\u003c\/li\u003e\n\u003cli\u003ePaul Sawyer (5) – Management\u003c\/li\u003e\n\u003cli\u003eButch (44) – Management (Cash Money)\u003c\/li\u003e\n\u003cli\u003eHeather (31) – Management (Cash Money)\u003c\/li\u003e\n\u003cli\u003eRit (2) – Management (Cash Money)\u003c\/li\u003e\n\u003cli\u003eHuntley Miller – Mastered By (Master)\u003c\/li\u003e\n\u003cli\u003eZach Hanson – Mixed By (Professional Mixer)\u003c\/li\u003e\n\u003cli\u003eJustin Vernon – Performer (All Played By), Written-By, Synthesizer (OP-1), Guitar (Gritar), Synthesizer (Prophet), Bass, Drums, Synthesizer (M1), Synthesizer (Messina)\u003c\/li\u003e\n\u003cli\u003eDrew (56) – Performer (Keys Grip)\u003c\/li\u003e\n\u003cli\u003eChris Messina – Performer (Maker's Maker)\u003c\/li\u003e\n\u003cli\u003eJustin Vernon – Performer (Maker)\u003c\/li\u003e\n\u003cli\u003eAndra Chumas – Performer (Mother Nourishment)\u003c\/li\u003e\n\u003cli\u003eMichael Perry (11) – Performer (Neighbour)\u003c\/li\u003e\n\u003cli\u003eBJ Burton – Performer (Noble Black Eagle)\u003c\/li\u003e\n\u003cli\u003eCherie Minske – Performer (Rookie)\u003c\/li\u003e\n\u003cli\u003eAl Falaschi – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eChristopher Thomas (8) – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eClay Lyons – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eClay Pufahl – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eDavid Laurenzi – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eMark Henderson (3) – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eMatt Douglas (2) – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eMichael Lewis (2) – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eNelson Devereaux – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003ePeterson Ross – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eScott Fultz – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eTony Barba – Performer (Sad Sax Of Shit)\u003c\/li\u003e\n\u003cli\u003eRyan Olson – Performer (Scream Defense)\u003c\/li\u003e\n\u003cli\u003eMichael Lewis (2) – Performer (The Oracle)\u003c\/li\u003e\n\u003cli\u003eJack (106) – Performer (The Prospector)\u003c\/li\u003e\n\u003cli\u003eRob Moose – Performer (The Whisperer)\u003c\/li\u003e\n\u003cli\u003eCamilla Staveley-Taylor – Performer (Trust Ear)\u003c\/li\u003e\n\u003cli\u003eBrad Cook – Performer (Wings)\u003c\/li\u003e\n\u003cli\u003eApril Base – Producer (Produced By)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561709886,"sku":"298870","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633214419262-transparent-v2.png?v=1791431730"},{"product_id":"michael-jackson-number-ones-2-lp-vinyl","title":"Michael Jackson – Number Ones (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSpanning nearly three decades of pop history, this collection traces Michael Jackson's unmatched run from the disco-influenced funk of \"Don't Stop 'Til You Get Enough\" in 1979 through the post-millennial R\u0026amp;B of \"You Rock My World\" in 2001. Jackson holds the record for the best-selling album of all time with *Thriller*, and the songs gathered here represent the full commercial and artistic arc that made him the defining solo pop artist of his era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003eAvailable for the first time on vinyl, Number Ones features 18 of Michael Jackson’s biggest hits.  This double-LP collection includes iconic tracks across his discography, including “Billie Jean,” “Smooth Criminal,” “Black or White,” “You Rock My World” and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e1-Don’t Stop ‘til You Get Enough\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e2-Rock With You\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e3-Billie Jean    \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e4-Beat It\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e5-Thriller  \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e1-Human Nature  \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e2- I Just Can’t Stop Loving You\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e3-Bad\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e4- The Way You Make Me Feel\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e5- Dirty Diana\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003eSide C\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e1- Smooth Criminal  \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e2- Black or White\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e3- You Are Not Alone\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e4- Earth Song\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e1-Blood On The Dance Floor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e2- You Rock My World\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e3- Break of Dawn\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: verdana, geneva, sans-serif;\"\u003e4-One More Chance\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Stop 'Til You Get Enough\u003c\/div\u003e\n\u003cdiv\u003e2. Rock With You\u003c\/div\u003e\n\u003cdiv\u003e3. Billie Jean\u003c\/div\u003e\n\u003cdiv\u003e4. Beat It\u003c\/div\u003e\n\u003cdiv\u003e5. Thriller\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Human Nature\u003c\/div\u003e\n\u003cdiv\u003e2. I Just Can't Stop Loving You\u003c\/div\u003e\n\u003cdiv\u003e3. Bad\u003c\/div\u003e\n\u003cdiv\u003e4. The Way You Make Me Feel\u003c\/div\u003e\n\u003cdiv\u003e5. Dirty Diana\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Smooth Criminal\u003c\/div\u003e\n\u003cdiv\u003e2. Black Or White\u003c\/div\u003e\n\u003cdiv\u003e3. You Are Not Alone\u003c\/div\u003e\n\u003cdiv\u003e4. Earth Song\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blood On The Dance Floor\u003c\/div\u003e\n\u003cdiv\u003e2. You Rock My World\u003c\/div\u003e\n\u003cdiv\u003e3. Break Of Dawn\u003c\/div\u003e\n\u003cdiv\u003e4. One More Chance\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029995916\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (19958410701); MJJ Music (19958410701); Legacy (19958410701)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Don't Stop Till You Get Enough\u003c\/li\u003e\n\u003cli\u003eA2 Rock With You\u003c\/li\u003e\n\u003cli\u003eA3 Billie Jean\u003c\/li\u003e\n\u003cli\u003eA4 Beat It\u003c\/li\u003e\n\u003cli\u003eA5 Thriller\u003c\/li\u003e\n\u003cli\u003eB1 Human Nature\u003c\/li\u003e\n\u003cli\u003eB2 I Just Can't Stop Loving You\u003c\/li\u003e\n\u003cli\u003eB3 Bad\u003c\/li\u003e\n\u003cli\u003eB4 The Way You Make Me Feel\u003c\/li\u003e\n\u003cli\u003eB5 Dirty Diana\u003c\/li\u003e\n\u003cli\u003eC1 Smooth Criminal\u003c\/li\u003e\n\u003cli\u003eC2 Black Or White\u003c\/li\u003e\n\u003cli\u003eC3 You Are Not Alone\u003c\/li\u003e\n\u003cli\u003eC4 Earth Song\u003c\/li\u003e\n\u003cli\u003eD1 Blood On The Dance Floor\u003c\/li\u003e\n\u003cli\u003eD2 You Rock My World\u003c\/li\u003e\n\u003cli\u003eD3 Break Of Dawn\u003c\/li\u003e\n\u003cli\u003eD4 One More Chance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJacquie Carter – A\u0026amp;R (Coordination)\u003c\/li\u003e\n\u003cli\u003eAdam Owett – Art Direction\u003c\/li\u003e\n\u003cli\u003eDavid Coleman (5) – Art Direction\u003c\/li\u003e\n\u003cli\u003eJulian Alexander – Art Direction\u003c\/li\u003e\n\u003cli\u003eNancy Donald – Art Direction\u003c\/li\u003e\n\u003cli\u003eRance Brown – Art Direction\u003c\/li\u003e\n\u003cli\u003eSheri Lee – Art Direction\u003c\/li\u003e\n\u003cli\u003eSeth Riggs – Consultant (Vocal)\u003c\/li\u003e\n\u003cli\u003eRance Brown – Design\u003c\/li\u003e\n\u003cli\u003eMichael Prince (3) – Edited By (Additional Digital), Engineer\u003c\/li\u003e\n\u003cli\u003eJohn McClain – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eMichael Jackson – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eTeam MJ – Management\u003c\/li\u003e\n\u003cli\u003eBernstein, Fox, Whitman \u0026amp; Co. – Management (Business)\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Mastered By\u003c\/li\u003e\n\u003cli\u003eSam Emerson – Photography By (Bad Cover)\u003c\/li\u003e\n\u003cli\u003eKleiser-Walczak Construction Co. – Photography By (HIStory - Past Present And Future - Book I)\u003c\/li\u003e\n\u003cli\u003eStephen Harvey – Photography By (Off The Wall Cover)\u003c\/li\u003e\n\u003cli\u003eDick Zimmerman (3) – Photography By (Thriller Cover)\u003c\/li\u003e\n\u003cli\u003eCraig Johnson – Project Manager (Archivist)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561906494,"sku":"78858394","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633214648638-transparent-v2.png?v=1791443366"},{"product_id":"madonna-confessions-ii-translucent-pink-lp-vinyl","title":"Madonna – CONFESSIONS II (Translucent Pink LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMadonna's 2005 *Confessions on a Dance Floor* arrived as one of the defining moments of her late-career reinvention, a seamless disco-influenced record that proved she could still command the floor on her own terms. This expanded edition brings new material into that continuous mix framework, extending the night rather than just revisiting it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMadonna TITLE: CONFESSIONS II (Deluxe) (Translucent Pink 2xLP) Get VIP treatment to Club Confessions with this 2LP set featuring the 16-song continuous mix of the album. Pressed on translucent pink vinyl and housed in gatefold sleeve with mirrored inner sleeves. This edition includes a printed clear outer sleeve, a double-sided poster, exclusive numbered coat check and track list prayer card. 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Nicolas Godin and Jean-Benoît Dunckel had long since proven they could soundtrack a mood better than almost anyone, and *Love 2* leaned further into that dreamlike drift, with contributions from Victoria Legrand of Beach House deepening its hazy, hypnotic pull.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732765918\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Virgin Music (none)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2009  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Do The Joy\u003c\/li\u003e\n\u003cli\u003e2 Love\u003c\/li\u003e\n\u003cli\u003e3 So Light Is Her Footfall\u003c\/li\u003e\n\u003cli\u003e4 Be A Bee\u003c\/li\u003e\n\u003cli\u003e5 Missing The Light Of The Day\u003c\/li\u003e\n\u003cli\u003e6 Tropical Disease\u003c\/li\u003e\n\u003cli\u003e7 Heaven's Light\u003c\/li\u003e\n\u003cli\u003e8 Night Hunter\u003c\/li\u003e\n\u003cli\u003e9 Sing Sang Sung\u003c\/li\u003e\n\u003cli\u003e10 Eat My Beat\u003c\/li\u003e\n\u003cli\u003e11 You Can Tell It To Everybody\u003c\/li\u003e\n\u003cli\u003e12 African Velvet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547710509374,"sku":"336593642","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633286312254-transparent-v2-r2.png?v=1791328430"},{"product_id":"radiohead-hail-to-the-thief-lp-vinyl","title":"Radiohead – Hail to the Thief","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHail to the Thief arrived in 2003 as Radiohead's most politically charged statement, recorded quickly in Los Angeles against the backdrop of the Iraq War buildup. Hearing these songs torn open across four cities and six years reveals something the studio version could only suggest: the band playing with a nervous, almost confrontational intensity that suits tracks like \"2+2=5\" and \"There There\" better than anyone might have expected.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRADIOHEAD \/ HAIL TO THE THIEF (LIVE RECORDINGS 2003-2009) A new live album that sees the band reflecting on their 6th album, Radiohead's Hail to the Thief (Live Recordings 2003-2009) is comprised of performances of songs in London, Amsterdam, Buenos Aires, and Dublin between 2003 and 2009. The album was mixed by Ben Baptie and mastered by Matt Colton. 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Hearing them together on wax, with \"If You Say the Word\" and \"Follow Me Around\" finally surfacing after two decades in the vault, restores the logic of that original creative vision in a way no individual release ever could.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e21 years since the release of \u003cstrong\u003eRadiohead\u003c\/strong\u003e’s seminal \u003c\/span\u003e\u003cspan\u003ealbums, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eKid A \u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAmnesiac\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e comes a combined and \u003c\/span\u003e\u003cspan\u003eexpanded reissue, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eKID A MNESIA \u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eHere put back together as originally intended, with \u003c\/span\u003e\u003cspan\u003ean additional disc of bonus material - including 2 \u003c\/span\u003e\u003cspan\u003eoriginal unreleased recordings from the era: ‘If You \u003c\/span\u003e\u003cspan\u003eSay the Word’ + ‘Follow Me Around’. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e“A new, uniquely fearless kind of rock record for a \u003c\/span\u003e\u003cspan\u003enew, increasingly fearful century, Radiohead’s fourth \u003c\/span\u003e\u003cspan\u003ealbum, released in October 2000, remains one of the \u003c\/span\u003e\u003cspan\u003emore stunning sonic makeovers in music history” \u003c\/span\u003e\u003cspan\u003e– \u003cstrong\u003eRolling Stone\u003c\/strong\u003e [500 Greatest Albums of All Time: \u003c\/span\u003e\u003cspan\u003e#20 \u003c\/span\u003e\u003cspan\u003eKid A\u003c\/span\u003e\u003cspan\u003e]\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Everything In Its Right Place\u003c\/div\u003e\n\u003cdiv\u003e2. Kid A\u003c\/div\u003e\n\u003cdiv\u003e3. The National Anthem\u003c\/div\u003e\n\u003cdiv\u003e4. How To Disappear Completely\u003c\/div\u003e\n\u003cdiv\u003e5. Treefingers\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Optimistic\u003c\/div\u003e\n\u003cdiv\u003e2. In Limbo\u003c\/div\u003e\n\u003cdiv\u003e3. Idioteque\u003c\/div\u003e\n\u003cdiv\u003e4. Morning Bell\u003c\/div\u003e\n\u003cdiv\u003e5. Motion Picture Soundtrack\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Packt Like Sardines In A Crushd Tin Box\u003c\/div\u003e\n\u003cdiv\u003e2. Pyramid Song\u003c\/div\u003e\n\u003cdiv\u003e3. Pulk\/Pull Revolving Doors\u003c\/div\u003e\n\u003cdiv\u003e4. You And Whose Army?\u003c\/div\u003e\n\u003cdiv\u003e5. I Might Be Wrong\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Knives Out\u003c\/div\u003e\n\u003cdiv\u003e2. Morning Bell\/Amnesiac\u003c\/div\u003e\n\u003cdiv\u003e3. Dollars And Cents\u003c\/div\u003e\n\u003cdiv\u003e4. Hunting Bears\u003c\/div\u003e\n\u003cdiv\u003e5. Like Spinning Plates\u003c\/div\u003e\n\u003cdiv\u003e6. Life In A Glasshouse\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Like Spinning Plates ('Why Us?' 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Fast Track\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled V3\u003c\/div\u003e\n\u003cdiv\u003e7. How To Disappear Into Strings\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191404116616\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.5.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings (XL1166LP)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eKid A\u003c\/li\u003e\n\u003cli\u003eA1 Everything In Its Right Place\u003c\/li\u003e\n\u003cli\u003eA2 Kid A\u003c\/li\u003e\n\u003cli\u003eA3 The National Anthem\u003c\/li\u003e\n\u003cli\u003eA4 How To Disappear Completely\u003c\/li\u003e\n\u003cli\u003eA5 Treefingers\u003c\/li\u003e\n\u003cli\u003eB1 Optimistic\u003c\/li\u003e\n\u003cli\u003eB2 In Limbo\u003c\/li\u003e\n\u003cli\u003eB3 Idioteque\u003c\/li\u003e\n\u003cli\u003eB4 Morning Bell\u003c\/li\u003e\n\u003cli\u003eB5 Motion Picture Soundtrack\u003c\/li\u003e\n\u003cli\u003eB6 Untitled\u003c\/li\u003e\n\u003cli\u003eAmnesiac\u003c\/li\u003e\n\u003cli\u003eC1 Packt Like Sardines In A Crushd Tin Box\u003c\/li\u003e\n\u003cli\u003eC2 Pyramid Song\u003c\/li\u003e\n\u003cli\u003eC3 Pulk\/Pull Revolving Doors\u003c\/li\u003e\n\u003cli\u003eC4 You And Whose Army?\u003c\/li\u003e\n\u003cli\u003eC5 I Might Be Wrong\u003c\/li\u003e\n\u003cli\u003eD1 Knives Out\u003c\/li\u003e\n\u003cli\u003eD2 Morning Bell\/Amnesiac\u003c\/li\u003e\n\u003cli\u003eD3 Dollars And Cents\u003c\/li\u003e\n\u003cli\u003eD4 Hunting Bears\u003c\/li\u003e\n\u003cli\u003eD5 Like Spinning Plates\u003c\/li\u003e\n\u003cli\u003eD6 Life In A Glasshouse\u003c\/li\u003e\n\u003cli\u003eKid Amnesiae\u003c\/li\u003e\n\u003cli\u003eE1 Like Spinning Plates ('Why Us?' Version)\u003c\/li\u003e\n\u003cli\u003eE2 Untitled V1\u003c\/li\u003e\n\u003cli\u003eE3 Fog (Again Again Version)\u003c\/li\u003e\n\u003cli\u003eE4 If You Say The Word\u003c\/li\u003e\n\u003cli\u003eE5 Follow Me Around\u003c\/li\u003e\n\u003cli\u003eF1 Pulk\/Pull (True Love Waits Version)\u003c\/li\u003e\n\u003cli\u003eF2 Untitled V2\u003c\/li\u003e\n\u003cli\u003eF3 The Morning Bell (In The Dark Version)\u003c\/li\u003e\n\u003cli\u003eF4 Pyramid Strings\u003c\/li\u003e\n\u003cli\u003eF5 Alt. Fast Track\u003c\/li\u003e\n\u003cli\u003eF6 Untitled V3\u003c\/li\u003e\n\u003cli\u003eF7 How To Disappear Into Strings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDr Tchock – Artwork\u003c\/li\u003e\n\u003cli\u003eStanley Donwood – Artwork\u003c\/li\u003e\n\u003cli\u003eArthur Kreiger – Composed By (Sample)\u003c\/li\u003e\n\u003cli\u003ePaul Lansky – Composed By (Sample)\u003c\/li\u003e\n\u003cli\u003eJohn Lubbock – Conductor\u003c\/li\u003e\n\u003cli\u003eNigel Godrich – Directed By\u003c\/li\u003e\n\u003cli\u003eRadiohead – Directed By\u003c\/li\u003e\n\u003cli\u003eGerard Navarro – Directed By (Assistant to the Directors)\u003c\/li\u003e\n\u003cli\u003eDan Grech-Marguerat – Engineer\u003c\/li\u003e\n\u003cli\u003eGerard Navarro – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eGraeme Stewart – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eNigel Godrich – Engineer, Mixed By\u003c\/li\u003e\n\u003cli\u003eHook Horns – Horns\u003c\/li\u003e\n\u003cli\u003eBarry Grint – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eHumphrey Lyttelton – Leader (Bandleader)\u003c\/li\u003e\n\u003cli\u003eBob Ludwig – Mastered By\u003c\/li\u003e\n\u003cli\u003eChris Blair – Mastered By\u003c\/li\u003e\n\u003cli\u003eNigel Godrich – Producer\u003c\/li\u003e\n\u003cli\u003eHenry Binns – Sampler (Rhythm Sampling)\u003c\/li\u003e\n\u003cli\u003eJonny Greenwood – Score\u003c\/li\u003e\n\u003cli\u003eThe Orchestra Of St. John's – Strings\u003c\/li\u003e\n\u003cli\u003eRadiohead – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547723026750,"sku":"402327","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633290178878-transparent-v2.png?v=1792218767"},{"product_id":"george-michael-older-remastered-2-lp-vinyl","title":"George Michael – Older: Remastered (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the shadow of profound personal loss, including the death of his partner Anselmo Feleppa, Older marked a decisive turning point for George Michael, away from pop spectacle and toward something far more inward and soul-baring. The quiet sophistication of the arrangements, rooted in jazz and orchestral textures, signaled an artist deliberately remaking himself on his own terms.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“Older is my greatest moment” George Michael\u003cbr\u003e\u003cbr\u003eOriginally released in 1996, Older spent three weeks at Number 1 in the UK and spawned 6 singles including Fastlove and Jesus To A Child. The album was a huge global success, going 6x platinum in the UK, as well as being verified platinum in another 22 countries. Written, arranged and produced by George, it sees him exploring new genres as he reflected on life, loss, love and healing. This iconic album is now available as a 2LP gatefold on 180g vinyl beautifully remastered from the original tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Jesus To A Child (6:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Fastlove (5:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Older (5:32)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Spinning The Wheel (6:21)\u003c\/div\u003e\n\u003cdiv\u003e2. It Doesn't Really Matter (4:49)\u003c\/div\u003e\n\u003cdiv\u003e3. The Strangest Thing (6:00)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. To Be Forgiven (5:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Move On (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Star People (5:15)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. You Have Been Loved (5:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Free (2:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194398570914\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Music (19439857091\/B); Aegean (19439857091)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Jesus To A Child – 6:50\u003c\/li\u003e\n\u003cli\u003eA2 Fastlove – 5:24\u003c\/li\u003e\n\u003cli\u003eA3 Older – 5:32\u003c\/li\u003e\n\u003cli\u003eB1 Spinning The Wheel – 6:21\u003c\/li\u003e\n\u003cli\u003eB2 It Doesn't Really Matter – 4:49\u003c\/li\u003e\n\u003cli\u003eB3 The Strangest Thing – 6:00\u003c\/li\u003e\n\u003cli\u003eC1 To Be Forgiven – 5:21\u003c\/li\u003e\n\u003cli\u003eC2 Move On – 4:45\u003c\/li\u003e\n\u003cli\u003eC3 Star People – 5:15\u003c\/li\u003e\n\u003cli\u003eD1 You Have Been Loved – 5:27\u003c\/li\u003e\n\u003cli\u003eD2 Free – 2:59\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJonathan Elliott (2) – Design (Additional)\u003c\/li\u003e\n\u003cli\u003eGeorge Michael – Design (Sleeve Designed By)\u003c\/li\u003e\n\u003cli\u003ePeter B. (3) – Design (Sleeve Designed By)\u003c\/li\u003e\n\u003cli\u003eSimon Halfon – Design (Sleeve Designed By)\u003c\/li\u003e\n\u003cli\u003eCharlie Brocco – Engineer (Engineering)\u003c\/li\u003e\n\u003cli\u003eChris Porter – Engineer (Engineering)\u003c\/li\u003e\n\u003cli\u003ePaul Gomersall – Engineer (Engineering)\u003c\/li\u003e\n\u003cli\u003eRen Swan – Engineer (Engineering)\u003c\/li\u003e\n\u003cli\u003eAndros Georgiou – Engineer (Rolling)\u003c\/li\u003e\n\u003cli\u003eNiall Flynn – Engineer (Studio Assistant)\u003c\/li\u003e\n\u003cli\u003eDavid Austin – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eAndrew MacPherson (3) – Photography By (Back And Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003eEugene Adebari – Photography By (Back And Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003eBrad Branson – Photography By (Front Cover)\u003c\/li\u003e\n\u003cli\u003eGeorge Michael – Programmed By (Programming)\u003c\/li\u003e\n\u003cli\u003ePete Gleadall – Programmed By (Programming)\u003c\/li\u003e\n\u003cli\u003eSteve McNichol – Programmed By (Programming)\u003c\/li\u003e\n\u003cli\u003eDavid Austin – Remastered By\u003c\/li\u003e\n\u003cli\u003eJohn Webber – Remastered By\u003c\/li\u003e\n\u003cli\u003eGeorge Michael – Written-By, Arranged By, Producer (Produced By)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547782533438,"sku":"689060","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/George-Michael-Older-Remastered-2-LP-Vinyl.jpg?v=1791079687"},{"product_id":"depeche-mode-broken-frame-lp-vinyl","title":"Depeche Mode – Broken Frame","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just months after Vince Clarke's departure, A Broken Frame fell entirely on the shoulders of Martin Gore as sole songwriter, a pressure that would ultimately forge one of synthpop's most distinctive compositional voices. The album captures a pivotal moment of reinvention, with the band leaning into pastoral, melancholic textures that set them apart from the brighter new wave of their peers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDEPECHE MODE \/ A BROKEN FRAME - Depeche Mode's second album, A Broken Frame, was released in 1982 and shows a growing band in it's early stages, a group that's searching for direction and focus. It's versatility and highly diverse set of quintessential Eighties Pop make this a very interesting album, including hit singles \"Leave In Silence\", \"See You\" and \"The Meaning Of Love\". 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Gore – Performer (Depeche Mode)\u003c\/li\u003e\n\u003cli\u003eBrian Griffin (3) – Photography By\u003c\/li\u003e\n\u003cli\u003eDaniel Miller – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eDepeche Mode – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eJaqui Frye – Stylist (Clothes Stylist)\u003c\/li\u003e\n\u003cli\u003eMartin L. Gore – Words By, Music By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547783221566,"sku":"43508604","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633307808062-transparent-v2.png?v=1791433301"},{"product_id":"tortoise-tnt-clear-2-lp-vinyl","title":"Tortoise – TNT (Clear 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChicago's Tortoise arrived at *TNT* having already redrawn the map of what instrumental rock could be, and this third album pushed further into jazz, dub, and electronic textures without ever losing the rhythmic precision that made them essential. Recorded with John McEntire producing and engineering, it remains one of the defining documents of the late-90s post-rock moment, when a handful of bands proved that grooves and ideas weren't mutually exclusive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTNT is Tortoise's third studio album, originally released in 1998. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377005004\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.24.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. TNT\u003c\/div\u003e\n\u003cdiv\u003e2. Swung From The Gutters\u003c\/div\u003e\n\u003cdiv\u003e3. Ten-Day Interval\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Set My Face To The Hillside\u003c\/div\u003e\n\u003cdiv\u003e2. The Equator\u003c\/div\u003e\n\u003cdiv\u003e3. A Simple Way To Go Faster Than Light That Does Not Work\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Suspension Bridge At Iguazú Falls\u003c\/div\u003e\n\u003cdiv\u003e2. Four-Day Interval\u003c\/div\u003e\n\u003cdiv\u003e3. In Sarah, Mencken, Christ, And Beethoven There Were Women And Men\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Almost Always Is Nearly Enough\u003c\/div\u003e\n\u003cdiv\u003e2. Jetty\u003c\/div\u003e\n\u003cdiv\u003e3. Everglade\u003c\/div\u003e\n\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e City Slang (none)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1998\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 TNT – 7:32\u003c\/li\u003e\n\u003cli\u003e2 Swung From The Gutters – 5:52\u003c\/li\u003e\n\u003cli\u003e3 Ten-Day Interval – 4:43\u003c\/li\u003e\n\u003cli\u003e4 I Set My Face To The Hillside – 6:09\u003c\/li\u003e\n\u003cli\u003e5 The Equator – 3:42\u003c\/li\u003e\n\u003cli\u003e6 A Simple Way To Go Faster Than Light That Does Not Work – 3:34\u003c\/li\u003e\n\u003cli\u003e7 The Suspension Bridge At Iguazú Falls – 5:38\u003c\/li\u003e\n\u003cli\u003e8 Four-Day Interval – 4:45\u003c\/li\u003e\n\u003cli\u003e9 In Sarah, Mencken, Christ, And Beethoven There Were Women And Men – 7:29\u003c\/li\u003e\n\u003cli\u003e10 Almost Always Is Nearly Enough – 2:41\u003c\/li\u003e\n\u003cli\u003e11 Jetty – 8:22\u003c\/li\u003e\n\u003cli\u003e12 Everglade – 4:20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCaitlin Horsmon – Bassoon\u003c\/li\u003e\n\u003cli\u003ePopahna Brandes – Cello\u003c\/li\u003e\n\u003cli\u003eTortoise – Composed By, Design (Sleeve)\u003c\/li\u003e\n\u003cli\u003eRob Mazurek – Cornet\u003c\/li\u003e\n\u003cli\u003eRoger Seibel – Mastered By\u003c\/li\u003e\n\u003cli\u003eDan Bitney – Performer\u003c\/li\u003e\n\u003cli\u003eDavid Pajo – Performer\u003c\/li\u003e\n\u003cli\u003eDouglas McCombs – Performer\u003c\/li\u003e\n\u003cli\u003eJeff Parker – Performer\u003c\/li\u003e\n\u003cli\u003eJohn Herndon – Performer\u003c\/li\u003e\n\u003cli\u003eJohn McEntire – Performer\u003c\/li\u003e\n\u003cli\u003eDan Bitney – Programmed By (Additional Programming)\u003c\/li\u003e\n\u003cli\u003eJohn Herndon – Programmed By (Additional Programming)\u003c\/li\u003e\n\u003cli\u003eJohn McEntire – Recorded By, Edited By, Mixed By\u003c\/li\u003e\n\u003cli\u003eSara P. Smith – Trombone\u003c\/li\u003e\n\u003cli\u003eJulie Liu – Violin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547783549246,"sku":"667814","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633308168510-transparent-v2.png?v=1791446229"},{"product_id":"brad-mehldau-finding-gabriel-2-lp-vinyl","title":"Brad Mehldau – Finding Gabriel (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrad Mehldau has long operated at the intersection of jazz virtuosity and deep literary and spiritual curiosity, and *Finding Gabriel* pushes that restlessness further than any of his previous work. Named for the archangel, the album draws on themes of faith, mortality, and human connection, with Mehldau handling nearly every sonic layer himself before inviting a cast of collaborators into the vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe album comprises nine thematically related songs by Mehldau and features performances by him on piano, synthesizers, percussion, and Fender Rhodes, as well as vocals. 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Morris Day and the band brought a sharp, comedic charisma to Prince's Minneapolis sound that set them apart from everything else on the radio that summer.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\u003cp\u003eIn celebration of Black Music Month, this album has been cut from the original analog master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180 gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.\u003c\/p\u003e\u003cp\u003eProduced by Prince (as The Starr ? Company), Ice Cream Castle is The Time's best-selling album, delivering classic funk hits like \"Jungle Love\" and \"The Bird.\"\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFEATURING:\u003c\/li\u003e\n\u003cli\u003ePart of Audiophile Vinyl Series Rhino Reserve!\u003c\/li\u003e\n\u003cli\u003eLacquers Cut by Matthew Lutthans at The Mastering Lab!\u003c\/li\u003e\n\u003cli\u003ePressed on 180g Premium-Quality Vinyl at Fidelity Record Pressing.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e\u003c\/h3\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Ice Cream Castles (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. My Drawers (4:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Chili Sauce (5:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Jungle Love (5:29)\u003c\/div\u003e\n\u003cdiv\u003e2. If The Kid Can't Make You Come (7:33)\u003c\/div\u003e\n\u003cdiv\u003e3. The Bird (7:40)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804343\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. Records (9 25109-1, 1-25109)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1984  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Ice Cream Castles – 7:33\u003c\/li\u003e\n\u003cli\u003eA2 My Drawers – 4:04\u003c\/li\u003e\n\u003cli\u003eA3 Chili Sauce – 5:45\u003c\/li\u003e\n\u003cli\u003eB1 Jungle Love – 5:29\u003c\/li\u003e\n\u003cli\u003eB2 If The Kid Can't Make You Come – 7:33\u003c\/li\u003e\n\u003cli\u003eB3 The Bird – 7:40\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJeffrey Kent Ayeroff – Art Direction\u003c\/li\u003e\n\u003cli\u003eJeri McManus – Art Direction\u003c\/li\u003e\n\u003cli\u003eThe Starr * Company – Art Direction\u003c\/li\u003e\n\u003cli\u003eJerry Hubbard – Bass, Voice\u003c\/li\u003e\n\u003cli\u003eJellybean Johnson – Drums\u003c\/li\u003e\n\u003cli\u003eDavid Leonard – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003ePeggy McCreary – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eTerry Christian – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eJesse Johnson – Guitar, Backing Vocals\u003c\/li\u003e\n\u003cli\u003eMark Cardenas – Keyboards, Backing Vocals\u003c\/li\u003e\n\u003cli\u003ePaul Peterson – Keyboards, Backing Vocals\u003c\/li\u003e\n\u003cli\u003eMorris Day – Lead Vocals, Backing Vocals\u003c\/li\u003e\n\u003cli\u003eMoultrie Accountancy Corp. – Management (Business)\u003c\/li\u003e\n\u003cli\u003eCavallo, Ruffalo \u0026amp; Fargnoli – Management (Exclusive Representation)\u003c\/li\u003e\n\u003cli\u003eJerome Benton – Percussion, Voice\u003c\/li\u003e\n\u003cli\u003eLarry Williams (9) – Photography By\u003c\/li\u003e\n\u003cli\u003eMorris Day – Producer\u003c\/li\u003e\n\u003cli\u003eThe Starr * Company – Producer\u003c\/li\u003e\n\u003cli\u003eJesse Johnson – Written-By (All Jams Written By)\u003c\/li\u003e\n\u003cli\u003eMorris Day – Written-By (All Jams Written By)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549629600062,"sku":"164448402","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633510183230-transparent-v2.png?v=1791446226"},{"product_id":"seal-seal-2-lp-vinyl","title":"Seal – Seal (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eProduced by Trevor Horn, Seal's 1994 self-titled sophomore record arrived at a moment when the singer's voice, one of the most distinctive in pop, had fully found its setting. \"Kiss from a Rose\" became inescapable after its inclusion on the *Batman Forever* soundtrack in 1995, but the album surrounding it rewards close listening, balancing orchestral ambition with raw emotional directness.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDeluxe double vinyl LP pressing. Seal is the second eponymous studio album by British singer Seal, originally released in 1994. Includes the worldwide smash hit single \"Kiss from a Rose\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Bring It On (3:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Prayer For The Dying (5:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Dreaming In Metaphors (5:51)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Cry (6:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Fast Changes (5:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Kiss From A Rose (4:47)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. People Asking Why (4:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Newborn Friend (4:04)\u003c\/div\u003e\n\u003cdiv\u003e3. If I Could (4:16)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Alive (4:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Bring It On (Reprise) (1:16)\u003c\/div\u003e\n\u003ch4\u003eSide 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Parizeau – Photography By\u003c\/li\u003e\n\u003cli\u003eDead Obies – Producer\u003c\/li\u003e\n\u003cli\u003eVNCE – Producer\u003c\/li\u003e\n\u003cli\u003eVNCE – Recorded By, Mixed By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549751726398,"sku":"63292517","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Dead-Obies-Montreal-Ud-Can-LP-Vinyl.jpg?v=1791148481"},{"product_id":"dizzee-rascal-boy-in-da-corner-3-lp-vinyl","title":"Dizzee Rascal – Boy In Da Corner (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Dizzee Rascal was just 17 years old in East London, Boy in Da Corner arrived in 2003 and announced grime as a fully formed world unto itself, raw and uncompromising. 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String Ho Instrumental\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sittin' Here\u003c\/div\u003e\n\u003cdiv\u003e2. Stop Dat\u003c\/div\u003e\n\u003cdiv\u003e3. I Luv U\u003c\/div\u003e\n\u003cdiv\u003e4. Brand New Day\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. 2 Far\u003c\/div\u003e\n\u003cdiv\u003e2. Fix Up, Look Sharp\u003c\/div\u003e\n\u003cdiv\u003e3. Cut 'Em Off\u003c\/div\u003e\n\u003cdiv\u003e4. Hold Ya Mouf\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Round We Go\u003c\/div\u003e\n\u003cdiv\u003e2. Jus A Rascal\u003c\/div\u003e\n\u003cdiv\u003e3. Wot U On\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Jezebel\u003c\/div\u003e\n\u003cdiv\u003e2. Seems 2 Be\u003c\/div\u003e\n\u003cdiv\u003e3. Live O\u003c\/div\u003e\n\u003cdiv\u003e4. Do It\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Vexed\u003c\/div\u003e\n\u003cdiv\u003e2. Streeet Fighter\u003c\/div\u003e\n\u003cdiv\u003e3. Win\u003c\/div\u003e\n\u003cdiv\u003e4. We Aint Havin It\u003c\/div\u003e\n\u003cdiv\u003e5. Kryme\u003c\/div\u003e\n\u003cdiv\u003e6. Ready 4 War\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Street Fighter (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e2. Go (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e3. Ho (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e4. String Ho (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e5. Ting Ting (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e6. Wheel (Instrumental)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191404137918\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings (XLLP170)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2003  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Sittin' Here – 4:04\u003c\/li\u003e\n\u003cli\u003eA2 Stop Dat – 3:39\u003c\/li\u003e\n\u003cli\u003eA3 I Luv U – 4:04\u003c\/li\u003e\n\u003cli\u003eA4 Brand New Day – 3:59\u003c\/li\u003e\n\u003cli\u003eB1 2 Far – 3:07\u003c\/li\u003e\n\u003cli\u003eB2 Fix Up, Look Sharp – 3:45\u003c\/li\u003e\n\u003cli\u003eB3 Cut 'Em Off – 3:53\u003c\/li\u003e\n\u003cli\u003eB4 Hold Ya Mouf' – 2:55\u003c\/li\u003e\n\u003cli\u003eC1 Round We Go – 4:11\u003c\/li\u003e\n\u003cli\u003eC2 Jus' A Rascal – 3:39\u003c\/li\u003e\n\u003cli\u003eC3 Wot U On ? – 4:49\u003c\/li\u003e\n\u003cli\u003eD1 Jezebel – 3:37\u003c\/li\u003e\n\u003cli\u003eD2 Seems 2 Be – 3:46\u003c\/li\u003e\n\u003cli\u003eD3 Live O – 3:33\u003c\/li\u003e\n\u003cli\u003eD4 Do It! – 4:05\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNick Huggett – Coordinator (A\u0026amp;R Co-ordination For XL Recordings \/ Platinum Projects)\u003c\/li\u003e\n\u003cli\u003eNick Detnon (2) – Coordinator (Executive A\u0026amp;R Co-ordination For Belly Of The Beat Productions)\u003c\/li\u003e\n\u003cli\u003eN. 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Here he turns that sensibility toward Billie Holiday, one of the most emotionally complex figures in American music history, treating her catalog not as source material to be flipped casually but as a archive worthy of deep reverence. The result sits at a rare intersection of hip-hop production craft and jazz legacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBillie Holiday is my muse. Her creative vision and stylistic integrity have influenced both my music and my writing. When I decided to work on this project, I wanted to approach it with respect to her music. I wanted these remixes to be both inspired by and dedicated to the life and craft of the most innovative and soulful singers of all time. Each track is designed to represent a significant part of Billie Holiday's life. 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Josh Johnson's Unusual Object is a world of sound. His fantastically processed saxophone \u0026amp; subtle samples \u0026amp; grooves give this work a sort of cyberpunk ambient jazz feel that crosses into realms akin to classic Warp Records and Jon Hassell. These qualities serve to bring the listener closer to Johnson, to his breath, his sense of song. In 2023, Johnson was grammy-nominated for producing Meshell Ndegeocello's The Omnichord Real Book (Blue Note).\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Happens If\u003c\/li\u003e\n\u003cli\u003eMarvis\u003c\/li\u003e\n\u003cli\u003eTelling You\u003c\/li\u003e\n\u003cli\u003eQuince\u003c\/li\u003e\n\u003cli\u003eDeep Dark\u003c\/li\u003e\n\u003cli\u003eJeanette\u003c\/li\u003e\n\u003cli\u003eReddish\u003c\/li\u003e\n\u003cli\u003eSterling\u003c\/li\u003e\n\u003cli\u003eLocal City of Industry\u003c\/li\u003e\n\u003cli\u003eFree Mechanical\u003c\/li\u003e\n\u003cli\u003eAll Alone\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 309272739275\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Northern Spy Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.19.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Northern Spy Records (NS166)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Who Happens If – 1:25\u003c\/li\u003e\n\u003cli\u003eA2 Marvis – 7:05\u003c\/li\u003e\n\u003cli\u003eA3 Telling You – 2:43\u003c\/li\u003e\n\u003cli\u003eA4 Quince – 6:27\u003c\/li\u003e\n\u003cli\u003eA5 Deep Dark – 2:01\u003c\/li\u003e\n\u003cli\u003eB1 Jeanette – 4:41\u003c\/li\u003e\n\u003cli\u003eB2 Reddish – 1:46\u003c\/li\u003e\n\u003cli\u003eB3 Sterling – 4:37\u003c\/li\u003e\n\u003cli\u003eB4 Local City Of Industry – 1:21\u003c\/li\u003e\n\u003cli\u003eB5 Free Mechanical – 2:35\u003c\/li\u003e\n\u003cli\u003eB6 All Alone – 4:09\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJosh Johnson (13) – Composed By, Arranged By\u003c\/li\u003e\n\u003cli\u003eBucky Boudreau – Graphic Design (Design And Layout By)\u003c\/li\u003e\n\u003cli\u003ePhillip S. Rodriguez – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eDave Cooley – Mastered By\u003c\/li\u003e\n\u003cli\u003ePaul Bryan – Mixed By\u003c\/li\u003e\n\u003cli\u003eRobbie Jeffers – Photography By\u003c\/li\u003e\n\u003cli\u003eJosh Johnson (13) – Producer\u003c\/li\u003e\n\u003cli\u003ePaul Bryan – Producer\u003c\/li\u003e\n\u003cli\u003eJosh Johnson (13) – Recorded By\u003c\/li\u003e\n\u003cli\u003ePaul Bryan – Recorded By\u003c\/li\u003e\n\u003cli\u003eAnna Butterss – Sequenced By\u003c\/li\u003e\n\u003cli\u003eJosh Johnson (13) – Sequenced By\u003c\/li\u003e\n\u003cli\u003ePaul Bryan – Sequenced By\u003c\/li\u003e\n\u003cli\u003eJosh Johnson (13) – Sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54554929529150,"sku":"180207","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Josh-Johnson-Unusual-Object-LP-Vinyl.jpg?v=1791192315"}],"url":"https:\/\/reserveselects.myshopify.com\/collections\/electronic.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}