{"title":"Funk","description":null,"products":[{"product_id":"earth-wind-fire-holiday-translucent-ruby-lp-vinyl","title":"Earth, Wind \u0026 Fire – Holiday (Translucent Ruby LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eEarth, Wind \u0026amp; Fire built their legacy on a sound that made celebration feel cosmic, from the horn-driven euphoria of \"September\" to the spiritual uplift woven through albums like \"That's the Way of the World.\" Hearing Maurice White's voice anchored in new holiday material, alongside Philip Bailey's falsetto, is a genuine moment for a band whose catalog has soundtracked generations of joy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHoliday is a spirited celebration of the holiday season, bringing together brand new recordings of seasonal standards (“Winter Wonderland,” “The Little Drummer Boy,” “Sleigh Ride,” “Jingle Bell Rock”), beloved carols (“Joy to the World,” “Oh Come All Ye Faithful,” “What Child Is This?,” “Away in a Manger,” “The First Noël”), a traditional Japanese winter song (“Snow”) a modern day Christmas song (“Everyday Is Christmas”) and future Earth, Wind \u0026amp; Fire classics: “Happy Seasons” (inspired by “Happy Feelin’”), and “December” (inspired by “September”) featuring original vocals from Maurice White. Produced by Philip J. Bailey and Myron McKinley, Holiday is Earth, Wind \u0026amp; Fire’s 21st studio album. This LP is pressed on translucent ruby color vinyl for the first time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584495118\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547551355198,"sku":"363291822","price":27.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633210257726-transparent-v2.png?v=1791433386"},{"product_id":"mavis-staples-sad-beautiful-world-lp-vinyl","title":"Mavis Staples – Sad \u0026 Beautiful World","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAfter 38 minutes of stirring, spiritual music, Mavis Staples' Sad and Beautiful World ends with a chuckle—that deep, joyful laugh reflecting 86 years of a life lived righteously.\u003c\/p\u003e\u003cp\u003eIt's like a hidden track, coming 20 seconds after Staples' uplifting version of Eddie Hinton's \"Everybody Needs Love\" fades away. Staples' laughter ends the album on a perfect note; though the song would've been fine, too.\u003c\/p\u003e\u003cp\u003eSad and Beautiful World begins 38 minutes earlier with Staples' powerful take on Tom Waits' \"Chicago,\" on which Buddy Guy and Derek Trucks tangle and Staples sings with grit and gusto.\u003c\/p\u003e\u003cp\u003eAll but one of the 10 tracks is a cover, but that doesn't make Sad and Beautiful World, with additional cameos from Bonnie Raitt, Jeff Tweedy, Justin Vernon and others, any less a Mavis Staples album. By the time she's finished with Sparklehorse's gentle title track, Curtis Mayfield urgent \"We Got to Have Peace,\" Kevin Morby's heart-wrenching \"Beautiful Strangers,\" they're all Mavis Staples songs.\u003c\/p\u003e\u003cp\u003e\"Think of mother\/I am a rock,\" Staples sings on the latter. And though she didn't write these words, she owns them now.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/mavis-staples-sad-and-beautiful-world\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMavis Staples has been singing for justice and comfort since the Staple Singers were soundtracking the civil rights movement in the 1960s, and her voice has only deepened with the weight of everything she's witnessed since. At 85, she remains one of the few artists alive whose presence on a recording feels genuinely consecrated, a living connection between gospel's roots and the restless present.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrim days call for fierce love. And Mavis Staples, one of the most enduring figures in American music, is laying it down. 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She's collaborated with nearly every major figure of her era(s), from Bob Dylan to Prince, Aretha Franklin, and Willie Nelson - not to mention countless stars from subsequent generations.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Chicago (2:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Beautiful Strangers (5:58)\u003c\/div\u003e\n\u003cdiv\u003e3. Sad And Beautiful World (4:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Human Mind (3:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Hard Times (4:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Godspeed (2:51)\u003c\/div\u003e\n\u003cdiv\u003e2. We Got To Have Peace (3:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Anthem (3:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Satisfied Mind (3:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody Needs Love (4:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778807819\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti- (88078-1MV, 88078-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Chicago – 2:37\u003c\/li\u003e\n\u003cli\u003eA2 Beautiful Strangers – 5:58\u003c\/li\u003e\n\u003cli\u003eA3 Sad And Beautiful World – 4:06\u003c\/li\u003e\n\u003cli\u003eA4 Human Mind – 3:12\u003c\/li\u003e\n\u003cli\u003eA5 Hard Times – 4:45\u003c\/li\u003e\n\u003cli\u003eB1 Godspeed – 2:51\u003c\/li\u003e\n\u003cli\u003eB2 We Got To Have Peace – 3:32\u003c\/li\u003e\n\u003cli\u003eB3 Anthem – 3:04\u003c\/li\u003e\n\u003cli\u003eB4 Satisfied Mind – 3:47\u003c\/li\u003e\n\u003cli\u003eB5 Everybody Needs Love – 4:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBrad Cook – Engineer\u003c\/li\u003e\n\u003cli\u003ePaul Voran – Engineer\u003c\/li\u003e\n\u003cli\u003eBrian Hernandez (5) – Engineer (Additional Engineering Assistance)\u003c\/li\u003e\n\u003cli\u003eJimmy Mahoney – Engineer (Additional Engineering Assistance)\u003c\/li\u003e\n\u003cli\u003eJoel Jaffe – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eJonathan Lackey – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eJustin Vernon – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eMathieu Lejeune – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eTom Schick – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eDavid Cheppa – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eLauren N. 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Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, just a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra for the fans that bring a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra. 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Pressing their debut holiday collection on red vinyl feels right for a band whose live performances have always been as much ceremony as concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor more than 50 years, Tower of Power has captivated music lovers with their unique blend of R\u0026amp;B, Funk, Soul, and Jazz spearheaded by the iconic Tower Horns.For the very first time, that distinctive Tower of Power sound puts some soul into the holiday spirit with the album \"It's Christmas\"-a collection of holiday classics and two original Christmas songs.For vinyl collectors and aficionados, the album comes as both an eye-popping stand-alone red vinyl LP and a Limited-Edition red vinyl version that includes a 7\" vinyl inside featuring the Chanukah song \"Maoz Tzur\" on side A and a Christmas medley on the B side.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Christmas Song\u003c\/li\u003e\n\u003cli\u003eThis Christmas\u003c\/li\u003e\n\u003cli\u003eA Very Special Christmas\u003c\/li\u003e\n\u003cli\u003eHark the Herald Angels Sing\u003c\/li\u003e\n\u003cli\u003eIt's Christmas (A Long Way from Home)\u003c\/li\u003e\n\u003cli\u003eSilver Bells\u003c\/li\u003e\n\u003cli\u003eO Holy Night\u003c\/li\u003e\n\u003cli\u003eSanta Clause Is Coming to Town\u003c\/li\u003e\n\u003cli\u003eMary Did You Know\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 7621839943226\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tower Of Power Rec.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Regime Music Group (none)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 The Christmas Song\u003c\/li\u003e\n\u003cli\u003eA2 This Christmas\u003c\/li\u003e\n\u003cli\u003eA3 A Very Special Christmas\u003c\/li\u003e\n\u003cli\u003eA4 Hark The Herald Angels Sing\u003c\/li\u003e\n\u003cli\u003eA5 It's Christmas (A Long Way From Home)\u003c\/li\u003e\n\u003cli\u003eB1 Silver Bells\u003c\/li\u003e\n\u003cli\u003eB2 O Holy Night\u003c\/li\u003e\n\u003cli\u003eB3 Santa Claus Is Coming To Town\u003c\/li\u003e\n\u003cli\u003eB4 Mary Did You Know\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547710771518,"sku":"442334","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Tower-Of-Power-Its-Christmas-Colored-Red-LP-Vinyl.jpg?v=1791072321"},{"product_id":"khruangbin-live-at-rbc-echo-beach-lp-vinyl","title":"Khruangbin – Live at RBC Echo Beach","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLaura Lee, Mark Speer, and Donald Ray \"DJ\" Johnson Jr. have built one of the most quietly devoted followings in contemporary music through relentless touring and a sound that pulls equally from Thai funk, dub, and soul without ever announcing itself too loudly. Echo Beach, the beloved Toronto outdoor venue on Lake Ontario, has hosted some of the city's most memorable summer nights, and Khruangbin's rapport with Canadian audiences runs deep.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. 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The album spawned \"If You Want Me to Stay,\" one of the most sampled basslines in hip-hop history, connecting the Family Stone's legacy directly to the next generation of funk and soul.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e50th Anniversary Edition. \u003c\/span\u003e\u003cem\u003eFresh\u003c\/em\u003e\u003cspan\u003e expands and brightens the slow grooves of \u003c\/span\u003e\u003cem\u003eThere's a Riot Goin' On\u003c\/em\u003e\u003cspan\u003e, turning them, for the most part, into friendly, welcoming rhythms. \u003c\/span\u003e\u003cem\u003eFresh\u003c\/em\u003e\u003cspan\u003e winds up more varied, musically and lyrically, which may not make it as unified, but it does result in more traditional funk that certainly is appealing in its own right. It finds Sly precisely balancing funk and pop, creating an album that wound up being his last masterwork and one of the great funk albums of its era. A documentary on Sly \u0026amp; The Family Stone, directed by Questlove, is tentatively scheduled for 2023.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. In Time\u003c\/div\u003e\n\u003cdiv\u003e2. If You Want Me To Stay\u003c\/div\u003e\n\u003cdiv\u003e3. Let Me Have It All\u003c\/div\u003e\n\u003cdiv\u003e4. Frisky\u003c\/div\u003e\n\u003cdiv\u003e5. Thankful N' Thoughtful\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Skin I'm In\u003c\/div\u003e\n\u003cdiv\u003e2. I Don't Know (Satisfaction)\u003c\/div\u003e\n\u003cdiv\u003e3. Keep On Dancin'\u003c\/div\u003e\n\u003cdiv\u003e4. Que Sera Sera (Whatever Will Be Will Be)\u003c\/div\u003e\n\u003cdiv\u003e5. If It Were Left Up To Me\u003c\/div\u003e\n\u003cdiv\u003e6. Babies Makin' Babies\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587410315\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (ET 32134)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1973  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 In Time\u003c\/li\u003e\n\u003cli\u003eA2 If You Want Me To Stay\u003c\/li\u003e\n\u003cli\u003eA3 Let Me Have It All\u003c\/li\u003e\n\u003cli\u003eA4 Frisky\u003c\/li\u003e\n\u003cli\u003eA5 Thankful \u0026amp; Thoughtful\u003c\/li\u003e\n\u003cli\u003eB1 Skin I'm In\u003c\/li\u003e\n\u003cli\u003eB2 I Don't Know (Satisfaction)\u003c\/li\u003e\n\u003cli\u003eB3 Keep On Dancin'\u003c\/li\u003e\n\u003cli\u003eB4 Que Sera Sera (What Ever Will Be Will Be)\u003c\/li\u003e\n\u003cli\u003eB5 If It Were Left Up To Me\u003c\/li\u003e\n\u003cli\u003eB6 Babies Makin' Babies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547779387710,"sku":"648443","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Sly-The-Family-Stone-Fresh-RSD-Essential-Neon-Orange-LP-Vinyl.jpg?v=1791079554"},{"product_id":"sly-family-stone-sly-lives-aka-the-burden-of-black-genius-o-s-t-2-lp-vinyl","title":"Sly \u0026 Family Stone – Sly Lives (Aka The Burden Of Black Genius) - O.S.T (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSly Stone remains one of the most radical figures in American music history, a bandleader who dissolved racial and gender barriers in real time while charting some of the most viscerally alive records of the late '60s and early '70s. Questlove, himself a lifelong student of the groove, was perhaps the only filmmaker with the credibility and the crate-digging obsession to do this story justice, following his Grammy-winning work on the Summer of Soul documentary.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSLY LIVES! (aka The Burden of Black Genius) Original Motion Picture Soundtrack complements the 2025 documentary directed by Academy Award-winning filmmaker Ahmir 'Questlove' Thompson, which debuted at the 2025 Sundance Film Festival. This double vinyl showcases some of the best tracks by Sly \u0026amp; the Family Stone, offering a perfect fusion of psychedelic soul and funk. In addition to the well-known hits, the soundtrack also includes seven rare and previously unreleased mixes and alternate versions, along with three new edits by Questlove and Brooklyn-based DJ, remixer, and hip-hop producer J. Period. - The film features notable guests such as Andre 3000, D'Angelo, Chaka Khan, Q-Tip, Nile Rogers, Jimmy Jam, Terry Lewis, George Clinton, Ruth Copeland, and Clive Davis. Additional guests include those closest to Sly, including his band members Jerry Martini, Greg Errico, Larry Graham and Cynthia Robinson and family Sylvette Phunne Robinson, Novena Carmel, and Sylvester Stewart Jr. , who offer the best insights into Sly's life by sharing anecdotes from their time together. \"SLY LIVES! (aka The Burden of Black Genius)\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sing A Simple Song (Alternate Mix) (5:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Underdog (3:58)\u003c\/div\u003e\n\u003cdiv\u003e3. Trip To Your Heart (Alternate Mix) (4:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Dance To The Music (J. 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(Take 1) – 3:29\u003c\/li\u003e\n\u003cli\u003eD5 Que Sera Sera (Whatever Will Be Will Be) – 5:22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547779486014,"sku":"668853","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Sly-Family-Stone-Sly-Lives-Aka-The-Burden-Of-Black-Genius-O_S_T-LP-Vinyl.jpg?v=1791079555"},{"product_id":"tina-turner-love-explosion-lp-vinyl","title":"Tina Turner – Love Explosion","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1979 and produced by Alvin Fields, Love Explosion caught Tina Turner at a pivotal crossroads, still finding her footing as a solo artist in the years before her commercial resurgence. The disco-inflected grooves here document a chapter of her career that often gets skipped over in favor of the Private Dancer era, making this LP a worthwhile dig for fans who want the full picture of one of rock and soul's most resilient voices.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Reissue. 1979 album from the iconic Soul \/ Rock \/ Pop singer.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Explosion (6:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Fool For Your Love (3:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Sunset On Sunset (3:36)\u003c\/div\u003e\n\u003cdiv\u003e4. Music Keeps Me Dancin' (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I See Home (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Backstabbers (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Just A Little Lovin' (Early In The Morning) (3:12)\u003c\/div\u003e\n\u003cdiv\u003e4. You Got What I'm Gonna Get (3:08)\u003c\/div\u003e\n\u003cdiv\u003e5. On The Radio (3:51)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5054197929410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ariola (206 543, 206 543-270)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1984  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Love Explosion – 6:00\u003c\/li\u003e\n\u003cli\u003eA2 Fool For Your Love – 3:24\u003c\/li\u003e\n\u003cli\u003eA3 Sunset On Sunset – 3:36\u003c\/li\u003e\n\u003cli\u003eA4 Music Keeps Me Dancin' – 3:50\u003c\/li\u003e\n\u003cli\u003eB1 I See Home – 5:20\u003c\/li\u003e\n\u003cli\u003eB2 Backstabbers – 3:35\u003c\/li\u003e\n\u003cli\u003eB3 Just A Little Lovin' (Early In The Morning) – 3:12\u003c\/li\u003e\n\u003cli\u003eB4 You Got What I'm Gonna Get – 3:08\u003c\/li\u003e\n\u003cli\u003eB5 On The Radio – 3:51\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRay Knehnetsky – Arranged By, Conductor\u003c\/li\u003e\n\u003cli\u003eArthur Simms – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eStephanie De-Sykes – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eStevie Lange – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eVicki Brown – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eLew Del Gatto – Baritone Saxophone\u003c\/li\u003e\n\u003cli\u003eTony Bonfils – Bass\u003c\/li\u003e\n\u003cli\u003eAndré Ceccarelli – Drums\u003c\/li\u003e\n\u003cli\u003eJean-Claude Chavanat – Guitar\u003c\/li\u003e\n\u003cli\u003eBernard Arcadio – Keyboards\u003c\/li\u003e\n\u003cli\u003eGeorge Marge – Oboe\u003c\/li\u003e\n\u003cli\u003ePat Halling's String Ensemble – Orchestra\u003c\/li\u003e\n\u003cli\u003eEmmanuel Roche – Percussion\u003c\/li\u003e\n\u003cli\u003eAlec R. Costandinos – Producer\u003c\/li\u003e\n\u003cli\u003eGeorges Rodi – Synthesizer (Programming)\u003c\/li\u003e\n\u003cli\u003eGeorge Young (2) – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eLawrence Feldman – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMichael Brecker – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eBarry Rogers – Trombone\u003c\/li\u003e\n\u003cli\u003eDavid Taylor – Trombone\u003c\/li\u003e\n\u003cli\u003eTom Malone – Trombone\u003c\/li\u003e\n\u003cli\u003eWayne Andre – Trombone\u003c\/li\u003e\n\u003cli\u003eAlan Rubin – Trumpet\u003c\/li\u003e\n\u003cli\u003eRandy Brecker – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547782697278,"sku":"659512","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633307251006-transparent-v2.png?v=1791446228"},{"product_id":"roy-ayers-ubiquity-vibrations-lp-vinyl","title":"Roy Ayers - Ubiquity Vibrations","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRoy Ayers spent the mid-1970s operating at a creative peak that few artists in any genre could match, and *Vibrations* captures him right in that sweet spot, balancing his jazz vibraphone roots with the soul and funk currents running through New York's club scene. Released the same year disco was reshaping the city's dancefloors, the album holds its ground as something more nuanced, a set that rewards both the crate digger and the careful listener equally.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn the digging world, is there a more solid musical catalog than that of Roy Ayers Ubiquity? The catalog starts strong with the iconic He's Coming and ends strong with the equally iconic Lifeline. There's no late seventies fizzle like other decade spanning artists, and everything in between seems to be a digger's staple. 1976's Vibrations is Ubiquity's penultimate record. What always impressed me about this particular album is the diversity of musical styles from track to track. I haven't listened to this in a couple years, and I'm taken back by it's unusual flow. Yeah, we all know about the Pete Rock-sampled \"Searchin,\" but followed by the hard funk of \"One Sweet Love To Remember\"; the breezy title track (almost like a sequel to \"Everybody Love's The Sunshine\"); the spastic boogie of \"Moving, Grooving\"; to the hard midtempo drums of \"Baby You Give Me A Feeling\"... it becomes an inseparable part of the bigger picture. You'll find the theme on the equally strong A-side, check \"Domelo,\" \"Baby I Need Your Love\" and \"Higher\" for a taste. Always loved the grainy cover photography too. 11 tracks in all, recommended.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Domelo (Give It To Me) (4:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby I Need Your Love (2:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Higher (4:02)\u003c\/div\u003e\n\u003cdiv\u003e4. The Memory (4:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Come Out And Play (3:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Better Days (3:17)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Searching (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. One Sweet Love To Remember (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Vibrations (3:00)\u003c\/div\u003e\n\u003cdiv\u003e4. Moving, Grooving (5:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Baby You Give Me A Feeling (3:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488520959\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Vampisoul\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Polydor (PD-1-6091, 2391 256)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1976  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Domelo (Give It To Me) – 4:00\u003c\/li\u003e\n\u003cli\u003eA2 Baby I Need Your Love – 2:30\u003c\/li\u003e\n\u003cli\u003eA3 Higher – 4:02\u003c\/li\u003e\n\u003cli\u003eA4 The Memory – 4:31\u003c\/li\u003e\n\u003cli\u003eA5 Come Out And Play – 3:45\u003c\/li\u003e\n\u003cli\u003eA6 Better Days – 3:17\u003c\/li\u003e\n\u003cli\u003eB1 Searching – 4:10\u003c\/li\u003e\n\u003cli\u003eB2 One Sweet Love To Remember – 4:20\u003c\/li\u003e\n\u003cli\u003eB3 Vibrations – 3:00\u003c\/li\u003e\n\u003cli\u003eB4 Moving, Grooving – 5:01\u003c\/li\u003e\n\u003cli\u003eB5 Baby You Give Me A Feeling – 3:02\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eEdwin Birdsong – Arranged By\u003c\/li\u003e\n\u003cli\u003eRoy Ayers – Arranged By\u003c\/li\u003e\n\u003cli\u003eWilliam Allen – Arranged By\u003c\/li\u003e\n\u003cli\u003eBeverly Parker (2) – Art Direction\u003c\/li\u003e\n\u003cli\u003eWilliam Allen – Bass\u003c\/li\u003e\n\u003cli\u003eEdwin Birdsong – Co-producer\u003c\/li\u003e\n\u003cli\u003eJames Green – Co-producer\u003c\/li\u003e\n\u003cli\u003eWilliam Allen – Co-producer\u003c\/li\u003e\n\u003cli\u003eChano O'Ferral – Congas, Percussion\u003c\/li\u003e\n\u003cli\u003eSteve Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eJames Green – Engineer\u003c\/li\u003e\n\u003cli\u003eJerry Solomon – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eCalvin Banks – Guitar\u003c\/li\u003e\n\u003cli\u003eJan Michael (2) – Photography By\u003c\/li\u003e\n\u003cli\u003ePhilip Woo – Piano, Electric Piano, Synthesizer (Arp), Synthesizer (Arp, Mini Moog), Harmonica\u003c\/li\u003e\n\u003cli\u003eMaurice Green – Producer (Associate)\u003c\/li\u003e\n\u003cli\u003eRoy Ayers – Producer, Vocals (Lead \u0026amp; Background), Vibraphone (Deagan Vibraharp), Piano, Electric Piano, Synthesizer (Arp, Mini Moog), Percussion\u003c\/li\u003e\n\u003cli\u003eJusto Almario – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eJohn Mosley – Trumpet\u003c\/li\u003e\n\u003cli\u003eChicas – Vocals (Lead \u0026amp; Background Vocals), Percussion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547785253182,"sku":"170561235","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633309806910-transparent-v2.png?v=1791445511"},{"product_id":"al-green-lets-stay-together-lp-vinyl","title":"Al Green – Let's Stay Together","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWillie Mitchell's Hi Records productions gave Memphis soul a warmth and precision that still sounds unlike anything else, and Al Green's 1972 breakthrough captures that chemistry at its peak. The title track became one of the most covered songs in popular music, but the album surrounding it rewards repeated listening, full of quiet intensity and Green's unmistakable falsetto riding those lush, understated arrangements.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1972 album by soul legend.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Let's Stay Together\u003c\/div\u003e\n\u003cdiv\u003e2. La-La For You\u003c\/div\u003e\n\u003cdiv\u003e3. So You're Leaving\u003c\/div\u003e\n\u003cdiv\u003e4. What Is This Feeling\u003c\/div\u003e\n\u003cdiv\u003e5. Old Time Lovin\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Never Found A Girl\u003c\/div\u003e\n\u003cdiv\u003e2. How Can You Mend A Broken Heart\u003c\/div\u003e\n\u003cdiv\u003e3. Judy\u003c\/div\u003e\n\u003cdiv\u003e4. It Ain't No Fun To Me\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 767981113715\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fat Possum Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hi Records (SHL 32070)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1972  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Let's Stay Together – 3:15\u003c\/li\u003e\n\u003cli\u003eA2 La-La For You – 3:29\u003c\/li\u003e\n\u003cli\u003eA3 So You're Leaving – 2:53\u003c\/li\u003e\n\u003cli\u003eA4 What Is This Feeling – 3:40\u003c\/li\u003e\n\u003cli\u003eA5 Old Time Lovin – 3:17\u003c\/li\u003e\n\u003cli\u003eB1 I've Never Found A Girl – 3:37\u003c\/li\u003e\n\u003cli\u003eB2 How Can You Mend A Broken Heart – 6:21\u003c\/li\u003e\n\u003cli\u003eB3 Judy – 3:44\u003c\/li\u003e\n\u003cli\u003eB4 It Ain't No Fun To Me – 3:27\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCharles Chalmers – Arranged By (Strings)\u003c\/li\u003e\n\u003cli\u003eJames Mitchell – Arranged By (Strings)\u003c\/li\u003e\n\u003cli\u003eRhodes, Chalmers \u0026amp; Rhodes – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eJames Mitchell – Baritone Saxophone\u003c\/li\u003e\n\u003cli\u003eJames Mitchell – Bass\u003c\/li\u003e\n\u003cli\u003eLeroy Hodges – Bass\u003c\/li\u003e\n\u003cli\u003eAl Jackson Jr. – Drums\u003c\/li\u003e\n\u003cli\u003eHoward Grimes – Drums\u003c\/li\u003e\n\u003cli\u003eMabon \"Teenie\" Hodges – Guitar\u003c\/li\u003e\n\u003cli\u003eHoward Craft – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eCharles Hodges – Organ, Piano\u003c\/li\u003e\n\u003cli\u003eBud Lee (3) – Photography By\u003c\/li\u003e\n\u003cli\u003eWillie Mitchell – Producer\u003c\/li\u003e\n\u003cli\u003eAndrew Love – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eEd Logan – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eJack Hale, Sr. – Trombone\u003c\/li\u003e\n\u003cli\u003eWayne Jackson – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549615247678,"sku":"280384","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633504153918-transparent-v2.png?v=1791328442"},{"product_id":"ashford-simpson-so-so-satisfied-lp-vinyl","title":"Ashford \u0026 Simpson – So So Satisfied","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNick Ashford and Valerie Simpson spent years crafting hits for Marvin Gaye and Tammi Terrell before stepping fully into the spotlight themselves, and by the time *So So Satisfied* arrived in 1977, they had nothing left to prove as writers. What they delivered instead was a showcase for their chemistry as performers, rooted in gospel instincts and Motown craftsmanship that few duos of the era could match.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003cspan\u003eBeautiful, lush, and sensual, this spring green vinyl release of “So So Satisfied” is another essential addition to any R\u0026amp;B fan’s collection.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Tried, Tested And Found True (5:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Couldn't Get Enough (3:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Maybe I Can Find It (5:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Destiny (3:54)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So So Satisfied (7:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Over And Over (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. It's You (3:52)\u003c\/div\u003e\n\u003cdiv\u003e4. If You're Lying (5:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497842339\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.11.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Groove Line Records (GLRLP 0004)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Found A Cure – 3:42\u003c\/li\u003e\n\u003cli\u003eA2 It Seems To Hang On – 3:40\u003c\/li\u003e\n\u003cli\u003eA3 Don't Cost You Nothing – 4:02\u003c\/li\u003e\n\u003cli\u003eA4 Over \u0026amp; Over – 3:19\u003c\/li\u003e\n\u003cli\u003eA5 Nobody Knows – 3:48\u003c\/li\u003e\n\u003cli\u003eB1 Tried, Tested \u0026amp; Found True – 3:44\u003c\/li\u003e\n\u003cli\u003eB2 Main Line – 3:13\u003c\/li\u003e\n\u003cli\u003eB3 Have You Ever Tried It – 3:24\u003c\/li\u003e\n\u003cli\u003eB4 So So Satisfied – 3:35\u003c\/li\u003e\n\u003cli\u003eB5 One More Try (Long Version) – 5:10\u003c\/li\u003e\n\u003cli\u003eC1 Love Don't Make It Right (Long Version) – 5:08\u003c\/li\u003e\n\u003cli\u003eC2 It Shows In The Eyes – 3:26\u003c\/li\u003e\n\u003cli\u003eC3 Is It Still Good To Ya (Long Version) – 4:35\u003c\/li\u003e\n\u003cli\u003eC4 (I'd Know You) Anywhere – 3:44\u003c\/li\u003e\n\u003cli\u003eC5 Stay Free – 5:26\u003c\/li\u003e\n\u003cli\u003eD1 Send It – 3:37\u003c\/li\u003e\n\u003cli\u003eD2 Somebody Told A Lie – 3:12\u003c\/li\u003e\n\u003cli\u003eD3 Ain't It A Shame (Long Version) – 5:26\u003c\/li\u003e\n\u003cli\u003eD4 Bourgie Bourgie – 6:07\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549615542590,"sku":"70972","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633504317758-transparent-v2.png?v=1791329640"},{"product_id":"lettuce-cook-2-lp-vinyl","title":"Lettuce – Cook (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIf you are tempted to make food analogies about Lettuce's 10th studio album, Cook, then you are not alone. The funk sextet, with a unique leafy name to accompany their patented funk sound, created their latest project with the culinary arts very much at the forefront, signaling that music and food are intertwined. Much like following a recipe to create a meal, the right mixture of ingredients can make or break the sound of an album. After three decades together, the combo's current lineup—Adam Deitch (drums, percussion), Adam Smirnoff (guitar), Erick Coomes (bass), Ryan Zoidis (sax, synths), Eric Bloom (trumpet, horns) and Nigel Hall (vocals, clarinet, and keyboards)—dish a generous dose of flavorful offerings, drawing the listener to the table. With the studio as the kitchen, the album is a full-bodied tasting menu of funk, soul, jazz, rock and hip-hop. Cleverly divided into four parts, brief 30 to 40 second interludes titled Sesshins are offered as palette cleansers between courses. Each of the mini tracks prepare the listeners' ear for the new sounds to follow. Lettuce even plays around with serving different \"cuisines,\" with the Middle-Eastern flavored 7 Tribes and the Latin-infused The Matador. Rising to the Top, originally recorded by musician Keni Burke, is a nod to the 80's R\u0026amp;B influences that shape the band's sound while The Mac is a spirited homage to famed sax player Maceo Parker, with whom the band has collaborated with in the past. Cool, laid back, but definitely funky, Cook brings the heat with the right recipe both musically and organizationally, and the result is a compilation of songs that woven together entice and enrich the listener's senses.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Lauren Wiseman, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/lettuce-cook\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLettuce has spent three decades building one of the tightest bands in the funk and soul underground, honing their chops from Boston's Berklee hallways to festival stages alongside the jam world's best. Cook arrives as the band leans fully into their love of classic soul and R\u0026amp;B, channeling the spirit of artists like Burke while keeping the rhythm section locked in that deep, unhurried pocket their live audiences know well.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLettuce serves up a full-course groove experience with Cook, a 16-track feast of classic funk, rich instrumentation, and deep-pocket rhythm. The album features 12 full-length tracks, including two vocal cuts, with a standout cover of Keni Burke’s “Rising to the Top” leading the charge at radio. More than just a record, Cook is a multisensory experience: the vinyl includes a recipe book of original dishes crafted by the band, each paired with a song and one of their two new wines launched alongside the album. From front to back, Cook is Lettuce at their most flavorful—soulful, funky, and made to be savored.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Grewt Up (3:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Clav It Your Way (6:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Sesshins 1 (0:27)\u003c\/div\u003e\n\u003cdiv\u003e4. 7 Tribes (5:08)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Rising To The Top (5:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Sesshins 2 (0:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Gold Tooth (3:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Breathe (6:03)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Matador (3:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Sesshins 3 (0:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Cook (3:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Storms Coming (4:42)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Keep On (4:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Sesshins 4 (0:31)\u003c\/div\u003e\n\u003cdiv\u003e3. The Mac (5:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Ghosts Of Yest (5:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 784085103145\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lettuce Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lettuce Records (LR0024LP)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Grewt Up – 3:32\u003c\/li\u003e\n\u003cli\u003eA2 Clav It Your Way – 6:00\u003c\/li\u003e\n\u003cli\u003eA3 Sesshins 1 – 0:27\u003c\/li\u003e\n\u003cli\u003eA4 7 Tribes – 5:08\u003c\/li\u003e\n\u003cli\u003eB1 Rising To The Top – 5:51\u003c\/li\u003e\n\u003cli\u003eB2 Sesshins 2 – 0:35\u003c\/li\u003e\n\u003cli\u003eB3 Gold Tooth – 3:59\u003c\/li\u003e\n\u003cli\u003eB4 Breathe – 6:03\u003c\/li\u003e\n\u003cli\u003eC1 The Matador – 3:27\u003c\/li\u003e\n\u003cli\u003eC2 Sesshins 3 – 0:40\u003c\/li\u003e\n\u003cli\u003eC3 Cook – 3:33\u003c\/li\u003e\n\u003cli\u003eC4 Storms Coming – 4:42\u003c\/li\u003e\n\u003cli\u003eD1 Keep On – 4:00\u003c\/li\u003e\n\u003cli\u003eD2 Sesshins 4 – 0:31\u003c\/li\u003e\n\u003cli\u003eD3 The Mac – 5:28\u003c\/li\u003e\n\u003cli\u003eD4 Ghosts Of Yest – 5:04\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616820542,"sku":"26486682","price":51.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633505431870-transparent-v2.png?v=1791440163"},{"product_id":"the-meters-look-ka-py-py-lp-vinyl","title":"The Meters – Look-Ka Py Py","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNew Orleans funk doesn't get more elemental than what Art Neville, Leo Nocentelli, George Porter Jr., and Zigaboo Modeliste were cooking up in the Crescent City at the turn of the decade. Look-Ka Py Py laid the rhythmic groundwork that generations of funk, hip-hop, and jam bands would later build on, with the band's telepathic interplay making complex grooves feel effortless.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1970 seminal second album by New Orleans' The Meters is one of their most beloved releases. Produced by one of New Orleans's preeminent musicians, Allen Toussaint. Between backing such names as Lee Dorsey and Betty Harris, The Meters cranked out a follow-up that was even funkier than it's debut. \"The gold standard for Funk\"-Rolling Stone.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Look-Ka Py Py (3:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Rigor Mortis (2:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Pungee (2:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Thinking (1:38)\u003c\/div\u003e\n\u003cdiv\u003e5. This Is My Last Affair (2:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Funk Miracle (2:25)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Yeah, You're Right (2:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Little Old Money Maker (2:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Oh, Calcutta! 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His falsetto carried the weight of the civil rights era forward into the Nixon years, turning the Chicago South Side into a moral landscape that still resonates today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003cspan\u003eThe definitive collection of Curtis Mayfield’s reflective, soul moving, evocative hits. 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The songs arrived before the film did, meaning audiences heard Mayfield's critique of street life and systemic poverty before they saw a single frame, a rare case where the music genuinely overshadowed the movie it was made for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227808792\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Child Runnin' Wild\u003c\/div\u003e\n\u003cdiv\u003e2. Pusherman\u003c\/div\u003e\n\u003cdiv\u003e3. Freddie's Dead\u003c\/div\u003e\n\u003cdiv\u003e4. Junkie Chase\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Give Me Your Love (Love Song)\u003c\/div\u003e\n\u003cdiv\u003e2. Eddie You Should Know Better\u003c\/div\u003e\n\u003cdiv\u003e3. No Thing on Me (Cocaine Song)\u003c\/div\u003e\n\u003cdiv\u003e4. Think\u003c\/div\u003e\n\u003cdiv\u003e5. Superfly\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Curtom (R2 72836); Rhino Records (2) (R2 72836)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1997  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1-1 Little Child Runnin' Wild – 5:27\u003c\/li\u003e\n\u003cli\u003e1-2 Pusherman – 5:06\u003c\/li\u003e\n\u003cli\u003e1-3 Freddie's Dead – 5:29\u003c\/li\u003e\n\u003cli\u003e1-4 Junkie Chase (Instrumental) – 1:41\u003c\/li\u003e\n\u003cli\u003e1-5 Give Me Your Love (Love Song) – 4:20\u003c\/li\u003e\n\u003cli\u003e1-6 Eddie You Should Know Better – 2:21\u003c\/li\u003e\n\u003cli\u003e1-7 No Thing On Me (Cocaine Song) – 4:58\u003c\/li\u003e\n\u003cli\u003e1-8 Think (Instrumental) – 3:49\u003c\/li\u003e\n\u003cli\u003e1-9 Superfly – 4:00\u003c\/li\u003e\n\u003cli\u003eBonus Tracks:\u003c\/li\u003e\n\u003cli\u003e1-10 Freddie's Dead (Theme From \"Superfly\") (Single Mix) – 3:21\u003c\/li\u003e\n\u003cli\u003e1-11 Superfly (Single Mix) – 3:08\u003c\/li\u003e\n\u003cli\u003e2-1 Ghetto Child (Demo Of \"Little Child Runnin' Wild\") – 3:19\u003c\/li\u003e\n\u003cli\u003e2-2 Pusherman (Alternate Mix) – 6:11\u003c\/li\u003e\n\u003cli\u003e2-3 Freddie's Dead (Instrumental Version) – 4:48\u003c\/li\u003e\n\u003cli\u003e2-4 Junkie Chase (Instrumental) (Full-Length Version) – 4:18\u003c\/li\u003e\n\u003cli\u003e2-5 No Thing On Me (Cocaine Song) (Instrumental Version) – 4:37\u003c\/li\u003e\n\u003cli\u003e2-6 Militant March – 0:55\u003c\/li\u003e\n\u003cli\u003e2-7 Eddie You Should Know Better (Instrumental Version) – 2:17\u003c\/li\u003e\n\u003cli\u003e2-8 Radio Spot #1 – 0:28\u003c\/li\u003e\n\u003cli\u003e2-9 The Underground (Demo) – 3:14\u003c\/li\u003e\n\u003cli\u003e2-10 Check Out Your Mind (Instrumental Version) – 4:06\u003c\/li\u003e\n\u003cli\u003e2-11 Radio Spot #2 – 0:28\u003c\/li\u003e\n\u003cli\u003e2-12 Curtis Mayfield (On \"Superfly\" Film \u0026amp; Songwriting) – 7:03\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJohnny Pate – Arranged By, Orchestrated By\u003c\/li\u003e\n\u003cli\u003eHugh Brown (3) – Art Direction\u003c\/li\u003e\n\u003cli\u003eGlen Christensen – Art Direction (Original)\u003c\/li\u003e\n\u003cli\u003eMarvin Heiman – Contractor\u003c\/li\u003e\n\u003cli\u003eElizabeth Pavone – Coordinator (Editorial)\u003c\/li\u003e\n\u003cli\u003eTed Myers – Coordinator (Editorial)\u003c\/li\u003e\n\u003cli\u003eTornado Design – Design\u003c\/li\u003e\n\u003cli\u003eMilton Sincoff – Design (Original Packaging)\u003c\/li\u003e\n\u003cli\u003eRoger Anfinsen – Engineer (At RCA)\u003c\/li\u003e\n\u003cli\u003eA. Scott Galloway – Liner Notes\u003c\/li\u003e\n\u003cli\u003eDavid Gorman – Liner Notes\u003c\/li\u003e\n\u003cli\u003eDavid McLees – Liner Notes\u003c\/li\u003e\n\u003cli\u003eDavid Parks (5) – Photography By\u003c\/li\u003e\n\u003cli\u003eCurtis Mayfield – Producer (Original Recordings)\u003c\/li\u003e\n\u003cli\u003eBill Inglot – Reissue Producer\u003c\/li\u003e\n\u003cli\u003eDavid McLees – Reissue Producer\u003c\/li\u003e\n\u003cli\u003eDan Hersch – Remastered By\u003c\/li\u003e\n\u003cli\u003eDaniel Goldmark – Research\u003c\/li\u003e\n\u003cli\u003eSteven Chean – Supervised By (Editorial)\u003c\/li\u003e\n\u003cli\u003ePatrick Milligan – Supervised By (Project)\u003c\/li\u003e\n\u003cli\u003eCurtis Mayfield – Words By, Music By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549621309758,"sku":"278813478","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633506545982-transparent-v2.png?v=1791433254"},{"product_id":"curtis-mayfield-curtis-lp-vinyl-1","title":"Curtis Mayfield – Curtis (Limited Edition Light Blue)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore launching one of soul music's most celebrated solo careers, Curtis Mayfield spent the 1960s redefining gospel-rooted pop as the voice and songwriter behind The Impressions. When *Curtis* arrived in 1970, it marked a sharp turn toward social consciousness and street-level realism that would help pave the way for the blaxploitation soundtracks and funk-soul crossovers that followed throughout the decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAcclaimed self-titled debut by legendary soul man and titan of R\u0026amp;B, Curtis Mayfield. 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Oliver Nelson's arrangements give Brown room to stretch as a pure vocalist, leaning into the phrasing and swing that shaped him long before \"Papa's Got a Brand New Bag\" changed everything.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl LP pressing. In the liner notes to this grooving 1969 album (featuring a big band led by drummer Louis Bellson and arranged by Impulse! Star Oliver Nelson), the Godfather of Soul explains that he is a \"jazz man at heart.\" Brown's soul consigliere, saxophonist Maceo Parker, helps make this a swinging, spirited and satisfying set of standards and James Brown hits. 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The horn arrangements here, anchored by the Phenix Horns, pushed the group's Afrofuturist vision to its commercial and artistic peak simultaneously, a rare trick that very few bands have ever pulled off.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI Am is the ninth studio album from Earth, Wind \u0026amp; Fire.  When the LP was released in 1979 it rose to Number One of the Billboard Top -would Albums charts and Number Three on the Billboard Top 200 chart.  The album has been certified Double Platinum in the U.S. and features the gold singles “Boogie Wonderland” and “After the Love Has Gone.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. In The Stone\u003c\/div\u003e\n\u003cdiv\u003e2. Can't Let Go\u003c\/div\u003e\n\u003cdiv\u003e3. After The Love Has Gone\u003c\/div\u003e\n\u003cdiv\u003e4. Let Your Feelings Show\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Boogie Wonderland\u003c\/div\u003e\n\u003cdiv\u003e2. Star\u003c\/div\u003e\n\u003cdiv\u003e3. Wait\u003c\/div\u003e\n\u003cdiv\u003e4. Rock That\u003c\/div\u003e\n\u003cdiv\u003e5. You And I\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584494913\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ARC (3) (FC 35647); Columbia (FC 35647)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1978  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Got To Get You Into My Life – 4:03\u003c\/li\u003e\n\u003cli\u003eA2 Fantasy – 3:46\u003c\/li\u003e\n\u003cli\u003eA3 Can't Hide Love – 4:11\u003c\/li\u003e\n\u003cli\u003eA4 Love Music – 3:55\u003c\/li\u003e\n\u003cli\u003eA5 Getaway – 3:46\u003c\/li\u003e\n\u003cli\u003eB1 That's The Way Of The World – 5:47\u003c\/li\u003e\n\u003cli\u003eB2 September – 3:37\u003c\/li\u003e\n\u003cli\u003eB3 Shining Star – 2:50\u003c\/li\u003e\n\u003cli\u003eB4 Reasons – 5:01\u003c\/li\u003e\n\u003cli\u003eB5 Singasong – 3:23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eShusei Nagaoka – Artwork (Cover)\u003c\/li\u003e\n\u003cli\u003eCharles Stepney – Co-producer\u003c\/li\u003e\n\u003cli\u003eBruce Talamon – Photography By\u003c\/li\u003e\n\u003cli\u003eDon Hunstein – Photography By\u003c\/li\u003e\n\u003cli\u003eDon Myrick – Photography By\u003c\/li\u003e\n\u003cli\u003eGuy Crowder – Photography By\u003c\/li\u003e\n\u003cli\u003eJames Fee – Photography By\u003c\/li\u003e\n\u003cli\u003eJohnny Graham – Photography By\u003c\/li\u003e\n\u003cli\u003eLee Lawrence (2) – Photography By\u003c\/li\u003e\n\u003cli\u003eNadine Talamon – Photography By\u003c\/li\u003e\n\u003cli\u003eMaurice White – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549626782014,"sku":"224041634","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633508020542-transparent-v2.png?v=1791433386"},{"product_id":"earth-wind-fire-thats-the-way-of-the-world-lp-vinyl","title":"Earth, Wind \u0026 Fire – That's The Way Of The World","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMaurice White built Earth, Wind \u0026amp; Fire into something beyond a band, a full cosmological statement where jazz chops, gospel fire, and Afrofuturist vision moved as one. Recorded alongside their soundtrack work for the film of the same name, this is the album where that ambition fully crystallized, with Philip Bailey's falsetto and the Phenix Horns turning \"Shining Star\" into a funk sermon that still holds the room fifty years later.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThat’s the Way of the World was released in 1975 and rose to Number One on both the Billboard Top 200 and Top Soul Albums charts.  The album has been certified Triple Platinum in the U.S. and features the Number One singles “That’s the Way of the World” and “Shining Star.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584494814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ARC (3) (FC 35647, 35647); Columbia (FC 35647, 35647)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1978  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Got To Get You Into My Life – 4:03\u003c\/li\u003e\n\u003cli\u003eA2 Fantasy – 3:46\u003c\/li\u003e\n\u003cli\u003eA3 Can't Hide Love – 4:11\u003c\/li\u003e\n\u003cli\u003eA4 Love Music – 3:55\u003c\/li\u003e\n\u003cli\u003eA5 Getaway – 3:46\u003c\/li\u003e\n\u003cli\u003eB1 That's The Way Of The World – 5:47\u003c\/li\u003e\n\u003cli\u003eB2 September – 3:37\u003c\/li\u003e\n\u003cli\u003eB3 Shining Star – 2:50\u003c\/li\u003e\n\u003cli\u003eB4 Reasons – 5:01\u003c\/li\u003e\n\u003cli\u003eB5 Singasong – 3:23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eShusei Nagaoka – Artwork (Cover)\u003c\/li\u003e\n\u003cli\u003eCharles Stepney – Co-producer\u003c\/li\u003e\n\u003cli\u003eBruce Talamon – Photography By\u003c\/li\u003e\n\u003cli\u003eDon Hunstein – Photography By\u003c\/li\u003e\n\u003cli\u003eDon Myrick – Photography By\u003c\/li\u003e\n\u003cli\u003eGuy Crowder – Photography By\u003c\/li\u003e\n\u003cli\u003eJames Fee – Photography By\u003c\/li\u003e\n\u003cli\u003eJohnny Graham – Photography By\u003c\/li\u003e\n\u003cli\u003eLee Lawrence (2) – Photography By\u003c\/li\u003e\n\u003cli\u003eNadine Talamon – Photography By\u003c\/li\u003e\n\u003cli\u003eMaurice White – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549626913086,"sku":"223989614","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633508217150-transparent-v4.png?v=1791326584"},{"product_id":"orgone-bacano-rsd-orange-2-lp-vinyl","title":"Orgone – Bacano (RSD) Orange (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLos Angeles has always had a secret soul underground, and Orgone has been one of its most dedicated keepers for over two decades. Where most bands chase trends, these veterans have stayed locked to the source, building a catalog that sits comfortably alongside the classic Stax and Dade records they grew up loving. Bacano is that commitment pressed into wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlack Friday 2024. \u003cbr\u003eNow and always, Orgone delivers dirty, organic, California soul with heart; music that grabs you by the collar, pulls you to your feel and shoves you wantingly onto the dance floor. It all started with two kids from the San Fernando Valley, whose shared affinity for gritty soul records of the 60s and 70s collided with the colorful music cultures brewing in Los Angeles during the late 90s. 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Moonshadows finds them leaning into the smooth, coastal sounds that were always part of their DNA, proving that a band rooted in Afrobeat and southern soul has plenty to say in the language of mellow-groove California R\u0026amp;B.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMoonshadows, named for a glossy beachfront Malibu bar where members of the Orgone crew DJed Saturday night sets, is the band's homage to yacht rock, sweater funk, and late night cruises on the Pacific Coast Highway. The genre-bending full-length album evokes neon and moonlight shimmering on ocean waves, undulating rhythms, martinis, and luxury convertibles.There's nothing lightweight about this collection, however. All the hallmark elements of Orgoneproduction-gritty, deep, authentic sounds and heavy beats-permeate this ten-song LP. 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Their recordings, lush with orchestral strings and tight harmony vocals, document a moment when Broad Street soul was reshaping American R\u0026amp;B, even if wider recognition never followed. For collectors and soul devotees, this is the kind of buried treasure that reissues exist to surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe soul music scene was bursting with energy in the early 1970s. In Detroit, Berry Gordy's Motown was the \"Sound of Young America\" and Philly was next with \"The Sound of Philadelphia. \"Undoubtedly, one of the best local vocal groups of the time that defined what came to be known as \"Philly Soul\"was the Philly Devotions. As good as any of the better-known groups associated with this sweet sound, the Devotions' singles were largely ignored by commercial radio. The frustration became too much to bear and sadly, the group eventually disbanded. Presented here for the first time is a complete collection of the Philly Devotions recordings, capturing all the components that became hallmarks of the early Philly sound, remastered and pressed on limited edition color vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDidn't Anyone Ever Tell You I Love You, Baby\u003c\/li\u003e\n\u003cli\u003eMakin' Up\u003c\/li\u003e\n\u003cli\u003eI'll Never Color You A Rainbow\u003c\/li\u003e\n\u003cli\u003eYeah, Yeah Girl\u003c\/li\u003e\n\u003cli\u003eCome Over On The Lovin' Side\u003c\/li\u003e\n\u003cli\u003eI Just Can't Say Goodbye\u003c\/li\u003e\n\u003cli\u003eWe're Going To Make It\u003c\/li\u003e\n\u003cli\u003eI Was Lonely Man\u003c\/li\u003e\n\u003cli\u003eI Just Can't Make It(Without You)\u003c\/li\u003e\n\u003cli\u003eHurt So Bad\u003c\/li\u003e\n\u003cli\u003eIsn't It A Dream Come True\u003c\/li\u003e\n\u003cli\u003eIt's Gotta Be This Way\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5061119460265\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sonic Wax Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Essential Media Group (942 314 742-2)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2011  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Didn't Anyone Ever Tell You I Love You – 2:54\u003c\/li\u003e\n\u003cli\u003e2 Makin' Up – 3:17\u003c\/li\u003e\n\u003cli\u003e3 I'll Never Color You A Rainbow – 3:27\u003c\/li\u003e\n\u003cli\u003e4 Yeah, Yeah Girl – 2:54\u003c\/li\u003e\n\u003cli\u003e5 Come Over On The Lovin' Side – 3:00\u003c\/li\u003e\n\u003cli\u003e6 I Just Can't Say Goodbye – 3:11\u003c\/li\u003e\n\u003cli\u003e7 We're Gonna Make It – 3:07\u003c\/li\u003e\n\u003cli\u003e8 I Was A Lonely Man – 3:19\u003c\/li\u003e\n\u003cli\u003e9 I Just Can't Make It (Without You) – 3:07\u003c\/li\u003e\n\u003cli\u003e10 Hurt So Bad – 2:41\u003c\/li\u003e\n\u003cli\u003e11 Isn't It A Dream Come True – 3:34\u003c\/li\u003e\n\u003cli\u003e12 It's Gotta Be This Way – 3:17\u003c\/li\u003e\n\u003cli\u003e13 I Just Can't Make It (Without You) (Extended Mix) – 4:50\u003c\/li\u003e\n\u003cli\u003e14 Hurt So Bad (Extended Mix) – 5:38\u003c\/li\u003e\n\u003cli\u003e15 I Just Can't Say Goodbye (Instrumental) – 3:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Lauzardo (2) – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eRicardo Pantoja – Mastered By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549627896126,"sku":"179621163","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Philly-Devotions-Were-Gonna-Make-It-Colored-Limited-Edition-Red-LP-Vinyl.jpg?v=1791134817"},{"product_id":"diane-jenkins-im-a-woman-complete-singles-colored-limited-edition-lp-vinyl","title":"Diane Jenkins – I'm A Woman ( Complete Singles , Colored, Limited Edition LP Vinyl)","description":"\u003cp\u003eRare Soul From an unheralded diva, Collection available on vinyl for the first time ever, This compilation includes all of Jenkins' solo out put. Starting out as a vocalist for Creative Funk, Diane Jenkins made her mark as an exceptionally soulful performer. Although Creative Funk were quite successful for a short while in their hometown of New York City, they never had the backing of a major label to expose them to a wider audience. Leaving behind some wonderful recordings with Creative Funk - and also as a featured solo artist, Jenkins carved out a small but impressive legacy in the few years she was active that will no doubt resonate for years to come. At long last, presented here are the complete singles that she recorded under her own name, newly remastered for this exclusive compilation, and pressed on limited edition color vinyl for your listening pleasure.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnniversary\u003c\/li\u003e\n\u003cli\u003eTow A Way Zone\u003c\/li\u003e\n\u003cli\u003eI'm A Woman\u003c\/li\u003e\n\u003cli\u003eSweet Wine, Music And My Imagination\u003c\/li\u003e\n\u003cli\u003eI Need You\u003c\/li\u003e\n\u003cli\u003eRecycle\u003c\/li\u003e\n\u003cli\u003eGee Baby, What About You\u003c\/li\u003e\n\u003cli\u003eI Need You(Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5061119460234\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sonic Wax Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Creative Funk (12005)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1974  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA I'm A Woman – 3:34\u003c\/li\u003e\n\u003cli\u003eB Sweet Wine, Music, And My Imagination – 3:15\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBert Keyes – Arranged By, Producer (For Giant Enterprise)\u003c\/li\u003e\n\u003cli\u003eCreative Funk Enterprise – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549629370686,"sku":"179645893","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Diane-Jenkins-Im-A-Woman-Complete-Singles-Colored-Limited-Edition-LP-Vinyl.jpg?v=1791135041"},{"product_id":"the-relatives-electric-word-lp-vinyl","title":"The Relatives – Electric Word","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDallas gospel-soul collective The Relatives carry a lineage rooted in the church and shaped by decades of communal worship, and *Electric Word* finds them channeling that spiritual intensity through a raw, live-wire sound that owes as much to classic Southern soul as it does to the Holy Ghost. Produced by Black Joe Lewis collaborator Mark \"Porkchop\" Lockett, the record captures a band that sounds like it has been playing together forever, because in many ways, it has.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Things Are Changing (3:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Let Your Light Shine (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Speak To Me (What's Wrong With America?) 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The Philadelphia sisters brought a vocal warmth and family chemistry to the Chic production formula that no outside act had quite captured before or since.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eExperience a blend of disco grooves and soulful melodies in this Sister Sledge 'Now Playing.' Featuring their signature hit single \"We Are Family,\" and the timeless classics \"He's the Greatest Dancer,\" and \"Lost in Music,\" this album is a timeless celebration of Sister Sledge's vibrant and diverse sound. Vinyl LP pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. He's The Greatest Dancer (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. We Are Family (3:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Easier To Love (5:05)\u003c\/div\u003e\n\u003cdiv\u003e4. Thinking Of You (4:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Lost In Music (3:26)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. One More Time (3:15)\u003c\/div\u003e\n\u003cdiv\u003e2. You Fooled Around (4:28)\u003c\/div\u003e\n\u003cdiv\u003e3. All American Girls (3:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Pretty Baby (4:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Frankie (4:16)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497825219\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.7.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino Records (2) (RCV1 726391); Atlantic (603497825219)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 He's The Greatest Dancer – 3:35\u003c\/li\u003e\n\u003cli\u003eA2 We Are Family – 3:37\u003c\/li\u003e\n\u003cli\u003eA3 Easier To Love – 5:05\u003c\/li\u003e\n\u003cli\u003eA4 Thinking Of You – 4:10\u003c\/li\u003e\n\u003cli\u003eA5 Lost In Music – 3:26\u003c\/li\u003e\n\u003cli\u003eB1 One More Time – 3:15\u003c\/li\u003e\n\u003cli\u003eB2 You Fooled Around – 4:28\u003c\/li\u003e\n\u003cli\u003eB3 All American Girls – 3:57\u003c\/li\u003e\n\u003cli\u003eB4 Pretty Baby – 4:03\u003c\/li\u003e\n\u003cli\u003eB5 Frankie – 4:16\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRachel Gutek – Art Direction (Art Supervision)\u003c\/li\u003e\n\u003cli\u003eSteinbicker\/Houghton – Cover (Cover Photo)\u003c\/li\u003e\n\u003cli\u003eDavid Torres (10) – Design\u003c\/li\u003e\n\u003cli\u003eJulie Vlasak – Layout\u003c\/li\u003e\n\u003cli\u003eAmelia Halverson – Photography (Photo Editor)\u003c\/li\u003e\n\u003cli\u003eBernard Edwards \u0026amp; Nile Rodgers – Producer\u003c\/li\u003e\n\u003cli\u003eNarada Michael Walden – Producer\u003c\/li\u003e\n\u003cli\u003eNile Rodgers – Producer\u003c\/li\u003e\n\u003cli\u003eEric Bello (2) – Product Manager (Packaging Manager)\u003c\/li\u003e\n\u003cli\u003eKara Hailele-Griffin Coleman – Project Manager\u003c\/li\u003e\n\u003cli\u003eAllison Boron – Project Manager (Project Assistance)\u003c\/li\u003e\n\u003cli\u003eBill DeMain – Project Manager (Project Assistance)\u003c\/li\u003e\n\u003cli\u003eRoyal Momberger – Project Manager (Project Assistance)\u003c\/li\u003e\n\u003cli\u003eSam Stone (7) – Project Manager (Project Assistance)\u003c\/li\u003e\n\u003cli\u003eSheryl Farber – Project Manager (Project Assistance)\u003c\/li\u003e\n\u003cli\u003eSusanne Savage – Project Manager (Project Assistance)\u003c\/li\u003e\n\u003cli\u003ePatrick Milligan – Supervised By (Project Supervision)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549631631678,"sku":"358483","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633510969662-transparent-v2.png?v=1791445571"},{"product_id":"baby-huey-baby-huey-story-the-living-legend-lp-vinyl","title":"Baby Huey – Baby Huey Story: The Living Legend","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChicago's Baby Huey burned bright and briefly, leading his band The Babysitters through a raw fusion of soul, funk, and gospel that influenced everyone from hip-hop producers to deep soul devotees. 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Translating the dusty, kung-fu-shadowed drama of Wu-Tang's Staten Island mythology into live instrumental soul was a genuine conceptual swing, and it landed. This Crimson Strike pressing gives collectors a chance to own one of the more imaginative hip-hop tribute records of its era in a format that does justice to its warm, analog heart.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally released in 2009 on Fat Beats Records, Enter the 37th Chamber transformed iconic Wu-Tang Clan songs into gritty, fully live instrumentals inspired by the cinematic production style of RZA. What began as an experimental tribute quickly became a worldwide cult classic embraced by DJs, record collectors, hip-hop fans, and members of Wu-Tang themselves. After hearing the project, RZA famously said: “This is American music right here.”\u003c\/p\u003e\u003cp\u003eLed by saxophonist\/organist Leon Michels and producer\/engineer Jeff Silverman, El Michels Affair blends vintage soundtrack music, early reggae, and raw analog soul into what the group calls “Cinematic Soul.”\u003c\/p\u003e\u003cp\u003eOver the years, the album has taken on a life of its own, heard everywhere from independent record shops and radio stations to restaurants, film sets, and even theme parks across multiple continents. Nearly two decades later, Enter the 37th Chamber remains one of the defining releases in the Fat Beats catalog and a landmark recording in instrumental hip-hop and cinematic soul.\u003c\/p\u003e\u003cp\u003eThe vinyl features an embossed jacket with spot gloss on upgraded weight paper stock and a special color variant.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDuel Of The Iron Mics\u003c\/li\u003e\n\u003cli\u003eC.R.E.A.M.\u003c\/li\u003e\n\u003cli\u003eMystery Of Chessboxin'\u003c\/li\u003e\n\u003cli\u003eCan It All Be So Simple\u003c\/li\u003e\n\u003cli\u003eUzi (Pinky Ring)\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eGlaciers Of Ice\u003c\/li\u003e\n\u003cli\u003eCherchez La Ghost\u003c\/li\u003e\n\u003cli\u003eCriminology\u003c\/li\u003e\n\u003cli\u003eHeaven \u0026amp;amp; Hell\u003c\/li\u003e\n\u003cli\u003eBring Da Ruckus\u003c\/li\u003e\n\u003cli\u003eProtect Ya Neck\u003c\/li\u003e\n\u003cli\u003eIncarcerated Scarfaces\u003c\/li\u003e\n\u003cli\u003eShimmy Shimmy Ya\u003c\/li\u003e\n\u003cli\u003eOutro\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 784085106245\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fat Beats\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fat Beats (L-FB5127, L-FB5127-VAR)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Duel Of The Iron Mics – 3:10\u003c\/li\u003e\n\u003cli\u003eA2 C.R.E.A.M. – 2:55\u003c\/li\u003e\n\u003cli\u003eA3 Mystery Of Chessboxin' – 1:45\u003c\/li\u003e\n\u003cli\u003eA4 Can It All Be So Simple – 3:15\u003c\/li\u003e\n\u003cli\u003eA5 Uzi (Pinky Ring) – 3:10\u003c\/li\u003e\n\u003cli\u003eA6 Interlude – 0:35\u003c\/li\u003e\n\u003cli\u003eA7 Glaciers Of Ice – 3:30\u003c\/li\u003e\n\u003cli\u003eB1 Cherchez La Ghost – 3:45\u003c\/li\u003e\n\u003cli\u003eB2 Criminology – 1:35\u003c\/li\u003e\n\u003cli\u003eB3 Heaven \u0026amp; Hell – 2:10\u003c\/li\u003e\n\u003cli\u003eB4 Bring Da Ruckus – 3:10\u003c\/li\u003e\n\u003cli\u003eB5 Protect Ya Neck – 3:35\u003c\/li\u003e\n\u003cli\u003eB6 Incarcerated Scarfaces – 1:20\u003c\/li\u003e\n\u003cli\u003eB7 Shimmy Shimmy Ya – 2:25\u003c\/li\u003e\n\u003cli\u003eB8 Outro – 0:30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDan Goldberg (3) – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eLeon Michels – Art Direction\u003c\/li\u003e\n\u003cli\u003eNick Movshon – Bass\u003c\/li\u003e\n\u003cli\u003eGaro Yellin – Cello\u003c\/li\u003e\n\u003cli\u003eRomon Yang – Creative Director\u003c\/li\u003e\n\u003cli\u003eJeff Silverman (2) – Design\u003c\/li\u003e\n\u003cli\u003eHomer Steinweiss – Drums\u003c\/li\u003e\n\u003cli\u003eClay Holley – Edited By (Pro Tools Editing)\u003c\/li\u003e\n\u003cli\u003eClay Holley – Engineer\u003c\/li\u003e\n\u003cli\u003eJeff Silverman (2) – Engineer\u003c\/li\u003e\n\u003cli\u003eThomas Brenneck – Guitar\u003c\/li\u003e\n\u003cli\u003eKeith Sirchio – Photography By\u003c\/li\u003e\n\u003cli\u003eToby Pazner – Piano, Organ\u003c\/li\u003e\n\u003cli\u003eJeff Silverman (2) – Producer, Mixed By\u003c\/li\u003e\n\u003cli\u003eLeon Michels – Producer, Saxophone, Organ, Piano, Mixed By\u003c\/li\u003e\n\u003cli\u003eAaron Johnson – Trombone\u003c\/li\u003e\n\u003cli\u003eMichael Leonhart – Trumpet\u003c\/li\u003e\n\u003cli\u003eRachel Garb – Violin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549752906046,"sku":"214926898","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633532891454-transparent-v2.png?v=1791433387"},{"product_id":"professor-longhair-crawfish-fiesta-lp-vinyl","title":"Professor Longhair – Crawfish Fiesta","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCrawfish Fiesta holds a bittersweet place in New Orleans music history: recorded in 1979, it was released on Alligator Records in 1980, just weeks after Henry Roeland Byrd passed away at 61. The sessions caught Fess at the peak of his late-career revival, surrounded by some of the city's finest players, and stand as the definitive document of the rolling, rumba-inflected piano style he practically invented.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProfessor Longhair ?- Crawfish Fiesta - Alligator Records ?- Vinyl, LP, Reissue 180 gram - \"Remastered Classic, With Bonus Track, On 180 gram vinyl\" Last track \"River's Invitation\" is previously unreleased rehearsal recording. CREDITS: Bass - David Lee Watson \/ Congas - Alfred \"Uganda\" Roberts \/ Drums - John Vidacovich \/ Guitar - Dr. John Mac Rebennack \/ Piano, Vocals - Professor Longhair \/ Producer - Allison Kaslow, Andy Kaslow, Bruce Iglauer \/ Saxophone [Baritone] - Jim Moore \/ Saxophone [Tenor] - Andy Kaslow, Tony Dagradi \/ Arranged By [Horns] - Andy Kaslow, Tony Dagradi.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Big Chief (3:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Her Mind Is Gone (4:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Something On Your Mind (4:10)\u003c\/div\u003e\n\u003cdiv\u003e4. You're Driving Me Crazy (2:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Red Beans (4:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Willie Fugal's Blues (2:03)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. It's My Fault, Darling (4:54)\u003c\/div\u003e\n\u003cdiv\u003e2. In The Wee Wee Hours (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Cry To Me (3:35)\u003c\/div\u003e\n\u003cdiv\u003e4. Bald Head (2:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Whole Lotta Loving (3:46)\u003c\/div\u003e\n\u003cdiv\u003e6. Crawfish Fiesta (3:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 014551471813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alligator Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alligator Records (AL 4718)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1980  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Big Chief – 3:13\u003c\/li\u003e\n\u003cli\u003eA2 Her Mind Is Gone – 4:23\u003c\/li\u003e\n\u003cli\u003eA3 Something On Your Mind – 4:10\u003c\/li\u003e\n\u003cli\u003eA4 You're Driving Me Crazy – 2:34\u003c\/li\u003e\n\u003cli\u003eA5 Red Beans – 4:09\u003c\/li\u003e\n\u003cli\u003eA6 Willie Fugal's Blues – 2:03\u003c\/li\u003e\n\u003cli\u003eB1 It's My Fault, Darling – 4:54\u003c\/li\u003e\n\u003cli\u003eB2 In The Wee Wee Hours – 3:23\u003c\/li\u003e\n\u003cli\u003eB3 Cry To Me – 3:35\u003c\/li\u003e\n\u003cli\u003eB4 Bald Head – 2:58\u003c\/li\u003e\n\u003cli\u003eB5 Whole Lotta Loving – 3:46\u003c\/li\u003e\n\u003cli\u003eB6 Crawfish Fiesta – 3:10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAndy Kaslow – Arranged By (Horns)\u003c\/li\u003e\n\u003cli\u003eTony Dagradi – Arranged By (Horns)\u003c\/li\u003e\n\u003cli\u003eJim Moore (3) – Baritone Saxophone\u003c\/li\u003e\n\u003cli\u003eDavid Lee Watson – Bass\u003c\/li\u003e\n\u003cli\u003eAlfred Roberts – Congas\u003c\/li\u003e\n\u003cli\u003eRoss \u0026amp; Harvey Inc. – Design\u003c\/li\u003e\n\u003cli\u003eJohnny Vidacovich – Drums\u003c\/li\u003e\n\u003cli\u003eDr. John – Guitar\u003c\/li\u003e\n\u003cli\u003eMac Rebennack – Guitar\u003c\/li\u003e\n\u003cli\u003eMindy Giles – Liner Notes\u003c\/li\u003e\n\u003cli\u003eTad Jones (2) – Liner Notes\u003c\/li\u003e\n\u003cli\u003eEddie B. Flick – Mixed By (Assistant)\u003c\/li\u003e\n\u003cli\u003eMichael P. Smith (2) – Photography By\u003c\/li\u003e\n\u003cli\u003eProfessor Longhair – Piano, Vocals\u003c\/li\u003e\n\u003cli\u003eAllison Kaslow – Producer\u003c\/li\u003e\n\u003cli\u003eAndy Kaslow – Producer\u003c\/li\u003e\n\u003cli\u003eBruce Iglauer – Producer\u003c\/li\u003e\n\u003cli\u003eSkip Godwin – Recorded By (Associate Engineer)\u003c\/li\u003e\n\u003cli\u003eFred Breitberg – Recorded By (Engineer), Mixed By (Engineer)\u003c\/li\u003e\n\u003cli\u003eAndy Kaslow – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eTony Dagradi – Tenor Saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54555157823806,"sku":"697504","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12635510964542-transparent-v2.png?v=1791443533"}],"url":"https:\/\/reserveselects.myshopify.com\/collections\/funk.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}