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Jump forward sixteen years and the JGB's back-to-back run through \"Don't Let Go\" and \"Think\" shows a band that had fully grown into Garcia's vision for soul-drenched, groove-centered live music. Two eras, one slab of cloudy blue wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe first installment in a new archival vinyl series which will showcase previously unreleased performances from the Jerry Garcia Family vaults. Heads \u0026amp; Tails: Vol. 1 presents two mind-boggling performances on a single LP.  One side features a Garcia\/Saunders' 1972 recording of “Save Mother Earth” with special guest Paul Butterfield on harmonica. The other side features the Jerry Garcia Band’s exhilarating paring of “Don’t Let Go” and “Think” captured in 1988. Pressed on \"cloudy blue\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Save Mother Earth (16:55)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Don't Let Go (13:19)\u003cbr\u003e\nB2. 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The result is genuinely rare: a serious musician reckoning with adolescent obsessions not as nostalgia, but as theology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrad Mehldau \/ JACOB'S LADDER - The album features new music that reflects on scripture and the search for God through music inspired by the prog rock Mehldau loved as a young adolescent, which was his gateway to the fusion that eventually led to his discovery of jazz. Jacob's Ladder is made up of original compositions by Mehldau alongside interpolations and covers of songs by Rush, Gentle Giant and Yes. 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What emerged was some of the most combustible small-group jazz ever captured on tape, with Coltrane's tenor already hinting at the sheets-of-sound approach he'd soon unleash on his own recordings. The chemistry of this particular quintet remains a high-water mark for what five musicians can do when they're genuinely pushing each other.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginal Jazz Classics celebrates Miles Davis’ centennial with the release of Cookin' with the Miles Davis Quintet. Originally released on Prestige in 1957 and one of four albums recorded during sessions at Van Gelder studios, Cookin’ features Davis alongside John Coltrane, Paul Chambers, Red Garland and Philly Joe Jones. 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The Warner Bros. years captured a restless genius in conversation with Prince, Marcus Miller, and a generation of younger collaborators, proving that the man who had already reinvented jazz multiple times wasn't finished yet.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497804313\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Tutu (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Splatch (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Catembé (5:35)\u003c\/div\u003e\n\u003cdiv\u003e4. Mr. Pastorius (5:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Amandla (5:21)\u003c\/div\u003e\n\u003cdiv\u003e6. Mystery (3:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Chocolate Chip (4:38)\u003c\/div\u003e\n\u003cdiv\u003e8. The Doo-Bop-Song (5:00)\u003c\/div\u003e\n\u003cdiv\u003e9. Trumpet Cleaning (3:56)\u003c\/div\u003e\n\u003cdiv\u003e10. Siesta \/ Kitt's Kiss \/ Lost In Madrid Part II (7:00)\u003c\/div\u003e\n\u003cdiv\u003e11. The Pan Piper (1:40)\u003c\/div\u003e\n\u003cdiv\u003e12. Summertime (2:54)\u003c\/div\u003e\n\u003cdiv\u003e13. In A Silent Way (1:49)\u003c\/div\u003e\n\u003cdiv\u003e14. Time After Time (9:58)\u003c\/div\u003e\n\u003cdiv\u003e15. Hannibal (7:22)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino Records (2) (8122-74863-2); Warner Jazz (8122-74863-2)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2007  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Tutu – 5:15\u003c\/li\u003e\n\u003cli\u003e2 Splatch – 4:45\u003c\/li\u003e\n\u003cli\u003e3 Catembé – 5:35\u003c\/li\u003e\n\u003cli\u003e4 Mr. Pastorius – 5:42\u003c\/li\u003e\n\u003cli\u003e5 Amandla – 5:21\u003c\/li\u003e\n\u003cli\u003e6 Mystery – 3:55\u003c\/li\u003e\n\u003cli\u003e7 Chocolate Chip – 4:38\u003c\/li\u003e\n\u003cli\u003e8 The Doo-Bop Song – 5:00\u003c\/li\u003e\n\u003cli\u003e9 Trumpet Cleaning – 3:56\u003c\/li\u003e\n\u003cli\u003e10 Siesta \/ Kitt's Kiss \/ Lost In Madrid Part II – 7:00\u003c\/li\u003e\n\u003cli\u003e11 The Pan Piper – 1:40\u003c\/li\u003e\n\u003cli\u003e12 Summertime – 2:54\u003c\/li\u003e\n\u003cli\u003e13 In A Silent Way – 1:49\u003c\/li\u003e\n\u003cli\u003e14 Time After Time – 9:58\u003c\/li\u003e\n\u003cli\u003e15 Hannibal – 7:22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMental Block – Artwork\u003c\/li\u003e\n\u003cli\u003eFlorence Halfon – Compiled By\u003c\/li\u003e\n\u003cli\u003eWallace Roney – Liner Notes\u003c\/li\u003e\n\u003cli\u003eGiovanni Scatola – Mastered By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547582746942,"sku":"236505425","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/packshot-miles-davis-very-best-of-the-warner-bros-sessions-1985-1991-vinyl-lp-relix.jpg?v=1791061240"},{"product_id":"miles-davis-bopping-the-blues-3-lp-vinyl","title":"Miles Davis – Bopping The Blues (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Davis was just 20 years old, this 1946 session captures a musician on the verge of reshaping jazz forever, still finding his voice alongside heavyweights who would define the bebop era. 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Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Sing Me The Blues (Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Sing Me The Blues (Take 2) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Always Got The Blues (Take 1 Incomplete) (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. I've Always Got The Blues (Take 2) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. I've Always Got The Blues (Take 3) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Don't Explain To Me Baby (Take 1) (3:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Explain To Me Baby (Take 2) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Explain To Me Baby (Take 3) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 4) (2:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Baby, Won't You Make Up Your Mind (Take 1) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Baby, Won't You Make Up Your Mind (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Baby, Won't You Make Up Your Mind (Take 3) (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Sing Me The Blues (Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Sing Me The Blues (Take 2) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Always Got The Blues (Take 1 Incomplete) (2:18)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Always Got The Blues (Take 2) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e2. I've Always Got The Blues (Take 3) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 1) (3:05)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Explain To Me Baby (Take 2) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Explain To Me Baby (Take 3) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 4) (2:57)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby, Won't You Make Up Your Mind (Take 1) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby, Won't You Make Up Your Mind (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Baby, Won't You Make Up Your Mind (Take 3) (3:13)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574703111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Black Lion Records (BLP 60102); 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The title track became a live staple that Davis' subsequent quintets returned to for years, making this session less a finished statement than a doorway that never quite closed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Vibrant Bridge Between Miles Davis' First and Second Great Quintets: Seven Steps to Heaven Teems with Originality, Expressivity, Cohesiveness, and BeautySourced from the Original Analog Master Tapes: Mobile Fidelity 180g SuperVinyl LP and Hybrid SACD Play with Superb Clarity, Detail, Tone, and DefinitionGrammy-Nominated 1963 Album Is a Harbinger of Things to Come: Features Definitive Title Track and 'Joshua'Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Recorded at two separate locations in spring 1963, it served as Davis' first release in more than a year - a layoff that was then unprecedented for the jazz visionary who had issued at least one LP a year since debuting in the early '50s. Equally notable, Seven Steps to Heaven marks the point at which the core of Davis' Second Great Quintet started to assemble. The twice Grammy-nominated effort is also Davis' final studio record to blend standards with originals. And it happens to be one of the most expressive, well-played albums in the jazz canon. There's nary a passage on this landmark that isn't great. That Davis manages to make it feel so cohesive and seamless is a testament to the inspired performances and engaging compositions.Sourced from the original master tapes, Mobile Fidelity's 180g SuperVinyl LP and hybrid SACD of Seven Steps to Heaven add yet another step towards the bliss suggested by the album title. Playing with standout clarity, detail, tone, and balance, these audiophile reissues pull back the curtain on the instrumentalists. Afforded the tremendous advantages of SuperVinyl - including a nearly inaudible noise floor, dead-quiet surfaces, and superb groove definition - the numbered-edition LP version presents Davis and Co. Amid a wide, deep soundstage whose dimensions and solidity help bring the record's historical importance and musical merit into focus. The painstakingly mastered SACD does the same. And why not: The aptly titled Seven Steps to Heaven deserves nothing less.Numbered 180g 33RPM SuperVinyl LP1\/4' \/ 15 IPS DOLBY SR ANALOG REMIX MASTER DSD 256 ANALOG CONSOLE LATHETrack ListSide One:1. Basin Street Blues2. Seven Steps to Heaven3. I Fall in Love Too EasilySide Two:1. So Near, So Far2. Baby Won't You Please Come Home3. Joshua\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Basin Street Blues (10:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Seven Steps To Heaven (6:24)\u003c\/div\u003e\n\u003cdiv\u003e3. I Fall In Love Too Easily (6:47)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So Near So Far (7:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby Won't You Please Come Home (8:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Joshua (7:01)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588233814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.27.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (CL 2051)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1963  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Basin Street Blues – 10:29\u003c\/li\u003e\n\u003cli\u003eA2 Seven Steps To Heaven – 6:24\u003c\/li\u003e\n\u003cli\u003eA3 I Fall In Love Too Easily – 6:47\u003c\/li\u003e\n\u003cli\u003eB1 So Near, So Far – 7:00\u003c\/li\u003e\n\u003cli\u003eB2 Baby Won't You Please Come Home – 8:27\u003c\/li\u003e\n\u003cli\u003eB3 Joshua – 7:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRon Carter – Bass\u003c\/li\u003e\n\u003cli\u003eFrank Butler – Drums (Cal.)\u003c\/li\u003e\n\u003cli\u003eAnthony Williams – Drums (N.Y.)\u003c\/li\u003e\n\u003cli\u003eLeonard Feather – Liner Notes\u003c\/li\u003e\n\u003cli\u003eBob Cato – Photography By (Cover)\u003c\/li\u003e\n\u003cli\u003eVictor Feldman – Piano (Cal.)\u003c\/li\u003e\n\u003cli\u003eHerbie Hancock – Piano (N.Y.)\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eGeorge Coleman – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547582878014,"sku":"565051","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223659838-transparent-v2.png?v=1791321340"},{"product_id":"miles-davis-birth-of-the-blue-lp-vinyl","title":"Miles Davis – Birth Of The Blue (2026 Reissue)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months before the *Kind of Blue* sessions that would change jazz forever, these four performances capture the same constellation of musicians, the same Columbia 30th Street Studio, and the same modal instincts already taking shape. John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb are all present, and hearing them in this dedicated context makes clear how much was percolating before that February 1959 morning.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. 180-gram 45 RPM double LP pressed at Quality Record Pressings.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. On Green Dolphin Street\u003c\/div\u003e\n\u003cdiv\u003e2. Fran-Dance\u003c\/div\u003e\n\u003cdiv\u003e3. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e4. Love For Sale\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Productions (APJ 172); Columbia (19802816621); Sony Music (19802816621)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 On Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eA2 Fran-Dance\u003c\/li\u003e\n\u003cli\u003eB1 Stella By Starlight\u003c\/li\u003e\n\u003cli\u003eB2 Love For Sale\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCannonball Adderley – Alto Saxophone\u003c\/li\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eJames Wolf (4) – Design\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eChad Kassem – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eMatthew Lutthans – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Liner Notes (March 2024)\u003c\/li\u003e\n\u003cli\u003eMatthew Lutthans – Mastered By\u003c\/li\u003e\n\u003cli\u003eVic Anesini – Mixed By\u003c\/li\u003e\n\u003cli\u003eDon Hunstein – Photography By (Rear Cover And Inside Gatefold Photos)\u003c\/li\u003e\n\u003cli\u003eBill Evans – Piano\u003c\/li\u003e\n\u003cli\u003eSteve Berkowitz – Supervised By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet, Leader\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547582910782,"sku":"183138741","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223692606-transparent-v2.png?v=1791443368"},{"product_id":"miles-davis-tribute-to-jack-johnson-mobile-fidelity-lp-vinyl","title":"Miles Davis – Tribute To Jack Johnson (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1970 as the soundtrack to a documentary about the first Black heavyweight boxing champion of the world, this session captured Davis at his most politically charged and sonically fearless. The two-track structure, \"Right Off\" and \"Yesternow,\" gave him room to let ideas breathe and combust, with John McLaughlin's guitar work landing somewhere between Hendrix and pure electricity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 'Greatest Rock and Roll Band You Have Ever Heard': Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack JohnsonSourced from the Original Analog Master Tapes: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP Presents 1971 Landmark in Exuberant, Full-Range SoundMiles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the 'greatest rock and roll band you have ever heard,' his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio - and just as infrequently accepted by the mainstream. Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl's nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything - from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio - in reference fashion. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. Utilizing wah-wah and distortion, the go-to instrumentalist of the performances- guitarist John McLaughlin - attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record's creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.7.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (19075950871); Legacy (19075950871)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Right Off – 26:54\u003c\/li\u003e\n\u003cli\u003eB Yesternow – 25:36\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Henderson – Bass (Fender)\u003c\/li\u003e\n\u003cli\u003eBilly Cobham – Drums\u003c\/li\u003e\n\u003cli\u003eArthur Kendy – Engineer\u003c\/li\u003e\n\u003cli\u003eJohn McLaughlin – Guitar\u003c\/li\u003e\n\u003cli\u003ePaul Davis (9) – Illustration\u003c\/li\u003e\n\u003cli\u003eHerbie Hancock – Keyboards\u003c\/li\u003e\n\u003cli\u003eDavid Gahr – Photography By (Photo Of Miles Davis)\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Grossman – Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583074622,"sku":"237168","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223725374-transparent-v2.png?v=1791443369"},{"product_id":"miles-davis-merci-miles-live-at-vienne-2-lp-vinyl","title":"Miles Davis – Merci Miles Live At Vienne (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaptured just weeks before his death in September 1991, the Vienne performance stands as one of the last documents of Miles in full flight, leading a band that included guitarist Foley McCreary and saxophonist Kenny Garrett. France had long embraced Miles with a devotion that matched his own love for the country, and the Jazz à Vienne festival gave him a stage worthy of that relationship, one final time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. By 1991, the world's most celebrated trumpeter could look back on five decades of musical evolution - his own, and that of the world around him. Miles Davis had found ways of marrying jazz with classical ideas, then later R\u0026amp;B, rock and funk, producing hybrid offspring that shaped the course of popular music and had come to define his legend. In 1985, he'd left Columbia after thirty years to sign to Warner Bros. Records, a label riding high with best-selling artists like Madonna, Van Halen and Prince, with whom he had a mutual admiration and friendship. Miles Davis's lifelong love for France is well-documented, and in July 1991, he became a Knight of their Legion of Honour. Davis received the award from French culture minister Jack Lang, who described him as: \"The Picasso of jazz.\" A few days before, he played this electrifying set at the Vienne Jazz Festival with the Miles Davis Group. He passed away two months later in September 1991. Miles Davis' performance at Jazz a Vienne on July 1, 1991 became one of his final live performances before he passed away on September 28, 1991, and this previously unreleased set includes two songs written by Prince, \"Penetration\" and \"Jailbait\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hannibal\u003c\/div\u003e\n\u003cdiv\u003e2. Jailbait\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Time After Time\u003c\/div\u003e\n\u003cdiv\u003e2. Wrinkle\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Human Nature\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Penetration\u003c\/div\u003e\n\u003cdiv\u003e2. Amandla\u003c\/div\u003e\n\u003cdiv\u003e3. Finale (Band Only)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497844623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records (603497844623); Rhino Records (2) (R1 653962)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Hannibal\u003c\/li\u003e\n\u003cli\u003eA2 Jailbait\u003c\/li\u003e\n\u003cli\u003eB1 Time After Time\u003c\/li\u003e\n\u003cli\u003eB2 Wrinkle\u003c\/li\u003e\n\u003cli\u003eC1 Human Nature\u003c\/li\u003e\n\u003cli\u003eD1 Penetration\u003c\/li\u003e\n\u003cli\u003eD2 Amandla\u003c\/li\u003e\n\u003cli\u003eD3 Finale (Band Only)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBruno Tilley – Design\u003c\/li\u003e\n\u003cli\u003eCheryl Davis – Executive-Producer (Executive Producers)\u003c\/li\u003e\n\u003cli\u003eDarryl Porter – Executive-Producer (Executive Producers)\u003c\/li\u003e\n\u003cli\u003eErin Davis – Executive-Producer (Executive Producers)\u003c\/li\u003e\n\u003cli\u003eVincent Wilburn – Executive-Producer (Executive Producers)\u003c\/li\u003e\n\u003cli\u003eRichard Patterson (2) – Featuring (Featuring Staggering Performances By), Bass\u003c\/li\u003e\n\u003cli\u003eFoley – Featuring (Featuring Staggering Performances By), Bass (Lead Bass)\u003c\/li\u003e\n\u003cli\u003eRicky Wellman – Featuring (Featuring Staggering Performances By), Drums\u003c\/li\u003e\n\u003cli\u003eDeron Johnson – Featuring (Featuring Staggering Performances By), Keyboards\u003c\/li\u003e\n\u003cli\u003eKenny Garrett – Featuring (Featuring Staggering Performances By), Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Featuring (Featuring Staggering Performances By), Trumpet\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Liner Notes\u003c\/li\u003e\n\u003cli\u003eJohn Webber – Mastered By\u003c\/li\u003e\n\u003cli\u003ePatrick Savey – Mixed By\u003c\/li\u003e\n\u003cli\u003eDaniel Durand – Photography By\u003c\/li\u003e\n\u003cli\u003eJoséphine Mona – Photography By\u003c\/li\u003e\n\u003cli\u003ePascal Kober – Photography By\u003c\/li\u003e\n\u003cli\u003ePatrick Savey – Photography By (Cover And Inside Photos By)\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Producer (Producer For Release)\u003c\/li\u003e\n\u003cli\u003eFlorence Joelle – Producer (Producer For Release)\u003c\/li\u003e\n\u003cli\u003eVincent Wilburn – Producer (Producer For Release)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583041854,"sku":"300518","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223758142-transparent-v2.png?v=1791443369"},{"product_id":"miles-davis-sketches-of-spain-mobile-fidelity-lp-vinyl","title":"Miles Davis – Sketches Of Spain (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded over multiple sessions in 1959 and 1960, Sketches of Spain captured Davis at a moment when he was simultaneously redefining jazz with Kind of Blue and pushing far beyond its boundaries. The album's centerpiece, his interpretation of the Adagio from Rodrigo's Concierto de Aranjuez, remains one of the most quietly devastating performances in his catalog, a trumpet voice so human it barely sounds like an instrument at all.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and EmotionMobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record PressingMiles Davis and Gil Evans bridged styles and collaborated on high-concept projects three times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each legend's legacy. The transformative record weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a like-minded partner to help draw out tones, shades, and textures. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed 'a work of unparalleled grace and lyricism' by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken 'jazz in a new direction,' Sketches of Spain remains universallyrenowned.Part of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment for it's 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a prior dryness that many critics found inhibitive to the record's enjoyment. You'll hear the full-range extension of woodwinds, strings, and percussion, all of which come alive with superior definition and detail amid ultra-quiet backgrounds. Sonically, the results are as breathtaking as the music, and a personal invitation to pull up a chair and enjoy what went down at Columbia 30th Street Studio decades ago in New York City.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered Limited Edition UD1S180g 33RPM LP Box SetNUMBERED LIMITED EDITION OF 5,000Track ListSide One:1. Concierto de Aranjuez2. Will o' the WispSide Two:1. The Pan Piper2. Saeta3. Solea\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826614\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto de Aranjuez (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O’ the Wisp (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Pan Piper (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Solea (12:14)\u003c\/div\u003e\n\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity Sound Lab (MFSL 1-375); Columbia (88697943791)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2013  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Concierto De Aranjuez – 16:21\u003c\/li\u003e\n\u003cli\u003eA2 Will O' The Wisp – 3:49\u003c\/li\u003e\n\u003cli\u003eB1 The Pan Piper – 3:56\u003c\/li\u003e\n\u003cli\u003eB2 Saeta – 5:35\u003c\/li\u003e\n\u003cli\u003eB3 Solea – 12:14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGil Evans – Arranged By, Conductor (Conducted By)\u003c\/li\u003e\n\u003cli\u003eKrieg Wunderlich – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eNat Hentoff – Liner Notes\u003c\/li\u003e\n\u003cli\u003eKrieg Wunderlich – Mastered By\u003c\/li\u003e\n\u003cli\u003eShawn R. Britton – Mastered By (Assisted By)\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet (Uncredited)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547582976318,"sku":"593228","price":179.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223790910-transparent-v2.png?v=1791443369"},{"product_id":"miles-davis-dig-lp-vinyl","title":"Miles Davis – Dig","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in October 1951, *Dig* captures a pivotal crossroads moment, with a then-20-year-old Sonny Rollins and 17-year-old Jackie McLean pushing Miles toward a harder, more urgent attack. The personnel alone tells the story of a generation finding its footing, Blakey and Mingus anchoring a session that would shape the next decade of modern jazz.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1951 release by Miles Davis with Sonny Rollins, Jackie McLean, Art Blakey, Charles Mingus, Walter Bishop and Tommy Potter. This record finds Miles moving away from his \"cool\" sound of the late 1940s into more bop oriented terrain.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Dig (7:30)\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only A Paper Moon (5:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Denial (5:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bluing (9:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Out Of The Blue (6:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 025218110518\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.10.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Prestige (PR 7281, 7281, PRLP 7281)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1963  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Dig\u003c\/li\u003e\n\u003cli\u003eA2 It's Only A Paper Moon\u003c\/li\u003e\n\u003cli\u003eA3 Denial\u003c\/li\u003e\n\u003cli\u003eB1 Bluing\u003c\/li\u003e\n\u003cli\u003eB2 Out Of The Blue\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJackie McLean – Alto Saxophone\u003c\/li\u003e\n\u003cli\u003eTommy Potter – Bass\u003c\/li\u003e\n\u003cli\u003eDon Schlitten – Design, Photography By\u003c\/li\u003e\n\u003cli\u003eArt Blakey – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eIra Gitler – Liner Notes\u003c\/li\u003e\n\u003cli\u003eWalter Bishop, Jr. – Piano\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Recorded By\u003c\/li\u003e\n\u003cli\u003eBob Weinstock – Supervised By\u003c\/li\u003e\n\u003cli\u003eSonny Rollins – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583009086,"sku":"410807","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223823678-transparent-v2.png?v=1791443368"},{"product_id":"miles-davis-paris-jazz-festival-salle-pleyel-10-1-1964-2-lp-vinyl","title":"Miles Davis – Paris Jazz Festival, Salle Pleyel 10\/1\/1964 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy October 1964, Miles Davis had assembled what many consider the most telepathic small group in jazz history, with Wayne Shorter's arrival completing a quintet that would spend the next several years quietly dismantling the boundaries of post-bop. Europe, and Paris especially, received this band with a reverence that stood in sharp contrast to the racial hostilities Miles faced at home, a dynamic that visibly loosened the ensemble and pushed their live performances toward something freer and more emotionally unguarded than what they recorded in the studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eParis Jazz Festival, Salle Pleyel 10\/1\/1964 (2 LP) (140g Vinyl\/ Blue, White \u0026amp; Red French Flag Inspired Vinyl) (Non-Returnable) This 2LP set captures Miles Davis' Second Great Quintet just as Wayne Shorter completed the group and the band toured Europe. Recorded live in Paris on October 1, 1964 and pressed on blue\/white\/red French Flag vinyl, the album contains two separate and distinct concerts of the Miles Davis Quintet spread over 2 LPs and the energy and depth of feeling in the transcendent playing hint at the special relationship Miles and the group had with the French nation that embraced them in a way their homeland would not. It contains over 90 minutes of revelatory, unreleased live music featuring Miles backed by the legendary lineup of Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams. The audio has been lovingly mixed and mastered in the highest quality possible and the LPs are packaged in a gatefold jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Autumn Leaves (12:49)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (9:39)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (11:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Walkin’ (9:07)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (0:38)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (16:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Joshua (12:35)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (12:18)\u003c\/div\u003e\n\u003cdiv\u003e2. No Blues (13:13)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (1:05)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028113410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.8.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Music (19802811341); Columbia (19802811341)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Autumn Leaves – 12:49\u003c\/li\u003e\n\u003cli\u003eA2 So What – 9:39\u003c\/li\u003e\n\u003cli\u003eB1 Stella By Starlight – 11:05\u003c\/li\u003e\n\u003cli\u003eB2 Walkin’ – 9:07\u003c\/li\u003e\n\u003cli\u003eB3 The Theme – 0:38\u003c\/li\u003e\n\u003cli\u003eC1 All Of You – 16:05\u003c\/li\u003e\n\u003cli\u003eC2 Joshua – 12:35\u003c\/li\u003e\n\u003cli\u003eD1 My Funny Valentine – 12:18\u003c\/li\u003e\n\u003cli\u003eD2 No Blues – 13:13\u003c\/li\u003e\n\u003cli\u003eD3 The Theme – 1:05\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583107390,"sku":"355579","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223856446-transparent-v2.png?v=1791443369"},{"product_id":"miles-davis-the-essential-miles-davis-2-lp-vinyl","title":"Miles Davis – The Essential Miles Davis (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFew catalogs in American music demand this kind of sprawling survey. Davis didn't just document jazz history, he kept forcing it in new directions, pulling in collaborators like John Coltrane, Bill Evans, and Herbie Hancock as he moved from cool jazz through hard bop, modal exploration, and eventually electric fusion. Pressing this collection to vinyl feels right; so much of this music was conceived with the weight and warmth of analog sound in mind.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited double vinyl LP pressing of this collection from the jazz legend. Spanning over 40 years (1945-86) and seven labels, this set captures Miles at every stage of his career, from his early recordings with Bird ('Now's the Time') through Miles' own triumphs ('Round About Midnight', 'Miles Runs the Voodoo Down') to his late recordings ('Time After Time'). Trumpeter and bandleader Miles Davis was a major catalyst for the evolution of modern music. This double vinyl release is an excellent sampler of his limitless creative genius. Davis's middle-register trumpet accommodated a myriad of styles, from the bebop classic \"Now's the Time\" to the Snow White waltz \"Someday My Prince Will Come\" to the modal masterpiece \"So What\" (from Kind of Blue).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Now's The Time (3:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Jeru (3:10)\u003c\/div\u003e\n\u003cdiv\u003e3. 'Round Midnight (5:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Bye Bye Blackbird (7:54)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Generique (2:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Summertime (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. So What (9:22)\u003c\/div\u003e\n\u003cdiv\u003e4. The Pan Piper (3:52)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Someday My Prince Will Come (9:04)\u003c\/div\u003e\n\u003cdiv\u003e2. E.S.P. (5:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Nefertiti (7:49)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Miles Runs The Voodoo Down (14:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Black Satin (5:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Time After Time (3:39)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889853577415\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Legacy (88985357741); Columbia (88985357741)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Now's The Time – 3:15\u003c\/li\u003e\n\u003cli\u003eA2 Jeru – 3:10\u003c\/li\u003e\n\u003cli\u003eA3 'Round Midnight – 5:55\u003c\/li\u003e\n\u003cli\u003eA4 Bye Bye Blackbird – 7:54\u003c\/li\u003e\n\u003cli\u003eB1 Generique – 2:45\u003c\/li\u003e\n\u003cli\u003eB2 Summertime – 3:17\u003c\/li\u003e\n\u003cli\u003eB3 So What – 9:22\u003c\/li\u003e\n\u003cli\u003eB4 The Pan Piper – 3:52\u003c\/li\u003e\n\u003cli\u003eC1 Someday My Prince Will Come – 9:04\u003c\/li\u003e\n\u003cli\u003eC2 E.S.P. – 5:27\u003c\/li\u003e\n\u003cli\u003eC3 Nefertiti – 7:53\u003c\/li\u003e\n\u003cli\u003eD1 Miles Runs The Voodoo Down – 14:02\u003c\/li\u003e\n\u003cli\u003eD2 Black Satin – 5:19\u003c\/li\u003e\n\u003cli\u003eD3 Time After Time – 3:39\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCannonball Adderley – Alto Saxophone\u003c\/li\u003e\n\u003cli\u003eGil Evans – Arranged By\u003c\/li\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003ePercy Heath – Bass\u003c\/li\u003e\n\u003cli\u003eRon Carter – Bass\u003c\/li\u003e\n\u003cli\u003eBennie Maupin – Bass Clarinet\u003c\/li\u003e\n\u003cli\u003eDanny Bank – Bass Clarinet\u003c\/li\u003e\n\u003cli\u003eBob Belden – Compilation Producer\u003c\/li\u003e\n\u003cli\u003eMichael Cuscuna – Compilation Producer\u003c\/li\u003e\n\u003cli\u003eSeth Rothstein – Compilation Producer\u003c\/li\u003e\n\u003cli\u003eSteve Berkowitz – Compilation Producer\u003c\/li\u003e\n\u003cli\u003eGil Evans – Conductor\u003c\/li\u003e\n\u003cli\u003e\"Philly\" Joe Jones – Drums\u003c\/li\u003e\n\u003cli\u003eAl Foster – Drums\u003c\/li\u003e\n\u003cli\u003eAnthony Williams – Drums\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eKenny Clarke – Drums\u003c\/li\u003e\n\u003cli\u003eMax Roach – Drums\u003c\/li\u003e\n\u003cli\u003eRomeo Penque – Flute\u003c\/li\u003e\n\u003cli\u003eJim Buffington – French Horn\u003c\/li\u003e\n\u003cli\u003eWillie Ruff – French Horn\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Mastered By\u003c\/li\u003e\n\u003cli\u003eMark Wilder – Mastered By (Compilation)\u003c\/li\u003e\n\u003cli\u003eSeth Foster – Mastered By (Compilation)\u003c\/li\u003e\n\u003cli\u003eHerbie Hancock – Piano\u003c\/li\u003e\n\u003cli\u003eRed Garland – Piano\u003c\/li\u003e\n\u003cli\u003eBob Weinstock – Producer\u003c\/li\u003e\n\u003cli\u003eGeorge Avakian – Producer\u003c\/li\u003e\n\u003cli\u003eIrving Townsend – Producer\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eDoug Hawkins – Recorded By\u003c\/li\u003e\n\u003cli\u003eFrank Laico – Recorded By\u003c\/li\u003e\n\u003cli\u003eFred Plaut – Recorded By\u003c\/li\u003e\n\u003cli\u003eHarold Chapman – Recorded By\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Recorded By\u003c\/li\u003e\n\u003cli\u003eStan Tonkel – Recorded By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eWayne Shorter – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eFrank Rehak – Trombone\u003c\/li\u003e\n\u003cli\u003eJ.J. Johnson – Trombone\u003c\/li\u003e\n\u003cli\u003eJimmy Cleveland – Trombone\u003c\/li\u003e\n\u003cli\u003eJoseph Bennett – Trombone\u003c\/li\u003e\n\u003cli\u003eRichard Hixson – Trombone\u003c\/li\u003e\n\u003cli\u003eBernie Glow – Trumpet\u003c\/li\u003e\n\u003cli\u003eErnie Royal – Trumpet\u003c\/li\u003e\n\u003cli\u003eLouis R. Mucci – Trumpet\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003cli\u003eBill Barber – Tuba\u003c\/li\u003e\n\u003cli\u003eGil Evans – Written-By\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Written-By\u003c\/li\u003e\n\u003cli\u003eWayne Shorter – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583140158,"sku":"599529","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/packshot-miles-davis-the-essential-miles-davis-vinyl-lp-relix.jpg?v=1791061248"},{"product_id":"miles-davis-miles-55-the-prestige-recordings-3-lp-vinyl","title":"Miles Davis – Miles '55: The Prestige Recordings - (3-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThis two-disc compilation of Miles Davis sessions in 1955 overflows with the optimism of the moment. Throughout these Prestige recordings, done seven decades ago with the legendary Rudy Van Gelder at his New Jersey studio, there are myriad and palpable post-war, baby-booming bouquets of bop mirroring brilliantly what was blooming in the jazz clubs across the river in NYC. Davis was just a few years away from igniting a modal revolution with his iconic Kind of Blue, and the trumpeter, here, is squarely in a phase of evolution intent on both honoring and pushing ahead of Charlie Parker's legacy, precipitating a period when Davis would become a titan.\u003c\/p\u003e\u003cp\u003eIt's a pleasing, compact set that splits the 16 tracks evenly across the two spins. Leading an ensemble that featured giants of jazz- including John Coltrane, Paul Chambers, and Red Garland, to name just a few- Davis is in a fully confident mode, delivering assertive, bright, and melodic runs as punchy and sunny as any in his long career. He also authors three of the cuts, slotting them into a mix of poppish delights and contemporary nods to Dizzy (\"A Night in Tunisia\") and Duke (\"Just Squeeze Me\").\u003c\/p\u003e\u003cp\u003eIn the accompanying booklet, there is another illuminating essay by no less than the living authority on all things Davis (and Coltrane), Ashley Kahn, that details the sessions and time-period, alongside entries particular to each studio date. Essentially a follow-up to the 1954 set from last year, this collection provides a tightly-stocked comparative; back-to-back giving a very discernible picture of Davis and his accelerated movements over those 24 months. What followed was the monumental Davis quintet that produced a string of ground-shifting albums from 1956-1961, making this 70th anniversary set from 1955 all the more revelatory, integral, and valued.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/miles-davis-55-the-prestige-recordings\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1955, Miles Davis had already survived his own wilderness years, kicking heroin and clawing his way back to the forefront of jazz with a legendary Newport Jazz Festival set that reminded everyone exactly who he was. What followed, documented across these Prestige sessions, captures a bandleader in the act of assembling one of the most consequential small groups in the music's history, the sound of something clicking into place in real time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles ’55 offers a deeper look at 1955, the year in which jazz icon Miles Davis formed his first great quintet (John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones) and established his influential sound. Released on limited 3-LP it collects 16 tracks remastered from the original analog tapes by GRAMMY-winning engineer Paul Blakemore, with lacquers cut by Kevin Gray. Included are new liner notes by GRAMMY® Award-winning music historian Ashley Kahn and session notes by Dan Morgenstern.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Didn't (6:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Will You Still Be Mine (6:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Green Haze (5:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I See Your Face Before Me (4:45)\u003c\/div\u003e\n\u003cdiv\u003e2. A Night In Tunisia (7:22)\u003c\/div\u003e\n\u003cdiv\u003e3. A Gal In Calico (5:17)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Dr. Jackle (8:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Bitty Ditty (6:37)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Minor March (8:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Changes (7:10)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Stablemates (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. How Am I To Know (4:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Just Squeeze Me (7:28)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. There is No Greater Love (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (5:52)\u003c\/div\u003e\n\u003cdiv\u003e3. S’posin' (5:14)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072682412\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Prestige (CR00691)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e North America (inc Mexico)\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 I Didn't – 6:07\u003c\/li\u003e\n\u003cli\u003eA2 Will You Still Be Mine – 6:22\u003c\/li\u003e\n\u003cli\u003eA3 Green Haze – 5:49\u003c\/li\u003e\n\u003cli\u003eB1 I See Your Face Before Me – 4:45\u003c\/li\u003e\n\u003cli\u003eB2 A Night In Tunisia – 7:22\u003c\/li\u003e\n\u003cli\u003eB3 A Gal In Calico – 5:17\u003c\/li\u003e\n\u003cli\u003eC1 Dr. Jackle – 8:55\u003c\/li\u003e\n\u003cli\u003eC2 Bitty Ditty – 6:37\u003c\/li\u003e\n\u003cli\u003eD1 Minor March – 8:17\u003c\/li\u003e\n\u003cli\u003eD2 Changes – 7:10\u003c\/li\u003e\n\u003cli\u003eE1 Stablemates – 5:20\u003c\/li\u003e\n\u003cli\u003eE2 How Am I To Know – 4:40\u003c\/li\u003e\n\u003cli\u003eE3 Just Squeeze Me – 7:28\u003c\/li\u003e\n\u003cli\u003eF1 There is No Greater Love – 5:20\u003c\/li\u003e\n\u003cli\u003eF2 The Theme – 5:52\u003c\/li\u003e\n\u003cli\u003eF3 S’posin' – 5:14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eChristopher Leckie – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eNick Phillips (2) – Compilation Producer\u003c\/li\u003e\n\u003cli\u003eKevin Gray – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003ePaul Blakemore (3) – Mastered By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583271230,"sku":"26215716","price":124.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Miles-Davis-Miles-55-The-Prestige-Recordings-LP-Vinyl.jpg?v=1791061248"},{"product_id":"miles-davis-someday-my-prince-will-come-lp-vinyl","title":"Miles Davis – Someday My Prince Will Come","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just as Miles was beginning to push toward the modal explorations that would define his next chapter, this 1961 date captures a working band in transition, with Coltrane dropping in for two tracks as a reminder of the First Great Quintet's chemistry. The choice of a Walt Disney standard as a title track was pure provocation, Miles turning saccharine source material into something cool, spacious, and entirely his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSOMEDAY MY PRINCE WILL COME MILES DAVIS VINYL LP Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley. Miles Davis - trumpet Hank Mobley - tenor saxophone on all tracks except \"Teo\" John Coltrane - tenor saxophone on \"Someday My Prince Will Come\" (master) and \"Teo\" Wynton Kelly - piano Paul Chambers - bass Jimmy Cobb - drums Philly Joe Jones - drums on \"Blues No. 2\" Frances Davis - cover model.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Someday My Prince Will Come (9:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Old Folks (5:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Pfrancing (8:32)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Drad-Dog (4:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Teo (9:35)\u003c\/div\u003e\n\u003cdiv\u003e3. I Thought About You (4:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 887654860712\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.20.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (CL 1656)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2013  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Someday My Prince Will Come – 9:06\u003c\/li\u003e\n\u003cli\u003eA2 Old Folks – 5:16\u003c\/li\u003e\n\u003cli\u003eA3 Pfrancing – 8:32\u003c\/li\u003e\n\u003cli\u003eB1 Drad-Dog – 4:30\u003c\/li\u003e\n\u003cli\u003eB2 Teo – 9:35\u003c\/li\u003e\n\u003cli\u003eB3 I Thought About You – 4:30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eKevin Gray – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eMark Wilder – Mastered By (Uncredited)\u003c\/li\u003e\n\u003cli\u003eWynton Kelly – Piano\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eHank Mobley – Saxophone (Tenor)\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Saxophone (Tenor)\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583205694,"sku":"530297","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633223954750-transparent-v2.png?v=1791443369"},{"product_id":"miles-davis-miles-style-lp-vinyl","title":"Miles Davis – Miles Style","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAcross five decades, Miles Davis didn't just play jazz, he reinvented it repeatedly, moving from bebop to cool to modal to electric fusion without ever losing the spare, searching quality that made his trumpet immediately identifiable. A compilation drawing from his vast catalog serves as a reminder that his influence runs through virtually every serious musician who came after him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIf I had to do it all over again, I wouldn't listen to records. I very rarely listen to jazz records because they all do the same thing. I only listen to original musicians like Ahmad Jamal and Duke Ellington, musicians like Clark Terry, Dizzy Gillespie, Sonny Rollins and John Coltrane. \" A true icon, Miles Davis left an indelible mark on the genre through his recordings. \"The Miles Style\" is a compilation of his masterpieces, the timeless quality of the album and Miles Davis' ability to reshape jazz make it a classic. Translated with DeepL. Com (free version)\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. It Never Entered My Mind (4:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Fran Dance (5:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue in Green (5:35)\u003c\/div\u003e\n\u003cdiv\u003e4. On the Champs Elysées (2:51)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. In Your Own Sweet Way (5:41)\u003c\/div\u003e\n\u003cdiv\u003e2. When I Fall In Love (4:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterdays (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Petit Bac Blues (2:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760396020958\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e CBS (S 66257)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1970  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Wednesday Miles – 24:14\u003c\/li\u003e\n\u003cli\u003eB Thursday Miles – 26:56\u003c\/li\u003e\n\u003cli\u003eC Friday Miles – 28:00\u003c\/li\u003e\n\u003cli\u003eD Saturday Miles – 22:31\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDave Holland – Bass\u003c\/li\u003e\n\u003cli\u003eChick Corea – Electric Piano\u003c\/li\u003e\n\u003cli\u003eRuss Payne – Engineer\u003c\/li\u003e\n\u003cli\u003eStan Tonkel – Engineer\u003c\/li\u003e\n\u003cli\u003eKeith Jarrett – Organ\u003c\/li\u003e\n\u003cli\u003eAirto Moreira – Percussion\u003c\/li\u003e\n\u003cli\u003eJack DeJohnette – Percussion\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Grossman – Soprano Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583303998,"sku":"48646","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/packshot-miles-davis-miles-style-vinyl-lp-relix.jpg?v=1791061249"},{"product_id":"miles-davis-the-best-of-miles-davis-lp-vinyl","title":"Miles Davis – The Best Of Miles Davis","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMiles Davis reshaped jazz not once but several times over, and the years captured here represent the peak of his classic quintet era, when his partnership with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones produced some of the most emotionally direct small-group recordings in the music's history. That cool, searching tone on \"'Round Midnight\" remains as arresting today as it was when it hit jukeboxes in 1957.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Best Of Miles Davis is a new compilation released to celebrate the legendary jazz trumpeters centennial in 2026. Designed as an introduction to this influential artist, it covers his prime years between 1956 and 1961, during which time he recorded albums including Workin', Cookin', Steamin' and Relaxin'. The 8 cuts included feature “ 'Round Midnight,” “My Funny Valentine,” “Just Squeeze Me (But Don't Tease Me)” and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Just Squeeze Me (But Don't Tease Me) (7:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Oleo (5:51)\u003c\/div\u003e\n\u003cdiv\u003e3. 'Round Midnight (5:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Airegin (4:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (5:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Well, You Needn't (6:22)\u003c\/div\u003e\n\u003cdiv\u003e3. You're My Everything (4:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Four (7:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072721289\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note (D111000, CDP 7 98287 2)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1992  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Move – 2:32\u003c\/li\u003e\n\u003cli\u003e2 Godchild – 3:07\u003c\/li\u003e\n\u003cli\u003e3 Budo – 2:32\u003c\/li\u003e\n\u003cli\u003e4 Dear Old Stockholm – 4:11\u003c\/li\u003e\n\u003cli\u003e5 Donna – 3:12\u003c\/li\u003e\n\u003cli\u003e6 Yesterdays – 3:44\u003c\/li\u003e\n\u003cli\u003e7 Tempus Fugit – 3:50\u003c\/li\u003e\n\u003cli\u003e8 Enigma – 3:22\u003c\/li\u003e\n\u003cli\u003e9 C.T.A. – 3:33\u003c\/li\u003e\n\u003cli\u003e10 Well You Needn't – 5:22\u003c\/li\u003e\n\u003cli\u003e11 It Never Entered My Mind – 4:01\u003c\/li\u003e\n\u003cli\u003e12 Weirdo – 4:42\u003c\/li\u003e\n\u003cli\u003e13 Somethin' Else – 8:13\u003c\/li\u003e\n\u003cli\u003e14 Autumn Leaves – 10:58\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCynthia Cochrane – Art Direction\u003c\/li\u003e\n\u003cli\u003eMichael Cuscuna – Compilation Producer\u003c\/li\u003e\n\u003cli\u003ePatrick Roques – Design\u003c\/li\u003e\n\u003cli\u003eFrancis Wolff – Photography By\u003c\/li\u003e\n\u003cli\u003eRon McMaster – Transferred By\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet (Soloist, Leader)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583172926,"sku":"105291596","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/packshot-miles-davis-the-best-of-miles-davis-vinyl-lp-relix.jpg?v=1791061249"},{"product_id":"miles-davis-volume-2-lp-vinyl","title":"Miles Davis – Volume 2","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Kind of Blue, before Bitches Brew, before any of the reinventions, there was Miles Davis learning to command a room on the strength of pure sound. These 1952-54 Blue Note sides capture him in a transitional moment, post-Bird and pre-modal, working through bebop vocabulary with a lyrical restraint that was already distinctly his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous: \"Well You Needn't,\" \"Lazy Susan,\" \"The Leap,\" \"It Never Entered My Mind,\" \"Donna,\" alternate takes of \"Ray's Idea\" and \"Tempus Fugit\" and more. This mono Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180-gram vinyl! Blue Note.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602458319958\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Take Off\u003c\/div\u003e\n\u003cdiv\u003e2. Weirdo\u003c\/div\u003e\n\u003cdiv\u003e3. Would'n You\u003c\/div\u003e\n\u003cdiv\u003e4. I Waited For You\u003c\/div\u003e\n\u003cdiv\u003e5. Ray's Idea (Alternate Master)\u003c\/div\u003e\n\u003cdiv\u003e6. Donna\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Well You Needn't\u003c\/div\u003e\n\u003cdiv\u003e2. The Leap\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Susan\u003c\/div\u003e\n\u003cdiv\u003e4. Tempus Fugit (Alternate Master)\u003c\/div\u003e\n\u003cdiv\u003e5. It Never Entered My Mind\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Yarlung Records (YAR45591-171V)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Miles Stones\u003c\/li\u003e\n\u003cli\u003eA2 Nardis\u003c\/li\u003e\n\u003cli\u003eB1 So What\u003c\/li\u003e\n\u003cli\u003eB2 Ikumo's Lullaby\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583467838,"sku":"326932","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/packshot-miles-davis-volume-2-blue-note-classic-vinyl-series-vinyl-lp-relix.jpg?v=1791061249"},{"product_id":"miles-davis-musings-of-miles-lp-vinyl","title":"Miles Davis – Musings Of Miles","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in June 1955, this session captured Davis in a transitional moment, just months before he assembled the First Great Quintet that would reshape modern jazz. The interplay with Red Garland and Philly Joe Jones here is a direct preview of the chemistry he'd soon harness on the celebrated Prestige marathon sessions of 1956.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Musings of Miles is the first 12\" LP by Miles Davis, issued by Prestige Records in 1955. This jazz classic, newly reissued by Prestige, features, in addition to Davis on trumpet, Red Garland on piano, Oscar Pettiford on bass and Philly Joe Jones on drums. This is an essential new addition to all vinyl and jazz collectors alike.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Will You Still Be Mine? (6:20)\u003c\/div\u003e\n\u003cdiv\u003e2. I See Your Face Before Me (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. I Didn't (6:02)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. A Gal In Calico (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. A Night In Tunisia (7:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Green Haze (5:48)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072351226\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Original Jazz Classics (OJC-004); Prestige (P-7007)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1983  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Will You Still Be Mine? – 6:20\u003c\/li\u003e\n\u003cli\u003eA2 I See Your Face Before Me – 4:45\u003c\/li\u003e\n\u003cli\u003eA3 I Didn't – 6:02\u003c\/li\u003e\n\u003cli\u003eB1 A Gal In Calico – 5:15\u003c\/li\u003e\n\u003cli\u003eB2 A Night In Tunisia – 7:20\u003c\/li\u003e\n\u003cli\u003eB3 Green Haze – 5:48\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eOscar Pettiford – Bass\u003c\/li\u003e\n\u003cli\u003e\"Philly\" Joe Jones – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Engineer\u003c\/li\u003e\n\u003cli\u003eGary Hobish – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eIra Gitler – Liner Notes\u003c\/li\u003e\n\u003cli\u003eRed Garland – Piano\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583500606,"sku":"480156","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224085822-transparent-v2-r3.png?v=1791388841"},{"product_id":"miles-davis-sketches-of-spain-lp-vinyl","title":"Miles Davis – Sketches Of Spain","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded over several sessions in 1959 and 1960 with arranger and composer Gil Evans, Sketches Of Spain marked the third and most ambitious chapter in their celebrated collaboration, following Miles Ahead and Porgy and Bess. The centerpiece, a sweeping adaptation of Joaquín Rodrigo's Concierto de Aranjuez, placed Davis's trumpet in conversation with full orchestration in a way that felt genuinely cinematic, drawing the album toward classical and flamenco traditions without abandoning the emotional directness that defined his best work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e180gm vinyl repressing of the mono edition of the Jazz legend's 1960 album. Sketches Of Spain is considered by fans and critics alike to be one of the most accessible albums of Davis's career. Less improvisational than much of his other work, some of Davis' contemporaries suggested that Sketches Of Spain was something other than jazz. Davis replied (according to Rolling Stone magazine), \"It's music, and I like it\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto De Aranjuez (Adagio) (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O' The Wisp (From \"El Amor Brujo\") (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Pan Piper (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Solea (12:14)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 887654076519\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.23.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity Sound Lab (MFSL 1-375); Columbia (88697943791)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2013  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Concierto De Aranjuez – 16:21\u003c\/li\u003e\n\u003cli\u003eA2 Will O' The Wisp – 3:49\u003c\/li\u003e\n\u003cli\u003eB1 The Pan Piper – 3:56\u003c\/li\u003e\n\u003cli\u003eB2 Saeta – 5:35\u003c\/li\u003e\n\u003cli\u003eB3 Solea – 12:14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGil Evans – Arranged By, Conductor (Conducted By)\u003c\/li\u003e\n\u003cli\u003eKrieg Wunderlich – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eNat Hentoff – Liner Notes\u003c\/li\u003e\n\u003cli\u003eKrieg Wunderlich – Mastered By\u003c\/li\u003e\n\u003cli\u003eShawn R. Britton – Mastered By (Assisted By)\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet (Uncredited)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583369534,"sku":"349079","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224184126-transparent-v5.png?v=1791329638"},{"product_id":"miles-davis-complete-plugged-nickel-live-1965-9-lp-vinyl","title":"Miles Davis – Complete Plugged Nickel Live 1965 (9-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe December 1965 Plugged Nickel residency caught the Second Great Quintet at a pivotal hinge point, just months after the group had coalesced and barely a year before Miles would begin the electric experiments that changed everything. What you hear across these nine discs is a band collectively dismantling the bebop repertoire they'd inherited and replacing its load-bearing walls in real time, with Tony Williams in particular playing like someone who'd decided the ride cymbal was optional.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe most requested Miles Davis reissue arrives for his centennial in spectacular style. What began as a holiday residency at Chicago's Plugged Nickel Café became the crucible where the Second Great Quintet forged it's identity. Miles, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams delivered a masterclass in risk and invention, dismantling familiar tunes and rebuilding them on the fly. Producer Teo Macero captured every note across seven sets on December 22 and 23, 1965. Portions trickled out in the '70s and '80s, but only in the early '90s did Legacy (CD) and Mosaic (LP) reveal the full scope of seven and half hours of revelatory music-instantly hailed as one of the greatest live jazz recordings ever, earning the Penguin Jazz Guide's coveted \"Crown, \" and becoming pricey, secondary-market rarities. Now, 30 years later and six decades after the shows themselves, veteran fans finally get the repress they've demanded, and new fans get a chance to own one of the most mythologized live engagements in jazz history. This new 10LP edition mirrors the original sequence, cut from the high-res Mosaic masters and pressed on 140-gram black vinyl. Each LP comes in it's own newly designed jacket, housed in a gold foil-embossed slipcase box. The 44 page 12\"x12\" Smyth Sewn book includes rare Plugged Nickel photos and extensive new liner notes and track-by-track commentary by Syd Schwartz alongside Bob Blumenthal's original essay.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (16:42)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (12:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Walkin' (15:51)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (10:19)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (16:33)\u003c\/div\u003e\n\u003cdiv\u003e2. No Blues (17:35)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Four (15:05)\u003c\/div\u003e\n\u003cdiv\u003e2. When I Fall In Love (10:44)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Agitation (13:13)\u003c\/div\u003e\n\u003cdiv\u003e2. 'Round Midnight (8:42)\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. Milestones (14:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (0:38)\u003c\/div\u003e\n\u003cdiv\u003e3. I Fall In Love Too Easily (11:53)\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (14:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Oleo (6:05)\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. I Thought About You (11:03)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (8:05)\u003c\/div\u003e\n\u003ch4\u003eSide K\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (13:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Stella By Starlight (13:09)\u003c\/div\u003e\n\u003ch4\u003eSide L\u003c\/h4\u003e\n\u003cdiv\u003e1. Walkin' (11:01)\u003c\/div\u003e\n\u003cdiv\u003e2. I Fall In Love Too Easily (12:07)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (2:50)\u003c\/div\u003e\n\u003ch4\u003eSide M\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (10:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Agitation (10:48)\u003c\/div\u003e\n\u003ch4\u003eSide N\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (13:52)\u003c\/div\u003e\n\u003cdiv\u003e2. On Green Dolphin Street (12:48)\u003c\/div\u003e\n\u003ch4\u003eSide O\u003c\/h4\u003e\n\u003cdiv\u003e1. So What? (13:36)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (3:28)\u003c\/div\u003e\n\u003ch4\u003eSide P\u003c\/h4\u003e\n\u003cdiv\u003e1. When I Fall In Love (13:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Milestones (11:49)\u003c\/div\u003e\n\u003ch4\u003eSide Q\u003c\/h4\u003e\n\u003cdiv\u003e1. Autumn Leaves (11:56)\u003c\/div\u003e\n\u003cdiv\u003e2. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003ch4\u003eSide R\u003c\/h4\u003e\n\u003cdiv\u003e1. No Blues (20:06)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (0:22)\u003c\/div\u003e\n\u003ch4\u003eSide S\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (14:16)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (12:18)\u003c\/div\u003e\n\u003ch4\u003eSide T\u003c\/h4\u003e\n\u003cdiv\u003e1. Yesterdays (15:00)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (4:51)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029412413\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (CXK 66955); Legacy (CXK 66955)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1995  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDecember 22 1965 First Set\u003c\/li\u003e\n\u003cli\u003e1-1 If I Were A Bell – 17:02\u003c\/li\u003e\n\u003cli\u003e1-2 Stella By Starlight – 12:49\u003c\/li\u003e\n\u003cli\u003e1-3 Walkin' – 15:54\u003c\/li\u003e\n\u003cli\u003e1-4 I Fall In Love Too Easily – 11:43\u003c\/li\u003e\n\u003cli\u003e1-5 The Theme – 10:22\u003c\/li\u003e\n\u003cli\u003eDecember 22 1965 Second Set\u003c\/li\u003e\n\u003cli\u003e2-1 My Funny Valentine – 16:40\u003c\/li\u003e\n\u003cli\u003e2-2 Four – 15:05\u003c\/li\u003e\n\u003cli\u003e2-3 When I Fall In Love – 10:47\u003c\/li\u003e\n\u003cli\u003e3-1 Agitation – 13:14\u003c\/li\u003e\n\u003cli\u003e3-2 'Round About Midnight – 8:42\u003c\/li\u003e\n\u003cli\u003e3-3 Milestones – 14:02\u003c\/li\u003e\n\u003cli\u003e3-4 The Theme – 0:42\u003c\/li\u003e\n\u003cli\u003eDecember 22 1965 Third Set\u003c\/li\u003e\n\u003cli\u003e4-1 All Of You – 14:41\u003c\/li\u003e\n\u003cli\u003e4-2 Oleo – 6:05\u003c\/li\u003e\n\u003cli\u003e4-3 I Fall In Love Too Easily – 11:54\u003c\/li\u003e\n\u003cli\u003e4-4 No Blues – 17:35\u003c\/li\u003e\n\u003cli\u003e4-5 I Thought About You – 11:05\u003c\/li\u003e\n\u003cli\u003e4-6 The Theme – 7:58\u003c\/li\u003e\n\u003cli\u003eDecember 23 1965 First Set\u003c\/li\u003e\n\u003cli\u003e5-1 If I Were A Bell – 13:34\u003c\/li\u003e\n\u003cli\u003e5-2 Stella By Starlight – 13:08\u003c\/li\u003e\n\u003cli\u003e5-3 Walkin' – 11:02\u003c\/li\u003e\n\u003cli\u003e5-4 I Fall In Love Too Easily – 12:06\u003c\/li\u003e\n\u003cli\u003e5-5 The Theme – 2:59\u003c\/li\u003e\n\u003cli\u003eDecember 23 1965 Second Set\u003c\/li\u003e\n\u003cli\u003e6-1 All Of You – 10:52\u003c\/li\u003e\n\u003cli\u003e6-2 Agitation – 10:50\u003c\/li\u003e\n\u003cli\u003e6-3 My Funny Valentine – 13:59\u003c\/li\u003e\n\u003cli\u003e6-4 On Green Dolphin Street – 13:06\u003c\/li\u003e\n\u003cli\u003e6-5 So What – 13:35\u003c\/li\u003e\n\u003cli\u003e6-6 The Theme – 3:32\u003c\/li\u003e\n\u003cli\u003eDecember 23 1965 Third Set\u003c\/li\u003e\n\u003cli\u003e7-1 When I Fall In Love – 13:44\u003c\/li\u003e\n\u003cli\u003e7-2 Milestones – 11:37\u003c\/li\u003e\n\u003cli\u003e7-3 Autumn Leaves – 12:05\u003c\/li\u003e\n\u003cli\u003e7-4 I Fall In Love Too Easily – 11:45\u003c\/li\u003e\n\u003cli\u003e7-5 No Blues – 20:02\u003c\/li\u003e\n\u003cli\u003e7-6 The Theme – 0:28\u003c\/li\u003e\n\u003cli\u003eDecember 23 1965 Fourth Set\u003c\/li\u003e\n\u003cli\u003e8-1 Stella By Starlight – 14:20\u003c\/li\u003e\n\u003cli\u003e8-2 All Blues – 12:24\u003c\/li\u003e\n\u003cli\u003e8-3 Yesterdays – 15:05\u003c\/li\u003e\n\u003cli\u003e8-4 The Theme – 5:03\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJulian Peploe – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eRon Carter – Bass\u003c\/li\u003e\n\u003cli\u003eAnthony Williams – Drums\u003c\/li\u003e\n\u003cli\u003eDebra Parkinson – Engineer (Remix, Master)\u003c\/li\u003e\n\u003cli\u003eBob Blumenthal – Liner Notes\u003c\/li\u003e\n\u003cli\u003eDon Hunstein – Photography By\u003c\/li\u003e\n\u003cli\u003eDora Handel – Photography By\u003c\/li\u003e\n\u003cli\u003eFred Lombardi – Photography By\u003c\/li\u003e\n\u003cli\u003eRay Avery – Photography By\u003c\/li\u003e\n\u003cli\u003eVernon Smith (2) – Photography By\u003c\/li\u003e\n\u003cli\u003eLee Tanner – Photography By (Box Cover)\u003c\/li\u003e\n\u003cli\u003eHerbie Hancock – Piano\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer (Original Sessions)\u003c\/li\u003e\n\u003cli\u003eBud Graham – Recorded By\u003c\/li\u003e\n\u003cli\u003eFrank Bruno – Recorded By\u003c\/li\u003e\n\u003cli\u003eMichael Cuscuna – Reissue Producer\u003c\/li\u003e\n\u003cli\u003eWayne Shorter – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583598910,"sku":"35361597","price":249.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224216894-transparent-v2.png?v=1792218766"},{"product_id":"miles-davis-a-tribute-to-jack-johnson-lp-vinyl","title":"Miles Davis – A Tribute To Jack Johnson","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSitting at the crossroads of electric Miles and the rock revolution happening around him, Jack Johnson captures Davis at his most viscerally aggressive, a side that even some devoted fans took years to fully reckon with. The same sessions that fed Bitches Brew and On the Corner produced this one, and the raw, locked-in groove of \"Right Off\" remains one of the most thrilling extended workouts in his entire catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. A Tribute to Jack Johnson is a studio album and soundtrack by jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190759508718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (19075950871); Legacy (19075950871)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Right Off – 26:54\u003c\/li\u003e\n\u003cli\u003eB Yesternow – 25:36\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Henderson – Bass (Fender)\u003c\/li\u003e\n\u003cli\u003eBilly Cobham – Drums\u003c\/li\u003e\n\u003cli\u003eArthur Kendy – Engineer\u003c\/li\u003e\n\u003cli\u003eJohn McLaughlin – Guitar\u003c\/li\u003e\n\u003cli\u003ePaul Davis (9) – Illustration\u003c\/li\u003e\n\u003cli\u003eHerbie Hancock – Keyboards\u003c\/li\u003e\n\u003cli\u003eDavid Gahr – Photography By (Photo Of Miles Davis)\u003c\/li\u003e\n\u003cli\u003eTeo Macero – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Grossman – Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583631678,"sku":"328967","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224249662-transparent-v2.png?v=1791443367"},{"product_id":"miles-davis-michel-legrand-dingo-lp-vinyl","title":"Miles Davis \u0026 Michel Legrand – Dingo","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1990 and released alongside the French-Australian film it scored, Dingo stands as one of Miles Davis's final studio projects, a collaboration with legendary composer and arranger Michel Legrand. The pairing made a certain sense: both men had long orbited the intersection of jazz and orchestral writing, and the results carry the late-Miles electric warmth his fans knew well.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497804443\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. Records (9 26438-2)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1991  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Kimberley Trumpet – 2:15\u003c\/li\u003e\n\u003cli\u003e2 The Arrival – 2:05\u003c\/li\u003e\n\u003cli\u003e3 Concert On The Runway – 3:50\u003c\/li\u003e\n\u003cli\u003e4 The Departure – 1:05\u003c\/li\u003e\n\u003cli\u003e5 Dingo Howl – 0:08\u003c\/li\u003e\n\u003cli\u003e6 Letter As Hero – 1:22\u003c\/li\u003e\n\u003cli\u003e7 Trumpet Cleaning – 3:56\u003c\/li\u003e\n\u003cli\u003e8 The Dream – 3:45\u003c\/li\u003e\n\u003cli\u003e9 Paris Walking I – 1:58\u003c\/li\u003e\n\u003cli\u003e10 Paris Walking II – 3:17\u003c\/li\u003e\n\u003cli\u003e11 Kimberley Trumpet In Paris – 2:05\u003c\/li\u003e\n\u003cli\u003e12 The Music Room – 2:50\u003c\/li\u003e\n\u003cli\u003e13 Club Entrance – 4:12\u003c\/li\u003e\n\u003cli\u003e14 The Jam Session – 6:00\u003c\/li\u003e\n\u003cli\u003e15 Going Home – 2:05\u003c\/li\u003e\n\u003cli\u003e16 Surprise! – 4:52\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichel Legrand – Arranged By, Orchestrated By, Conductor\u003c\/li\u003e\n\u003cli\u003eRichard Keyes – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eAbraham Laboriel – Bass\u003c\/li\u003e\n\u003cli\u003eBenny Rietveld – Bass\u003c\/li\u003e\n\u003cli\u003eFoley – Bass\u003c\/li\u003e\n\u003cli\u003eMichel Legrand – Composed By\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Composed By\u003c\/li\u003e\n\u003cli\u003eAlphonse Mouzon – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eHarvey Mason – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eJohn Bigham – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eRicky Wellman – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eChris Danley – Engineer (Chief Recording)\u003c\/li\u003e\n\u003cli\u003eGordon Meltzer – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eHillard Elkins – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eDavid Duke – French Horn\u003c\/li\u003e\n\u003cli\u003eMarni Johnson – French Horn\u003c\/li\u003e\n\u003cli\u003eRichard Todd – French Horn\u003c\/li\u003e\n\u003cli\u003eVincent DeRosa – French Horn\u003c\/li\u003e\n\u003cli\u003eMark Rivett – Guitar\u003c\/li\u003e\n\u003cli\u003eAlan Oldfield – Keyboards\u003c\/li\u003e\n\u003cli\u003eKei Akagi – Keyboards\u003c\/li\u003e\n\u003cli\u003eMichel Legrand – Keyboards\u003c\/li\u003e\n\u003cli\u003eGarnett Brown – Management (Orchestra Manager)\u003c\/li\u003e\n\u003cli\u003ePeter D. Smith – Mixed By\u003c\/li\u003e\n\u003cli\u003eErnie Fields – Music Consultant (For Jade Sound)\u003c\/li\u003e\n\u003cli\u003eStanley D. Newton – Photography By\u003c\/li\u003e\n\u003cli\u003eMichel Legrand – Producer\u003c\/li\u003e\n\u003cli\u003eRolf De Heer – Producer\u003c\/li\u003e\n\u003cli\u003eKenny Garrett – Saxophone\u003c\/li\u003e\n\u003cli\u003eDick Nash – Trombone\u003c\/li\u003e\n\u003cli\u003eGeorge Bohanon – Trombone\u003c\/li\u003e\n\u003cli\u003eJimmy Cleveland – Trombone\u003c\/li\u003e\n\u003cli\u003eLew McCreary – Trombone\u003c\/li\u003e\n\u003cli\u003eThurman Green – Trombone\u003c\/li\u003e\n\u003cli\u003eChuck Findley – Trumpet\u003c\/li\u003e\n\u003cli\u003eGeorge Graham (2) – Trumpet\u003c\/li\u003e\n\u003cli\u003eNolan Smith – Trumpet\u003c\/li\u003e\n\u003cli\u003eOscar Brashear – Trumpet\u003c\/li\u003e\n\u003cli\u003eRay Brown (2) – Trumpet\u003c\/li\u003e\n\u003cli\u003eBuddy Collette – Woodwind\u003c\/li\u003e\n\u003cli\u003eCharles Owens – Woodwind\u003c\/li\u003e\n\u003cli\u003eJackie Kelso – Woodwind\u003c\/li\u003e\n\u003cli\u003eJohn Stephens (2) – Woodwind\u003c\/li\u003e\n\u003cli\u003eMarty Krystall – Woodwind\u003c\/li\u003e\n\u003cli\u003eWilliam Green – Woodwind\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583435070,"sku":"215567216","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224282430-transparent-v2.png?v=1791443367"},{"product_id":"miles-davis-birth-of-the-blue-lp-vinyl-1","title":"Miles Davis – Birth Of The Blue (2025 Reissue)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here have long lived in the shadow of *Kind of Blue*, scattered across reissues and compilations as afterthoughts. But the 1958 sextet that produced them, with John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb, was operating at a level where even the sessions left on the shelf deserve a proper home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have largely been treated as add-ons to other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played the trumpet sublime with his sextet, featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historical and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes, which were mixed down to a brand-new 30-ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1\/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid the groundwork for future jazz innovation! 180-gram vinyl. Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapesPlated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. On Green Dolphin Street\u003c\/div\u003e\n\u003cdiv\u003e2. Fran-Dance\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e2. Love For Sale\u003c\/div\u003e\n\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Productions (APJ 172); Columbia (19802816621); Sony Music (19802816621)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 On Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eA2 Fran-Dance\u003c\/li\u003e\n\u003cli\u003eB1 Stella By Starlight\u003c\/li\u003e\n\u003cli\u003eB2 Love For Sale\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCannonball Adderley – Alto Saxophone\u003c\/li\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eJames Wolf (4) – Design\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eChad Kassem – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eMatthew Lutthans – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Liner Notes (March 2024)\u003c\/li\u003e\n\u003cli\u003eMatthew Lutthans – Mastered By\u003c\/li\u003e\n\u003cli\u003eVic Anesini – Mixed By\u003c\/li\u003e\n\u003cli\u003eDon Hunstein – Photography By (Rear Cover And Inside Gatefold Photos)\u003c\/li\u003e\n\u003cli\u003eBill Evans – Piano\u003c\/li\u003e\n\u003cli\u003eSteve Berkowitz – Supervised By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet, Leader\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583402302,"sku":"122610","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224315198-transparent-v2.png?v=1791443368"},{"product_id":"miles-davis-quincy-jones-live-at-montreux-lp-vinyl","title":"Miles Davis \u0026 Quincy Jones – Live At Montreux","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe 1991 Montreux Jazz Festival performance captured here represented something genuinely historic: Miles Davis reuniting with Quincy Jones and the Gil Evans Orchestra repertoire for the first and only time in a live setting, a collaboration that Davis had largely set aside for three decades. It was one of Miles' final major performances before his death that September, making this document both a celebration and a farewell.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction By Claude Nobs And Quincy Jones (1:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Boplicity (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Introduction To Miles Ahead Medley (0:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Springsville (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Maids Of Cadiz (3:37)\u003c\/div\u003e\n\u003cdiv\u003e6. The Duke (4:01)\u003c\/div\u003e\n\u003cdiv\u003e7. My Ship (4:11)\u003c\/div\u003e\n\u003cdiv\u003e8. Miles Ahead (3:39)\u003c\/div\u003e\n\u003cdiv\u003e9. Blues For Pablo (6:04)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction To Porgy And Bess Medley (0:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Orgone (4:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Gone, Gone, Gone (1:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Summertime (2:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Here Come De Honey Man (3:41)\u003c\/div\u003e\n\u003cdiv\u003e6. The Pan Piper (1:40)\u003c\/div\u003e\n\u003cdiv\u003e7. Solea (11:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497808571\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. 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The rhythm section here, Red Garland, Paul Chambers, and Philly Joe Jones, was as tight a unit as jazz had produced, and hearing them alongside a young Coltrane still finding his voice makes this document genuinely irreplaceable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHipness Personified: Miles Davis' 'Round About Midnight Features Famed Quintet with John Coltrane Playing Memorable Hard Bop and BalladsSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity's 180g 33RPM SuperVinyl LP Presents the Music with Engrossing Transparency, Presence, and FocusNumbered-Edition Reissue of 1957 Album Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' first album for Columbia, 'Round About Midnight, represents the beginning of a three-decade-plus relationship with the famed label and the start of an extended collaboration with saxophonist John Coltrane. It stands as a hard-bop benchmark - a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. The record remains ageless, it's fundamental cool epitomized by first-rate arrangements and astonishing performances of pensive ballads, bebop classics, and pop standards.Part of Mobile Fidelity's Miles Davis SuperVinyl reissue series, Round About Midnight resonates with newfound palpability and emotionalism on the label's 180g 33RPM SuperVinyl LP. Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole - from pianist Red Garland's left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared 'Coltrane's what you hear on that record' the first time he heard the album. Indeed, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, and illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia's 30th Street Studio doubtlessly add to the sonic awe. This is hipness personified.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered 180g 33RPM SuperVinyl LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. 'Round Midnight2. Ah-Leu-Cha3. All of YouSide Two:1. Bye Bye Blackbird2. Tadd's Delight3. 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Coltrane performed the suite live only once, at the 1965 Antibes Jazz Festival, making the studio recording the definitive document of this singular vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEasily one of the most important records ever made, John Coltrane's a Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). from the flowing (and classic) bass line at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. 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Catching him in this transitional moment alongside Miles Davis, still burning through the modal innovations of \"Kind of Blue,\" makes these Copenhagen recordings a rare document of two genuinely revolutionary musical minds at a shared crossroads, each about to reshape jazz in entirely different directions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe latest entry in the award-winning Miles Davis Bootleg Series focuses on the final chapter in the landmark collaboration between Davis and saxophonist John Coltrane: their last live performances together, in Europe in the spring of 1960. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMiles and Coltrane first collaborated in 1955, when Davis recruited the tenor saxophonist alongside pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. This \"first great quintet\" made their Columbia Records debut in 1957. Those early recordings showcased the stunning contrasts between Miles' spacious, melodic lines and Trane's cascading high-energy solos, famously described by the critic Ira Gilter in 1958 as \"sheets of sound.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile the quintet disbanded shortly after the release of 'Round About Midnight, Coltrane was back in Miles' ensemble in early 1958. A year later, the Miles Davis Sextet (Davis, Coltrane, Chambers, saxophonist Julian \"Cannonball\" Adderley, pianists Bill Evans or Wynton Kelly, and drummer Jimmy Cobb) recorded the historic Kind Of Blue, the best-selling jazz album of all time. And for this final tour the rhythm section of Kelly, Chambers and Cobb backed Miles and Trane. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese historic performances marked Miles and Tran's last outing together and showcased both musicians' incredible influence on the changing sound of jazz. The beautiful music they made together is presented here officially for the very first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA 150 gram vinyl version, The Final Tour: Copenhagen, March 24, 1960 will include that complete set on one LP.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction (By Norman Granz) (1:00)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (14:36)\u003c\/div\u003e\n\u003cdiv\u003e3. On Green Dolphin Street (Part One) (7:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. On Green Dolphin Street (Part Two) (7:28)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (15:32)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (Incomplete) (0:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854987411\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (88985498741); Legacy (88985498741); DR (88985498741)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2018  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Introduction (By Norman Granz) – 1:00\u003c\/li\u003e\n\u003cli\u003eA2 So What – 14:36\u003c\/li\u003e\n\u003cli\u003eA3 On Green Dolphin Street (Part One) – 7:19\u003c\/li\u003e\n\u003cli\u003eB1 On Green Dolphin Street (Part Two) – 7:28\u003c\/li\u003e\n\u003cli\u003eB2 All Blues – 15:32\u003c\/li\u003e\n\u003cli\u003eB3 The Theme (Incomplete) – 0:30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJeff Schulz – Art Direction\u003c\/li\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eDonna Kloepfer – Coordinator (Mastering)\u003c\/li\u003e\n\u003cli\u003eVanessa Gonzalez – Coordinator (Mastering)\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eCheryl Davis – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eErin Davis – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eVincent Wilburn – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eDaniel Krieger – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Liner Notes\u003c\/li\u003e\n\u003cli\u003eGeorge Wein – Management\u003c\/li\u003e\n\u003cli\u003eMark Wilder – Mastered By\u003c\/li\u003e\n\u003cli\u003eFranz Hubmann – Photography By\u003c\/li\u003e\n\u003cli\u003eGetty Images – Photography By\u003c\/li\u003e\n\u003cli\u003eImagno – Photography By\u003c\/li\u003e\n\u003cli\u003eJean-Pierre Leloir – Photography By\u003c\/li\u003e\n\u003cli\u003eWynton Kelly – Piano\u003c\/li\u003e\n\u003cli\u003eMichael Cuscuna – Producer\u003c\/li\u003e\n\u003cli\u003eRichard Seidel – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Berkowitz – Producer\u003c\/li\u003e\n\u003cli\u003eJim Lane (3) – Product Manager\u003c\/li\u003e\n\u003cli\u003eTara Master – Product Manager\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eMiles Davis – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547583959358,"sku":"162301","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224741182-transparent-v2.png?v=1791440044"},{"product_id":"john-coltrane-coltrane-jazz-lp-vinyl","title":"John Coltrane – Coltrane Jazz","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1960, the same year Coltrane formed his classic quartet and released the landmark *My Favorite Things*, this session captures him at a genuine crossroads, still rooted in hard bop but pushing outward with the harmonic restlessness that would soon reshape jazz entirely. The rotating personnel here, drawing from his Miles Davis years, makes it a rare document of transition rather than arrival.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eColtrane Jazz', the second studio album for Atlantic Records released by John Coltrane, featured a rotating cast of his former Miles Davis bandmates and early touring quartet lineup. Celebrating it's 65th Anniversary in 2026, this new 'Coltrane Jazz' (Mono) LP is a breakout from the forthcoming Rhino High-Fidelity box set entitled 'John Coltrane: 1960-1964'. All lacquers are AAA cut directly from the mono tapes by Kevin Gray and pressed on 180-gram vinyl by Optimal, with meticulous detailing on the album packaging that includes glossy covers and \"tip-on\" jackets.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Old Lady (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (5:21)\u003c\/div\u003e\n\u003cdiv\u003e3. My Shining Hour (4:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Fifth House (4:38)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Harmonique (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Like Sonny (5:51)\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Wait And Pray (3:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Some Other Blues (5:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227807856\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic (1354, SD-1354, SD 1354)  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Little Old Lady – 4:25\u003c\/li\u003e\n\u003cli\u003eA2 Village Blues – 5:21\u003c\/li\u003e\n\u003cli\u003eA3 My Shining Hour – 4:50\u003c\/li\u003e\n\u003cli\u003eA4 Fifth House – 4:38\u003c\/li\u003e\n\u003cli\u003eB1 Harmonique – 4:10\u003c\/li\u003e\n\u003cli\u003eB2 Like Sonny – 5:51\u003c\/li\u003e\n\u003cli\u003eB3 I'll Wait And Pray – 3:32\u003c\/li\u003e\n\u003cli\u003eB4 Some Other Blues – 5:33\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eSteve Davis – Bass\u003c\/li\u003e\n\u003cli\u003eLoring Eutemey – Cover (Cover Design), Design\u003c\/li\u003e\n\u003cli\u003eElvin Jones – Drums\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003eDavid Cheppa – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eZita Carno – Liner Notes\u003c\/li\u003e\n\u003cli\u003eLee Friedlander – Photography By (Cover Photo)\u003c\/li\u003e\n\u003cli\u003eMcCoy Tyner – Piano\u003c\/li\u003e\n\u003cli\u003eWynton Kelly – Piano\u003c\/li\u003e\n\u003cli\u003ePhil Iehle – Recorded By (Recording Engineer), Engineer\u003c\/li\u003e\n\u003cli\u003eTom Dowd – Recorded By (Recording Engineer), Engineer\u003c\/li\u003e\n\u003cli\u003eNesuhi Ertegun – Supervised By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584024894,"sku":"65676558","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/packshot-john-coltrane-coltrane-jazz-syeor26-180-gram-mono-lp-vinyl-vinyl-lp-relix.jpg?v=1791061330"},{"product_id":"john-coltrane-blue-world-lp-vinyl","title":"John Coltrane – Blue World","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months before the sessions that would yield *A Love Supreme*, these recordings capture the Classic Quartet at a pivotal moment, with McCoy Tyner, Jimmy Garrison, and Elvin Jones locked into the kind of telepathic interplay that defined one of jazz's most celebrated lineups. The versions of \"Naima\" and \"Village Blues\" here are unlike anything in the official catalog, offering a rare window into how Coltrane reimagined his own compositions in real time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIn 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled “Le chat dans le sac” (“The Cat in the Bag”). In June of that year, Coltrane’s ‘Classic Quartet’ entered Rudy Van Gelder’s studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Naima (Take 1) (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (Take 2) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue World (6:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Village Blues (Take 1) (3:48)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Village Blues (Take 3) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Like Sonny (2:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Traneing In (7:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Naima (Take 2) (4:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602577626517\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse! 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Coltrane's modal reinvention of the Rodgers and Hammerstein tune stretched a pop melody into something hypnotic and vast, opening the door to everything that followed in his catalog and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My Favourite Things (13:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Everytime We Say Goodbye (5:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Summertime (11:32)\u003c\/div\u003e\n\u003cdiv\u003e4. But Not For Me (9:37)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497807901\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Second Records (SRPD0024)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 My Favorite Things – 13:44\u003c\/li\u003e\n\u003cli\u003eA2 But Not For Me – 9:34\u003c\/li\u003e\n\u003cli\u003eB1 Summertime – 11:34\u003c\/li\u003e\n\u003cli\u003eB2 Everytime We Say Goodbye – 5:41\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584057662,"sku":"119672380","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224839486-transparent-v2.png?v=1791440044"},{"product_id":"john-coltrane-coltrane-lp-vinyl","title":"John Coltrane – Coltrane","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just weeks before Coltrane began his landmark residency with Thelonious Monk at the Five Spot Cafe in New York, this session captures a pivotal hinge moment, a saxophonist stepping into his own voice after years of defining someone else's sound. The rhythm section here, including bassist Paul Chambers, was drawn from the same Miles Davis circle Coltrane had just left behind.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. \"Coltrane\" is the John Coltrane's debut album as a leader, meaning this is the first time he was the primary artist, leading the session occurred just after his period with Miles Davis. Earlier in 1957, Coltrane had been fired by Davis (in April) over drug-related problems, then spent time in Philadelphia dealing with those issues. Musically, though his mature, iconic style was still developing, you can see him stretching: a real work with complex standards and original compositions, experimenting with phrasing and the form. Released in October 1957 (recorded May 31, 1957 at Van Gelder Studio in New Jersey) the album didn't make a major splash on release, Coltrane was still mostly known as Miles Davis's sideman and briefly as a member of Thelonious Monk's quartet. Prestige Records wasn't promoting him heavily; they were more focused on Miles, Rollins, and others. But what critics called \"first glimpse\" of Coltrane will be in future an important record valued as the document of his emerging sound, especially his work with harmony, phrasing, and that \"sheets of sound\" style that he'd refine later. A mix of tradition and forward-looking impulses Gives us the early seeds of the Coltrane sound: intensity, harmonic exploration, spiritual searching.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Out Of This World (14:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Soul Eyes (5:23)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Inch Worm (6:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Tunji [Toon-Gee] (6:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Miles' Mode (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Up 'Gainst The Wall (3:13)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770024957204\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ermitage\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse! (B0033799-01, A-30, AS-30); Verve Records (B0033799-01); UMe (B0033799-01)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 In A Sentimental Mood – 4:12\u003c\/li\u003e\n\u003cli\u003eA2 Take The Coltrane – 4:40\u003c\/li\u003e\n\u003cli\u003eA3 Big Nick – 4:25\u003c\/li\u003e\n\u003cli\u003eA4 Stevie – 4:20\u003c\/li\u003e\n\u003cli\u003eB1 My Little Brown Book – 5:20\u003c\/li\u003e\n\u003cli\u003eB2 Angelica – 5:56\u003c\/li\u003e\n\u003cli\u003eB3 The Feeling Of Jazz – 5:30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAaron Bell – Bass\u003c\/li\u003e\n\u003cli\u003eJimmy Garrison – Bass\u003c\/li\u003e\n\u003cli\u003eRobert Flynn (2) – Design (Cover Design), Cover (Cover Design)\u003c\/li\u003e\n\u003cli\u003eViceroy (2) – Design (Cover Design), Cover (Cover Design)\u003c\/li\u003e\n\u003cli\u003eJoe Lebow – Design (Liner Design)\u003c\/li\u003e\n\u003cli\u003eElvin Jones – Drums\u003c\/li\u003e\n\u003cli\u003eSam Woodyard – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Engineer\u003c\/li\u003e\n\u003cli\u003eRyan Smith (2) – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eStanley Dance – Liner Notes\u003c\/li\u003e\n\u003cli\u003eRyan Smith (2) – Mastered By (Reissue Mastering, Sterling Sound)\u003c\/li\u003e\n\u003cli\u003eBob Ghiraldini – Photography By (Cover And Liner Photos), Cover (Cover And Liner Photos)\u003c\/li\u003e\n\u003cli\u003eDuke Ellington – Piano\u003c\/li\u003e\n\u003cli\u003eBob Thiele – Producer\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Soprano Saxophone, Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eChad Kassem – Supervised By (Reissue Supervisor, Acoustic Sounds)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584090430,"sku":"55619913","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224872254-transparent-v2.png?v=1791321364"},{"product_id":"john-coltrane-giant-steps-lp-vinyl","title":"John Coltrane – Giant Steps (2003 Reissue)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1960, *Giant Steps* marked a seismic shift in jazz harmony, with Coltrane introducing a chord progression so advanced it still bears his name. 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Dolphy's presence pushed that group into genuinely uncharted territory, his bass clarinet and alto sax in conversation with Coltrane's sheets of sound in ways the studio never quite captured. These recordings sat in the New York Public Library for over sixty years, which makes hearing them now feel less like a reissue and more like a time capsule cracking open.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane -\"Evenings At The Village Gate: John Coltrane With Eric Dolphy\" \/ In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material (\"Impressions\"), there is a breathtaking feature for Dolphy's bass clarinet on \"When Lights Are Low\" and the only known non-studio recording of Coltrane's composition \"Africa\", from the Africa\/Brass album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. My Favorite Things (15:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Greensleeves (18:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Africa (22:41)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. When Lights Are Low (15:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Impressions (10:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455514196\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse! (00602455514196); UMe (00602455514196)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA My Favorite Things – 15:45\u003c\/li\u003e\n\u003cli\u003eB1 When Lights Are Low – 15:10\u003c\/li\u003e\n\u003cli\u003eB2 Impressions – 10:00\u003c\/li\u003e\n\u003cli\u003eC Greensleeves – 18:15\u003c\/li\u003e\n\u003cli\u003eD Africa – 22:41\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eEric Dolphy – Alto Saxophone, Bass Clarinet, Flute\u003c\/li\u003e\n\u003cli\u003eArt Davis – Bass\u003c\/li\u003e\n\u003cli\u003eReggie Workman – Bass\u003c\/li\u003e\n\u003cli\u003eElvin Jones – Drums\u003c\/li\u003e\n\u003cli\u003eRavi Coltrane – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Liner Notes\u003c\/li\u003e\n\u003cli\u003eBranford Marsalis – Liner Notes\u003c\/li\u003e\n\u003cli\u003eLakecia Benjamin – Liner Notes\u003c\/li\u003e\n\u003cli\u003eReggie Workman – Liner Notes\u003c\/li\u003e\n\u003cli\u003eRichard Alderson – Liner Notes\u003c\/li\u003e\n\u003cli\u003eKevin Reeves – Mastered By\u003c\/li\u003e\n\u003cli\u003eMcCoy Tyner – Piano\u003c\/li\u003e\n\u003cli\u003eKen Druker – Producer\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Producer (Consulting Producer)\u003c\/li\u003e\n\u003cli\u003eRichard Alderson – Recorded By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone, Soprano Saxophone\u003c\/li\u003e\n\u003cli\u003eJeff Willens – Transferred By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584221502,"sku":"358342","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633224970558-transparent-v2.png?v=1791440043"},{"product_id":"john-coltrane-ballads-lp-vinyl","title":"John Coltrane – Ballads","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the height of Coltrane's most exploratory period, Ballads stands as a deliberate step back from the intensity of his avant-garde work, revealing a tenderness that sometimes gets lost in discussions of his legacy. The interplay between Coltrane and pianist McCoy Tyner throughout these standards is quietly devastating, a reminder that restraint and space can carry as much weight as the sheets of sound he was known for pushing elsewhere.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Ballads is a jazz album by John Coltrane. It was recorded in December 1961 and 1962. Critic Gene Lees stated that the quartet had never played the tunes before. \"They arrived with music-store sheet music of the songs\" and just before the recordings, they \"would discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do it\". Each piece was recorded in one take, except for \"All or Nothing at All\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Say It (Over And Over Again) (4:15)\u003c\/div\u003e\n\u003cdiv\u003e2. You Don't Know What Love Is (5:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Too Young To Go Steady (4:20)\u003c\/div\u003e\n\u003cdiv\u003e4. All Or Nothing At All (3:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Wish I Knew (4:54)\u003c\/div\u003e\n\u003cdiv\u003e2. What's New (3:43)\u003c\/div\u003e\n\u003cdiv\u003e3. It's Easy To Remember (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Nancy (With The Laughing Face) (3:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602508889301\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.9.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse! (B0032078-01, AS-32); Verve Records (B0032078-01); UMe (B0032078-01)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Say It (Over And Over Again) – 4:15\u003c\/li\u003e\n\u003cli\u003eA2 You Don't Know What Love Is – 5:11\u003c\/li\u003e\n\u003cli\u003eA3 Too Young To Go Steady – 4:20\u003c\/li\u003e\n\u003cli\u003eA4 All Or Nothing At All – 3:35\u003c\/li\u003e\n\u003cli\u003eB1 I Wish I Knew – 4:54\u003c\/li\u003e\n\u003cli\u003eB2 What's New – 3:43\u003c\/li\u003e\n\u003cli\u003eB3 It's Easy To Remember – 2:45\u003c\/li\u003e\n\u003cli\u003eB4 Nancy (With The Laughing Face) – 3:09\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJimmy Garrison – Bass\u003c\/li\u003e\n\u003cli\u003eRobert Flynn (2) – Design (Cover Design), Cover (Cover Design)\u003c\/li\u003e\n\u003cli\u003eJoe Lebow – Design (Liner)\u003c\/li\u003e\n\u003cli\u003eElvin Jones – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Engineer\u003c\/li\u003e\n\u003cli\u003eRyan Smith (2) – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eGene Lees – Liner Notes\u003c\/li\u003e\n\u003cli\u003eRyan Smith (2) – Mastered By\u003c\/li\u003e\n\u003cli\u003eJim Marshall (3) – Photography By (Photograph)\u003c\/li\u003e\n\u003cli\u003eMcCoy Tyner – Piano\u003c\/li\u003e\n\u003cli\u003eBob Thiele – Producer\u003c\/li\u003e\n\u003cli\u003eChad Kassem – Supervised By (LP Reissue)\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584385342,"sku":"677820","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225003326-transparent-v2.png?v=1791440043"},{"product_id":"john-coltrane-blue-train-the-complete-masters-2-lp-vinyl","title":"John Coltrane – Blue Train: The Complete Masters (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months after Coltrane completed his landmark stint with Miles Davis on \"Round About Midnight,\" Blue Train captures him at a pivotal moment, stepping fully into his own voice with a hard bop intensity that pointed directly toward the modal explorations ahead. The Tone Poet series, produced by Joe Harley and pressed at RTI, is widely regarded among audiophiles as the gold standard for Blue Note reissues, and this stereo edition's inclusion of alternate takes reveals the deliberate craft behind what sounds like pure fire.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn September 15, 1957, John Coltrane went into Rudy Van Gelder's living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. It would be the legendary saxophonist's sole album as a leader for Blue Note, a locomotive five-track album fueled by the bluesy title track that featured a dynamic six-piece band with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. To mark the 65th anniversary of the album's recording, Blue Train will be released in two special editions as part of Blue Note's acclaimed Tone Poet Audiophile Vinyl Reissue Series: a 1-LP mono pressing of the original album and a 2-LP stereo pressing of Blue Train: The Complete Masters which includes a second disc of alternate and incomplete takes, four of which have never been released before, and none of which have been available previously on vinyl. The 2-LP set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.\u003c\/p\u003e\r\n\u003cp\u003eBoth Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in deluxe gatefold tip-on jackets.\u003c\/p\u003e\r\n\u003ch3\u003eFEATURES:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e180g Vinyl\u003c\/li\u003e\r\n\u003cli\u003eDouble LP\u003c\/li\u003e\r\n\u003cli\u003eStereo\u003c\/li\u003e\r\n\u003cli\u003eSecond LP of Alternate \u0026amp; Incomplete Takes - First Time on Vinyl\u003c\/li\u003e\r\n\u003cli\u003eFour Previously Unreleased Tracks\u003c\/li\u003e\r\n\u003cli\u003eBound Booklet - Session Photos by Francis Wolff \u0026amp; Essay by Coltrane Expert Ashley Kahn\u003c\/li\u003e\r\n\u003cli\u003eTone Poet Audiophile Vinyl Reissue Series\u003c\/li\u003e\r\n\u003cli\u003eMastered by Kevin Gray at Cohearent Audio\u003c\/li\u003e\r\n\u003cli\u003eMastered from Original Analog Master Tapes\u003c\/li\u003e\r\n\u003cli\u003eProduced by Joe Harley\u003c\/li\u003e\r\n\u003cli\u003ePressed at RTI\u003c\/li\u003e\r\n\u003cli\u003eDeluxe Gatefold Tip-On Jacket\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eDEETS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTone Poet Audiophile Vinyl Reissue Series.\u003c\/li\u003e\r\n\u003cli\u003eMastered by Kevin Gray at Cohearent Audio.\u003c\/li\u003e\r\n\u003cli\u003eMastered Directly from the Original Analog Master Tapes!\u003c\/li\u003e\r\n\u003cli\u003ePressed At RTI.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eMUSICIANS:\u003c\/h3\u003e\r\n\u003cp\u003ePaul Chambers\u003c\/p\u003e\r\n\u003cp\u003ePhilly Joe Jones\u003c\/p\u003e\r\n\u003cp\u003eKenny Drew\u003c\/p\u003e\r\n\u003cp\u003eJohn Coltrane\u003c\/p\u003e\r\n\u003cp\u003eCurtis Fuller\u003c\/p\u003e\r\n\u003cp\u003eLee Morgan  \u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso Available: \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481057\" title=\"John Coltrane - Blue Train (Blue Note Tone Poet Series) [Mono LP]\"\u003eMono LP\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"\/UPC\/602448062031\" title=\"John Coltrane - Blue Train: The Complete Masters (Blue Note Tone Poet Series) [2CD]\"\u003e2CD\u003c\/a\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice\u003c\/div\u003e\n\u003cdiv\u003e3. Introduction\u003c\/div\u003e\n\u003cdiv\u003e4. Slim's Return\u003c\/div\u003e\n\u003cdiv\u003e5. Distant Land\u003c\/div\u003e\n\u003cdiv\u003e6. Mystic Bounce\u003c\/div\u003e\n\u003cdiv\u003e7. Good Morning\u003c\/div\u003e\n\u003cdiv\u003e8. Say Goodbye\u003c\/div\u003e\n\u003cdiv\u003e9. Little Broken Hearts\u003c\/div\u003e\n\u003cdiv\u003e10. She's 22\u003c\/div\u003e\n\u003cdiv\u003e11. Take It Back\u003c\/div\u003e\n\u003cdiv\u003e12. After the Fall\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Locomotion\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Old Fashioned\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Bird\u003c\/div\u003e\n\u003cdiv\u003e4. Stormy\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Note Interlude\u003c\/div\u003e\n\u003cdiv\u003e6. Please Set Me at Ease\u003c\/div\u003e\n\u003cdiv\u003e7. Funky Blue Note\u003c\/div\u003e\n\u003cdiv\u003e8. Alfred Lion Interlude\u003c\/div\u003e\n\u003cdiv\u003e9. 4 Broken Hearts\u003c\/div\u003e\n\u003cdiv\u003e10. Travelin' On\u003c\/div\u003e\n\u003cdiv\u003e11. Out on the Road\u003c\/div\u003e\n\u003cdiv\u003e12. Happy Pills\u003c\/div\u003e\n\u003cdiv\u003e13. Miriam\u003c\/div\u003e\n\u003cdiv\u003e14. All A Dream\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (False Start)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Train (Alternate Take 7)\u003c\/div\u003e\n\u003cdiv\u003e3. Moment's Notice (Alternate Take 4)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (Alternate Take 1)\u003c\/div\u003e\n\u003cdiv\u003e5. Stepping Into Tomorrow\u003c\/div\u003e\n\u003cdiv\u003e6. Andrew Hill Break\u003c\/div\u003e\n\u003cdiv\u003e7. Montara\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (Alternate Take 8)\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice (Alternate Take 5A Incomplete)\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Bird (Alternate Take 2)\u003c\/div\u003e\n\u003cdiv\u003e4. Song For My Father\u003c\/div\u003e\n\u003cdiv\u003e5. Footprints\u003c\/div\u003e\n\u003cdiv\u003e6. Peace \/ Dolphin Dance\u003c\/div\u003e\n\u003cdiv\u003e7. Outro\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445481071\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.16.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note (B0035204-01, 1577, BST 1577)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Blue Train\u003c\/li\u003e\n\u003cli\u003eA2 Moment's Notice\u003c\/li\u003e\n\u003cli\u003eB1 Locomotion\u003c\/li\u003e\n\u003cli\u003eB2 I'm Old Fashioned\u003c\/li\u003e\n\u003cli\u003eB3 Lazy Bird\u003c\/li\u003e\n\u003cli\u003eC1 Blue Train (False Start)\u003c\/li\u003e\n\u003cli\u003eC2 Blue Train (Alternate Take 7)\u003c\/li\u003e\n\u003cli\u003eC3 Moment's Notice (Alternate Take 4)\u003c\/li\u003e\n\u003cli\u003eC4 Lazy Bird (Alternate Take 1)\u003c\/li\u003e\n\u003cli\u003eD1 Blue Train (Alternate Take 8)\u003c\/li\u003e\n\u003cli\u003eD2 Moment's Notice (Alternate Take 5A Incomplete)\u003c\/li\u003e\n\u003cli\u003eD3 Lazy Bird (Alternate Take 2)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eTodd Gallopo – Design\u003c\/li\u003e\n\u003cli\u003eTory Davis – Design\u003c\/li\u003e\n\u003cli\u003eReid Miles – Design (Cover Design), Cover (Cover Design)\u003c\/li\u003e\n\u003cli\u003e\"Philly\" Joe Jones – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Engineer (Recording Engineer)\u003c\/li\u003e\n\u003cli\u003eKevin Gray – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAshley Kahn – Liner Notes (Booklet)\u003c\/li\u003e\n\u003cli\u003eKevin Gray – Mastered By (LP Mastering By)\u003c\/li\u003e\n\u003cli\u003eFrancis Wolff – Photography By\u003c\/li\u003e\n\u003cli\u003eKenny Drew – Piano\u003c\/li\u003e\n\u003cli\u003eJoe Harley – Producer (Compilation Produced By)\u003c\/li\u003e\n\u003cli\u003eAlfred Lion – Producer (Original Session Produced By)\u003c\/li\u003e\n\u003cli\u003eDebbie Vallarino – Producer (Project Production)\u003c\/li\u003e\n\u003cli\u003eRobert Levin (2) – Sleeve Notes\u003c\/li\u003e\n\u003cli\u003eJoe Harley – Supervised By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eCurtis Fuller – Trombone\u003c\/li\u003e\n\u003cli\u003eLee Morgan – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584450878,"sku":"88801","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225134398-transparent-v2.png?v=1791440043"},{"product_id":"john-coltrane-impressions-lp-vinyl","title":"John Coltrane – Impressions","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy late 1961, Coltrane's modal explorations had pushed the classic quartet to the edge of something genuinely new, and the Village Vanguard residency captured on this record stands as one of the most documented and debated weeks in jazz history. \"Impressions\" itself builds on the same Miles Davis-era modal framework Coltrane had been developing since \"So What,\" but here the quartet stretches it into entirely different territory, with Elvin Jones driving the rhythm in ways that still sound restless and alive decades later.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded between 1961-1963 and released on Impulse! Records in July 1963, Impressions documents John Coltrane's classic quartet with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. Two selections, \"India\" and \"Impressions,\" originate from the group's November 1961 engagement at the Village Vanguard, where the quartet was joined by Eric Dolphy on alto saxophone, bass clarinet, and flute and second bassist Reggie Workman. These are paired with the studio recordings \"Up 'Gainst the Wall\" in 1962, and \"After the Rain\" in 1963, the latter featuring Roy Haynes on drums. Issued during the same period as albums including Coltrane and Live at Birdland, Impressions forms part of Coltrane's early-1960s Impulse! Discography, demonstrating the quartet's unique power in both expanded live performance and studio contexts. Verve's Acoustic Sounds Series features transfers from analog tapes remastered on 180g vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. India (13:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Up 'Gainst The Wall (3:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Impressions (14:40)\u003c\/div\u003e\n\u003cdiv\u003e2. After The Rain (4:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957084635\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse! (A-42)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1963  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 India – 13:52\u003c\/li\u003e\n\u003cli\u003eA2 Up 'Gainst The Wall – 3:12\u003c\/li\u003e\n\u003cli\u003eB1 Impressions – 14:40\u003c\/li\u003e\n\u003cli\u003eB2 After The Rain – 4:07\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJimmy Garrison – Bass\u003c\/li\u003e\n\u003cli\u003eReggie Workman – Bass\u003c\/li\u003e\n\u003cli\u003eEric Dolphy – Bass Clarinet\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Composed By\u003c\/li\u003e\n\u003cli\u003eRobert Flynn (2) – Design (Cover)\u003c\/li\u003e\n\u003cli\u003eJoe Lebow – Design (Liner)\u003c\/li\u003e\n\u003cli\u003eElvin Jones – Drums\u003c\/li\u003e\n\u003cli\u003eRoy Haynes – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJoe Alper – Photography By (Cover And Liner Photos)\u003c\/li\u003e\n\u003cli\u003eMcCoy Tyner – Piano\u003c\/li\u003e\n\u003cli\u003eBob Thiele – Producer\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Soprano Saxophone\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584319806,"sku":"152855114","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225167166-transparent-v2.png?v=1791440044"},{"product_id":"frank-wess-john-coltrane-paul-quinichette-wheelin-and-dealin-original-jazz-classics-series-lp-vinyl","title":"Frank Wess, John Coltrane, \u0026 Paul Quinichette – Wheelin' And Dealin' (Original Jazz Classics Series) -","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaught between Coltrane's rapid ascent and the swinging Kansas City-rooted cool of Wess and Quinichette, this 1957 session captures a genuinely rare intersection of voices in the Prestige stable. Mal Waldron's compositions anchor the date with the same brooding elegance he brought to so many essential sides of that era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWheelin’ \u0026amp; Dealin’ is a 1958 album released by Prestige legends Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins, and Art Taylor. Sometimes credited as “The Prestige All Stars” the album contains 6 cuts, which are a combination of Waldron originals and jazz standards. This new edition of the album is released as part of the OJC Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Things Ain't What They Used To Be (8:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Wheelin' (11:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Robbins' Nest (15:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Dealin' (10:15)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072684959\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Prestige (8327, NJ 8327, NJLP 8327); New Jazz (8327, NJ 8327, NJLP 8327)  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Things Ain't What They Used To Be\u003c\/li\u003e\n\u003cli\u003eA2 Wheelin'\u003c\/li\u003e\n\u003cli\u003eB1 Robbins' Nest\u003c\/li\u003e\n\u003cli\u003eB2 Dealin'\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDoug Watkins – Bass\u003c\/li\u003e\n\u003cli\u003eEsmond Edwards – Cover\u003c\/li\u003e\n\u003cli\u003eArt Taylor – Drums\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eIra Gitler – Liner Notes\u003c\/li\u003e\n\u003cli\u003eMal Waldron – Piano\u003c\/li\u003e\n\u003cli\u003eRudy Van Gelder – Recorded By\u003c\/li\u003e\n\u003cli\u003eBob Weinstock – Supervised By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003ePaul Quinichette – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eFrank Wess – Tenor Saxophone, Flute\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584418110,"sku":"26152343","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225199934-transparent-v2.png?v=1791436120"},{"product_id":"john-coltrane-giant-steps-lp-vinyl-1","title":"John Coltrane – Giant Steps (180g Mono)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1959, Giant Steps introduced what musicians still call \"Coltrane changes,\" a rapid harmonic movement through major thirds that fundamentally rewired how jazz improvisers think about chord progressions. The mathematical logic beneath the title track's surface challenged even the most seasoned players of the era, and decades later it remains a rite of passage for any serious jazz musician.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHighly regarded as one of the most influential jazz records of all time, John Coltrane's 'Giant Steps' marked the prolific artist's first Atlantic Records release as a band leader. Featuring the beloved \"Naima\" and highly regarded \"Giant Steps\", both of which have gone on to become essential jazz standards, this new breakout mono LP will follow the release of the forthcoming Rhino High-Fidelity box set titled 'John Coltrane: 1960-1964' - where all lacquers are AAA cut directly from the mono tapes by Kevin Gray and pressed on 180-gram vinyl by Optimal, with meticulous detailing on the album packaging that includes glossy covers and \"tip-on\" jackets.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Giant Steps (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Cousin Mary (5:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Countdown (2:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Spiral (5:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Syeeda's Song Flute (7:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Naima (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. P. C. (6:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227807849\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic (1311, SD-1311, SD 1311, 8122787061)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2014  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Giant Steps – 4:43\u003c\/li\u003e\n\u003cli\u003eA2 Cousin Mary – 5:45\u003c\/li\u003e\n\u003cli\u003eA3 Countdown – 2:21\u003c\/li\u003e\n\u003cli\u003eA4 Spiral – 5:56\u003c\/li\u003e\n\u003cli\u003eB1 Syeeda's Song Flute – 7:00\u003c\/li\u003e\n\u003cli\u003eB2 Naima – 4:21\u003c\/li\u003e\n\u003cli\u003eB3 Mr. P.C. – 6:57\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul Chambers (3) – Bass\u003c\/li\u003e\n\u003cli\u003eMarvin Israel – Design\u003c\/li\u003e\n\u003cli\u003eArt Taylor – Drums\u003c\/li\u003e\n\u003cli\u003eJimmy Cobb – Drums\u003c\/li\u003e\n\u003cli\u003ePhil Iehle – Engineer (Recording)\u003c\/li\u003e\n\u003cli\u003eTom Dowd – Engineer (Recording)\u003c\/li\u003e\n\u003cli\u003eJörg Peters – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eNat Hentoff – Liner Notes\u003c\/li\u003e\n\u003cli\u003eLee Friedlander – Photography By\u003c\/li\u003e\n\u003cli\u003eTommy Flanagan – Piano\u003c\/li\u003e\n\u003cli\u003eWynton Kelly – Piano\u003c\/li\u003e\n\u003cli\u003eNesuhi Ertegun – Supervised By\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eJohn Coltrane – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584483646,"sku":"65705225","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225232702-transparent-v2.png?v=1791440043"},{"product_id":"john-coltrane-100-highlights-from-1957-1964-2-lp-vinyl","title":"John Coltrane – 100: Highlights From 1957-1964 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSeven years that changed everything. The recordings collected here trace Coltrane's transformation from Miles Davis sideman to one of the most singular voices in jazz history, capturing the period when \"sheets of sound\" became a language and *A Love Supreme* was still just over the horizon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497802753\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584549182,"sku":"336592517","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/John-Coltrane-100-Highlights-From-1957-1964-2-LP-Vinyl.jpg?v=1791061331"},{"product_id":"khruangbin-nubya-garcia-live-at-radio-city-music-hall-lp-vinyl","title":"Khruangbin \u0026 Nubya Garcia – Live at Radio City Music Hall","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNubya Garcia brings a saxophonist's instinct for space and conversation to any stage she shares, and her chemistry with Khruangbin's famously telepathic trio makes for a natural pairing. The Houston band has long drawn on a global crate of influences, from Thai funk to Ethiopian jazz, and Garcia's own Afrodiasporic fluency slots into that sonic world with ease. Radio City, one of New York's most storied rooms, gave this collaboration a setting worthy of the moment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"175.695266723633\" x=\"37\" y=\"-411.436096191406\" data-test=\"textbox\"\u003eIt's only fitting that Khruangbin’s first-\u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"187.966686248779\" x=\"37.3419990539551\" y=\"-402.436096191406\" data-test=\"textbox\"\u003eever official live releases would be albums \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82199096679688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"181.430938720703\" x=\"37.1080017089844\" y=\"-393.436096191406\" data-test=\"textbox\"\u003epaired with their tourmates: artists whose \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"194.522323608398\" x=\"37.2070007324219\" y=\"-384.436096191406\" data-test=\"textbox\"\u003emusic they love and admire, friends who’ve \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"194.759006500244\" x=\"37.1710014343262\" y=\"-375.436096191406\" data-test=\"textbox\"\u003ebecome family along the way. Khruangbin’s \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"186.966808319092\" x=\"37.3959999084473\" y=\"-366.436096191406\" data-test=\"textbox\"\u003eseries of live LPs traces just one small slice \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"188.041439056396\" x=\"37.3419990539551\" y=\"-357.436096191406\" data-test=\"textbox\"\u003eof the band’s flight plan through the years: \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"177.877708435059\" x=\"37.2249984741211\" y=\"-348.436096191406\" data-test=\"textbox\"\u003eit’s a taste of some of their most beloved \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82199096679688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"197.099910736084\" x=\"37.3419990539551\" y=\"-339.436096191406\" data-test=\"textbox\"\u003ecities, stages and nights. Each release comes \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82199096679688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"184.977825164795\" x=\"37.1440010070801\" y=\"-330.436096191406\" data-test=\"textbox\"\u003ewith a limited-edition unique album cover \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"174.420803070068\" x=\"37.3419990539551\" y=\"-321.436096191406\" data-test=\"textbox\"\u003eexclusive for the recording’s home turf, \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"188.414035797119\" x=\"36.648998260498\" y=\"-312.436096191406\" data-test=\"textbox\"\u003ejust a little something extra for the fans that \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"179.999027252197\" x=\"37.1710014343262\" y=\"-303.436096191406\" data-test=\"textbox\"\u003ebring a little something extra. Most of all, \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"184.96700668335\" x=\"37.2970008850098\" y=\"-294.436096191406\" data-test=\"textbox\"\u003ethis series ignites both sides of the band’s \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"185.831909179688\" x=\"37.2070007324219\" y=\"-285.436096191406\" data-test=\"textbox\"\u003emagic: the warm, prismatic feeling of their \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"186.534816741943\" x=\"37.4500007629395\" y=\"-276.436096191406\" data-test=\"textbox\"\u003ealbums and the bewitching energy of their \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"63.403190612793\" x=\"37.1080017089844\" y=\"-267.436096191406\" data-test=\"textbox\"\u003eperformances.\u003cbr\u003e\u003cbr\u003e\u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"182.223815917969\" x=\"37\" y=\"-249.436096191406\" data-test=\"textbox\"\u003e‘Live at Radio City Music Hall’ features \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"157.109329223633\" x=\"37.1080017089844\" y=\"-240.436096191406\" data-test=\"textbox\"\u003eperformances by Nubya Garcia and \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82200622558594\" lengthadjust=\"spacingAndGlyphs\" textlength=\"54.0449867248535\" x=\"37.1710014343262\" y=\"-231.436096191406\" data-test=\"textbox\"\u003eKhruangbin.\u003c\/text\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Source (9:18)\u003c\/div\u003e\n\u003cdiv\u003e2. The Message Continues (7:50)\u003c\/div\u003e\n\u003cdiv\u003e3. La Cumbia Me Está Llamando (3:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So We Won't Forget (5:11)\u003c\/div\u003e\n\u003cdiv\u003e2. The Infamous Bill (4:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Pelota (2:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Time (You and I) (9:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163215\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC 332)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Source – 9:18\u003c\/li\u003e\n\u003cli\u003eA2 The Message Continues – 7:50\u003c\/li\u003e\n\u003cli\u003eA3 La Cumbia Me Está Llamando – 3:22\u003c\/li\u003e\n\u003cli\u003eB1 So We Won't Forget – 5:11\u003c\/li\u003e\n\u003cli\u003eB2 The Infamous Bill – 4:23\u003c\/li\u003e\n\u003cli\u003eB3 Pelota – 2:47\u003c\/li\u003e\n\u003cli\u003eB4 Time (You and I) – 9:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584680254,"sku":"132104","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225429310-transparent-v2.png?v=1791440104"}],"url":"https:\/\/reserveselects.myshopify.com\/collections\/jazz.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}