{"title":"Prog \u0026 Psych","description":null,"products":[{"product_id":"electric-light-orchestra-elo-a-new-world-record-lp-vinyl","title":"Electric Light Orchestra (ELO) – A New World Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJeff Lynne's orchestral pop ambitions hit their commercial and artistic peak with this 1976 release, the album that transformed ELO from a cult favorite into a genuine arena-filling phenomenon. The string arrangements here pushed rock and classical fusion further than almost anyone had attempted on a mainstream record, laying the groundwork for the bombastic, lush sound that would define the late-seventies album rock canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eElectric Light Orchestra’s classic sixth album featuring “Livin’ Thing,” “Rockaria!,” “Do Ya,” and “Telephone Line.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTightrope\u003c\/li\u003e\n\u003cli\u003eTelephone Line\u003c\/li\u003e\n\u003cli\u003eRockaria!\u003c\/li\u003e\n\u003cli\u003eMission (A World Record)\u003c\/li\u003e\n\u003cli\u003eSo Fine\u003c\/li\u003e\n\u003cli\u003eLivin' Thing\u003c\/li\u003e\n\u003cli\u003eAbove The Clouds\u003c\/li\u003e\n\u003cli\u003eDo Ya\u003c\/li\u003e\n\u003cli\u003eShangri-La\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029934410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jet Records (UAG 30017, UA-LA 679, JET LP 20)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1976  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Tightrope – 5:00\u003c\/li\u003e\n\u003cli\u003eA2 Telephone Line – 4:38\u003c\/li\u003e\n\u003cli\u003eA3 Rockaria! – 3:12\u003c\/li\u003e\n\u003cli\u003eA4 Mission (A World Record) – 4:24\u003c\/li\u003e\n\u003cli\u003eB1 So Fine – 3:55\u003c\/li\u003e\n\u003cli\u003eB2 Livin' Thing – 3:31\u003c\/li\u003e\n\u003cli\u003eB3 Above The Clouds – 2:16\u003c\/li\u003e\n\u003cli\u003eB4 Do Ya – 3:45\u003c\/li\u003e\n\u003cli\u003eB5 Shangri-La – 5:34\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJeff Lynne – Arranged By (Orchestra And Choral Arrangements)\u003c\/li\u003e\n\u003cli\u003eLouis Clark – Arranged By (Orchestra And Choral Arrangements)\u003c\/li\u003e\n\u003cli\u003eRichard Tandy – Arranged By (Orchestra And Choral Arrangements)\u003c\/li\u003e\n\u003cli\u003eRia Lewerke – Art Direction\u003c\/li\u003e\n\u003cli\u003eBob Hickson – Artwork (Very Special Effects)\u003c\/li\u003e\n\u003cli\u003eMelvyn Gale – Cello (Barcus Berry), Effects (Maestro Echoplex)\u003c\/li\u003e\n\u003cli\u003eHugh McDowell – Cello (Barcus Berry), Effects (Systech Phaser, Mutron III, Mutron Phasor, Maestro Echoplex)\u003c\/li\u003e\n\u003cli\u003eLouis Clark – Conductor (Orchestra Conducted By)\u003c\/li\u003e\n\u003cli\u003eJohn Kosh – Cover (Cover Design), Design (Cover Design), Illustration, Photography\u003c\/li\u003e\n\u003cli\u003eBev Bevan – Drums (Slingerland), Synthesizer (Mini Moog Drum), Percussion, Backing Vocals\u003c\/li\u003e\n\u003cli\u003eRichard Tandy – Electric Piano (Wurlitzer Electric Piano EP200), Synthesizer (Mini Moog, Micro Moog, SLM Concert Spectrum), Electric Guitar (Electra x320, Gibson SG Custom), Clavinet (Hohner), Grand Piano (Yamaha C7), Mellotron (M400), Pedalboard (Morley R.W.V. Pedals), Effects (Maestro Phase Shifter), Percussion, Backing Vocals, Effects (Systech Flanger)\u003c\/li\u003e\n\u003cli\u003eDuane Scott – Engineer (Cherokee)\u003c\/li\u003e\n\u003cli\u003eDick Plant – Engineer (De Lane Lea)\u003c\/li\u003e\n\u003cli\u003eJohn Richards – Engineer (De Lane Lea)\u003c\/li\u003e\n\u003cli\u003eMack (2) – Engineer (Musicland)\u003c\/li\u003e\n\u003cli\u003eArun Chakraverty – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJeff Lynne – Lead Vocals, Backing Vocals, Lead Guitar, Rhythm Guitar, Slide Guitar, Guitar (Gibson Les Paul, L5S, Marauder, Ovation Legend, Ovation Pacemaker), Percussion, Electric Piano (Wurlitzer EP200 Piano)\u003c\/li\u003e\n\u003cli\u003eJeff Lynne – Music By (All), Lyrics By (All)\u003c\/li\u003e\n\u003cli\u003eAnna – Other (Hot Pies)\u003c\/li\u003e\n\u003cli\u003eFrancois – Other (Hot Pies)\u003c\/li\u003e\n\u003cli\u003eBev Bevan – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eHugh McDowell – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eJeff Lynne – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eKelly Groucutt – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eMelvyn Gale – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eMik Kaminski – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eRichard Tandy – Performer (ELO)\u003c\/li\u003e\n\u003cli\u003eMoshe Brakha – Photography By (Portrait Photograph)\u003c\/li\u003e\n\u003cli\u003eJeff Lynne – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eMik Kaminski – Violin (Barcus Berry), Effects (Maestro Echoplex), Effects (Univox Univibe)\u003c\/li\u003e\n\u003cli\u003eKelly Groucutt – Vocals, Bass Guitar (Gibson G3), Percussion, Backing Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547545260350,"sku":"363317295","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633208848702-transparent-v2.png?v=1791433387"},{"product_id":"king-gizzard-the-lizard-wizard-chunky-shrapnel-vomit-bomb-edition-2-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Chunky Shrapnel (Vomit Bomb Edition 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most restless outfit, King Gizzard \u0026amp; the Lizard Wizard treated their 2019 European run as a laboratory, shape-shifting nightly through psych, thrash, microtonal experiments, and motorik grooves within a single set. The \"Vomit Bomb Edition\" pressing gives that relentless energy a physical artifact worthy of it, capturing a band that had already released five albums in a single year and showed zero signs of slowing down.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eKing Gizzard \u0026amp; The Lizard Wizard have announced Chunky Shrapnel, a new music documentary film and accompanying double-LP live album. The new album features 13 live performances hand-picked from the band’s 2019 UK and European tour, and includes three new musical scores written by Stu Mackenzie that add a magical touch of alien melancholy throughout the record. Chunky Shrapnel is an experience geared towards not only recreating the energy of a live concert, but creating something tailored and unique to King Gizzard \u0026amp; The Lizard Wizard.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Evil Star (2:09)\u003c\/div\u003e\n\u003cdiv\u003e2. The River (Live In Luxembourg '19) (9:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Wah Wah (Live In Madrid '19) (3:24)\u003c\/div\u003e\n\u003cdiv\u003e4. Road Train (Live In Manchester '19) (3:39)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Murder Of The Universe (Live In Utrecht '19) (5:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Quarantine (2:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Planet B (Live In London '19) (6:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Parking (Live In Brussels '19) (2:02)\u003c\/div\u003e\n\u003cdiv\u003e5. Venusian 2 (Live In Milan '19) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e6. Hell (Live In Milan '19) (3:37)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Let Me Mend The Past (Live In Madrid '19) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Anamnesis (3:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Inner Cell (Live In Utrecht '19) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e4. Loyalty (Live In Utrecht '19) (3:52)\u003c\/div\u003e\n\u003cdiv\u003e5. Horology (Live In Utrecht '19) (2:35)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. A Brief History Of Planet Earth (Live In London, Berlin, Utrecht And Barcelona '19) (19:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882404017\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.22.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0526)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Evil Star – 2:09\u003c\/li\u003e\n\u003cli\u003eA2 The River (Live In Luxembourg '19) – 9:38\u003c\/li\u003e\n\u003cli\u003eA3 Wah Wah (Live In Madrid '19) – 3:24\u003c\/li\u003e\n\u003cli\u003eA4 Road Train (Live In Manchester '19) – 3:39\u003c\/li\u003e\n\u003cli\u003eB1 Murder Of The Universe (Live In Utrecht '19) – 5:04\u003c\/li\u003e\n\u003cli\u003eB2 Quarantine – 2:00\u003c\/li\u003e\n\u003cli\u003eB3 Planet B (Live In London '19) – 6:02\u003c\/li\u003e\n\u003cli\u003eB4 Parking (Live In Brussels '19) – 2:02\u003c\/li\u003e\n\u003cli\u003eB5 Venusian 2 (Live In Milan '19) – 3:11\u003c\/li\u003e\n\u003cli\u003eB6 Hell (Live In Milan '19) – 3:37\u003c\/li\u003e\n\u003cli\u003eC1 Let Me Mend The Past (Live In Madrid '19) – 2:58\u003c\/li\u003e\n\u003cli\u003eC2 Anamnesis – 3:10\u003c\/li\u003e\n\u003cli\u003eC3 Inner Cell (Live In Utrecht '19) – 3:49\u003c\/li\u003e\n\u003cli\u003eC4 Loyalty (Live In Utrecht '19) – 3:52\u003c\/li\u003e\n\u003cli\u003eC5 Horology (Live In Utrecht '19) – 2:35\u003c\/li\u003e\n\u003cli\u003eD1 A Brief History Of Planet Earth (Live In London, Berlin, Utrecht And Barcelona '19) – 19:03\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJason Galea – Artwork By\u003c\/li\u003e\n\u003cli\u003eLucas Harwood – Bass\u003c\/li\u003e\n\u003cli\u003eEric Moore (6) – Drums\u003c\/li\u003e\n\u003cli\u003eMichael Cavanagh (2) – Drums\u003c\/li\u003e\n\u003cli\u003eCook Craig – Guitar, Synthesizer, Keyboards\u003c\/li\u003e\n\u003cli\u003eJoe Walker (8) – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eAmbrose Kenny-Smith – Keyboards, Synthesizer, Harmonica, Vocals, Percussion\u003c\/li\u003e\n\u003cli\u003eJoseph Carra – Mastered By\u003c\/li\u003e\n\u003cli\u003eStu Mackenzie – Mixed By, Producer, Guitar, Vocals, Keyboards, Synthesizer\u003c\/li\u003e\n\u003cli\u003eGaspard De Meulemeester – Recorded By\u003c\/li\u003e\n\u003cli\u003eSamuel Joseph – Recorded By\u003c\/li\u003e\n\u003cli\u003eStacey Wilson – Recorded By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547559809342,"sku":"678790","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633212748094-transparent-v2.png?v=1791440159"},{"product_id":"king-gizzard-the-lizard-wizard-live-in-san-francisco-16-random-color-2-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Live In San Francisco '16 (Random Color 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNonagon Infinity had just dropped in May 2016, and King Gizzard were still road-testing its interlocking, infinite-loop architecture in rooms where you could feel the volume in your chest. Catching them at that scale, before the festival headline slots and the avalanche of releases that followed, was the kind of right-place-right-time moment that becomes a story you tell for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eShortly after delivering their breakthrough album Nonagon Infinity, King Gizzard \u0026amp; The Lizard Wizard hit San Francisco's The Independent for a wildly frenetic and meticulously executed set. One of their final club gigs, the Melbourne septet gave a breakneck performance that \"made every organ ache just right\" (SF Weekly). Live in San Francisco '16 captures an extraordinary moment in their history, a spectacular likely to leave you awestruck and adrenalized. Random Colorway 2LP via ATO Records.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Robot Stop\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water\u003c\/div\u003e\n\u003cdiv\u003e3. Big Fig Wasp\u003c\/div\u003e\n\u003cdiv\u003e4. Gamma Knife\u003c\/div\u003e\n\u003cdiv\u003e5. People-Vultures\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Trapdoor\u003c\/div\u003e\n\u003cdiv\u003e2. I’m In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e3. I’m Not In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e4. Cellophane\u003c\/div\u003e\n\u003cdiv\u003e5. I’m In Your Mind Fuzz\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The River\u003c\/div\u003e\n\u003cdiv\u003e2. Evil Death Roll\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Head On\/Pill\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882431013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0539)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Robot Stop\u003c\/li\u003e\n\u003cli\u003eA2 Hot Water\u003c\/li\u003e\n\u003cli\u003eA3 Big Fig Wasp\u003c\/li\u003e\n\u003cli\u003eA4 Gamma Knife\u003c\/li\u003e\n\u003cli\u003eA5 People-Vultures\u003c\/li\u003e\n\u003cli\u003eB1 Trapdoor\u003c\/li\u003e\n\u003cli\u003eB2 I’m In Your Mind\u003c\/li\u003e\n\u003cli\u003eB3 I’m Not In Your Mind\u003c\/li\u003e\n\u003cli\u003eB4 Cellophane\u003c\/li\u003e\n\u003cli\u003eB5 I’m In Your Mind Fuzz\u003c\/li\u003e\n\u003cli\u003eC1 The River\u003c\/li\u003e\n\u003cli\u003eC2 Evil Death Roll\u003c\/li\u003e\n\u003cli\u003eD Head On\/Pill\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLucas Skinner – Bass\u003c\/li\u003e\n\u003cli\u003eEric Moore (6) – Drums\u003c\/li\u003e\n\u003cli\u003eMichael Cavanagh (2) – Drums\u003c\/li\u003e\n\u003cli\u003eCook Craig – Guitar, Synthesizer\u003c\/li\u003e\n\u003cli\u003eJoe Walker (8) – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eStu Mackenzie – Guitar, Vocals, Flute\u003c\/li\u003e\n\u003cli\u003eAmbrose Kenny-Smith – Harmonica, Vocals, Organ\u003c\/li\u003e\n\u003cli\u003eJason Galea – Layout, Editor\u003c\/li\u003e\n\u003cli\u003eJoseph Carra – Mastered By\u003c\/li\u003e\n\u003cli\u003eStu Mackenzie – Mixed By\u003c\/li\u003e\n\u003cli\u003eBen Butcher (2) – Photography By (Cover)\u003c\/li\u003e\n\u003cli\u003eJamie Wdziekonski – Photography By (Other Photos)\u003c\/li\u003e\n\u003cli\u003eStu Mackenzie – Producer\u003c\/li\u003e\n\u003cli\u003eJohn Karr – Recorded By\u003c\/li\u003e\n\u003cli\u003eMarco Martin – Recorded By\u003c\/li\u003e\n\u003cli\u003eTerry Yerves – Recorded By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547559907646,"sku":"169291","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/King-Gizzard-The-Lizard-Wizard-Live-In-San-Francisco-16-Random-Color-2-LP-Vinyl.jpg?v=1791058936"},{"product_id":"khruangbin-texas-sun-lp-vinyl","title":"Khruangbin – Texas Sun","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLeon Bridges and Khruangbin had already carved out their own distinct corners of American music before this 2020 collaboration brought them together, Bridges rooted in Fort Worth soul and Khruangbin in their Houston-born blend of global influences and cinematic groove. The pairing feels less like a calculated crossover than a natural conversation between neighbors, unhurried and wide open.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDriving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R\u0026amp;B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. \"Big sky country, that's what they call Texas,\" Khruangbin bassist Laura Lee says. \"The horizon line goes all the way from one side to another without interruption. There's something really comforting about that.\" On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Texas Sun\u003c\/div\u003e\n\u003cdiv\u003e2. Midnight\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. C-Side\u003c\/div\u003e\n\u003cdiv\u003e2. Conversion\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605151410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC214); Columbia (DOC214); Night Time Stories (DOC214)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Texas Sun – 4:13\u003c\/li\u003e\n\u003cli\u003eA2 Midnight – 5:15\u003c\/li\u003e\n\u003cli\u003eB1 C-Side – 4:44\u003c\/li\u003e\n\u003cli\u003eB2 Conversion – 6:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAaron Denton – Artwork, Design\u003c\/li\u003e\n\u003cli\u003ePete Norman – Mastered By\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Recorded By, Mixed By, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560300862,"sku":"178103","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213075774-transparent-v2.png?v=1791440159"},{"product_id":"pink-floyd-the-dark-side-of-the-moon-50th-anniversary-lp-vinyl","title":"Pink Floyd – The Dark Side of the Moon: 50th Anniversary","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGuthrie's involvement here is significant: the engineer and producer has been the steward of the Floyd catalog for decades, and his touch on previous remasters has consistently drawn praise from audiophiles who care about preserving the spatial depth Roger Waters, David Gilmour, Nick Mason, and Richard Wright built into the original 1973 Abbey Road sessions. Nearly a year on the charts and half a century later, the sonic architecture of this album still holds up as a genuine engineering achievement.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe 50\u003csup\u003eth\u003c\/sup\u003e anniversary edition of the original studio album remastered by James Guthrie\u003c\/span\u003e\u003cspan\u003e on 180g vinyl comes \u003c\/span\u003e\u003cspan\u003ein a ga\u003c\/span\u003e\u003cspan\u003etefold jacket with posters and stickers\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Speak To Me (1:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Breathe (In The Air) (2:43)\u003c\/div\u003e\n\u003cdiv\u003e3. On The Run (3:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Time (6:53)\u003c\/div\u003e\n\u003cdiv\u003e5. The Great Gig In The Sky (4:15)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Money (6:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Us And Them (7:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Any Colour You Like (3:24)\u003c\/div\u003e\n\u003cdiv\u003e4. Brain Damage (3:50)\u003c\/div\u003e\n\u003cdiv\u003e5. Eclipse (1:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587202712\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records (PFR50, 190296203671)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Dark Side Of The Moon\u003c\/li\u003e\n\u003cli\u003eRemastered Original Studio Album\u003c\/li\u003e\n\u003cli\u003eCD1-1 Speak To Me – 1:12\u003c\/li\u003e\n\u003cli\u003eCD1-2 Breathe (In The Air) – 2:46\u003c\/li\u003e\n\u003cli\u003eCD1-3 On The Run – 3:33\u003c\/li\u003e\n\u003cli\u003eCD1-4 Time – 7:06\u003c\/li\u003e\n\u003cli\u003eCD1-5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eCD1-6 Money – 6:22\u003c\/li\u003e\n\u003cli\u003eCD1-7 Us And Them – 7:50\u003c\/li\u003e\n\u003cli\u003eCD1-8 Any Colour You Like – 3:26\u003c\/li\u003e\n\u003cli\u003eCD1-9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eCD1-10 Eclipse – 2:09\u003c\/li\u003e\n\u003cli\u003eThe Dark Side Of The Moon Live At Wembley Empire Pool, London, 1974\u003c\/li\u003e\n\u003cli\u003eCD2-1 Speak To Me – 2:46\u003c\/li\u003e\n\u003cli\u003eCD2-2 Breathe (In The Air) – 2:51\u003c\/li\u003e\n\u003cli\u003eCD2-3 On The Run – 5:09\u003c\/li\u003e\n\u003cli\u003eCD2-4 Time – 6:32\u003c\/li\u003e\n\u003cli\u003eCD2-5 The Great Gig In The Sky – 6:50\u003c\/li\u003e\n\u003cli\u003eCD2-6 Money – 8:41\u003c\/li\u003e\n\u003cli\u003eCD2-7 Us And Them – 8:10\u003c\/li\u003e\n\u003cli\u003eCD2-8 Any Colour You Like – 8:11\u003c\/li\u003e\n\u003cli\u003eCD2-9 Brain Damage – 3:44\u003c\/li\u003e\n\u003cli\u003eCD2-10 Eclipse – 2:19\u003c\/li\u003e\n\u003cli\u003eRemastered Original Studio Album\u003c\/li\u003e\n\u003cli\u003eLP1-A1 Speak To Me – 1:11\u003c\/li\u003e\n\u003cli\u003eLP1-A2 Breathe (In The Air) – 2:46\u003c\/li\u003e\n\u003cli\u003eLP1-A3 On The Run – 3:33\u003c\/li\u003e\n\u003cli\u003eLP1-A4 Time – 7:05\u003c\/li\u003e\n\u003cli\u003eLP1-A5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eLP1-B1 Money – 6:22\u003c\/li\u003e\n\u003cli\u003eLP1-B2 Us And Them – 7:50\u003c\/li\u003e\n\u003cli\u003eLP1-B3 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eLP1-B4 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eLP1-B5 Eclipse – 2:08\u003c\/li\u003e\n\u003cli\u003eThe Dark Side Of The Moon Live At Wembley Empire Pool, London, 1974\u003c\/li\u003e\n\u003cli\u003eLP2-C1 Speak To Me – 2:46\u003c\/li\u003e\n\u003cli\u003eLP2-C2 Breathe (In The Air) – 2:51\u003c\/li\u003e\n\u003cli\u003eLP2-C3 On The Run – 5:08\u003c\/li\u003e\n\u003cli\u003eLP2-C4 Time – 6:31\u003c\/li\u003e\n\u003cli\u003eLP2-C5 The Great Gig In The Sky – 6:56\u003c\/li\u003e\n\u003cli\u003eLP2-D1 Money – 6:31\u003c\/li\u003e\n\u003cli\u003eLP2-D2 Us And Them – 8:09\u003c\/li\u003e\n\u003cli\u003eLP2-D3 Any Colour You Like – 6:21\u003c\/li\u003e\n\u003cli\u003eLP2-D4 Brain Damage – 3:43\u003c\/li\u003e\n\u003cli\u003eLP2-D5 Eclipse – 2:04\u003c\/li\u003e\n\u003cli\u003eOriginal Album 5.1 Surround Mix – 24bit\/96kHz Uncompressed\u003c\/li\u003e\n\u003cli\u003eBD-1.1.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-1.1.2 Breathe (In The Air) – 2:49\u003c\/li\u003e\n\u003cli\u003eBD-1.1.3 On The Run – 3:34\u003c\/li\u003e\n\u003cli\u003eBD-1.1.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-1.1.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-1.1.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-1.1.7 Us And Them – 7:57\u003c\/li\u003e\n\u003cli\u003eBD-1.1.8 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eBD-1.1.9 Brain Damage – 3:52\u003c\/li\u003e\n\u003cli\u003eBD-1.1.10 Eclipse – 2:14\u003c\/li\u003e\n\u003cli\u003eOriginal Album Stereo Mix – 24bit\/192kHz Uncompressed\u003c\/li\u003e\n\u003cli\u003eBD-1.2.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-1.2.2 Breathe (In The Air) – 2:49\u003c\/li\u003e\n\u003cli\u003eBD-1.2.3 On The Run – 3:34\u003c\/li\u003e\n\u003cli\u003eBD-1.2.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-1.2.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-1.2.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-1.2.7 Us And Them – 7:57\u003c\/li\u003e\n\u003cli\u003eBD-1.2.8 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eBD-1.2.9 Brain Damage – 3:52\u003c\/li\u003e\n\u003cli\u003eBD-1.2.10 Eclipse – 2:14\u003c\/li\u003e\n\u003cli\u003eOriginal Album 5.1 Surround Mix – dts-HD MA\u003c\/li\u003e\n\u003cli\u003eBD-1.3.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-1.3.2 Breathe (In The Air) – 2:49\u003c\/li\u003e\n\u003cli\u003eBD-1.3.3 On The Run – 3:34\u003c\/li\u003e\n\u003cli\u003eBD-1.3.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-1.3.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-1.3.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-1.3.7 Us And Them – 7:57\u003c\/li\u003e\n\u003cli\u003eBD-1.3.8 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eBD-1.3.9 Brain Damage – 3:52\u003c\/li\u003e\n\u003cli\u003eBD-1.3.10 Eclipse – 2:14\u003c\/li\u003e\n\u003cli\u003eOriginal Album Stereo Mix – dts-HD MA\u003c\/li\u003e\n\u003cli\u003eBD-1.4.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-1.4.2 Breathe (In The Air) – 2:49\u003c\/li\u003e\n\u003cli\u003eBD-1.4.3 On The Run – 3:34\u003c\/li\u003e\n\u003cli\u003eBD-1.4.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-1.4.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-1.4.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-1.4.7 Us And Them – 7:57\u003c\/li\u003e\n\u003cli\u003eBD-1.4.8 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eBD-1.4.9 Brain Damage – 3:52\u003c\/li\u003e\n\u003cli\u003eBD-1.4.10 Eclipse – 2:14\u003c\/li\u003e\n\u003cli\u003eOriginal Newly Remastered Album Atmos Dolby Atmos Mix\u003c\/li\u003e\n\u003cli\u003eBD-2.1.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-2.1.2 Breathe (In The Air) – 2:48\u003c\/li\u003e\n\u003cli\u003eBD-2.1.3 On The Run – 3:35\u003c\/li\u003e\n\u003cli\u003eBD-2.1.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-2.1.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-2.1.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-2.1.7 Us And Them – 7:47\u003c\/li\u003e\n\u003cli\u003eBD-2.1.8 Any Colour You Like – 3:28\u003c\/li\u003e\n\u003cli\u003eBD-2.1.9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eBD-2.1.10 Eclipse – 2:23\u003c\/li\u003e\n\u003cli\u003eOriginal Album Stereo Mix – 24-bit\/192kHz Uncompressed\u003c\/li\u003e\n\u003cli\u003eBD-2.2.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-2.2.2 Breathe (In The Air) – 2:48\u003c\/li\u003e\n\u003cli\u003eBD-2.2.3 On The Run – 3:35\u003c\/li\u003e\n\u003cli\u003eBD-2.2.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-2.2.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-2.2.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-2.2.7 Us And Them – 7:47\u003c\/li\u003e\n\u003cli\u003eBD-2.2.8 Any Colour You Like – 3:28\u003c\/li\u003e\n\u003cli\u003eBD-2.2.9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eBD-2.2.10 Eclipse – 2:23\u003c\/li\u003e\n\u003cli\u003eOriginal Album Stereo Mix – dts-HD MA\u003c\/li\u003e\n\u003cli\u003eBD-2.3.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-2.3.2 Breathe (In The Air) – 2:48\u003c\/li\u003e\n\u003cli\u003eBD-2.3.3 On The Run – 3:35\u003c\/li\u003e\n\u003cli\u003eBD-2.3.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-2.3.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-2.3.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-2.3.7 Us And Them – 7:47\u003c\/li\u003e\n\u003cli\u003eBD-2.3.8 Any Colour You Like – 3:28\u003c\/li\u003e\n\u003cli\u003eBD-2.3.9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eBD-2.3.10 Eclipse – 2:23\u003c\/li\u003e\n\u003cli\u003eOriginal Album 5.1 Surround Mix – Dolby Digital @448 Kbps\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.1 Speak To Me – 1:06\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.2 Breathe (In The Air) – 2:52\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.3 On The Run – 3:33\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.5 The Great Gig In The Sky – 4:45\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.6 Money – 6:16\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.7 Us And Them – 7:56\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.8 Any Colour You Like – 3:24\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eDVD-1.1.10 Eclipse – 2:17\u003c\/li\u003e\n\u003cli\u003eOriginal Album 5.1 Surround Mix – Dolby Digital @640 Kbps\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.1 Speak To Me – 1:06\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.2 Breathe (In The Air) – 2:52\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.3 On The Run – 3:33\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.5 The Great Gig In The Sky – 4:45\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.6 Money – 6:16\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.7 Us And Them – 7:56\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.8 Any Colour You Like – 3:24\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eDVD-1.2.10 Eclipse – 2:17\u003c\/li\u003e\n\u003cli\u003eOriginal Album Stereo Mix (LPCM) – 24-bit\/48 kHz Uncompressed\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.1 Speak To Me – 1:06\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.2 Breathe (In The Air) – 2:52\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.3 On The Run – 3:33\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.5 The Great Gig In The Sky – 4:45\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.6 Money – 6:16\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.7 Us And Them – 7:56\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.8 Any Colour You Like – 3:24\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eDVD-1.3.10 Eclipse – 2:17\u003c\/li\u003e\n\u003cli\u003eMoney \/ Any Colour You Like\u003c\/li\u003e\n\u003cli\u003e7\"-A Money – 4:01\u003c\/li\u003e\n\u003cli\u003e7\"-B Any Colour You Like – 3:13\u003c\/li\u003e\n\u003cli\u003eUs And Them \/ Time\u003c\/li\u003e\n\u003cli\u003e7\"-C Us And Them – 3:16\u003c\/li\u003e\n\u003cli\u003e7\"-D Time – 3:33\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRichard Evans (7) – Artwork (2023 Line Drawn For The Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003eBarry St. John – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eCarlena Williams – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eDoris Troy – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eLesley Duncan – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eLiza Strike – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eVenetta Fields – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Bass Guitar, Vocals, Synthesizer (VCS3), Tape (Effects)\u003c\/li\u003e\n\u003cli\u003eClare Torry – Composed By (Vocal Composition), Vocals\u003c\/li\u003e\n\u003cli\u003eIan Emes – Cover (Clocks Poster)\u003c\/li\u003e\n\u003cli\u003eJoe Petagno – Cover (Comic Back)\u003c\/li\u003e\n\u003cli\u003ePaul Stubbs (4) – Cover (Comic Front)\u003c\/li\u003e\n\u003cli\u003eHipgnosis (2) – Cover (Original Cover Design), Photography By\u003c\/li\u003e\n\u003cli\u003eGerald Scarfe – Cover (Tour Poster)\u003c\/li\u003e\n\u003cli\u003eAubrey Powell – Creative Director\u003c\/li\u003e\n\u003cli\u003eHipgnosis (2) – Creative Director\u003c\/li\u003e\n\u003cli\u003ePentagram (5) – Design Concept (50th Anniversary Concept), Design\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Design Concept (Heartbeat From An Idea By)\u003c\/li\u003e\n\u003cli\u003eChris Craske – Design (Rayograms)\u003c\/li\u003e\n\u003cli\u003eStylorouge – Design (Rayograms)\u003c\/li\u003e\n\u003cli\u003ePeter Curzon – Design (Reissue Design By)\u003c\/li\u003e\n\u003cli\u003eStormStudios – Design (Reissue Design By)\u003c\/li\u003e\n\u003cli\u003ePeter Curzon – Design, Art Direction\u003c\/li\u003e\n\u003cli\u003eStormStudios – Design, Art Direction\u003c\/li\u003e\n\u003cli\u003eNick Mason – Drums\u003c\/li\u003e\n\u003cli\u003eAlan Parsons – Engineer\u003c\/li\u003e\n\u003cli\u003eBrian Humphries – Engineer\u003c\/li\u003e\n\u003cli\u003ePhill Brown – Engineer\u003c\/li\u003e\n\u003cli\u003ePeter James – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eGeorge Hardie – Graphics, Artwork\u003c\/li\u003e\n\u003cli\u003eRichard Wright – Keyboards, Vocals, Synthesizer (VCS3)\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eStuart Hawkes – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Lyrics By (All Lyrics By)\u003c\/li\u003e\n\u003cli\u003eJames Guthrie – Mastered By\u003c\/li\u003e\n\u003cli\u003eJoel Plante – Mastered By\u003c\/li\u003e\n\u003cli\u003eAndy Jackson – Mastered By, Mixed By\u003c\/li\u003e\n\u003cli\u003eDamon Iddins – Mixed By\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Organ\u003c\/li\u003e\n\u003cli\u003eNick Mason – Percussion, Tape (Effects)\u003c\/li\u003e\n\u003cli\u003ePeter Christopherson – Photography By\u003c\/li\u003e\n\u003cli\u003eBarrie Wentzell – Photography By (Live)\u003c\/li\u003e\n\u003cli\u003eJill Furmanovsky – Photography By (Live)\u003c\/li\u003e\n\u003cli\u003eStorm Thorgerson – Photography By (Prism Photography)\u003c\/li\u003e\n\u003cli\u003eTony May (4) – Photography By (Prism Photography)\u003c\/li\u003e\n\u003cli\u003eHipgnosis (2) – Photography By (Pyramid Photographs By)\u003c\/li\u003e\n\u003cli\u003ePink Floyd – Producer\u003c\/li\u003e\n\u003cli\u003eDoug Sax – Remastered By (5.1)\u003c\/li\u003e\n\u003cli\u003eJoel Plante – Remastered By (Stereo, 5.1, Atmos), Authoring (DVD, Blu-ray disc), Engineer (Assistant On 5.1 Surround And Dolby Atmos Mix)\u003c\/li\u003e\n\u003cli\u003eJames Guthrie – Remastered By (Stereo, 5.1, Atmos), Mixed By (5.1 Surround, Dolby Atmos)\u003c\/li\u003e\n\u003cli\u003eDick Parry – Saxophone\u003c\/li\u003e\n\u003cli\u003eChris Thomas – Supervised By (Mixing)\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Vocals, Guitar (Guitars), Synthesizer (Synthi AKS)\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Vocals, Guitar (Guitars), Synthesizer (VCS3)\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Written-By\u003c\/li\u003e\n\u003cli\u003eNick Mason – Written-By\u003c\/li\u003e\n\u003cli\u003eRichard Wright – Written-By\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560530238,"sku":"641645","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213337918-transparent-v2.png?v=1791443494"},{"product_id":"talking-heads-talking-heads-77-lp-vinyl","title":"Talking Heads – Talking Heads: 77","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn its debut, Talking Heads: 77, the future Rock and Roll Hall of Famers sound like a collection of musicians whose core met at the Rhode Island School of Design. The songs come at you in unanticipated angles, using rock ‘n’ roll basics as rules to follow, bend and break with lyrics that bound from naturalistic to surrealistic and occasionally highlight the awesomeness of overlooked everyday moments. A nervous, tense-and-release fashions an unending energy. Altogether, the sonic palette strikes out with an individualistic stance, particularly when compared to the rawness of many of their New York punk contemporaries.\u003c\/p\u003e\u003cp\u003eThis Super Deluxe Edition provides the requisite remastered sound for added clarity, a dozen rarities, a live set from The Heads’ last gig at CBGB plus an 80-page hardcover book with never-before-seen photos, fliers, artwork and liner notes by the four bandmembers and recording engineer Ed Stasium.\u003c\/p\u003e\u003cp\u003eOn the album’s 11 numbers, the rhythm attack by bassist extraordinaire Tina Weymouth and tight, metronomic drummer Chris Frantz gives the material a slinky funkiness as David Byrne shouts out lines that inhabit an innocent persona rediscovering everything at the dawn of a new day (“Don’t Worry About the Government”) or someone about to break down due to the overwhelmingness of it all (a “real live wire” on “Psycho Killer” and literally falling apart on “Pulled Up”). Newest member Jerry Harrison, fresh off the dissolution of The Modern Lovers, supplies musical support throughout the album.\u003c\/p\u003e\u003cp\u003eUpbeat and cheerful, “Uh-Oh, Love Comes to Town” begins the musical journey, while “Happy Day” is downright blissful. Much of “77” also provides a musical roadmap that indicates what’s to come on future releases. “Tentative Decisions” hints at the style of 1979’s Fear of Music and 1980’s Remain in Light and the marching rhythm of single “Road to Nowhere,” while the horn arrangements on Alternate Pop Version of “Pulled Up” nods to the Head’s “Naked” and Byrne’s future solo endeavors.\u003c\/p\u003e\u003cp\u003eThe rarities range from B-sides and alternate versions , previously-released tracks include the sweet acoustic pop of “Sugar On My Tongue” and an acoustic “Psycho Killer featuring cellist Arthur Russell that amps up the track’s uneasiness and danger with Alternate Pop Versions of “Uh-Oh, Love Comes to Town,” and “New Feeling” (with horns!) finally make it to an official release. Also unearthed is a previously unreleased Alternate Version of “Psycho Killer” as well as an unheard Alternate Pop Version of “Pulled Up.”\u003c\/p\u003e\u003cp\u003eFinally, the 13 previously unreleased live recordings on Oct. 10, 1977 , less than a month after Talking Heads: ‘77 came out – find the quartet already moving forward with a cover of Al Green’s “Take Me to the River,” “Thank You for Sending Me an Angel” and “Stay Hungry” in its set. All three songs will show up on its next album, More Songs About Buildings \u0026amp; Food.\u003c\/p\u003e\u003cp\u003eTalking Heads: ‘77 presents a band that sounded like no one else of its time, as if the members were aliens dropped off in the Bowery and took advantage of an opportunity to unleash its creative inclinations to the world. This release reinforces that y presenting the band sounds as fresh today as it was nearly 50 years ago.\u003c\/p\u003e\u003cp\u003eThe Super Deluxe Edition is sold as either 4LPs (1 LP of the remastered original album, 1 LP of rare and previously unreleased demos and outtakes, and a 2 LPs featuring 13 previously unreleased live recordings captured during their last performance Live at CBGB, New York, NY, Oct. 10, 1977 with four 7” singles set in a gatefold format with a black and white image of the band or a 3-CD\/Blu-Ray set. Both include the same 80-page hardcover book. The Blu-Ray has an Atmos Mix, 5.1 Mix DTS-HD MA, 5.1 Mix LPCM, all overseen by Harrison, and a 2024 Stereo Remaster.\u003c\/p\u003e\u003cp\u003eAlso available is a 2LP Neon Green Vinyl version only available at Barnes \u0026amp; Noble, a 2LP Standard Black Vinyl at all general retailers.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— John Patrick Gatta, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/02\/22\/talking-heads-77-super-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTalking Heads arrived on their 1977 debut as something genuinely strange in the landscape of late-70s New York, too nervy and intellectual for punk, too angular for pop. David Byrne's twitchy anxieties and the band's locked rhythmic tension introduced a voice that would rewire rock's relationship to art and discomfort, and songs like \"Psycho Killer\" and \"Uh-Oh, Love Comes to Town\" still carry that original voltage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e180 gram vinyl mastered at Acoustech Mastering. Packaged in a single pocket gatefold jacket with insert.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Uh-Oh, Love Comes To Town\u003c\/div\u003e\n\u003cdiv\u003e2. New Feeling\u003c\/div\u003e\n\u003cdiv\u003e3. Tentative Decisions\u003c\/div\u003e\n\u003cdiv\u003e4. Happy Day\u003c\/div\u003e\n\u003cdiv\u003e5. Who Is It?\u003c\/div\u003e\n\u003cdiv\u003e6. No Compassion\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Book I Read\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Worry About The Government\u003c\/div\u003e\n\u003cdiv\u003e3. First Week Last Week…Carefree\u003c\/div\u003e\n\u003cdiv\u003e4. Psycho Killer\u003c\/div\u003e\n\u003cdiv\u003e5. Pulled Up\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227988418\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sire (SR 6036)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1977  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Uh-Oh, Love Comes To Town – 2:48\u003c\/li\u003e\n\u003cli\u003eA2 New Feeling – 3:09\u003c\/li\u003e\n\u003cli\u003eA3 Tentative Decisions – 3:04\u003c\/li\u003e\n\u003cli\u003eA4 Happy Day – 3:55\u003c\/li\u003e\n\u003cli\u003eA5 Who Is It? – 1:41\u003c\/li\u003e\n\u003cli\u003eA6 No Compassion – 4:47\u003c\/li\u003e\n\u003cli\u003eB1 The Book I Read – 4:06\u003c\/li\u003e\n\u003cli\u003eB2 Don't Worry About The Government – 3:00\u003c\/li\u003e\n\u003cli\u003eB3 First Week\/Last Week...Carefree – 3:19\u003c\/li\u003e\n\u003cli\u003eB4 Psycho Killer – 4:19\u003c\/li\u003e\n\u003cli\u003eB5 Pulled Up – 4:29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTina Weymouth – Bass\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Cover\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Drums\u003c\/li\u003e\n\u003cli\u003eEd Stasium – Engineer\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Guitar, Keyboards, Vocals (2nd Singer)\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Guitar, Vocals (Singer)\u003c\/li\u003e\n\u003cli\u003eJoe Gastwirt – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJoe Gastwirt – Mastered By\u003c\/li\u003e\n\u003cli\u003eMick Rock – Photography By\u003c\/li\u003e\n\u003cli\u003eLance Quinn – Producer\u003c\/li\u003e\n\u003cli\u003eTalking Heads – Producer\u003c\/li\u003e\n\u003cli\u003eTony Bongiovi – Producer\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Written-By\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Written-By\u003c\/li\u003e\n\u003cli\u003eTina Weymouth – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560366398,"sku":"627934","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213468990-transparent-v2.png?v=1791445633"},{"product_id":"khruangbin-mordechai-remixes-2-lp-vinyl","title":"Khruangbin – Mordechai Remixes (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhen listening to really anything by the Houston, Texas-based groove-psych trio Khruangbin, it's easy to imagine their music as perfect fodder for remixes. Their sound is rooted in dub, which includes a tradition of remix. Mordechai Remixes continues this approach, turning over their 2020 album to a handful of artists who put electro spins on their chilled-out grooves. This isn't the first time they've flipped an entire album; the trio's 2018 breakout Con Todo El Mundo yielded a dub version of the album, Hasta El Cielo, in 2019. If Mordechai itself is akin to your Sunday-morning-I-need-to-ease-into-the-week Khruangbin, then Remixes is that late-night comedown session. On Natasha Diggs' \"First Class (Soul in the Horn Remix),\" she upgrades the Mordechai opener to a Thievery Corporation-style groove, with yes, a boost of soulful horns throughout. Veteran house DJ Ron Trent takes the closer \"Shida,\" and puts a shimmering effect on the band's groove, moving the guitar line to the background, and pulling up the island rhythms, front and center. And \"Pelota\" gets a tempo upgrade from New York City-based electronic artist Quantic, breathing a more dance-driven life into the original. It's that notion that Remixes excels at. The original Mordechai was uber chill; Remixes smartly interjects some urgency into the album's foundation.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-mordechai-remixes\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio built *Mordechai* on texture, restraint, and a kind of stateless groove that borrows equally from Thai funk, dub, and soul without fully belonging to any of them, which makes it ideal raw material for reimagination. Contributors here approach those original recordings the way a good jam band approaches a standard, finding new corridors inside familiar architecture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening.\"Albert Goldman \"A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original.\" Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work.  Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R\u0026amp;B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow').  Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. \"We write our music to be interpreted; this is another wonderful interpretation of the music,\" reassure Khruangbin. \"There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves.\" The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right?  Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. \"A good remix deconstructs, recontextualizes, or simply extends a good time,\" say the band. Amen and out. Bill Brewster\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Father Bird, Mother Bird (Sunbirds) (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Connaissais De Face (Tiger?) (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Dearest Alfred (MyJoy) (3:16)\u003c\/div\u003e\n\u003cdiv\u003e4. First Class (Soul In The Horn Remix) (6:20)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. If There Is No Question (Soul Clap's Wild, But Not Crazy Mix) (7:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Pelota (Cut A Rug Mix) (5:02)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Time (You And I) (Put A Smile On DJ's Face Mix) (9:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Shida (Bella's Suite) (8:35)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. So We Won't Forget (Mang Dynasty Version) (6:32)\u003c\/div\u003e\n\u003cdiv\u003e2. One To Remember (Forget Me Nots Dub) (5:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605153018\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.29.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC230); Night Time Stories (DOC230)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Father Bird, Mother Bird (Sunbirds) – 2:53\u003c\/li\u003e\n\u003cli\u003eA2 Connaissais De Face (Tiger?) – 3:02\u003c\/li\u003e\n\u003cli\u003eA3 Dearest Alfred (MyJoy) – 3:16\u003c\/li\u003e\n\u003cli\u003eA4 First Class (Soul In The Horn Remix) – 6:20\u003c\/li\u003e\n\u003cli\u003eB1 If There Is No Question (Soul Clap's Wild, But Not Crazy Mix) – 7:19\u003c\/li\u003e\n\u003cli\u003eB2 Pelota (Cut A Rug Mix) – 5:02\u003c\/li\u003e\n\u003cli\u003eC1 Time (You And I) (Put A Smile On DJ's Face Mix) – 9:15\u003c\/li\u003e\n\u003cli\u003eC2 Shida (Bella's Suite) – 8:35\u003c\/li\u003e\n\u003cli\u003eD1 So We Won't Forget (Mang Dynasty Version) – 6:32\u003c\/li\u003e\n\u003cli\u003eD2 One To Remember (Forget Me Nots Dub) – 5:12\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eChris Longwood – Mastered By\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Recorded By, Arranged By, Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Recorded By, Arranged By, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560759614,"sku":"613390","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213665598-transparent-v2.png?v=1791440105"},{"product_id":"the-doors-morrison-hotel-reissue-180-gram-lp-vinyl","title":"The Doors – Morrison Hotel (Reissue, 180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAfter the orchestrated excess of The Soft Parade, the Doors stripped everything back and walked into a real Los Angeles skid row hotel to shoot the cover, a fitting image for an album that sounds like the band rediscovering why they started. Morrison Hotel finds Jim Morrison leaning hard into his blues obsessions alongside Robby Krieger, Ray Manzarek, and John Densmore, pointing directly toward the rawer sound they'd fully unleash on L.A. Woman just over a year later.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMorrison Hotel (sometimes referred to as Hard Rock Café from the title of the first side of the LP, with the second side titled Morrison Hotel) is the fifth studio album by American psychedelic rock band The Doors, recorded from between August 1966 and November 1969 and released by Elektra in February 1970. After the previous year's more experimental album The Soft Parade was not as well-received as anticipated, the group went back to basics and back to their roots. On this album, there is a slight steer toward blues, which would be fully explored by the band on their next album, L.A. Woman.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRoadhouse Blues\u003c\/li\u003e\n\u003cli\u003eWaiting for the Sun\u003c\/li\u003e\n\u003cli\u003eYou Make Me Real\u003c\/li\u003e\n\u003cli\u003ePeace Frog\u003c\/li\u003e\n\u003cli\u003eBlue Sunday\u003c\/li\u003e\n\u003cli\u003eShip of Fools\u003c\/li\u003e\n\u003cli\u003eLand Ho!\u003c\/li\u003e\n\u003cli\u003eThe Spy\u003c\/li\u003e\n\u003cli\u003eQueen of the Highway 1\u003c\/li\u003e\n\u003cli\u003eIndian Summer 1\u003c\/li\u003e\n\u003cli\u003eMaggie M'gill\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227986537\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.15.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra (EKS-75007)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1970  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eOne: Hard Rock Cafe\u003c\/li\u003e\n\u003cli\u003eA1 Roadhouse Blues – 4:04\u003c\/li\u003e\n\u003cli\u003eA2 Waiting For The Sun – 3:58\u003c\/li\u003e\n\u003cli\u003eA3 You Make Me Real – 2:50\u003c\/li\u003e\n\u003cli\u003eA4 Peace Frog – 2:52\u003c\/li\u003e\n\u003cli\u003eA5 Blue Sunday – 2:08\u003c\/li\u003e\n\u003cli\u003eA6 Ship Of Fools – 3:06\u003c\/li\u003e\n\u003cli\u003eTwo: Morrison Hotel\u003c\/li\u003e\n\u003cli\u003eB1 Land Ho! – 4:08\u003c\/li\u003e\n\u003cli\u003eB2 The Spy – 4:15\u003c\/li\u003e\n\u003cli\u003eB3 Queen Of The Highway – 2:47\u003c\/li\u003e\n\u003cli\u003eB4 Indian Summer – 2:33\u003c\/li\u003e\n\u003cli\u003eB5 Maggie M'Gill – 4:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLonnie Mack – Bass\u003c\/li\u003e\n\u003cli\u003eRay Neapolitan – Bass\u003c\/li\u003e\n\u003cli\u003eGary Burden – Design\u003c\/li\u003e\n\u003cli\u003eJohn Densmore – Drums\u003c\/li\u003e\n\u003cli\u003eBruce Botnick – Engineer\u003c\/li\u003e\n\u003cli\u003eRobby Krieger – Guitar\u003c\/li\u003e\n\u003cli\u003eThe Doors – Music By\u003c\/li\u003e\n\u003cli\u003eHenry Diltz – Photography By\u003c\/li\u003e\n\u003cli\u003eRay Manzarek – Piano, Organ\u003c\/li\u003e\n\u003cli\u003ePaul A. Rothchild – Producer\u003c\/li\u003e\n\u003cli\u003eJim Morrison – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561120062,"sku":"603387","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/The-Doors-Morrison-Hotel-Reissue-180-Gram-LP-Vinyl.jpg?v=1791058946"},{"product_id":"king-gizzard-the-lizard-wizard-alien-metal-translucent-black-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Alien Metal (Translucent Black LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific shape-shifters have never been afraid to follow a sound to its most extreme conclusion, whether that's microtonal metal, lysergic folk, or kosmische drift. The rave show concept threads directly into their live DNA, a band that's built a cult around marathon sets and constant reinvention now channeling that energy into club music built from modular synthesis.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIntroducing \"Alien Metal”; King Gizzard \u0026amp; the Lizard Wizard’s 28th studio album. With this project the group have set their controls for the dark heart of electronic dance music. The album evolved from the \"rave shows\" King Gizzard debuted in 2025, and was sculpted largely via Eurorack modular synthesizers. The 180g record itself is made from 100% recycled plastic via (the more energy efficient) injection-mold technology, making it one of the most sustainable LPs ever made. It also comes with a large double-sided poster, in a high-gloss jacket and housed in a 100% recycled protective over bag.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSapience\u003c\/li\u003e\n\u003cli\u003eAlien Metal\u003c\/li\u003e\n\u003cli\u003eSuperheavy, Supercritical\u003c\/li\u003e\n\u003cli\u003eKill for the Steel\u003c\/li\u003e\n\u003cli\u003eLevel 5\u003c\/li\u003e\n\u003cli\u003eRapid Alpha Decay\u003c\/li\u003e\n\u003cli\u003eUqt\u003c\/li\u003e\n\u003cli\u003eAtomic Collapse\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823375145707\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kglw - Pdoom\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e p(doom) records (PDOOOM-022)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Sapience – 4:41\u003c\/li\u003e\n\u003cli\u003eA2 Alien Metal – 5:08\u003c\/li\u003e\n\u003cli\u003eA3 Superheavy, Supercritical – 6:23\u003c\/li\u003e\n\u003cli\u003eA4 Kill For The Steel – 3:51\u003c\/li\u003e\n\u003cli\u003eB1 Level 5 – 5:35\u003c\/li\u003e\n\u003cli\u003eB2 Rapid Alpha Decay – 4:31\u003c\/li\u003e\n\u003cli\u003eB3 Uqt – 4:16\u003c\/li\u003e\n\u003cli\u003eB4 Atomic Collapse – 6:29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561775422,"sku":"293431530","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633214517566-transparent-v3.png?v=1791324084"},{"product_id":"the-heavy-heavy-one-of-a-kind-lp-vinyl","title":"The Heavy Heavy – One Of A Kind","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGeorgie Fuller and William Turner have a rare gift for making music that feels simultaneously sun-baked and melancholy, drawing from the same well of late-60s British folk and California psych that fed Fairport Convention and early Fleet Foxes. One Of A Kind arrives with real weight behind it, built on years of road work that turned a promising EP into a fully realized artistic statement.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHaving spent two years on stage (Bonnaroo, Boston Calling) and on TV (Jimmy Kimmel, Stephen Colbert), Brighton, UK's The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album, One Of A Kind. Written entirely by co-founders Georgie Fuller and William Turner, the album expands the sunshine psych-pop \u0026amp; folk sound of their debut EP which won massive acclaim from the likes of NME (who named them an essential emerging artist for 2023) and The Guardian.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. One Of A Kind (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Happiness (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Because You're Mine (3:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Miracle Sun (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Feel (3:34)\u003c\/div\u003e\n\u003cdiv\u003e6. Wild Emotion (5:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Everything (2:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Cherry (4:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Lemonade (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Dirt (3:14)\u003c\/div\u003e\n\u003cdiv\u003e5. Lovestruck (2:18)\u003c\/div\u003e\n\u003cdiv\u003e6. Salina (5:17)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882631215\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.6.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0676)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 One Of A Kind – 2:56\u003c\/li\u003e\n\u003cli\u003eA2 Happiness – 3:08\u003c\/li\u003e\n\u003cli\u003eA3 Because You're Mine – 3:11\u003c\/li\u003e\n\u003cli\u003eA4 Miracle Sun – 3:30\u003c\/li\u003e\n\u003cli\u003eA5 Feel – 3:34\u003c\/li\u003e\n\u003cli\u003eA6 Wild Emotion – 5:12\u003c\/li\u003e\n\u003cli\u003eB1 Everything – 2:30\u003c\/li\u003e\n\u003cli\u003eB2 Cherry – 4:24\u003c\/li\u003e\n\u003cli\u003eB3 Lemonade – 2:45\u003c\/li\u003e\n\u003cli\u003eB4 Dirt – 3:14\u003c\/li\u003e\n\u003cli\u003eB5 Lovestruck – 2:18\u003c\/li\u003e\n\u003cli\u003eB6 Salina – 5:17\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBrendan O'Connell (4) – Management\u003c\/li\u003e\n\u003cli\u003eRyan Matteson – Management\u003c\/li\u003e\n\u003cli\u003eJJ Golden – Mastered By\u003c\/li\u003e\n\u003cli\u003eNicholas O'Donnell – Photography By\u003c\/li\u003e\n\u003cli\u003eWilliam Turner (10) – Producer, Engineer, Mixed By, Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547562201406,"sku":"26072362","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/The-Heavy-Heavy-One-Of-A-Kind-LP-Vinyl.jpg?v=1791059003"},{"product_id":"khruangbin-texas-moon-lp-vinyl","title":"Khruangbin – Texas Moon","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKhruangbin's slow-burning blend of Thai funk, dub, and Gulf Coast soul found its perfect complement in Leon Bridges, whose voice carries the same unhurried, late-night gravity the trio has always trafficked in. Where Texas Sun felt like golden hour on a long highway drive, this follow-up leans into the small hours, the kind of music that sounds best when the rest of the world has gone quiet.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region’s sonic possibilities. Singer\/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020’s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own—Bridges calls it “more introspective,” while Khruangbin bassist Laura Lee says it “feels more night time.” When Texas Sun was released, AllMusic called the results “intoxicating” and Paste noted that “their talents and character go together so well.” Now comes the next stage—a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties’ musical directions were clearly affected by their time working together. Khruangbin’s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger’s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. “As far as an essentially instrumental band, these guys are kind of the top for me,” says Bridges. “I’m honored to have been the first singer that they’ve incorporated in their music.” “It feels really special to me,” says Lee. “It’s not Khruangbin, it’s not Leon, it’s this world we created together.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Doris\u003c\/div\u003e\n\u003cdiv\u003e2. B-Side\u003c\/div\u003e\n\u003cdiv\u003e3. Chocolate Hills\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Father Father\u003c\/div\u003e\n\u003cdiv\u003e2. Mariella\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605155418\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC254LP); Night Time Stories (DOC254LP); Columbia (DOC254LP)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Doris – 3:50\u003c\/li\u003e\n\u003cli\u003eA2 B-Side – 4:34\u003c\/li\u003e\n\u003cli\u003eA3 Chocolate Hills – 3:10\u003c\/li\u003e\n\u003cli\u003eB1 Father Father – 5:53\u003c\/li\u003e\n\u003cli\u003eB2 Mariella – 5:10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAaron Denton – Artwork, Design\u003c\/li\u003e\n\u003cli\u003eChris Longwood – Mastered By\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Recorded By, Mixed By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547563348286,"sku":"48641","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633215697214-transparent-v2.png?v=1791440105"},{"product_id":"pink-floyd-8-tracks-lp-vinyl","title":"Pink Floyd – 8-Tracks","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePink Floyd's 1970s run stands as one of rock's most sustained creative peaks, a stretch that began with the sprawling experimentation of *Meddle* and culminated in the arena-filling enormity of *The Wall*. The inclusion of the previously cartridge-exclusive \"Pigs On The Wing\" full version makes this more than a standard hits collection; it's a document with genuine archival value for collectors who've chased that version for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eConsisting of songs from the seventies, 8-Tracks includes the instantly recognizable hits “Money,” “Wish You Were Here,” “Another Brick in the Wall, Part 2,” and “Comfortably Numb,” among others. This compilation also includes a full version of “Pigs On The Wing” that had previously only been available on 1977’s Animals 8-Track cartridge. The track sequence has been edited by Steven Wilson for a continuous listening experience, and something that Pink Floyd fans are accustomed to. 8-Tracks documents the full measure of Pink Floyd’s transition into their breakthrough era, propelled into superstardom throughout the 1970s. The eight-year period this special release celebrates encompasses music from some of the band’s most successful and celebrated records ever. 1971’s Meddle, 1972’s Obscured by Clouds, 1973’s The Dark Side of the Moon, 1975’s Wish You Were Here, 1977’s Animals and 1979’s The Wall. Six monumental, classic albums in their own right. Collectively, it’s a body of work that sees Pink Floyd shifting far beyond the early psychedelic pop Syd Barrett era and their post-experimental output, cementing their global status as one of the greatest rock bands of all time. 8-Tracks offers a brilliant insight into this incredible period of creativity. A starting point for new listeners to discover the depth and breadth of Pink Floyd’s peerless album catalogue, as well as a carefully curated collection for longtime fans to appreciate.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. One Of These Days (5:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Wot's… Uh The Deal (4:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Money (6:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Another Brick In The Wall, Part 2 (3:54)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Wish You Were Here (5:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Time (6:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Comfortably Numb (6:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Pigs On The Wing (8-Track Version) (3:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584399416\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Music (19958443851); Columbia (19958443851)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 One Of These Days\u003c\/li\u003e\n\u003cli\u003eA2 Wot's… Uh The Deal\u003c\/li\u003e\n\u003cli\u003eA3 Money\u003c\/li\u003e\n\u003cli\u003eA4 Another Brick In The Wall, Part 2\u003c\/li\u003e\n\u003cli\u003eB1 Wish You Were Here\u003c\/li\u003e\n\u003cli\u003eB2 Time\u003c\/li\u003e\n\u003cli\u003eB3 Comfortably Numb\u003c\/li\u003e\n\u003cli\u003eB4 Pigs On The Wing (8-Track Version)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSteven Wilson – Editor (Editing And Crossfades)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547565838654,"sku":"163206678","price":40.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633216680254-transparent-v2.png?v=1791443494"},{"product_id":"jimi-hendrix-are-you-experienced-lp-vinyl","title":"Jimi Hendrix – Are You Experienced","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHendrix arrived in London in late 1966 essentially unknown in his home country, recruited by Chas Chandler fresh off his departure from the Animals. What followed those sixteen sessions was a debut that redefined what a guitar could do, with tracks like \"Purple Haze\" and \"Foxy Lady\" landing like nothing rock audiences had heard before. This Sony Legacy pressing brings that seismic 1967 statement back to wax for a new generation of listeners.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAre You Experienced is the debut studio album by the rock band the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest debuts in the history of rock music. \u003c\/p\u003e\u003cp\u003eThe album features Jimi Hendrix's innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music. Coming after three successful European singles, it helped introduce him as a new international star. Are You Experienced and it's preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in sixteen recording sessions at three London locations, including de Lane Lea Studios, CBS, and Olympic. Released in the UK on May 12, 1967, Are You Experienced spent 33 weeks on the charts, peaking at number two. \u003c\/p\u003e\u003cp\u003eThe album was issued in the US on August 23 by Reprise Records, where it reached number five on the Billboard 200, remaining on the chart for 106 weeks, 27 of those in the Top 40. The US version contained some of Hendrix's best known songs, including the Experience's first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK: \"Purple Haze\", \"Hey Joe\", and \"The Wind Cries Mary\". In 2005, Rolling Stone ranked Are You Experienced fifteenth on it's list of the 500 Greatest Albums of All Time. They placed four songs from the album on their list of the 500 Greatest Songs of All Time: \"Purple Haze\" (17), \"Foxy Lady\" (153), \"Hey Joe\" (201), and \"The Wind Cries Mary\" (379). That same year, the record was one of 50 recordings chosen by the Library of Congress in recognition of it's cultural significance to be added to the National Recording Registry. Writer and archivist Rueben Jackson of the Smithsonian Institution wrote: \"it's still a landmark recording because it is of the rock, R\u0026amp;B, blues... musical tradition. It altered the syntax of the music... in a way I compare to James Joyce's Ulysses.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Purple Haze (2:50)\u003cbr\u003e\nA2. Manic Depression (3:42)\u003cbr\u003e\nA3. Hey Joe (3:30)\u003cbr\u003e\nA4. Love Or Confusion (3:12)\u003cbr\u003e\nA5. May This Be Love (3:10)\u003cbr\u003e\nA6. I Don't Live Today (3:54)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Wind Cries Mary (3:20)\u003cbr\u003e\nB2. Fire (2:43)\u003cbr\u003e\nB3. 3rd Stone From The Sun (6:44)\u003cbr\u003e\nB4. Foxey Lady (3:18)\u003cbr\u003e\nB5. Are You Experienced? (4:14)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888430598515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise Records (RS 6261, 6261)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1967  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Purple Haze – 2:46\u003c\/li\u003e\n\u003cli\u003eA2 Manic Depression – 3:30\u003c\/li\u003e\n\u003cli\u003eA3 Hey Joe – 3:23\u003c\/li\u003e\n\u003cli\u003eA4 Love Or Confusion – 3:15\u003c\/li\u003e\n\u003cli\u003eA5 May This Be Love – 2:55\u003c\/li\u003e\n\u003cli\u003eA6 I Don't Live Today – 3:55\u003c\/li\u003e\n\u003cli\u003eB1 The Wind Cries Mary – 3:21\u003c\/li\u003e\n\u003cli\u003eB2 Fire – 2:34\u003c\/li\u003e\n\u003cli\u003eB3 Third Stone From The Sun – 6:40\u003c\/li\u003e\n\u003cli\u003eB4 Foxey Lady – 3:15\u003c\/li\u003e\n\u003cli\u003eB5 Are You Experienced? – 3:55\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eEd Thrasher – Art Direction\u003c\/li\u003e\n\u003cli\u003eMitch Mitchell – Drums\u003c\/li\u003e\n\u003cli\u003eNoel Redding – Guitar\u003c\/li\u003e\n\u003cli\u003eJimi Hendrix – Performer\u003c\/li\u003e\n\u003cli\u003eKarl Ferris – Photography By (Photos)\u003c\/li\u003e\n\u003cli\u003eJimi Hendrix – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547566264638,"sku":"691932","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633217106238-transparent-v2.png?v=1791440041"},{"product_id":"jethro-tull-minstrel-in-the-gallery-lp-vinyl","title":"Jethro Tull – Minstrel In The Gallery","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1975, *Minstrel in the Gallery* finds Jethro Tull at their most raw and unguarded, Ian Anderson channeling genuine personal turbulence into some of the sharpest acoustic and electric playing of his career. The title track alone, with its whiplash shift from delicate fingerpicking into full-band assault, remains one of the band's most dramatic and underappreciated moments. For a band often pigeonholed by *Aqualung*, this album rewards the deeper dig.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732856098\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.24.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Minstrel In The Gallery\u003c\/div\u003e\n\u003cdiv\u003e2. Cold Wind To Valhalla\u003c\/div\u003e\n\u003cdiv\u003e3. Black Satin Dancer\u003c\/div\u003e\n\u003cdiv\u003e4. Requiem\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. One White Duck \/ 0¹⁰ = Nothing At All\u003c\/div\u003e\n\u003cdiv\u003e2. Grace\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrysalis (CHR.1082, CHR 1082)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1975  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Minstrel In The Gallery – 8:09\u003c\/li\u003e\n\u003cli\u003eA2 Cold Wind To Valhalla – 4:17\u003c\/li\u003e\n\u003cli\u003eA3 Black Satin Dancer – 6:51\u003c\/li\u003e\n\u003cli\u003eA4 Requiem – 3:41\u003c\/li\u003e\n\u003cli\u003eB1 One White Duck \/ 0¹⁰ = Nothing At All – 4:35\u003c\/li\u003e\n\u003cli\u003eB3 Grace – 0:37\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJoe Garnett – Artwork (Front Cover)\u003c\/li\u003e\n\u003cli\u003eRon Kriss – Artwork (Front Cover)\u003c\/li\u003e\n\u003cli\u003eJeffrey Hammond-Hammond – Bass Guitar, Double Bass (String Bass)\u003c\/li\u003e\n\u003cli\u003eKatherine Thulborn – Cello\u003c\/li\u003e\n\u003cli\u003eDavid Palmer (2) – Conductor, Arranged By (Arrangements For Orchestra)\u003c\/li\u003e\n\u003cli\u003eBarriemore Barlow – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eMartin Barre – Electric Guitar\u003c\/li\u003e\n\u003cli\u003eRobin Black – Engineer\u003c\/li\u003e\n\u003cli\u003ePatrick Halling – Leader, Violin\u003c\/li\u003e\n\u003cli\u003eBrian Ward (5) – Photography By\u003c\/li\u003e\n\u003cli\u003eJohn Evan – Piano, Organ\u003c\/li\u003e\n\u003cli\u003eBridget Procter – Violin\u003c\/li\u003e\n\u003cli\u003eElizabeth Edwards – Violin\u003c\/li\u003e\n\u003cli\u003eRita Eddowes – Violin\u003c\/li\u003e\n\u003cli\u003eIan Anderson – Vocals (Sang), Acoustic Guitar, Flute, Written-By (All Compositions), Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547566428478,"sku":"13335781","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633217270078-transparent-v2.png?v=1791440041"},{"product_id":"david-bowie-heroes-lp-vinyl","title":"David Bowie – Heroes","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the shadow of the Berlin Wall, with Fripp's guitar processed through Eno's signature Frippertronics technique, the sessions captured something raw and immediate that studio polish could never replicate. The title track, famously inspired by a couple Visconti spotted kissing near the Wall, became one of rock's great anthems of defiance and longing, performed by Bowie at the 1987 Concert for Berlin to a crowd that could hear it on both sides of the divide.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Digitally remastered edition. Heroes is the twelfth studio album by the iconic singer\/songwriter, originally released on RCA Records in October 1977. The second installment of his Berlin Trilogy recorded with Brian Eno and Tony Visconti, Heroes continued the ambient experiments of Bowie's previous album Low (released earlier that year) and featured the contributions of King Crimson guitarist Robert Fripp. Of the three albums, it was the only one wholly recorded in Berlin. Recorded at Hansa Tonstudio in what was then West Berlin, Heroes reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it \"one of my last great adventures in making albums.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190295842840\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Beauty And The Beast (3:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Joe The Lion (3:05)\u003c\/div\u003e\n\u003cdiv\u003e3. \"Heroes\" (6:07)\u003c\/div\u003e\n\u003cdiv\u003e4. Sons Of The Silent Age (3:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Blackout (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. V-2 Schneider (3:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Sense Of Doubt (3:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Moss Garden (5:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Neuköln (4:34)\u003c\/div\u003e\n\u003cdiv\u003e5. The Secret Life Of Arabia (3:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Parlophone (0190295842840, DB 77822)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2018  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Beauty And The Beast – 3:32\u003c\/li\u003e\n\u003cli\u003eA2 Joe The Lion – 3:05\u003c\/li\u003e\n\u003cli\u003eA3 \"Heroes\" – 6:07\u003c\/li\u003e\n\u003cli\u003eA4 Sons Of The Silent Age – 3:15\u003c\/li\u003e\n\u003cli\u003eA5 Blackout – 3:50\u003c\/li\u003e\n\u003cli\u003eB1 V-2 Schneider – 3:10\u003c\/li\u003e\n\u003cli\u003eB2 Sense Of Doubt – 3:57\u003c\/li\u003e\n\u003cli\u003eB3 Moss Garden – 5:03\u003c\/li\u003e\n\u003cli\u003eB4 Neuköln – 4:34\u003c\/li\u003e\n\u003cli\u003eB5 The Secret Life Of Arabia – 3:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAntonia Maass – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eDavid Bowie – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eTony Visconti – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eGeorge Murray – Electric Bass\u003c\/li\u003e\n\u003cli\u003eColin Thurston – Engineer\u003c\/li\u003e\n\u003cli\u003eTony Visconti – Engineer\u003c\/li\u003e\n\u003cli\u003eDavid Richards – Engineer (Assistant Engineers)\u003c\/li\u003e\n\u003cli\u003eEugene Chaplin – Engineer (Assistant Engineers)\u003c\/li\u003e\n\u003cli\u003eRobert Fripp – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eDennis Davis – Percussion\u003c\/li\u003e\n\u003cli\u003eMasayoshi Sukita – Photography By (Cover Photograph)\u003c\/li\u003e\n\u003cli\u003eDavid Bowie – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eTony Visconti – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eCarlos Alomar – Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Synthesizer, Keyboards, Effects (Guitar Treatments)\u003c\/li\u003e\n\u003cli\u003eDavid Bowie – Vocals, Keyboards, Guitar, Saxophone, Koto\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547566559550,"sku":"535971","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633217368382-transparent-v2.png?v=1791433299"},{"product_id":"angine-de-poitrine-vol-ii-black-lp-vinyl","title":"Angine De Poitrine – Vol. II (Black LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\n\u003cp\u003eBy now, most of us recognize the Internet to be a vast wasteland of AI slop and political ragebait. But once in a while, something peaks out from the depths to remind us that the internet is also how we find weird new music. Quebec duo Angine de Poitrine are that reminder. In early 2026, the band's performance for KEXP went viral on YouTube – two figures dressed in all polka dots, wearing papier-mâché masks, playing hyper-complex yet freakishly fun microtonal math rock. Two months later, Angine de Poitrine dropped their second album, Vol. II, proof that Internet hype isn't just smoke and mirrors.\u003c\/p\u003e\n\u003cp\u003eThe six-track LP is a whirlwind: furious, virtuosic guitar and head-bashing percussion so locked-in that you'll actually question if these weirdos are human at all. The schtick is solid, two childhood friends now go by Khn and Klek de Poitrine and look like they stepped out of an acid trip. The music matches the mayhem, but you don't need to see the costumes or read their cosmic backstory to enjoy Vol. II. The easiest reference point is King Gizzard \u0026amp; the Lizard Wizard's beloved 2017 album Flying Microtonal Banana, which Vol. II somehow surpasses in fuzzed-out grooves. Khn plays both guitar and bass, looping short, complex and catchy riffs while Klek's drums flip each pattern on its head. These tunes build up, shift, expand, explode and start to climb again, somehow totally unpredictable each time.\u003c\/p\u003e\n\u003cp\u003eAngine de Poitrine are likely laughing to themselves that this whole thing has truly taken off. But no matter if this is a joke or not, Vol. II is a wildly good time, rock-n-roll meant to be blasted loud, here to help you get out of your head and shake loose whatever's holding you back.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e— Justin Jacobs, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/angine-de-poitrine-vol-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eThe 2nd album from time-traveling duo Angine de Poitrine. With Vol. II, a dense, no-frills, high-impact record, the “Poitrine brothers” push their sound even further, with sharper dynamics, stranger structures, and a sense of humor that reveals itself only if you’re paying attention. The recipe still revolves around the same three ingredients: acid techno, disco, and rock. Available widely on vinyl for the first time. Album opener \"Fabienk\" sits among the 50 most Shazamed tracks worldwide.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eA Fabienk\u003c\/li\u003e\n\u003cli\u003eA Mata Zyklek\u003c\/li\u003e\n\u003cli\u003eA Sarniezz\u003c\/li\u003e\n\u003cli\u003eB Utzp\u003c\/li\u003e\n\u003cli\u003eB Yor Zarad\u003c\/li\u003e\n\u003cli\u003eB Angor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882699918\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Spectacles Bonzaï (AP-02)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Fabienk – 6:31\u003c\/li\u003e\n\u003cli\u003eA2 Mata Zyklek – 6:09\u003c\/li\u003e\n\u003cli\u003eA3 Sarniezz – 4:35\u003c\/li\u003e\n\u003cli\u003eB1 Utzp – 6:50\u003c\/li\u003e\n\u003cli\u003eB2 Yor Zarad – 6:29\u003c\/li\u003e\n\u003cli\u003eB3 Angor – 6:16\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eKlek De Poitrine – Drums (Batterie), Percussion (Percussions)\u003c\/li\u003e\n\u003cli\u003eKhn De Poitrine – Guitar (Guitares Microtonales Électriques)\u003c\/li\u003e\n\u003cli\u003eArielle Corbeau – Illustration\u003c\/li\u003e\n\u003cli\u003eStefan Tenner (2) – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRémi Sauvé – Layout (D'après Une Composition Visuelle)\u003c\/li\u003e\n\u003cli\u003eTek De Poitrine – Mixed By (Mixage), Mastered By (Mastering)\u003c\/li\u003e\n\u003cli\u003eKhn De Poitrine – Music By, Arranged By\u003c\/li\u003e\n\u003cli\u003eKlek De Poitrine – Music By, Arranged By\u003c\/li\u003e\n\u003cli\u003eAnnie Leblanc (2) – Photography By\u003c\/li\u003e\n\u003cli\u003eSamuel Snow – Photography By\u003c\/li\u003e\n\u003cli\u003eAngine De Poitrine – Producer (Produit Et Réalisé Par)\u003c\/li\u003e\n\u003cli\u003eFabien Peterson – Producer (Produit Et Réalisé Par)\u003c\/li\u003e\n\u003cli\u003eGlegg De Poitrine – Recorded By (Prise de Son)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547579470142,"sku":"156323076","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/image_42_1.jpg?v=1791060950"},{"product_id":"pink-floyd-wish-you-were-here-lp-vinyl","title":"Pink Floyd – Wish You Were Here","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in the shadow of the massively successful *Dark Side of the Moon*, *Wish You Were Here* found the band grappling openly with absence, loss, and the cost of fame. The sessions at Abbey Road famously coincided with an unannounced visit from Barrett himself, a ghostly moment that deepened the emotional weight already built into the album's centerpiece tribute to him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 by Harvest Records in the United Kingdom and a day later by Columbia Records in the United States. Inspired by material the group composed while performing around Europe, Wish You Were Here was recorded during numerous recording sessions at Abbey Road Studios in London, England. Some of the songs on the album critique the music business, others express alienation and the track \"Shine On You Crazy Diamond\" is a tribute to Syd Barrett, whose mental breakdown had forced him to leave the group seven years earlier after the release of the group's debut studio album The Piper at the Gates of Dawn. It was also lead writer Roger Waters' idea to split \"Shine On You Crazy Diamond\" into two parts and use it to bookend the album around three new compositions, introducing a new concept as the group had done with their previous album, The Dark Side of the Moon. As with The Dark Side of the Moon, the band used studio effects and synthesizers, and brought in guest singers to supply vocals on some tracks of the album. These singers were Roy Harper, who provided the lead vocals on \"Have a Cigar\", and the Blackberries, who added backing vocals to \"Shine On You Crazy Diamond\". - Wish You Were Here was an instant commercial success (despite the fact that Harvest Records' parent company EMI was unable to print enough copies of the album to satisfy commercial demand), and although it initially received mixed reviews, the album has since gone on to receive critical acclaim. It appears on Rolling Stone's lists of \"The 500 Greatest Albums of All Time\" and the \"50 Greatest Prog Rock Albums of All Time\". Band members Richard Wright and David Gilmour have cited Wish You Were Here as their favourite Pink Floyd album, and many critics and fans have considered the album to be the band's magnum opus.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Welcome To The Machine\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Have A Cigar\u003c\/div\u003e\n\u003cdiv\u003e2. Wish You Were Here\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888751842618\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records (PFRLP9, 88875184261)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA2 Welcome To The Machine\u003c\/li\u003e\n\u003cli\u003eB1 Have A Cigar\u003c\/li\u003e\n\u003cli\u003eB2 Wish You Were Here\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eCarlena Williams – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eVenetta Fields – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eHoward Bartrop – Design\u003c\/li\u003e\n\u003cli\u003eJeff Smith (17) – Design\u003c\/li\u003e\n\u003cli\u003ePeter Christopherson – Design\u003c\/li\u003e\n\u003cli\u003eRichard Manning (3) – Design\u003c\/li\u003e\n\u003cli\u003eHipgnosis (2) – Design, Sleeve, Photography By\u003c\/li\u003e\n\u003cli\u003eBrian Humphries – Engineer\u003c\/li\u003e\n\u003cli\u003ePeter James – Engineer (Assisted By)\u003c\/li\u003e\n\u003cli\u003eGeorge Hardie – Graphics\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Lyrics By\u003c\/li\u003e\n\u003cli\u003ePink Floyd – Producer\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Remastered By\u003c\/li\u003e\n\u003cli\u003eJames Guthrie – Remastered By\u003c\/li\u003e\n\u003cli\u003eJoel Plante – Remastered By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547579633982,"sku":"93020","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Pink-Floyd-Wish-You-Were-Here-LP-Vinyl.jpg?v=1791060950"},{"product_id":"khruangbin-live-at-the-fillmore-miami-lp-vinyl","title":"Khruangbin – Live at The Fillmore Miami","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio built their reputation the slow way, through relentless touring and a cult following that grew show by show before the rest of the world caught up. Laura Lee's bass lines, Mark Speer's globe-trotting guitar work, and Donald Ray \"DJ\" Johnson Jr.'s drumming translate with particular warmth in a live setting, where the band's unhurried, hypnotic grooves have room to breathe and stretch in ways the studio recordings only hint at.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, just a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra for the fans that bring a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra. Most of all, this series \u003c!--filtered--\u003e\u003c!--filtered--\u003eignites both sides of the band’s magic: the \u003c!--filtered--\u003e\u003c!--filtered--\u003ewarm, prismatic feeling of their albums and \u003c!--filtered--\u003e\u003c!--filtered--\u003ethe bewitching energy of their performances.\u003cbr\u003e\u003cbr\u003e\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at The Fillmore Miami’ features \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances by Toro Y Moi and \u003c!--filtered--\u003e\u003c!--filtered--\u003eKhruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Ordinary Pleasure (3:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Girl Like You (3:56)\u003c\/div\u003e\n\u003cdiv\u003e3. The Loop (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Déjà Vu (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Millennium (3:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. First Class (5:26)\u003c\/div\u003e\n\u003cdiv\u003e2. August 12 (5:04)\u003c\/div\u003e\n\u003cdiv\u003e3. August 10 (9:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Maria También (4:56)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163413\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC 334); Night Time Stories (DOC 334)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Ordinary Pleasure – 3:17\u003c\/li\u003e\n\u003cli\u003eA2 Girl Like You – 3:56\u003c\/li\u003e\n\u003cli\u003eA3 The Loop – 3:45\u003c\/li\u003e\n\u003cli\u003eA4 Déjà Vu – 3:05\u003c\/li\u003e\n\u003cli\u003eA5 Millennium – 3:12\u003c\/li\u003e\n\u003cli\u003eB1 First Class – 5:26\u003c\/li\u003e\n\u003cli\u003eB2 August 12 – 5:04\u003c\/li\u003e\n\u003cli\u003eB3 August 10 – 9:32\u003c\/li\u003e\n\u003cli\u003eB4 Maria También – 4:56\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547579863358,"sku":"13578","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633221366078-transparent-v2.png?v=1791440104"},{"product_id":"pink-floyd-the-division-bell-2-lp-vinyl","title":"Pink Floyd – The Division Bell (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1994, The Division Bell marked the creative resurgence of David Gilmour and Rick Wright's musical partnership, and would prove to be the last Pink Floyd studio album recorded with Wright before his passing in 2008. The accompanying Pulse tour became one of the highest-grossing concert tours of that year, with the full live performance of The Dark Side of the Moon a nightly centerpiece.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble 180gm vinyl LP pressing in gatefold jacket. Remastered from the original analogue tapes by James Guthrie, Joel Plante, and Bernie Grundman. The Division Bell is the 14th studio album by Pink Floyd. The music was written mostly by David Gilmour and Rick Wright; lyrically, the album deals with themes of communication. Recording took place in several locations, including the band's Britannia Row Studios, and Gilmour's houseboat, Astoria. The production team included Pink Floyd stalwarts such as producer Bob Ezrin, engineer Andy Jackson and saxophonist Dick Parry. Gilmour's new wife, Polly Samson, co-wrote many of the album's lyrics, and Wright performed his first lead vocal on a Pink Floyd album since 1973's The Dark Side of the Moon.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Cluster One (5:58)\u003c\/div\u003e\n\u003cdiv\u003e2. What Do You Want From Me (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Poles Apart (7:04)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Marooned (5:29)\u003c\/div\u003e\n\u003cdiv\u003e2. A Great Day For Freedom (4:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Wearing The Inside Out (6:49)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Take It Back (6:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Coming Back To Life (6:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Keep Talking (6:11)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Lost For Words (5:14)\u003c\/div\u003e\n\u003cdiv\u003e2. High Hopes (8:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888751843110\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.26.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e EMI United Kingdom (7243 8 28984 1 2, EMD 1055)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1994  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Cluster One\u003c\/li\u003e\n\u003cli\u003eA2 What Do You Want From Me\u003c\/li\u003e\n\u003cli\u003eA3 Poles Apart\u003c\/li\u003e\n\u003cli\u003eA4 Marooned\u003c\/li\u003e\n\u003cli\u003eA5 A Great Day For Freedom\u003c\/li\u003e\n\u003cli\u003eA6 Wearing The Inside Out\u003c\/li\u003e\n\u003cli\u003eB1 Take It Back\u003c\/li\u003e\n\u003cli\u003eB2 Coming Back To Life\u003c\/li\u003e\n\u003cli\u003eB3 Keep Talking\u003c\/li\u003e\n\u003cli\u003eB4 Lost For Words\u003c\/li\u003e\n\u003cli\u003eB5 High Hopes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Kamen – Arranged By (Orchestra)\u003c\/li\u003e\n\u003cli\u003eAden Hynes – Artwork (Sculptures)\u003c\/li\u003e\n\u003cli\u003eJohn Robertson (5) – Artwork (Sculptures)\u003c\/li\u003e\n\u003cli\u003eCarol Kenyon – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eDurga McBroom – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eJackie Sheridan – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eRebecca Leigh-White – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eSam Brown – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eGuy Pratt – Bass\u003c\/li\u003e\n\u003cli\u003eStorm Thorgerson – Cover (Cover Design), Design (Cover Design)\u003c\/li\u003e\n\u003cli\u003eNick Mason – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eJules Bowen – Engineer (Assistant @ Astoria)\u003c\/li\u003e\n\u003cli\u003eAndy Jackson – Engineer (Recording \u0026amp; Mixing)\u003c\/li\u003e\n\u003cli\u003eKeith Grant – Engineer (The Creek)\u003c\/li\u003e\n\u003cli\u003eIan Wright (4) – Graphics\u003c\/li\u003e\n\u003cli\u003ePeter Curzon – Graphics\u003c\/li\u003e\n\u003cli\u003eTim Renwick – Guitar\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Guitar, Vocals, Bass, Keyboards, Programmed By\u003c\/li\u003e\n\u003cli\u003eJohn Whitely – Illustration\u003c\/li\u003e\n\u003cli\u003eSally Norris – Illustration\u003c\/li\u003e\n\u003cli\u003eBob Ezrin – Keyboards, Percussion\u003c\/li\u003e\n\u003cli\u003eRichard Wright – Keyboards, Vocals\u003c\/li\u003e\n\u003cli\u003eSteve O'Rourke (2) – Management\u003c\/li\u003e\n\u003cli\u003eDoug Sax – Mastered By\u003c\/li\u003e\n\u003cli\u003eJames Guthrie – Mastered By\u003c\/li\u003e\n\u003cli\u003eChris Thomas – Mixed By\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Mixed By\u003c\/li\u003e\n\u003cli\u003eG. William Forgey – Noises (Earth Noises)\u003c\/li\u003e\n\u003cli\u003eEdward Shearmur – Orchestrated By\u003c\/li\u003e\n\u003cli\u003eMichael Kamen – Orchestrated By\u003c\/li\u003e\n\u003cli\u003eKeith Breeden – Painting (Sculpture Drawings)\u003c\/li\u003e\n\u003cli\u003eGary Wallis – Percussion, Drum Programming (Percussion)\u003c\/li\u003e\n\u003cli\u003eRupert Truman – Photography By\u003c\/li\u003e\n\u003cli\u003eStephen Piotrowski – Photography By\u003c\/li\u003e\n\u003cli\u003eTony May (4) – Photography By\u003c\/li\u003e\n\u003cli\u003eBob Ezrin – Producer\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Producer\u003c\/li\u003e\n\u003cli\u003eJon Carin – Programmed By, Keyboards (Additional)\u003c\/li\u003e\n\u003cli\u003eStephen McLaughlin – Recorded By (Orchestra)\u003c\/li\u003e\n\u003cli\u003eClive Brooks – Technician (Drum Technician)\u003c\/li\u003e\n\u003cli\u003ePhil Taylor (5) – Technician (General Technical \u0026amp; Musical Instrument Supervision)\u003c\/li\u003e\n\u003cli\u003eDick Parry – Tenor Saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547580125502,"sku":"447513","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Pink-Floyd-The-Division-Bell-LP-Vinyl.jpg?v=1791060950"},{"product_id":"khruangbin-mordechai-lp-vinyl","title":"Khruangbin – Mordechai","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn their first two albums, Khruangbin communicated through groove, not literal language. Sure, there were speckles of reverbed coo sprinkled amid their acid-trip guitars and minimalist, multi-cultural funk rhythms—but those were merely a few tools in their arsenal, carrying less weight than phaser pedals and crackling snares. But on their third proper full-length LP, Mordechai, the Houston trio prioritize the human voice with surprising confidence, singing on nearly every track. That stylistic shift broadens the band's appeal: It's easy to picture the dreamy psych-soul pulse of \"So We Won't Forget,\" with its wispy, intertwined vocal hook, soundtracking the bittersweet roadtrip montage of an indie dramedy. The churning disco of \"Time (You and I)\" showcases their knack for composing ear worms, as bassist Laura Lee struts in a suave deadpan over DJ Johnson's four-on-the-floor groove, retro synth bubbles, tumbling congas and Mark Speer's spring-loaded funk guitar. Crucially, the words are kept to a minimum, never disrupting the vibe. \"If we had more time, we could live forever\/ Just you and I, we could be together,\" Lee sings on \"Time (You and I)\"—no one would consider it Shakespeare, but it's exactly what's needed. The increase in accessibility makes sense: Mordechai follows only a few months after Texas Sun, their sleek collaborative EP with R\u0026amp;B heavyweight Leon Bridges. But it's not as if Khruangbin have gone pop. The record, like its predecessors, is impossible to pin to a specific time or place: There are glimpses of Latin percussion and African guitar patterns, all riding the same spaced-out wave. No other band feels so gloriously adrift in their own ocean of sound.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Ryan Reed, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-mordechai\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHouston's Khruangbin built their reputation on records that felt like late-night drives through no particular country, and the live shows to match. Mordechai arrived in the summer of 2020, finding the trio of Laura Lee, Mark Speer, and Donald Ray \"DJ\" Johnson Jr. leaning into melody and voice just as the world went quiet enough to actually listen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKhruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. First Class\u003c\/div\u003e\n\u003cdiv\u003e2. Time (You and I)\u003c\/div\u003e\n\u003cdiv\u003e3. Connaissais De Face\u003c\/div\u003e\n\u003cdiv\u003e4. Father Bird, Mother Bird\u003c\/div\u003e\n\u003cdiv\u003e5. If There Is No Question\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Pelota\u003c\/div\u003e\n\u003cdiv\u003e2. One To Remember\u003c\/div\u003e\n\u003cdiv\u003e3. Dearest Alfred\u003c\/div\u003e\n\u003cdiv\u003e4. So We Won’t Forget\u003c\/div\u003e\n\u003cdiv\u003e5. Shida\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149318\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC193); Night Time Stories (DOC193)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 First Class\u003c\/li\u003e\n\u003cli\u003eA2 Time (You and I)\u003c\/li\u003e\n\u003cli\u003eA3 Connaissais De Face\u003c\/li\u003e\n\u003cli\u003eA4 Father Bird, Mother Bird\u003c\/li\u003e\n\u003cli\u003eA5 If There Is No Question\u003c\/li\u003e\n\u003cli\u003eB1 Pelota\u003c\/li\u003e\n\u003cli\u003eB2 One To Remember\u003c\/li\u003e\n\u003cli\u003eB3 Dearest Alfred\u003c\/li\u003e\n\u003cli\u003eB4 So We Won’t Forget\u003c\/li\u003e\n\u003cli\u003eB5 Shida\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMark Speer – Lyrics By\u003c\/li\u003e\n\u003cli\u003eLaura Lee (5) – Lyrics By, Artwork, Design\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Music By, Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Recorded By, Mixed By, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584614718,"sku":"393209","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225363774-transparent-v2.png?v=1791440105"},{"product_id":"khruangbin-universe-smiles-upon-you-lp-vinyl","title":"Khruangbin – Universe Smiles Upon You","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHouston's Khruangbin arrived fully formed with this 2015 debut, drawing from Thai funk, soul, and global groove traditions that most Western bands had barely acknowledged. Laura Lee's bass lines anchor a sound the trio built largely in a Texas barn, and that isolated, unhurried quality comes through in every track.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eKhruangbin's first album is simply amazing. The groove rhythm of the bass perfectly melds with the guitar textured melodies as they are surrounded by a melodic drum beat that takes you to journey into another world. Each song is a distinction of it's own, from the Soul rhythm of \"Mr. White\" to the Thai funk inspired \"Dern Kala\" to the the surf rock of \"Zionsville\". It's a musical masterpiece to experience.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mr. White\u003c\/div\u003e\n\u003cdiv\u003e2. Two Fish And An Elephant\u003c\/div\u003e\n\u003cdiv\u003e3. Dern Kala\u003c\/div\u003e\n\u003cdiv\u003e4. Little Joe And Mary\u003c\/div\u003e\n\u003cdiv\u003e5. White Gloves\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. People Everywhere (Still Alive)\u003c\/div\u003e\n\u003cdiv\u003e2. The Man Who Took My Sunglasses\u003c\/div\u003e\n\u003cdiv\u003e3. August Twelve\u003c\/div\u003e\n\u003cdiv\u003e4. Balls And Pins\u003c\/div\u003e\n\u003cdiv\u003e5. Zionsville\u003c\/div\u003e\n\u003cdiv\u003e6. Bin Bin X\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060391090764\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Night Time Stories\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.1.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Night Time Stories (ALNLP40R)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Mr. White – 4:58\u003c\/li\u003e\n\u003cli\u003eA2 Two Fish And An Elephant – 3:33\u003c\/li\u003e\n\u003cli\u003eA3 Dern Kala – 3:39\u003c\/li\u003e\n\u003cli\u003eA4 Little Joe And Mary – 5:08\u003c\/li\u003e\n\u003cli\u003eA5 White Gloves – 3:38\u003c\/li\u003e\n\u003cli\u003eB1 People Everywhere (Still Alive) – 2:39\u003c\/li\u003e\n\u003cli\u003eB2 The Man Who Took My Sunglasses – 2:13\u003c\/li\u003e\n\u003cli\u003eB3 August Twelve – 6:13\u003c\/li\u003e\n\u003cli\u003eB4 Balls And Pins – 3:28\u003c\/li\u003e\n\u003cli\u003eB5 Zionsville – 4:11\u003c\/li\u003e\n\u003cli\u003eB6 Bin Bin X – 2:51\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLaura Lee (5) – Bass Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eSamuel Muir – Design\u003c\/li\u003e\n\u003cli\u003eDonald Johnson, Jr. – Drums\u003c\/li\u003e\n\u003cli\u003eMark Speer – Guitar, Percussion, Vocals\u003c\/li\u003e\n\u003cli\u003eWill Van Horn – Pedal Steel Guitar\u003c\/li\u003e\n\u003cli\u003eAndrew Wilkins – Written-By\u003c\/li\u003e\n\u003cli\u003eLaura Lee (5) – Written-By\u003c\/li\u003e\n\u003cli\u003eMark Speer – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547584647486,"sku":"154042","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633225396542-transparent-v2.png?v=1791440159"},{"product_id":"grateful-dead-anthem-of-the-sun-1971-remix-lp-vinyl","title":"Grateful Dead – Anthem Of The Sun (1971 Remix LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally pieced together from studio sessions and live recordings captured at venues including the Fillmore Auditorium and the Shrine Exposition Hall, Anthem of the Sun remains one of rock's most genuinely strange artifacts, a document of a band dissolving the line between concert and composition before anyone had a roadmap for doing so. This 1971 remix, overseen as the band's own understanding of the material deepened, offers a slightly sharper window into that beautiful chaos.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e1971 remix of the original album. Anthem of the Sun is the second album by The Grateful Dead, released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer Mickey Hart. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band was also joined by Tom Constanten, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA2. New Potato Caboose (8:26)\u003cbr\u003e\nA3. Born Cross-Eyed (2:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Alligator (11:23)\u003cbr\u003e\nB2. Caution (Do Not Stop On Tracks) (8:56)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846610\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. - Seven Arts Records (WS 1749)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1968  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA2 New Potato Caboose\u003c\/li\u003e\n\u003cli\u003eA3 Born Cross-Eyed\u003c\/li\u003e\n\u003cli\u003eB1 Alligator\u003c\/li\u003e\n\u003cli\u003eB2 Caution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eEd Thrasher – Art Direction\u003c\/li\u003e\n\u003cli\u003eBill Walker (8) – Artwork (Cover)\u003c\/li\u003e\n\u003cli\u003ePhil Lesh – Bass, Trumpet, Harpsichord, Guiro, Kazoo, Piano, Timpani\u003c\/li\u003e\n\u003cli\u003eBill Kreutzmann – Drums, Bells (Orchestra), Gong, Chimes, Crotales, Piano (Prepared), Finger Cymbals\u003c\/li\u003e\n\u003cli\u003eMickey Hart – Drums, Bells (Orchestra), Gong, Chimes, Crotales, Piano (Prepared), Finger Cymbals\u003c\/li\u003e\n\u003cli\u003eBob Matthews – Engineer (Asst.)\u003c\/li\u003e\n\u003cli\u003eDan Healy – Engineer (Executive)\u003c\/li\u003e\n\u003cli\u003eJerry Garcia – Lead Guitar, Acoustic Guitar, Kazoo, Vibraslap\u003c\/li\u003e\n\u003cli\u003eRon \"Pigpen\" McKernan – Organ, Claves (Celesta)\u003c\/li\u003e\n\u003cli\u003eThomas Weir – Photography By  (Liner Photo)\u003c\/li\u003e\n\u003cli\u003eTom Constanten – Piano, Piano (Prepared), Tape (Electronic)\u003c\/li\u003e\n\u003cli\u003eDave Hassinger – Producer (Studios And Live)\u003c\/li\u003e\n\u003cli\u003eBob Weir – Rhythm Guitar, Twelve-String Guitar, Acoustic Guitar, Kazoo\u003c\/li\u003e\n\u003cli\u003eThe Grateful Dead – Written-By, Arranged By, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547722567998,"sku":"111588","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633289687358-transparent-v2.png?v=1791436204"},{"product_id":"grateful-dead-grayfolded-3-lp-vinyl","title":"Grateful Dead – Grayfolded (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Oswald's radical 1994-1995 plunderphonics project collapsed hundreds of hours of Grateful Dead \"Dark Star\" performances into a singular, disorienting continuum, essentially asking what happens when you treat fifty-plus versions of a song not as separate concerts but as one infinite improvisation. The result remains one of the most genuinely strange artifacts in the Dead's extended universe, a document that serious listeners and sound-art devotees have sought out for decades. This 3-LP pressing brings that vision back to vinyl in proper fashion.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eNovature (Formless Nights Fall)\u003c\/li\u003e\n\u003cli\u003ePouring Velvet\u003c\/li\u003e\n\u003cli\u003eIn Revolving Ash Light\u003c\/li\u003e\n\u003cli\u003eClouds Cast\u003c\/li\u003e\n\u003cli\u003eThrough\u003c\/li\u003e\n\u003cli\u003eFault Forces\u003c\/li\u003e\n\u003cli\u003ePhil Zone\u003c\/li\u003e\n\u003cli\u003eEstrella Oscura\u003c\/li\u003e\n\u003cli\u003eRecedes (While We Can)\u003c\/li\u003e\n\u003cli\u003eTransilience\u003c\/li\u003e\n\u003cli\u003e73rd Star Bridge Sonata\u003c\/li\u003e\n\u003cli\u003eCease Tone Beam\u003c\/li\u003e\n\u003cli\u003eSpeed of Space\u003c\/li\u003e\n\u003cli\u003eDark Matter Problem\/Every Leaf Is Turning\u003c\/li\u003e\n\u003cli\u003eFoldback Time\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 793447539928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Important Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.15.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Important Records (2) (IMPREC 399)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2014  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTransitive Axes\u003c\/li\u003e\n\u003cli\u003eA1 Novature (Formless Nights Fall)\u003c\/li\u003e\n\u003cli\u003eA2 Pouring Velvet\u003c\/li\u003e\n\u003cli\u003eA3 In Revolving\u003c\/li\u003e\n\u003cli\u003eB1  Ash Light\u003c\/li\u003e\n\u003cli\u003eB2 Clouds Cast\u003c\/li\u003e\n\u003cli\u003eB3 Throu...\u003c\/li\u003e\n\u003cli\u003eC1 ...ough\u003c\/li\u003e\n\u003cli\u003eC2 Fault Forces\u003c\/li\u003e\n\u003cli\u003eC3 The Phil Zone\u003c\/li\u003e\n\u003cli\u003eC4 La Estrella\u003c\/li\u003e\n\u003cli\u003eD1  Oscura\u003c\/li\u003e\n\u003cli\u003eD2 Recedes (While We Can)\u003c\/li\u003e\n\u003cli\u003eMirror Ashes\u003c\/li\u003e\n\u003cli\u003eD3 Transilience\u003c\/li\u003e\n\u003cli\u003eD4 73rd Star Bridge Sonata\u003c\/li\u003e\n\u003cli\u003eE1 Cease Tone Beam\u003c\/li\u003e\n\u003cli\u003eE2 Foldback Time\u003c\/li\u003e\n\u003cli\u003eF1 Dark Matter Problem \/ Every Leaf Is Turning\u003c\/li\u003e\n\u003cli\u003eF2 The Speed Of Space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJohn Oswald – Composed By (Reproduced By), Design (Revision for LP), Artwork (Rose-Eyed Skull Collage)\u003c\/li\u003e\n\u003cli\u003eVilip Mak – Design Concept\u003c\/li\u003e\n\u003cli\u003eGreg Van Alstyne – Design Concept, Realization (Rose-Eyed Skull Collage)\u003c\/li\u003e\n\u003cli\u003eJohn Cutler – Engineer (Multitrack Engineer)\u003c\/li\u003e\n\u003cli\u003eJohn Brien, Jr. – Executive-Producer\u003c\/li\u003e\n\u003cli\u003ePhil Strong – Graphics (Time Cartography)\u003c\/li\u003e\n\u003cli\u003eKevin Park – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRob Bowman – Liner Notes\u003c\/li\u003e\n\u003cli\u003eDick Latvala – Other (Keeper Of The Vault)\u003c\/li\u003e\n\u003cli\u003eThe Grateful Dead – Performer\u003c\/li\u003e\n\u003cli\u003eHolly Small – Typography (Text Editing)\u003c\/li\u003e\n\u003cli\u003eJohn Oswald – Written-By\u003c\/li\u003e\n\u003cli\u003eMcGanahan Skjellyfetti – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547722600766,"sku":"476124","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633289720126-transparent-v2.png?v=1792218766"},{"product_id":"grateful-dead-aoxomoxoa-lp-vinyl","title":"Grateful Dead – Aoxomoxoa","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAoxomoxoa arrived at a pivotal moment, bridging the raw electricity of their early live shows with the studio ambition the band would never quite pursue the same way again. Songs like \"St. Stephen\" and \"China Cat Sunflower\" became cornerstones of the live canon, outlasting the album itself in the community's memory. The palindromic title, designed by artist Rick Griffin, remains one of the most recognizable images in the Dead's visual universe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. \"In 1969, for their third album, The Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely Robert Hunter-penned lyrics for the first time.\" - Archivist David Lemieux\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. St. Stephen\u003c\/div\u003e\n\u003cdiv\u003e2. Dupree's Diamond Blues\u003c\/div\u003e\n\u003cdiv\u003e3. Rosemary\u003c\/div\u003e\n\u003cdiv\u003e4. Doin' That Rag\u003c\/div\u003e\n\u003cdiv\u003e5. Mountains Of The Moon\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. China Cat Sunflower\u003c\/div\u003e\n\u003cdiv\u003e2. What's Become Of The Baby\u003c\/div\u003e\n\u003cdiv\u003e3. Cosmic Charlie\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497847785\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. - Seven Arts Records (WS 1790)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1969  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 St. Stephen\u003c\/li\u003e\n\u003cli\u003eA2 Dupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eA3 Rosemary\u003c\/li\u003e\n\u003cli\u003eA4 Doin' That Rag\u003c\/li\u003e\n\u003cli\u003eA5 Mountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eB1 China Cat Sunflower\u003c\/li\u003e\n\u003cli\u003eB2 What's Become Of The Baby\u003c\/li\u003e\n\u003cli\u003eB3 Cosmic Charlie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDavid Nelson – Accompanied By (Supporting Musicians)\u003c\/li\u003e\n\u003cli\u003eDebbie Eisenberg – Accompanied By (Supporting Musicians)\u003c\/li\u003e\n\u003cli\u003eMarma-Duke – Accompanied By (Supporting Musicians)\u003c\/li\u003e\n\u003cli\u003eMouse (8) – Accompanied By (Supporting Musicians)\u003c\/li\u003e\n\u003cli\u003ePete Grant – Accompanied By (Supporting Musicians)\u003c\/li\u003e\n\u003cli\u003eWendy Weir (2) – Accompanied By (Supporting Musicians)\u003c\/li\u003e\n\u003cli\u003eThe Grateful Dead – Arranged By\u003c\/li\u003e\n\u003cli\u003eRick Griffin (2) – Artwork (Cover)\u003c\/li\u003e\n\u003cli\u003eThomas Weir – Artwork (Rear)\u003c\/li\u003e\n\u003cli\u003ePhil Lesh – Bass, Vocals\u003c\/li\u003e\n\u003cli\u003eDan Healy – Engineer (Consulting)\u003c\/li\u003e\n\u003cli\u003eOwsley Stanley – Engineer (Consulting)\u003c\/li\u003e\n\u003cli\u003eRon Wickersham – Engineer (Consulting)\u003c\/li\u003e\n\u003cli\u003eBob Matthews – Engineer (Executive)\u003c\/li\u003e\n\u003cli\u003eBetty Cantor – Engineer (Hot Dog!)\u003c\/li\u003e\n\u003cli\u003eBob Weir – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eJerry Garcia – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eTom Constanten – Keyboards\u003c\/li\u003e\n\u003cli\u003eJackson – Other (Kwipment Krew)\u003c\/li\u003e\n\u003cli\u003eJohn P. Hagen – Other (Kwipment Krew)\u003c\/li\u003e\n\u003cli\u003eRamrod – Other (Kwipment Krew)\u003c\/li\u003e\n\u003cli\u003eBill Kreutzmann – Percussion\u003c\/li\u003e\n\u003cli\u003eMickey Hart – Percussion\u003c\/li\u003e\n\u003cli\u003eRon \"Pigpen\" McKernan – Performer (Pig Pen)\u003c\/li\u003e\n\u003cli\u003eJerry Garcia – Written-By (Tunes)\u003c\/li\u003e\n\u003cli\u003ePhil Lesh – Written-By (Tunes)\u003c\/li\u003e\n\u003cli\u003eRobert Hunter – Written-By (Words)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547722633534,"sku":"145724","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633289752894-transparent-v2.png?v=1791436204"},{"product_id":"grateful-dead-skull-roses-live-2021-remaster-2-lp-vinyl","title":"Grateful Dead – Skull \u0026 Roses Live: 2021 Remaster (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded across multiple nights in 1971, Skull \u0026amp; Roses arrived at a pivotal moment when the Dead were road-testing songs from what would become \"Workingman's Dead\" and \"American Beauty\" alongside their deeper roots in country, folk, and rock and roll. The quintet configuration, before the keyboard players who would later reshape the band's sound, gives these performances a leaner, rawer quality that longtime fans hold in particular reverence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor the Grateful Dead's second live album, released two years after its predecessor, LIVE\/DEAD, the band delivered an equally magnificent but entirely different Grateful Dead sound. \u003c\/p\u003e\u003cp\u003eWhereas LIVE\/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL \u0026amp; ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (`Johnny B. Goode,' `Not Fade Away'), showing off their authentic Bakersfield bona fides (`Me \u0026amp; My Uncle,' `Mama Tried,' `Me \u0026amp; Bobby McGee'), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (`Bertha,' `Playing In The Band,' `Wharf Rat'). Of course, the Dead were never defined by one specific `sound,' and amongst the aforementioned genres and styles the band brought to this album, they also delved deeply into their psychedelic, primal playbook, with an entire side dedicated to their 1968 masterpiece `The Other One.'\u003c\/p\u003e\u003cp\u003eThis is one of the richest and most satisfying tracks preserved on an official Grateful Dead album, up there with LIVE\/DEAD's `Dark Star' and EUROPE '72's `Morning Dew.' SKULL \u0026amp; ROSES sounds as fresh today as the first time I heard it in 1985, and as fresh as it was upon its spectacularly well-received release in 1971.\" - David Lemieux\u003c\/p\u003e\u003cp\u003eNot only did SKULL \u0026amp; ROSES serve up supremely fine tunes, but it was also the one that scored the Grateful Dead their very first Gold record, introduced the world to the iconic skeleton babe Bertha, and asked the questions - Who are you? Where are you? How are you? - giving birth to the first official generation of Dead Heads.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Bertha (5:27)\u003cbr\u003e\nA2. Mama Tried (2:42)\u003cbr\u003e\nA3. Big Railroad Blues (3:34)\u003cbr\u003e\nA4. Playing In The Band (4:39)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Other One (18:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Me \u0026amp; My Uncle (3:06)\u003cbr\u003e\nC2. Big Boss Man (5:12)\u003cbr\u003e\nC3. Me \u0026amp; Bobby McGee (5:43)\u003cbr\u003e\nC4. Johnny B. Goode (3:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Wharf Rat (8:31)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497844401\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.13.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. Records (2WS1935, 2WS 1935)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1971  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Bertha – 5:27\u003c\/li\u003e\n\u003cli\u003eA2 Mama Tried – 2:42\u003c\/li\u003e\n\u003cli\u003eA3 Big Railroad Blues – 3:34\u003c\/li\u003e\n\u003cli\u003eA4 Playing In The Band – 4:39\u003c\/li\u003e\n\u003cli\u003eB1 The Other One – 18:05\u003c\/li\u003e\n\u003cli\u003eC1 Me And My Uncle – 3:06\u003c\/li\u003e\n\u003cli\u003eC2 Big Boss Man – 5:12\u003c\/li\u003e\n\u003cli\u003eC3 Me \u0026amp; Bobby McGee – 5:43\u003c\/li\u003e\n\u003cli\u003eC4 Johnny B. Goode – 3:42\u003c\/li\u003e\n\u003cli\u003eD1 Wharf Rat – 8:31\u003c\/li\u003e\n\u003cli\u003eD2a Not Fade Away – 9:14\u003c\/li\u003e\n\u003cli\u003eD2b Goin' Down The Road Feeling Bad\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlton Kelley – Artwork\u003c\/li\u003e\n\u003cli\u003ePhil Lesh – Bass Guitar (Electric Bass Guitar), Vocals\u003c\/li\u003e\n\u003cli\u003eBill Kreutzmann – Drums\u003c\/li\u003e\n\u003cli\u003eJerry Garcia – Lead Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eMerl Saunders – Organ\u003c\/li\u003e\n\u003cli\u003eRon \"Pigpen\" McKernan – Organ, Harmonica, Vocals\u003c\/li\u003e\n\u003cli\u003eBob Seidemann – Photography By\u003c\/li\u003e\n\u003cli\u003eThe Grateful Dead – Producer\u003c\/li\u003e\n\u003cli\u003eBetty Cantor – Recorded By, Engineer\u003c\/li\u003e\n\u003cli\u003eBob Matthews – Recorded By, Engineer\u003c\/li\u003e\n\u003cli\u003eBob Weir – Rhythm Guitar, Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547722666302,"sku":"282620","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Grateful-Dead-Skull-Roses-Live-2021-Remaster-2-LP-Vinyl.png?v=1791074678"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-1967-1977-2-lp-vinyl","title":"Grateful Dead – The Best Of The Grateful Dead: 1967-1977 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTen years of a band that essentially invented a new relationship between rock musicians and their audience, captured across two records. The studio sides collected here trace the Dead's evolution from acid-test psychedelia through the country-inflected warmth of *Workingman's Dead* and *American Beauty* and into the arena years, offering a rare chance to hear how deliberately and restlessly they pushed their own sound forward when the tape was rolling.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2 LP Set, Regular Weight.\u003c\/p\u003e\u003cp\u003eTracks feature music from every Grateful Dead studio album and cover the key waypoints on the band's mystical musical journey.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. The Golden Road (To Unlimited Devotion) (2:09)\u003cbr\u003e\nA2. Cream Puff War (2:28)\u003cbr\u003e\nA3. Born Cross-Eyed (2:04)\u003cbr\u003e\nA4. Dark Star (Single Version) (2:41)\u003cbr\u003e\nA5. St. Stephen (4:26)\u003cbr\u003e\nA6. China Cat Sunflower (3:40)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Uncle John's Band (4:42)\u003cbr\u003e\nB2. Easy Wind (4:59)\u003cbr\u003e\nB3. Casey Jones (4:24)\u003cbr\u003e\nB4. Truckin' (5:03)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Box Of Rain (5:17)\u003cbr\u003e\nC2. Sugar Magnolia (3:17)\u003cbr\u003e\nC3. Friend Of The Devil (3:21)\u003cbr\u003e\nC4. Ripple (4:10)\u003cbr\u003e\nC5. Eyes Of The World (5:16)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Unbroken Chain (6:45)\u003cbr\u003e\nD2. Scarlet Begonias (4:19)\u003cbr\u003e\nD3. The Music Never Stopped (4:35)\u003cbr\u003e\nD4. Estimated Prophet (5:35)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227954659\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.9.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino Records (2) (R1 549112)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2015  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 The Golden Road (To Unlimited Devotion) – 2:09\u003c\/li\u003e\n\u003cli\u003eA2 Cream Puff War – 2:28\u003c\/li\u003e\n\u003cli\u003eA3 Born Cross-Eyed – 2:04\u003c\/li\u003e\n\u003cli\u003eA4 Dark Star (Single Version) – 2:41\u003c\/li\u003e\n\u003cli\u003eA5 St. Stephen – 4:26\u003c\/li\u003e\n\u003cli\u003eA6 China Cat Sunflower – 3:40\u003c\/li\u003e\n\u003cli\u003eB1 Uncle John's Band – 4:42\u003c\/li\u003e\n\u003cli\u003eB2 Easy Wind – 4:59\u003c\/li\u003e\n\u003cli\u003eB3 Casey Jones – 4:24\u003c\/li\u003e\n\u003cli\u003eB4 Truckin' – 5:03\u003c\/li\u003e\n\u003cli\u003eC1 Box Of Rain – 5:17\u003c\/li\u003e\n\u003cli\u003eC2 Sugar Magnolia – 3:17\u003c\/li\u003e\n\u003cli\u003eC3 Friend Of The Devil – 3:21\u003c\/li\u003e\n\u003cli\u003eC4 Ripple – 4:10\u003c\/li\u003e\n\u003cli\u003eC5 Eyes Of The World – 5:16\u003c\/li\u003e\n\u003cli\u003eD1 Unbroken Chain – 6:45\u003c\/li\u003e\n\u003cli\u003eD2 Scarlet Begonias – 4:19\u003c\/li\u003e\n\u003cli\u003eD3 The Music Never Stopped – 4:35\u003c\/li\u003e\n\u003cli\u003eD4 Estimated Prophet – 5:35\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePhil Lesh – Bass, Vocals, Guitar, Piano\u003c\/li\u003e\n\u003cli\u003eDavid Lemieux (2) – Compilation Producer\u003c\/li\u003e\n\u003cli\u003eLisa Glines – Design, Layout\u003c\/li\u003e\n\u003cli\u003eBill Kreutzmann – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eMickey Hart – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eMark Pinkus – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eBob Weir – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eTom Constanten – Keyboards, Piano\u003c\/li\u003e\n\u003cli\u003eKeith Godchaux – Keyboards, Piano, Vocals\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJerry Garcia – Lead Guitar, Vocals, Pedal Steel Guitar, Piano\u003c\/li\u003e\n\u003cli\u003eBlair Jackson – Liner Notes (Liners By)\u003c\/li\u003e\n\u003cli\u003eDavid Glasser – Mastered By\u003c\/li\u003e\n\u003cli\u003eRon \"Pigpen\" McKernan – Organ, Harmonica, Vocals, Keyboards, Acoustic Guitar, Congas, Percussion\u003c\/li\u003e\n\u003cli\u003eHerb Greene – Photography By\u003c\/li\u003e\n\u003cli\u003eJim Marshall (3) – Photography By\u003c\/li\u003e\n\u003cli\u003eBetty Cantor – Producer\u003c\/li\u003e\n\u003cli\u003eBob Matthews – Producer\u003c\/li\u003e\n\u003cli\u003eDave Hassinger – Producer\u003c\/li\u003e\n\u003cli\u003eKeith Olsen – Producer\u003c\/li\u003e\n\u003cli\u003eThe Grateful Dead – Producer\u003c\/li\u003e\n\u003cli\u003eDoran Tyson – Producer (Associate)\u003c\/li\u003e\n\u003cli\u003eIvette Ramos – Producer (Associate)\u003c\/li\u003e\n\u003cli\u003eMichael Wesley Johnson – Tape (Research)\u003c\/li\u003e\n\u003cli\u003eJonathan Lane (4) – Typography (Type Treatment)\u003c\/li\u003e\n\u003cli\u003eDonna Godchaux – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547722830142,"sku":"605833","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633289916734-transparent-v2.png?v=1791436205"},{"product_id":"grateful-dead-history-of-the-grateful-dead-vol-1-bears-choice-lp-vinyl","title":"Grateful Dead – History of the Grateful Dead Vol. 1 Bear's Choice","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973 and newly reissued on vinyl, Bear's Choice holds a singular place in the Dead's catalog as both a document of Pigpen's irreplaceable presence and a snapshot of the band at the cusp of their most celebrated studio period. The Fillmore East recordings captured here date from February 1970, when the Dead were playing stripped-down acoustic sets alongside their electric material, a short-lived configuration that made these shows especially rare. Owsley's expert ear behind the board gives the sound a warmth and intimacy that feels less like a concert document and more like being in the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eThe Grateful Dead's first true archival album, Bear's Choice, was lovingly produced as a tribute to Pigpen shortly after he passed by none other than the Dead's original soundman and benefactor, Owsley Stanley, aka Bear. \u003c\/p\u003e\n\u003cp\u003eDrawing from live shows recorded three years earlier by Bear at the Fillmore East in New York City, Bear's Choice captures the Dead at an essential moment of their history, as they were about to record Workingman's Dead (and shortly thereafter, American Beauty), and were transitioning into becoming Americana pioneers, while never losing touch with their psychedelic improvisational roots. \u003c\/p\u003e\n\u003cp\u003eThree of the eight songs on the album are sung by Pigpen, with Side 1 being the definitive example of early Acoustic Dead, and Side 2 being electric blues and rock \u0026amp; roll, with Pigpen leading the charge on both tracks on the second side.This has been remastered by David Glasser using Plangent Processes from the original analog 2-track tapes recorded live by Bear and has never sounded better.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eKatie Mae (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eDark Hollow (Live at The Fillmore, San Francisco, Ca 2\/14\/70)\u003c\/li\u003e\n\u003cli\u003eI've Been All Around This World (Live at The Fillmore, San Francisco, Ca 2\/14\/70)\u003c\/li\u003e\n\u003cli\u003eWake Up Little Susie (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eBlack Peter (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eSmokestack Lightnin' (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eHard to Handle (Live at The Fillmore, San Francisco, Ca 2\/14\/70)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497835492\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. Records (BS 2721)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1973  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Katie Mae – 4:46\u003c\/li\u003e\n\u003cli\u003eA2 Dark Hollow – 3:30\u003c\/li\u003e\n\u003cli\u003eA3 I've Been All Around This World – 4:40\u003c\/li\u003e\n\u003cli\u003eA4 Wake Up Little Susie – 2:40\u003c\/li\u003e\n\u003cli\u003eA5 Black Peter – 7:20\u003c\/li\u003e\n\u003cli\u003eB1 Smokestack Lightnin – 18:00\u003c\/li\u003e\n\u003cli\u003eB2 Hard To Handle – 6:14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eOwsley Stanley – Producer\u003c\/li\u003e\n\u003cli\u003eBear (6) – Recorded By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547722895678,"sku":"208958","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Grateful-Dead-History-of-the-Grateful-Dead-Vol_-1-Bears-Choice-LP-Vinyl.jpg?v=1791074678"},{"product_id":"jimi-hendrix-blues-2-lp-vinyl","title":"Jimi Hendrix – Blues (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHendrix absorbed the blues not as a genre to play but as a language to speak, and these recordings make that lineage undeniable. Before the pyrotechnics of \"Purple Haze\" and Woodstock, there was the South Side of Chicago, Robert Johnson, and a kid from Seattle who listened harder than almost anyone. This collection puts that foundation on wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis reissued collection of 11 stinging blues classics brings Hendrix's work as a bluesman to the musical forefront. Features a brilliant 12-string acoustic rendition of \"Hear My Train a Comin'\", plus Hendrix's own tributes to some of his blues forefathers, including Muddy Waters' \"Mannish Boy\" and Booker T. Jones \"Born Under a Bad Sign.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Hear My Train A Comin' (Acoustic) (3:05)\u003cbr\u003e\nA2. Born Under A Bad Sign (7:37)\u003cbr\u003e\nA3. Catfish Blues (7:46)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Red House (3:41)\u003cbr\u003e\nB2. Voodoo Chile Blues (8:47)\u003cbr\u003e\nB3. Mannish Boy (5:21)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Bleeding Heart (3:26)\u003cbr\u003e\nC2. Once I Had A Woman (7:49)\u003cbr\u003e\nC3. Jam 292 (6:25)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Electric Church Red House (6:12)\u003cbr\u003e\nD2. Hear My Train A Comin' (Electric) (12:08)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886977451713\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.11.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Midnite Jazz \u0026amp; Blues Collection (MJB110)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2001  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Litte Wing\u003c\/li\u003e\n\u003cli\u003e2 Bleeding Heart (Feat. Jim Morrison)\u003c\/li\u003e\n\u003cli\u003e3 Wake Up This Morning And Found Yourself Dead\u003c\/li\u003e\n\u003cli\u003e4 Red House\u003c\/li\u003e\n\u003cli\u003e5 Voices\u003c\/li\u003e\n\u003cli\u003e6 Let Me Go\u003c\/li\u003e\n\u003cli\u003e7 Outside Woman Blues\u003c\/li\u003e\n\u003cli\u003e8 Voice In The Wind\u003c\/li\u003e\n\u003cli\u003e9 Blues Blues\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eZ+Z Multidigital Services – Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778601278,"sku":"145628","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633304236350-transparent-v2.png?v=1791440041"},{"product_id":"the-beatles-revolver-special-edition-lp-vinyl","title":"The Beatles – Revolver: Special Edition","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn recent years The Beatles have been piercing plenty of their own veils. First with a series of remastered reissues of their catalog, then a handful of deluxe editions that featured new mixes of their classic albums, and especially with Get Back, their exhaustive multi-episodic documentary look at the making of Let It Be and their final live performance. Never before has the work of the Liverpool four been so re-examined.\u003c\/p\u003e\u003cp\u003eUp next is Revolver. It's the album, for many, before the album; the creative step before the leap into Sgt. Pepper's Lonely Hearts Club Band. Yet, as the gaze of history has revealed, the slow fade of the Fabs as a perpetually working band begins the same year as Revolver- 1966- first when they shelve, essentially permanently, the thought and practice of performing in concert. Then, they become devoted to the studio; with McCartney guiding the group, giving Lennon more reasons to do less, with the culmination of the growing divide coming with the sessions of The Beatles (aka the White Album); the ironically titled double that found the quartet working often in separate studios.\u003c\/p\u003e\u003cp\u003eThey made their attempts to get back, as it were, to the solidarity of a band on Let It Be and Abbey Road, but by then the die was all but cast.\u003c\/p\u003e\u003cp\u003eThus, it circles back to Revolver as perhaps the final, truly balanced and breakthrough Beatles record. Time has been more illuminating of its grandeur. And this multi-disc shines on it even brighter, with a new stereo mix, a polish on the mono version, and two discs worthy of outtakes and demos from the sessions. It's the latter- the 'building blocks' of rough drafts and trials- that go deeply into the process. Among the joys are Ringo's drumming on several early runs; feverishly up-tempo, rattling, and inspiring a new appreciation for his acumen; Lennon's quite somber early work-up of \"Yellow Submarine;\" the busy bee backing vocals of \"Taxman,\" that once shed, thankfully, allow Harrison's opener to express its bite cleanly.\u003c\/p\u003e\u003cp\u003ePlus, a lovingly detailed book is included, with plenty of forensic reports on the songs, individually, and archival photos; a favorite pic is of McCartney in the studio eyeing the Rolling Stones' Aftermath album. It's a subtle but pointed reminder of the talent working at their art at the time; those two friendly rivals jet-lining towards their creative peaks. Not to mention the now well-known anecdote of Revolver inspiring The Beach Boys, a continent away, to create their masterwork, Pet Sounds.\u003c\/p\u003e\u003cp\u003eAs for the new mixes crafted by Giles Martin and Sam Okell, they show off both what technology can do with the over 55-year-old recordings and what brilliant magic The Beatles were capable of those five decades ago. Purists may scoff, but they need not. This is The Beatles' Revolver as contemporary sonic bliss.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-revolver-special-edition-super-deluxe\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRevolver arrived in 1966 and quietly redrew the boundaries of what a rock record could be, pulling Indian classical music, tape loops, and studio experimentation into a framework that still felt like four guys from Liverpool playing together. Giles Martin's new mix, working from those original four-track masters, doesn't reimagine the album so much as pull back the curtain on how it was actually built, letting you hear the architecture beneath songs you thought you knew completely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFrom “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. Now available on limited-edition 1LP picture disc vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Taxman\u003c\/div\u003e\n\u003cdiv\u003e2. Eleanor Rigby\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Only Sleeping\u003c\/div\u003e\n\u003cdiv\u003e4. Love You To\u003c\/div\u003e\n\u003cdiv\u003e5. Here, There And Everywhere\u003c\/div\u003e\n\u003cdiv\u003e6. Yellow Submarine\u003c\/div\u003e\n\u003cdiv\u003e7. She Said She Said\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Good Day Sunshine\u003c\/div\u003e\n\u003cdiv\u003e2. And Your Bird Can Sing\u003c\/div\u003e\n\u003cdiv\u003e3. For No One\u003c\/div\u003e\n\u003cdiv\u003e4. Doctor Robert\u003c\/div\u003e\n\u003cdiv\u003e5. I Want To Tell You\u003c\/div\u003e\n\u003cdiv\u003e6. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e7. Tomorrow Never Knows\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445599707\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ume\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity Sound Lab (MFSL 1-107); Parlophone (MFSL 1-107)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1986  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Taxman\u003c\/li\u003e\n\u003cli\u003eA2 Eleanor Rigby\u003c\/li\u003e\n\u003cli\u003eA3 I'm Only Sleeping\u003c\/li\u003e\n\u003cli\u003eA4 Love You To\u003c\/li\u003e\n\u003cli\u003eA5 Here, There And Everywhere\u003c\/li\u003e\n\u003cli\u003eA6 Yellow Submarine\u003c\/li\u003e\n\u003cli\u003eA7 She Said She Said\u003c\/li\u003e\n\u003cli\u003eB1 Good Day Sunshine\u003c\/li\u003e\n\u003cli\u003eB2 And Your Bird Can Sing\u003c\/li\u003e\n\u003cli\u003eB3 For No One\u003c\/li\u003e\n\u003cli\u003eB4 Dr. Robert\u003c\/li\u003e\n\u003cli\u003eB5 I Want To Tell You\u003c\/li\u003e\n\u003cli\u003eB6 Got To Get You Into My Life\u003c\/li\u003e\n\u003cli\u003eB7 Tomorrow Never Knows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eKlaus Voormann – Design (Cover Designed By)\u003c\/li\u003e\n\u003cli\u003eStan Ricker – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eGeorge Harrison – Lead Vocals (Lead Singer)\u003c\/li\u003e\n\u003cli\u003eJohn Lennon – Lead Vocals (Lead Singer)\u003c\/li\u003e\n\u003cli\u003ePaul McCartney – Lead Vocals (Lead Singer)\u003c\/li\u003e\n\u003cli\u003eRobert Whitaker – Photography By (Back Cover Photo By)\u003c\/li\u003e\n\u003cli\u003eGeorge Martin – Producer (Recording Produced By)\u003c\/li\u003e\n\u003cli\u003eGeorge Harrison – Written-By\u003c\/li\u003e\n\u003cli\u003eLennon-McCartney – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778797886,"sku":"465878","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633304334654-transparent-v2.png?v=1791445636"},{"product_id":"talking-heads-talking-heads-77-2-lp-vinyl","title":"Talking Heads – Talking Heads: 77 (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn its debut, Talking Heads: 77, the future Rock and Roll Hall of Famers sound like a collection of musicians whose core met at the Rhode Island School of Design. The songs come at you in unanticipated angles, using rock ‘n’ roll basics as rules to follow, bend and break with lyrics that bound from naturalistic to surrealistic and occasionally highlight the awesomeness of overlooked everyday moments. A nervous, tense-and-release fashions an unending energy. Altogether, the sonic palette strikes out with an individualistic stance, particularly when compared to the rawness of many of their New York punk contemporaries.\u003c\/p\u003e\u003cp\u003eThis Super Deluxe Edition provides the requisite remastered sound for added clarity, a dozen rarities, a live set from The Heads’ last gig at CBGB plus an 80-page hardcover book with never-before-seen photos, fliers, artwork and liner notes by the four bandmembers and recording engineer Ed Stasium.\u003c\/p\u003e\u003cp\u003eOn the album’s 11 numbers, the rhythm attack by bassist extraordinaire Tina Weymouth and tight, metronomic drummer Chris Frantz gives the material a slinky funkiness as David Byrne shouts out lines that inhabit an innocent persona rediscovering everything at the dawn of a new day (“Don’t Worry About the Government”) or someone about to break down due to the overwhelmingness of it all (a “real live wire” on “Psycho Killer” and literally falling apart on “Pulled Up”). Newest member Jerry Harrison, fresh off the dissolution of The Modern Lovers, supplies musical support throughout the album.\u003c\/p\u003e\u003cp\u003eUpbeat and cheerful, “Uh-Oh, Love Comes to Town” begins the musical journey, while “Happy Day” is downright blissful. Much of “77” also provides a musical roadmap that indicates what’s to come on future releases. “Tentative Decisions” hints at the style of 1979’s Fear of Music and 1980’s Remain in Light and the marching rhythm of single “Road to Nowhere,” while the horn arrangements on Alternate Pop Version of “Pulled Up” nods to the Head’s “Naked” and Byrne’s future solo endeavors.\u003c\/p\u003e\u003cp\u003eThe rarities range from B-sides and alternate versions , previously-released tracks include the sweet acoustic pop of “Sugar On My Tongue” and an acoustic “Psycho Killer featuring cellist Arthur Russell that amps up the track’s uneasiness and danger with Alternate Pop Versions of “Uh-Oh, Love Comes to Town,” and “New Feeling” (with horns!) finally make it to an official release. Also unearthed is a previously unreleased Alternate Version of “Psycho Killer” as well as an unheard Alternate Pop Version of “Pulled Up.”\u003c\/p\u003e\u003cp\u003eFinally, the 13 previously unreleased live recordings on Oct. 10, 1977 , less than a month after Talking Heads: ‘77 came out – find the quartet already moving forward with a cover of Al Green’s “Take Me to the River,” “Thank You for Sending Me an Angel” and “Stay Hungry” in its set. All three songs will show up on its next album, More Songs About Buildings \u0026amp; Food.\u003c\/p\u003e\u003cp\u003eTalking Heads: ‘77 presents a band that sounded like no one else of its time, as if the members were aliens dropped off in the Bowery and took advantage of an opportunity to unleash its creative inclinations to the world. This release reinforces that y presenting the band sounds as fresh today as it was nearly 50 years ago.\u003c\/p\u003e\u003cp\u003eThe Super Deluxe Edition is sold as either 4LPs (1 LP of the remastered original album, 1 LP of rare and previously unreleased demos and outtakes, and a 2 LPs featuring 13 previously unreleased live recordings captured during their last performance Live at CBGB, New York, NY, Oct. 10, 1977 with four 7” singles set in a gatefold format with a black and white image of the band or a 3-CD\/Blu-Ray set. Both include the same 80-page hardcover book. The Blu-Ray has an Atmos Mix, 5.1 Mix DTS-HD MA, 5.1 Mix LPCM, all overseen by Harrison, and a 2024 Stereo Remaster.\u003c\/p\u003e\u003cp\u003eAlso available is a 2LP Neon Green Vinyl version only available at Barnes \u0026amp; Noble, a 2LP Standard Black Vinyl at all general retailers.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— John Patrick Gatta, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/02\/22\/talking-heads-77-super-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTalking Heads arrived fully formed with their 1977 debut, a band that had already spent years sharpening their nervy, art-damaged sound at CBGB alongside Television and the Ramones. David Byrne's anxious everyman persona and the rhythm section's locked-in funk instincts were unlike anything else coming out of that downtown New York scene, and the alternate versions surfacing here offer a rare window into how these songs found their final shape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Returning to where it all began, Talking Heads proudly presents the expanded 2LP version of Talking Heads: 77. The 2LP features a new remaster of the original album on LP1, while LP2 features a collection of rarities encompassing outtakes and previously unreleased alternate versions, including the never before heard 'Psycho Killer (Alternate Version)' and 'Pulled Up (Alternate \"Pop\" Version)'.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Uh-Oh, Love Comes To Town (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. New Feeling (3:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Tentative Decisions (3:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Happy Day (3:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Who Is It? (1:44)\u003c\/div\u003e\n\u003cdiv\u003e6. No Compassion (4:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Book I Read (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Worry About The Government (3:01)\u003c\/div\u003e\n\u003cdiv\u003e3. First Week\/Last Week...Carefree (3:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Psycho Killer (4:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Pulled Up (4:31)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Sugar On My Tongue (2:36)\u003c\/div\u003e\n\u003cdiv\u003e2. I Want To Live (3:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Love → Building On Fire (2:59)\u003c\/div\u003e\n\u003cdiv\u003e4. I Wish You Wouldn't Say That (2:40)\u003c\/div\u003e\n\u003cdiv\u003e5. Psycho Killer (Acoustic Version) (4:18)\u003c\/div\u003e\n\u003cdiv\u003e6. Uh-Oh, Loves Come To Town (Alternate Pop Version) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e7. New Feeling (Alternate Pop Version) (3:03)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Pulled Up (Alternate Pop Version) (4:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Stay Hungry (1977 Version) (3:45)\u003c\/div\u003e\n\u003cdiv\u003e3. First Week\/Last Week...Carefree (Acoustic Version) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e4. I Feel It In My Heart (3:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Psycho Killer (Alternate Version) (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497825028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.8.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sire (SR 6036)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1977  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Uh-Oh, Love Comes To Town – 2:48\u003c\/li\u003e\n\u003cli\u003eA2 New Feeling – 3:09\u003c\/li\u003e\n\u003cli\u003eA3 Tentative Decisions – 3:04\u003c\/li\u003e\n\u003cli\u003eA4 Happy Day – 3:55\u003c\/li\u003e\n\u003cli\u003eA5 Who Is It? – 1:41\u003c\/li\u003e\n\u003cli\u003eA6 No Compassion – 4:47\u003c\/li\u003e\n\u003cli\u003eB1 The Book I Read – 4:06\u003c\/li\u003e\n\u003cli\u003eB2 Don't Worry About The Government – 3:00\u003c\/li\u003e\n\u003cli\u003eB3 First Week\/Last Week...Carefree – 3:19\u003c\/li\u003e\n\u003cli\u003eB4 Psycho Killer – 4:19\u003c\/li\u003e\n\u003cli\u003eB5 Pulled Up – 4:29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTina Weymouth – Bass\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Cover\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Drums\u003c\/li\u003e\n\u003cli\u003eEd Stasium – Engineer\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Guitar, Keyboards, Vocals (2nd Singer)\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Guitar, Vocals (Singer)\u003c\/li\u003e\n\u003cli\u003eJoe Gastwirt – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJoe Gastwirt – Mastered By\u003c\/li\u003e\n\u003cli\u003eMick Rock – Photography By\u003c\/li\u003e\n\u003cli\u003eLance Quinn – Producer\u003c\/li\u003e\n\u003cli\u003eTalking Heads – Producer\u003c\/li\u003e\n\u003cli\u003eTony Bongiovi – Producer\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Written-By\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Written-By\u003c\/li\u003e\n\u003cli\u003eTina Weymouth – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547779060030,"sku":"45722","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633304564030-transparent-v2.png?v=1791445633"},{"product_id":"david-byrne-st-vincent-love-this-giant-lp-vinyl","title":"David Byrne \u0026 St Vincent – Love This Giant","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAnnie Clark had already established herself as one of rock's most distinctive guitar voices before she and David Byrne found their way to each other, and the pairing made a strange, perfect sense. Byrne's decades of exploring rhythm, texture, and the avant-garde edges of pop, rooted in his Talking Heads years, met Clark's own restless formalism, and what emerged was something neither could have reached alone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded over two years, largely at Water Music in Hoboken, NJ, LOVE THIS GIANT is a collaboration in the truest sense of the word, with Byrne and St. Vincent (aka Annie Clark) co-writing ten of the albums twelve tracks, and each artist penning one song individually. The album centers around an explosive brass band and is propelled by John Congletons drum programming. Byrne and Clark will launch a 24-date fall tour on September 15 in Minneapolis with a group that includes eight brass players, a keyboardist and a drummer.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Who\u003c\/div\u003e\n\u003cdiv\u003e2. Weekend In The Dust\u003c\/div\u003e\n\u003cdiv\u003e3. Dinner For Two\u003c\/div\u003e\n\u003cdiv\u003e4. Ice Age\u003c\/div\u003e\n\u003cdiv\u003e5. I Am An Ape\u003c\/div\u003e\n\u003cdiv\u003e6. The Forest Awakes\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Should Watch T.V.\u003c\/div\u003e\n\u003cdiv\u003e2. Lazarus\u003c\/div\u003e\n\u003cdiv\u003e3. Optimist\u003c\/div\u003e\n\u003cdiv\u003e4. Lightning\u003c\/div\u003e\n\u003cdiv\u003e5. The One Who Broke Your Heart\u003c\/div\u003e\n\u003cdiv\u003e6. Outside Of Space And Time\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 652637323115\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4AD (CAD 3231)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2012  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK \u0026amp; US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Who\u003c\/li\u003e\n\u003cli\u003eA2 Weekend In The Dust\u003c\/li\u003e\n\u003cli\u003eA3 Dinner For Two\u003c\/li\u003e\n\u003cli\u003eA4 Ice Age\u003c\/li\u003e\n\u003cli\u003eA5 I Am An Ape\u003c\/li\u003e\n\u003cli\u003eA6 The Forest Awakes\u003c\/li\u003e\n\u003cli\u003eB7 I Should Watch T.V.\u003c\/li\u003e\n\u003cli\u003eB8 Lazarus\u003c\/li\u003e\n\u003cli\u003eB9 Optimist\u003c\/li\u003e\n\u003cli\u003eB10 Lightning\u003c\/li\u003e\n\u003cli\u003eB11 The One Who Broke Your Heart\u003c\/li\u003e\n\u003cli\u003eB12 Outside Of Space And Time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eKelly Pratt – Arranged By (Brass)\u003c\/li\u003e\n\u003cli\u003eLenny Pickett – Arranged By (Brass)\u003c\/li\u003e\n\u003cli\u003eTony Finno – Arranged By (Brass)\u003c\/li\u003e\n\u003cli\u003eLeeAnn Rossi – Art Direction (Art Supervision)\u003c\/li\u003e\n\u003cli\u003eCatalina Kulczar – Artwork (Package Art)\u003c\/li\u003e\n\u003cli\u003eJuan Marin – Artwork (Package Art)\u003c\/li\u003e\n\u003cli\u003eLeeAnn Rossi – Artwork (Package Art)\u003c\/li\u003e\n\u003cli\u003eNoah Wall – Artwork (Package Art)\u003c\/li\u003e\n\u003cli\u003ePaul Frazier – Bass\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Bass (Synth Bass)\u003c\/li\u003e\n\u003cli\u003eKen Thompson – Brass (Arrangements)\u003c\/li\u003e\n\u003cli\u003eEvan Smith (2) – Clarinet\u003c\/li\u003e\n\u003cli\u003eJack Bashkow – Clarinet\u003c\/li\u003e\n\u003cli\u003eSteve Elson – Clarinet\u003c\/li\u003e\n\u003cli\u003eTom Timko – Clarinet\u003c\/li\u003e\n\u003cli\u003eJohn Congleton – Co-producer\u003c\/li\u003e\n\u003cli\u003ePatrick Dillett – Co-producer\u003c\/li\u003e\n\u003cli\u003eAlex Kadvan – Contractor (Brass)\u003c\/li\u003e\n\u003cli\u003eGaro Yellin – Contractor (Brass)\u003c\/li\u003e\n\u003cli\u003eLenny Pickett – Contractor (Brass)\u003c\/li\u003e\n\u003cli\u003ePhilip Laslett – Cover (Back Cover Type Design)\u003c\/li\u003e\n\u003cli\u003eSteve Powers (6) – Cover (Type Design)\u003c\/li\u003e\n\u003cli\u003eNoah Wall – Design (Package Design)\u003c\/li\u003e\n\u003cli\u003eJohn Congleton – Drum Programming\u003c\/li\u003e\n\u003cli\u003eAnthony LaMarca – Drums\u003c\/li\u003e\n\u003cli\u003eJon Altschuler – Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eYuki Takahashi – Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eKenneth Finn – Euphonium\u003c\/li\u003e\n\u003cli\u003eTom Hutchinson – Euphonium\u003c\/li\u003e\n\u003cli\u003eChris Komer – French Horn\u003c\/li\u003e\n\u003cli\u003eEric Davis (8) – French Horn\u003c\/li\u003e\n\u003cli\u003eJacquelyn Adams – French Horn\u003c\/li\u003e\n\u003cli\u003eLarry Di Bello – French Horn\u003c\/li\u003e\n\u003cli\u003ePatrick Milando – French Horn\u003c\/li\u003e\n\u003cli\u003eR.J. Kelley – French Horn\u003c\/li\u003e\n\u003cli\u003eRachel Drehmann – French Horn\u003c\/li\u003e\n\u003cli\u003eWes Garland – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAlex Kadvan – Management\u003c\/li\u003e\n\u003cli\u003eBoche (2) – Management\u003c\/li\u003e\n\u003cli\u003eLever And Beam – Management\u003c\/li\u003e\n\u003cli\u003eMaine Road Management – Management\u003c\/li\u003e\n\u003cli\u003eMarisa Brown – Management\u003c\/li\u003e\n\u003cli\u003eDavid Whitehead – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003eIlene Bashinsky – Management (Business)\u003c\/li\u003e\n\u003cli\u003eLia Sweet – Management (Business)\u003c\/li\u003e\n\u003cli\u003eNan Lanigan – Management (Business)\u003c\/li\u003e\n\u003cli\u003eGreg Calbi – Mastered By\u003c\/li\u003e\n\u003cli\u003ePatrick Dillett – Mixed By\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Omnichord\u003c\/li\u003e\n\u003cli\u003eCarla Sacks – Other (Press)\u003c\/li\u003e\n\u003cli\u003eCarrie Tolles – Other (Press)\u003c\/li\u003e\n\u003cli\u003eKrista Williams – Other (Press)\u003c\/li\u003e\n\u003cli\u003eMatt Hanks – Other (Press)\u003c\/li\u003e\n\u003cli\u003eGabe Bartalos – Other (Prosthetics)\u003c\/li\u003e\n\u003cli\u003eMauro Refosco – Percussion\u003c\/li\u003e\n\u003cli\u003eRichard Burbridge – Photography By (Cover)\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Piano\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Producer\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Producer\u003c\/li\u003e\n\u003cli\u003eFrank Hendler – Production Manager\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Programmed By (Percussion Programming)\u003c\/li\u003e\n\u003cli\u003eJohn Congleton – Recorded By\u003c\/li\u003e\n\u003cli\u003ePatrick Dillett – Recorded By\u003c\/li\u003e\n\u003cli\u003eAlex Foster – Saxophone\u003c\/li\u003e\n\u003cli\u003eBob Magnuson – Saxophone\u003c\/li\u003e\n\u003cli\u003eCochemea Gastelum – Saxophone\u003c\/li\u003e\n\u003cli\u003eIan Hendrickson-Smith – Saxophone\u003c\/li\u003e\n\u003cli\u003eJack Bashkow – Saxophone\u003c\/li\u003e\n\u003cli\u003eLenny Pickett – Saxophone\u003c\/li\u003e\n\u003cli\u003eMartin Perna – Saxophone\u003c\/li\u003e\n\u003cli\u003eRon Blake – Saxophone\u003c\/li\u003e\n\u003cli\u003eStan Harrison – Saxophone\u003c\/li\u003e\n\u003cli\u003eSteve Elson – Saxophone\u003c\/li\u003e\n\u003cli\u003eStuart Bogie – Saxophone\u003c\/li\u003e\n\u003cli\u003eTom Timko – Saxophone\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Songwriter\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Songwriter\u003c\/li\u003e\n\u003cli\u003eWalt Whitman – Songwriter\u003c\/li\u003e\n\u003cli\u003eAaron Johnson – Trombone\u003c\/li\u003e\n\u003cli\u003eBrian Mahany – Trombone\u003c\/li\u003e\n\u003cli\u003eJeff Caswell – Trombone\u003c\/li\u003e\n\u003cli\u003eKenneth Finn – Trombone\u003c\/li\u003e\n\u003cli\u003eMichael R. Williams – Trombone\u003c\/li\u003e\n\u003cli\u003eMichael Seltzer – Trombone\u003c\/li\u003e\n\u003cli\u003eOzzie Melendez – Trombone\u003c\/li\u003e\n\u003cli\u003eRyan Keberle – Trombone\u003c\/li\u003e\n\u003cli\u003eSteve Turre – Trombone\u003c\/li\u003e\n\u003cli\u003eWilliam Lang (3) – Trombone\u003c\/li\u003e\n\u003cli\u003eDave Guy – Trumpet\u003c\/li\u003e\n\u003cli\u003eDominic Derasse – Trumpet\u003c\/li\u003e\n\u003cli\u003eEarl Gardner – Trumpet\u003c\/li\u003e\n\u003cli\u003eGareth Flowers – Trumpet\u003c\/li\u003e\n\u003cli\u003eJonathan Powell – Trumpet\u003c\/li\u003e\n\u003cli\u003eJordan McLean – Trumpet\u003c\/li\u003e\n\u003cli\u003eJosh Frank – Trumpet\u003c\/li\u003e\n\u003cli\u003eKelly Pratt – Trumpet\u003c\/li\u003e\n\u003cli\u003eMike Gurfield – Trumpet\u003c\/li\u003e\n\u003cli\u003eRavi Best – Trumpet\u003c\/li\u003e\n\u003cli\u003eBob Stewart – Tuba\u003c\/li\u003e\n\u003cli\u003eKyle Turner (4) – Tuba\u003c\/li\u003e\n\u003cli\u003eMarcus Rojas – Tuba\u003c\/li\u003e\n\u003cli\u003eRandy Andos – Tuba\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Vocals, Guitar\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Vocals, Guitar\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547779191102,"sku":"375114","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633304695102-transparent-v2.png?v=1791433299"},{"product_id":"david-bowie-live-in-berlin-lp-vinyl","title":"David Bowie – Live In Berlin","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBowie's 1978 Isolar II tour found him at one of the most creatively charged moments of his life, living in Berlin and deep into the trilogy of albums he made with Brian Eno. The Deutschlandhalle performance draws heavily from \"Heroes\" and \"Low,\" music that was written in that very city, giving these recordings a geographic and emotional resonance that studio versions simply can't replicate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDavid Bowie - Live In Berlin (1978) Released to coincide with the \"David Bowie Is\" exhibition at Brooklyn Museum that ran from March 2 to July 15, 2018. Recorded live at the Deutschlandhalle, Berlin on 16th May, 1978. Sold only via the museum shop, both during and after the exhibition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. \"Heroes\"\u003c\/div\u003e\n\u003cdiv\u003e2. Be My Wife\u003c\/div\u003e\n\u003cdiv\u003e3. Blackout\u003c\/div\u003e\n\u003cdiv\u003e4. Sense Of Doubt\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Breaking Glass\u003c\/div\u003e\n\u003cdiv\u003e2. Fame\u003c\/div\u003e\n\u003cdiv\u003e3. Alabama Song\u003c\/div\u003e\n\u003cdiv\u003e4. Rebel Rebel\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190295710590\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Parlophone (DBISNY 20181, 0190295710590)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2018  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 \"Heroes\"\u003c\/li\u003e\n\u003cli\u003eA2 Be My Wife\u003c\/li\u003e\n\u003cli\u003eA3 Blackout\u003c\/li\u003e\n\u003cli\u003eA4 Sense Of Doubt\u003c\/li\u003e\n\u003cli\u003eB1 Breaking Glass\u003c\/li\u003e\n\u003cli\u003eB2 Fame\u003c\/li\u003e\n\u003cli\u003eB3 Alabama Song\u003c\/li\u003e\n\u003cli\u003eB4 Rebel Rebel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdrian Belew – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eCarlos Alomar – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eGeorge Murray – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eRoger Powell – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eSean Mayes – Backing Vocals (Background Vocals)\u003c\/li\u003e\n\u003cli\u003eGeorge Murray – Bass Guitar\u003c\/li\u003e\n\u003cli\u003eScott Minshall – Design\u003c\/li\u003e\n\u003cli\u003eDennis Davis – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eSimon House – Electric Violin\u003c\/li\u003e\n\u003cli\u003eRoger Powell – Keyboards, Synthesizer\u003c\/li\u003e\n\u003cli\u003eAdrian Belew – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eRay Staff – Mastered By\u003c\/li\u003e\n\u003cli\u003eAntoine Loogman – Photography By (Cover Photography)\u003c\/li\u003e\n\u003cli\u003eSean Mayes – Piano, Synthesizer (String Ensemble)\u003c\/li\u003e\n\u003cli\u003eDavid Bowie – Producer\u003c\/li\u003e\n\u003cli\u003eAisha Cohen – Project Manager (Produced For Release By)\u003c\/li\u003e\n\u003cli\u003eNigel Reeve – Project Manager (Produced For Release By)\u003c\/li\u003e\n\u003cli\u003eCarlos Alomar – Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eDavid Bowie – Vocals, Chamberlin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547779879230,"sku":"103721","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633305448766-transparent-v2.png?v=1791433299"},{"product_id":"frank-zappa-the-grand-wazoo-lp-vinyl","title":"Frank Zappa – The Grand Wazoo","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded while Zappa was still recovering from a serious on-stage injury that left him temporarily wheelchair-bound, The Grand Wazoo channels that forced stillness into something expansive and orchestral, with a 20-piece ensemble exploring jazz-inflected composition at a scale he rarely revisited. It stands apart in his catalog as evidence that his most ambitious writing didn't always need a guitar solo to land.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 1972, Frank Zappa experimented with an \"electric orchestra\" concept which resulted in two albums: Waka\/Jawaka and The Grand Wazoo. Celebrating the 50th-anniversary of this endeavor, The Grand Wazoo is available on 180-gram black vinyl LP.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. For Calvin (And His Next Two Hitch-Hikers) (7:15)\u003c\/div\u003e\n\u003cdiv\u003e2. The Grand Wazoo (13:24)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Cletus Awreetus-Awrightus (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Eat That Question (6:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Blessed Relief (8:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448139740\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Zappa Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.16.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Zappa Records (ZR3849-1); UMe (ZR3849-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 For Calvin (And His Next Two Hitch-Hikers) – 7:15\u003c\/li\u003e\n\u003cli\u003eA2 The Grand Wazoo – 13:24\u003c\/li\u003e\n\u003cli\u003eB1 Cletus Awreetus-Awrightus – 2:55\u003c\/li\u003e\n\u003cli\u003eB2 Eat That Question – 6:41\u003c\/li\u003e\n\u003cli\u003eB3 Blessed Relief – 8:00\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eErroneous – Bass\u003c\/li\u003e\n\u003cli\u003eBilly Byers – Brass\u003c\/li\u003e\n\u003cli\u003eErnie Tack – Brass\u003c\/li\u003e\n\u003cli\u003eKenny Shroyer – Brass\u003c\/li\u003e\n\u003cli\u003eMalcolm McNab – Brass\u003c\/li\u003e\n\u003cli\u003eSal Marquez – Brass\u003c\/li\u003e\n\u003cli\u003eSal Marquez – Brass (Multiple Toots)\u003c\/li\u003e\n\u003cli\u003eKenny Shroyer – Contractor (Contractor And Spiritual Guidance)\u003c\/li\u003e\n\u003cli\u003eCal Schenkel – Cover (Cover Illustration), Illustration (Cover Illustration)\u003c\/li\u003e\n\u003cli\u003eAynsley Dunbar – Drums\u003c\/li\u003e\n\u003cli\u003eKerry McNabb – Engineer\u003c\/li\u003e\n\u003cli\u003eLee Clement – Gong\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Guitar\u003c\/li\u003e\n\u003cli\u003eTony Duran – Guitar\u003c\/li\u003e\n\u003cli\u003eGeorge Duke – Keyboards\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Mastered By (All-analog Mastering By)\u003c\/li\u003e\n\u003cli\u003eAlan Estes – Percussion\u003c\/li\u003e\n\u003cli\u003eBob Zimmitti – Percussion\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Percussion\u003c\/li\u003e\n\u003cli\u003eBarry Feinstein – Photography By (Photos By)\u003c\/li\u003e\n\u003cli\u003eEd Caraeff – Photography By (Photos By)\u003c\/li\u003e\n\u003cli\u003eTony Esparza – Photography By (Photos By)\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Producer (Produced By), Composed By, Arranged By\u003c\/li\u003e\n\u003cli\u003eTony Duran – Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eDon Preston – Synthesizer (Mini-moog)\u003c\/li\u003e\n\u003cli\u003ePaul Hof – Technician (Special Technical Assistance)\u003c\/li\u003e\n\u003cli\u003eKenny Shroyer – Trombone (Multiple Trombones)\u003c\/li\u003e\n\u003cli\u003eChunky (3) – Vocals\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Vocals\u003c\/li\u003e\n\u003cli\u003eGeorge Duke – Vocals\u003c\/li\u003e\n\u003cli\u003eJanet Ferguson – Vocals\u003c\/li\u003e\n\u003cli\u003eSal Marquez – Vocals\u003c\/li\u003e\n\u003cli\u003eAnthony Ortega – Woodwind\u003c\/li\u003e\n\u003cli\u003eEarl Dumler – Woodwind\u003c\/li\u003e\n\u003cli\u003eErnie Watts – Woodwind\u003c\/li\u003e\n\u003cli\u003eFred Jackson, Jr. – Woodwind\u003c\/li\u003e\n\u003cli\u003eJoanne Caldwell McNabb – Woodwind\u003c\/li\u003e\n\u003cli\u003eJoel Peskin – Woodwind\u003c\/li\u003e\n\u003cli\u003eJohn Rotella – Woodwind\u003c\/li\u003e\n\u003cli\u003eMike Altschul – Woodwind\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547780370750,"sku":"145337","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633305874750-transparent-v2.png?v=1791436120"},{"product_id":"frank-zappa-zappa-80-munich-3-lp-vinyl","title":"Frank Zappa – Zappa ’80: Munich (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1980, Zappa had assembled one of the most technically demanding bands of his career, a unit that could pivot from jazz-inflected complexity to theatrical absurdity without breaking a sweat. The Munich date caught that ensemble at the close of a grueling tour, which often meant Zappa pushed his players hardest, knowing the road was ending. Barrow's bass had anchored the group through that whole run, making his liner notes here something worth reading slowly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThis historic 1980 Munich concert has the distinction of being the first-ever live, direct-to-digital stereo recording of Zappa. The show was the last of the spring\/summer tour, with the group playing at peak performance. The entire show is featured on three 180-gram LPs and mastered by Bernie Grundman in 2022. The package features photography and a memoir by George Alper (who worked for Frank Zappa), along with liner notes by Arthur Barrow and `Vaultmeister' Joe Travers.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Munich '80 Show Start (0:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Chunga's Revenge (7:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Keep It Greasy (3:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Pick Me, I'm Clean (6:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. City Of Tiny Lites (9:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Pound For A Brown (13:33)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Cosmik Debris (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. You Didn't Try To Call Me (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. I Ain't Got No Heart (2:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Love Of My Life (1:56)\u003c\/div\u003e\n\u003cdiv\u003e5. You Are What You Is (3:22)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Easy Meat (11:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Mudd Club (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. The Meek Shall Inherit Nothing (3:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Joe's Garage (2:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Why Does It Hurt When I Pee? (3:16)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Dancin' Fool (3:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Bobby Brown Goes Down (2:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Ms. Pinky (3:49)\u003c\/div\u003e\n\u003cdiv\u003e4. Stick It Out (5:31)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Nite Owl (2:20)\u003c\/div\u003e\n\u003cdiv\u003e2. The Illinois Enema Bandit (10:21)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448746399\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Zappa Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.31.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Zappa Records (ZR20042-2)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Munich '80 Show Start – 0:56\u003c\/li\u003e\n\u003cli\u003eA2 Chunga's Revenge – 7:14\u003c\/li\u003e\n\u003cli\u003eA3 Keep It Greasy – 3:09\u003c\/li\u003e\n\u003cli\u003eA4 Pick Me, I'm Clean – 6:45\u003c\/li\u003e\n\u003cli\u003eB1 City Of Tiny Lites – 9:11\u003c\/li\u003e\n\u003cli\u003eB2 Pound For A Brown – 13:33\u003c\/li\u003e\n\u003cli\u003eC1 Cosmik Debris – 4:12\u003c\/li\u003e\n\u003cli\u003eC2 You Didn't Try To Call Me – 3:40\u003c\/li\u003e\n\u003cli\u003eC3 I Ain't Got No Heart – 2:02\u003c\/li\u003e\n\u003cli\u003eC4 Love Of My Life – 1:56\u003c\/li\u003e\n\u003cli\u003eC5 You Are What You Is – 3:22\u003c\/li\u003e\n\u003cli\u003eD1 Easy Meat – 11:02\u003c\/li\u003e\n\u003cli\u003eD2 Mudd Club – 3:08\u003c\/li\u003e\n\u003cli\u003eD3 The Meek Shall Inherit Nothing – 3:08\u003c\/li\u003e\n\u003cli\u003eD4 Joe's Garage – 2:20\u003c\/li\u003e\n\u003cli\u003eD5 Why Does It Hurt When I Pee? – 3:16\u003c\/li\u003e\n\u003cli\u003eE1 Dancin' Fool – 3:32\u003c\/li\u003e\n\u003cli\u003eE2 Bobby Brown Goes Down – 2:41\u003c\/li\u003e\n\u003cli\u003eE3 Ms. Pinky – 3:49\u003c\/li\u003e\n\u003cli\u003eE4 Stick It Out – 5:31\u003c\/li\u003e\n\u003cli\u003eF1 Nite Owl – 2:20\u003c\/li\u003e\n\u003cli\u003eF2 The Illinois Enema Bandit – 10:21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Mesker – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eArthur Barrow – Bass, Keyboards, Vocals, Liner Notes\u003c\/li\u003e\n\u003cli\u003eDavid Logeman – Drums\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eIke Willis – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eRay White – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eTommy Mars – Keyboards\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJoe Travers – Liner Notes\u003c\/li\u003e\n\u003cli\u003eGeorge Alper – Liner Notes, Photography By\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Mastered By\u003c\/li\u003e\n\u003cli\u003eAhmet Zappa – Producer\u003c\/li\u003e\n\u003cli\u003eJoe Travers – Producer\u003c\/li\u003e\n\u003cli\u003eMelanie Starks – Production Manager\u003c\/li\u003e\n\u003cli\u003eMick Glossop – Recorded By\u003c\/li\u003e\n\u003cli\u003eJoe Travers – Transferred By\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Written-By, Producer (Recordings)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547780567358,"sku":"170327","price":67.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633305973054-transparent-v2.png?v=1792218765"},{"product_id":"frank-zappa-uncle-meat-2-lp-vinyl","title":"Frank Zappa – Uncle Meat (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally the soundtrack to an unfinished film of the same name, *Uncle Meat* captures the Mothers of Invention at their most compositionally restless, blending orchestral passages, studio collage, jazz improvisation, and rock in ways that still sound genuinely strange decades later. Zappa's refusal to separate \"serious\" composition from absurdist comedy is on full display across its sprawling 31 tracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFrank Zappa and The Mothers of Invention released this double album in 1969 which was originally developed as \"No Commercial Potential\" a project which spawned 3 other albums sharing a conceptual connection: \"We're Only In It For the Money\", \"Lumpy Gravy\" and \"Cruising With Ruben \u0026amp; The Jets\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Uncle Meat: Main Title Theme (1:56)\u003c\/div\u003e\n\u003cdiv\u003e2. The Voice Of Cheese (0:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Nine Types Of Industrial Pollution (6:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Zolar Czakl (0:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Dog Breath, In The Year Of The Plague (3:59)\u003c\/div\u003e\n\u003cdiv\u003e6. The Legend Of The Golden Arches (3:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Louie Louie (At The Royal Albert Hall In London) (2:18)\u003c\/div\u003e\n\u003cdiv\u003e8. The Dog Breath Variations (1:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sleeping In A Jar (0:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Our Bizarre Relationship (1:05)\u003c\/div\u003e\n\u003cdiv\u003e3. The Uncle Meat Variations (4:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Electric Aunt Jemima (1:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Prelude To King Kong (3:39)\u003c\/div\u003e\n\u003cdiv\u003e6. God Bless America (Live At The Whisky A Go Go) (1:10)\u003c\/div\u003e\n\u003cdiv\u003e7. A Pound For A Brown On The Bus (1:29)\u003c\/div\u003e\n\u003cdiv\u003e8. Ian Underwood Whips It Out (Live On Stage In Copenhagen) (5:09)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Mr. Green Genes (3:13)\u003c\/div\u003e\n\u003cdiv\u003e2. We Can Shoot You (2:03)\u003c\/div\u003e\n\u003cdiv\u003e3. \"If We'd All Been Living In California...\" (1:14)\u003c\/div\u003e\n\u003cdiv\u003e4. The Air (2:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Project X (4:49)\u003c\/div\u003e\n\u003cdiv\u003e6. Cruising For Burgers (2:18)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. King Kong Itself (As Played By The Mothers In A Studio) (0:51)\u003c\/div\u003e\n\u003cdiv\u003e2. King Kong (Its Magnificence As Interpreted By Dom DeWild) (1:19)\u003c\/div\u003e\n\u003cdiv\u003e3. King Kong (As Motorhead Explains It) (1:45)\u003c\/div\u003e\n\u003cdiv\u003e4. King Kong (The Gardner Varieties) (6:14)\u003c\/div\u003e\n\u003cdiv\u003e5. King Kong (As Played By 3 Deranged Good Humor Trucks) (0:37)\u003c\/div\u003e\n\u003cdiv\u003e6. King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival... The Underwood Ramifications) (7:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 824302383919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Zappa Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.17.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Zappa Records (ZR 3839-1); Barking Pumpkin Records (ZR 3839-1); UMe (ZR 3839-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2013  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Uncle Meat: Main Title Theme – 1:56\u003c\/li\u003e\n\u003cli\u003eA2 The Voice Of Cheese – 0:26\u003c\/li\u003e\n\u003cli\u003eA3 Nine Types Of Industrial Pollution – 6:02\u003c\/li\u003e\n\u003cli\u003eA4 Zolar Czakl – 0:54\u003c\/li\u003e\n\u003cli\u003eA5 Dog Breath, In The Year Of The Plague – 3:59\u003c\/li\u003e\n\u003cli\u003eA6 The Legend Of The Golden Arches – 3:27\u003c\/li\u003e\n\u003cli\u003eA7 Louie Louie (At The Royal Albert Hall In London) – 2:18\u003c\/li\u003e\n\u003cli\u003eA8 The Dog Breath Variations – 1:50\u003c\/li\u003e\n\u003cli\u003eB1 Sleeping In A Jar – 0:50\u003c\/li\u003e\n\u003cli\u003eB2 Our Bizarre Relationship – 1:05\u003c\/li\u003e\n\u003cli\u003eB3 The Uncle Meat Variations – 4:46\u003c\/li\u003e\n\u003cli\u003eB4 Electric Aunt Jemima – 1:46\u003c\/li\u003e\n\u003cli\u003eB5 Prelude To King Kong – 3:39\u003c\/li\u003e\n\u003cli\u003eB6 God Bless America (Live At The Whisky A Go Go) – 1:10\u003c\/li\u003e\n\u003cli\u003eB7 A Pound For A Brown On The Bus – 1:29\u003c\/li\u003e\n\u003cli\u003eB8 Ian Underwood Whips It Out (Live On Stage In Copenhagen) – 5:09\u003c\/li\u003e\n\u003cli\u003eC1 Mr. Green Genes – 3:13\u003c\/li\u003e\n\u003cli\u003eC2 We Can Shoot You – 2:03\u003c\/li\u003e\n\u003cli\u003eC3 \"If We'd All Been Living In California...\" – 1:14\u003c\/li\u003e\n\u003cli\u003eC4 The Air – 2:57\u003c\/li\u003e\n\u003cli\u003eC5 Project X – 4:49\u003c\/li\u003e\n\u003cli\u003eC6 Cruising For Burgers – 2:18\u003c\/li\u003e\n\u003cli\u003eD1 King Kong Itself (As Played By The Mothers In A Studio) – 0:51\u003c\/li\u003e\n\u003cli\u003eD2 King Kong (Its Magnificence As Interpreted By Dom DeWild) – 1:19\u003c\/li\u003e\n\u003cli\u003eD3 King Kong (As Motorhead Explains It) – 1:45\u003c\/li\u003e\n\u003cli\u003eD4 King Kong (The Gardner Varieties) – 6:14\u003c\/li\u003e\n\u003cli\u003eD5 King Kong (As Played By 3 Deranged Good Humor Trucks) – 0:37\u003c\/li\u003e\n\u003cli\u003eD6 King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival... The Underwood Ramifications) – 7:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Mesker – Design (Layout Design)\u003c\/li\u003e\n\u003cli\u003eCal Schenkel – Design (Original Package Design)\u003c\/li\u003e\n\u003cli\u003eBilly Mundi – Drums (On Some Pieces)\u003c\/li\u003e\n\u003cli\u003eJimmy Carl Black – Drums, Other (Droll Humor, Poverty)\u003c\/li\u003e\n\u003cli\u003eArt Tripp – Drums, Timpani, Vibraphone (Vibes), Marimba, Xylophone, Wood Block, Bells, Chimes (Small), Other (Cheerful Outlook \u0026amp; Specific Enquiries)\u003c\/li\u003e\n\u003cli\u003eRoy Estrada – Electric Bass, Soprano Vocals (Pachuco Falsetto), Other (Cheeseburgers)\u003c\/li\u003e\n\u003cli\u003eIan Underwood – Electric Organ, Piano, Harpsichord, Celesta (Celeste), Flute, Clarinet, Alto Saxophone, Baritone Saxophone, Copyist, Other (Special Assistance, Industrial Relations, Teen Appeal)\u003c\/li\u003e\n\u003cli\u003eDon Preston – Electric Piano, Other (Tarot Cards, Brown Rice)\u003c\/li\u003e\n\u003cli\u003eDick Kunc – Engineer\u003c\/li\u003e\n\u003cli\u003eJerry Hansen – Engineer (Sunset Sound)\u003c\/li\u003e\n\u003cli\u003eFrank Zappa – Guitar, Vocals (Low Grade), Percussion, Producer, Composed By, Arranged By\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRuth Komanoff – Marimba, Vibraphone (Vibes) (Many Tracks, Special Thanks)\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Mastered By\u003c\/li\u003e\n\u003cli\u003eCal Schenkel – Photography By\u003c\/li\u003e\n\u003cli\u003eEd Caraeff – Photography By\u003c\/li\u003e\n\u003cli\u003eMalcolm Lubliner – Photography By\u003c\/li\u003e\n\u003cli\u003eBunk Gardner – Piccolo Flute, Clarinet, Flute, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bassoon\u003c\/li\u003e\n\u003cli\u003eMelanie Starks – Production Manager\u003c\/li\u003e\n\u003cli\u003eJoe Travers – Research (Vaultmeisterment), Transferred By (Digital Transfers \u0026amp; Restoration)\u003c\/li\u003e\n\u003cli\u003eNelcy Walker – Soprano Vocals (Soprano Voice)\u003c\/li\u003e\n\u003cli\u003eLou Lindauer – Technician\u003c\/li\u003e\n\u003cli\u003eMotorhead Sherwood – Tenor Saxophone (Frenetic Tenor Sax Stylings), Tambourine, Other (Pop Star, Choreography, Obstinance \u0026amp; Equipment Setter-Upper)\u003c\/li\u003e\n\u003cli\u003eRay Collins – Vocals (Swell Vocals)\u003c\/li\u003e\n\u003cli\u003ePamela Zarubica – Voice (Uncredited, Voice Of Cheese, Suzy Creamcheese)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547781878078,"sku":"116396","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633306464574-transparent-v2.png?v=1791436121"},{"product_id":"santana-greatest-hits-lp-vinyl","title":"Santana – Greatest Hits","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCarlos Santana's guitar voice was unlike anything else coming out of San Francisco in those years, fusing Afro-Cuban rhythms and blues-drenched leads into something that hit as hard at Woodstock as it did on the radio. This compilation draws from the band's peak early period, when tracks like \"Evil Ways\" and \"Black Magic Woman\" were rewriting what rock could absorb from Latin music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSantana's Greatest Hits is a 1974 compilation album that offers highlights from the group's first three albums.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Evil Ways (3:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Jingo (2:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Hope You're Feeling Better (4:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Samba Pa Ti (4:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Persuasion (2:34)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Magic Woman (3:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Oye Como Va (4:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Everything's Coming Our Way (3:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Se A Cabo (2:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody's Everything (3:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854461515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.26.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (PC 33050)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1974  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Evil Ways – 3:00\u003c\/li\u003e\n\u003cli\u003eA2 Jingo – 2:44\u003c\/li\u003e\n\u003cli\u003eA3 Hope You're Feeling Better – 4:10\u003c\/li\u003e\n\u003cli\u003eA4 Samba Pa Ti – 4:47\u003c\/li\u003e\n\u003cli\u003eA5 Persuasion – 2:34\u003c\/li\u003e\n\u003cli\u003eB1 Black Magic Woman – 3:17\u003c\/li\u003e\n\u003cli\u003eB2 Oye Como Va – 4:19\u003c\/li\u003e\n\u003cli\u003eB3 Everything's Coming Our Way – 3:16\u003c\/li\u003e\n\u003cli\u003eB4 Se A Cabo – 2:51\u003c\/li\u003e\n\u003cli\u003eB5 Everybody's Everything – 3:31\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJohn Berg – Design (Cover Design)\u003c\/li\u003e\n\u003cli\u003eJay Maisel – Photography By (Back Cover)\u003c\/li\u003e\n\u003cli\u003eJoel Baldwin (2) – Photography By (Front Cover)\u003c\/li\u003e\n\u003cli\u003eBrent Dangerfield – Producer\u003c\/li\u003e\n\u003cli\u003eFred Catero – Producer\u003c\/li\u003e\n\u003cli\u003eSantana – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547782402366,"sku":"695002","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633306956094-transparent-v2.png?v=1791445513"},{"product_id":"t-bone-burnett-the-invisible-light-spells-2-lp-vinyl","title":"T Bone Burnett – The Invisible Light: Spells (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eT Bone Burnett has spent decades as one of American music's most restless sonic architects, from his work with Bob Dylan's Rolling Thunder Revue to producing landmark records for Robert Plant, Alison Krauss, and the Coen Brothers. *Spells* finds him pushing further into territory he's been circling for years, interrogating the spiritual and psychological weight of modern media with the same unflinching curiosity he's brought to every corner of the American songbook.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSpells is the new album from GRAMMY and Oscar-winner Joseph Henry \"T Bone\" Burnett and the 2nd in the Invisible Light trilogy - a fusion of trance, electronic, folk, tribal, and global music. At the heart of this trilogy is technology and its advances throughout the last century - with radio, film, television, and the internet serving as central parts of our lives. In acoustic space, people hear from every direction at once, the center is everywhere and there is no border. 2 LP.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Realities . Com\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Starting A New Life Today\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mother Cross (We Think We Think)\u003c\/div\u003e\n\u003cdiv\u003e2. A Better Day\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Casting A Spell\u003c\/div\u003e\n\u003cdiv\u003e2. You May Leave But This Will Bring You Back\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Mother Cross (We Think We Think)\u003c\/div\u003e\n\u003cdiv\u003e2. Itopia Chant\u003c\/div\u003e\n\u003cdiv\u003e3. A Better Day\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602508856990\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Forecast\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.5.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Forecast (885699)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Realities . Com\u003c\/li\u003e\n\u003cli\u003eA2 I'm Starting A New Life Today\u003c\/li\u003e\n\u003cli\u003eB1 Mother Cross (We Think We Think)\u003c\/li\u003e\n\u003cli\u003eB2 A Better Day\u003c\/li\u003e\n\u003cli\u003eC1 Casting A Spell\u003c\/li\u003e\n\u003cli\u003eC2 You May Leave But This Will Bring You Back\u003c\/li\u003e\n\u003cli\u003eD1 Mother Cross (We Think We Think)\u003c\/li\u003e\n\u003cli\u003eD2 Itopia Chant\u003c\/li\u003e\n\u003cli\u003eD3 A Better Day\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJay Bellerose – Electronics (Pulse Timing Circuits)\u003c\/li\u003e\n\u003cli\u003eKeefus Ciancia – Humming (Thrums), Other (Action Mechanisms)\u003c\/li\u003e\n\u003cli\u003eCassandra Wilson – Vocals\u003c\/li\u003e\n\u003cli\u003eHassan Essai – Vocals\u003c\/li\u003e\n\u003cli\u003eJade Vincent – Vocals\u003c\/li\u003e\n\u003cli\u003eLogan Ledger – Vocals\u003c\/li\u003e\n\u003cli\u003eSam Phillips – Vocals\u003c\/li\u003e\n\u003cli\u003eT-Bone Burnett – Vocals, Resonator Guitar, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547782795582,"sku":"425050","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633307382078-transparent-v2.png?v=1791445632"},{"product_id":"jethro-tull-living-in-the-past-2-lp-vinyl","title":"Jethro Tull – Living In The Past (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eIan Anderson's restless creative vision made Jethro Tull nearly impossible to pin down in the early years, and that's precisely what makes this collection so valuable. Spanning the band's hard blues beginnings through their increasingly complex folk and prog explorations, it captures a group in constant motion, releasing some of their strongest work as standalone singles that never fit neatly into any studio album.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLiving in the Past is a double album quasi-compilation collection by Jethro Tull, which contains album tracks, out-takes, the \"Life Is a Long Song\" EP, and all of their singles except for \"Aeroplane\", \"Sunshine Day\", \"One for John Gee\", \"17\" and the original United Kingdom version of \"Teacher\" (the United States single version was included instead).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. A Song For Jeffrey (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Love Story (3:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Christmas Song (3:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Living In The Past (3:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Driving Song (2:38)\u003c\/div\u003e\n\u003cdiv\u003e6. Bourée (3:43)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sweet Dream (4:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Singing All Day (3:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Teacher (4:07)\u003c\/div\u003e\n\u003cdiv\u003e4. The Witch's Promise (3:50)\u003c\/div\u003e\n\u003cdiv\u003e5. Alive And Well And Living In (2:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Just Trying To Be (1:36)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. By Kind Permission Of (8:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Dharma For One (9:11)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Wond'ring Again (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Hymn 43 (3:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Life Is A Long Song (3:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Up The 'Pool (3:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Dr. Bogenbroom (2:58)\u003c\/div\u003e\n\u003cdiv\u003e6. From Later (2:06)\u003c\/div\u003e\n\u003cdiv\u003e7. Nursie (1:35)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 825646041930\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.23.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrysalis (2CH 1035)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1972  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Song For Jeffrey – 3:17\u003c\/li\u003e\n\u003cli\u003eA2 Love Story – 3:03\u003c\/li\u003e\n\u003cli\u003eA3 Christmas Song – 3:04\u003c\/li\u003e\n\u003cli\u003eA4 Living In The Past – 3:18\u003c\/li\u003e\n\u003cli\u003eA5 Driving Song – 2:37\u003c\/li\u003e\n\u003cli\u003eA6 Bouree – 3:40\u003c\/li\u003e\n\u003cli\u003eB1 Sweet Dream – 4:02\u003c\/li\u003e\n\u003cli\u003eB2 Singing All Day – 3:04\u003c\/li\u003e\n\u003cli\u003eB3 Teacher – 4:07\u003c\/li\u003e\n\u003cli\u003eB4 Witch's Promise – 3:50\u003c\/li\u003e\n\u003cli\u003eB5 Alive And Well And Living In – 2:45\u003c\/li\u003e\n\u003cli\u003eB6 Just Trying To Be – 1:35\u003c\/li\u003e\n\u003cli\u003eC1 By Kind Permission Of – 8:43\u003c\/li\u003e\n\u003cli\u003eC2 Dharma For One – 9:11\u003c\/li\u003e\n\u003cli\u003eD1 Wond'ring Again – 4:11\u003c\/li\u003e\n\u003cli\u003eD2 Hymn 43 – 3:16\u003c\/li\u003e\n\u003cli\u003eD3 Life Is A Long Song – 3:18\u003c\/li\u003e\n\u003cli\u003eD4 Up The 'Pool – 3:10\u003c\/li\u003e\n\u003cli\u003eD5 Dr. Bogenbroom – 2:59\u003c\/li\u003e\n\u003cli\u003eD6 From Later – 2:06\u003c\/li\u003e\n\u003cli\u003eD7 Nursie – 1:35\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIan Anderson – Acoustic Guitar\u003c\/li\u003e\n\u003cli\u003eGlenn Cornick – Bass\u003c\/li\u003e\n\u003cli\u003eJeffrey Hammond-Hammond – Bass\u003c\/li\u003e\n\u003cli\u003eBarriemore Barlow – Drums\u003c\/li\u003e\n\u003cli\u003eClive Bunker – Drums\u003c\/li\u003e\n\u003cli\u003eAndy Johns – Engineer\u003c\/li\u003e\n\u003cli\u003eJohn Burns – Engineer\u003c\/li\u003e\n\u003cli\u003eJohn Wood – Engineer\u003c\/li\u003e\n\u003cli\u003eRobin Black – Engineer\u003c\/li\u003e\n\u003cli\u003eVic Gamm – Engineer\u003c\/li\u003e\n\u003cli\u003eIan Anderson – Flute\u003c\/li\u003e\n\u003cli\u003eMartin Barre – Guitar\u003c\/li\u003e\n\u003cli\u003eJohn Evan – Organ (Hammond)\u003c\/li\u003e\n\u003cli\u003eClive Bunker – Percussion\u003c\/li\u003e\n\u003cli\u003eJohn Evan – Piano\u003c\/li\u003e\n\u003cli\u003eIan Anderson – Producer\u003c\/li\u003e\n\u003cli\u003eJethro Tull – Producer\u003c\/li\u003e\n\u003cli\u003eTerry Ellis – Producer\u003c\/li\u003e\n\u003cli\u003eIan Anderson – Vocals\u003c\/li\u003e\n\u003cli\u003eIan Anderson – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547783156030,"sku":"119934","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633307709758-transparent-v2.png?v=1791440040"},{"product_id":"st-vincent-actor-lp-vinyl","title":"St. Vincent – Actor","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAnnie Clark had already turned heads with *Marry Me*, but *Actor* was where her orchestral instincts and guitar ferocity locked into something genuinely her own. The album draws its conceptual thread from Hollywood, Clark reportedly writing while watching classic films on mute, letting the visual drama bleed into the arrangements.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Actor\" finds Brooklyn's ST VINCENT working alongside Hideaki Aomori (SUFJAN STEVENS), Alex Sopp (BJORK), and MIDLAKE's rhythm section (McKenzie Smith and Paul Alexander). Co-produced by John Congleton (MODEST MOUSE, POLYPHONIC SPREE), \"Actor\" features eleven new songs written and arranged by Annie Clark (ST VINCENT). The album takes the ambitious compositional and sonic underpinnings of her debut (2007's \"Marry Me\") as a starting point and never looks back. The arrangements are more masterful, the song writing grander, the performances ever more confident and inspired. \"St Vincent\" is renowned for her unique creativity and abundance of musical talent. She is not only a stunning vocalist, but a remarkable multi-instrumentalist who plays the guitar, bass and keyboard on her new album. She began each song as a secret film score to a number of her favourite films (Badlands, Pierrot le Fou, the Wizard of Oz, Stardust Memories, Sleeping Beauty), and then slowly gave them independence as standalone songs. Before recording as ST VINCENT, Annie was a member of THE POLYPHONIC SPREE and SUFJAN STEVENS touring band, plus she also performed with Glenn Branca's guitar orchestra.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Strangers (4:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Save Me From What I Want (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. The Neighbors (3:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Actor Out Of Work (2:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Black Rainbow (4:11)\u003c\/div\u003e\n\u003cdiv\u003e6. The Sequel (1:53)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Laughing With A Mouth Of Blood (3:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Marrow (3:24)\u003c\/div\u003e\n\u003cdiv\u003e3. The Bed (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. The Party (4:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Just The Same But Brand New (5:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 652637291919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4AD (CAD 2919)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2009  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 The Strangers – 4:04\u003c\/li\u003e\n\u003cli\u003eA2 Save Me From What I Want – 3:35\u003c\/li\u003e\n\u003cli\u003eA3 The Neighbors – 3:30\u003c\/li\u003e\n\u003cli\u003eA4 Actor Out Of Work – 2:15\u003c\/li\u003e\n\u003cli\u003eA5 Black Rainbow – 4:11\u003c\/li\u003e\n\u003cli\u003eA6 The Sequel – 1:53\u003c\/li\u003e\n\u003cli\u003eB1 Laughing With A Mouth Of Blood – 3:01\u003c\/li\u003e\n\u003cli\u003eB2 Marrow – 3:24\u003c\/li\u003e\n\u003cli\u003eB3 The Bed – 3:43\u003c\/li\u003e\n\u003cli\u003eB4 The Party – 4:05\u003c\/li\u003e\n\u003cli\u003eB5 Just The Same But Brand New – 5:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul Alexander (2) – Bass (Additional Bass)\u003c\/li\u003e\n\u003cli\u003eWilliam Flynn – Bass (Additional Bass)\u003c\/li\u003e\n\u003cli\u003eMckenzie Smith – Drums\u003c\/li\u003e\n\u003cli\u003eAynsley Powell – Drums (Additional Drums)\u003c\/li\u003e\n\u003cli\u003eJeff Ryan (10) – Drums (Additional Drums)\u003c\/li\u003e\n\u003cli\u003eMatthias Bossi – Drums (Additional Drums)\u003c\/li\u003e\n\u003cli\u003eAlex Sopp – Flute\u003c\/li\u003e\n\u003cli\u003eHideaki Aomori – Flute, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Soprano Saxophone\u003c\/li\u003e\n\u003cli\u003eMichael Atkinson (4) – French Horn, Score (Score Consultant)\u003c\/li\u003e\n\u003cli\u003eJohn Dent – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eLever And Beam – Management\u003c\/li\u003e\n\u003cli\u003eGreg Calbi – Mastered By\u003c\/li\u003e\n\u003cli\u003eAnnabel Mehran – Photography By\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Producer\u003c\/li\u003e\n\u003cli\u003eJohn Congleton – Producer\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Recorded By (Additional Recording)\u003c\/li\u003e\n\u003cli\u003eScott Solter – Recorded By (Additional Recording)\u003c\/li\u003e\n\u003cli\u003eJohn Congleton – Recorded By, Mixed By\u003c\/li\u003e\n\u003cli\u003eDaniel Hart – Violin, Sarangi\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Voice, Guitar, Bass, Keyboards, Performer (Etc.)\u003c\/li\u003e\n\u003cli\u003eAnnie Clark – Written-By, Arranged By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547784106302,"sku":"511059","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633308725566-transparent-v2.png?v=1791445573"},{"product_id":"khruangbin-live-at-stubbs-lp-vinyl","title":"Khruangbin – Live At Stubb's","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Austin, Texas trio of Laura Lee Ochoa, Mark Speer, and Donald Ray \"DJ\" Williams Jr. have built one of the more devoted live followings of the past decade, largely through word of mouth and the kind of hypnotic, groove-locked sets that reward patient listeners. Stubb's Waller Creek Amphitheatre is sacred ground for Texas music, and catching Khruangbin there carries the weight of hometown ceremony.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, \u003c!--filtered--\u003e\u003c!--filtered--\u003ejust a little something extra for the fans that \u003c!--filtered--\u003e\u003c!--filtered--\u003ebring a little something extra. Most of all, \u003c!--filtered--\u003e\u003c!--filtered--\u003ethis series ignites both sides of the band’s \u003c!--filtered--\u003e\u003c!--filtered--\u003emagic: the warm, prismatic feeling of their \u003c!--filtered--\u003e\u003c!--filtered--\u003ealbums and the bewitching energy of their \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances.\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at Stubbs’ features performances by \u003c!--filtered--\u003e\u003c!--filtered--\u003eKelly Doyle, Ruben Moreno, The Suffers and \u003c!--filtered--\u003e\u003c!--filtered--\u003eRobert Ellis and Khruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Woman Trouble (2:10)\u003c\/div\u003e\n\u003cdiv\u003e2. At The Trailride (4:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Don’t Bother Me (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Nobody Smokes Anymore (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Blind Man Can See It \/ (It’s Not The Express) It’s The Monaurail (2:21)\u003c\/div\u003e\n\u003cdiv\u003e6. Bin Bin (2:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Friday Morning (6:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Number 4 (4:24)\u003c\/div\u003e\n\u003cdiv\u003e3. People Everywhere (Still Alive) (9:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163116\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.19.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC331)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Woman Trouble – 2:10\u003c\/li\u003e\n\u003cli\u003eA2 At The Trailride – 4:28\u003c\/li\u003e\n\u003cli\u003eA3 Don’t Bother Me – 3:25\u003c\/li\u003e\n\u003cli\u003eA4 Nobody Smokes Anymore – 3:34\u003c\/li\u003e\n\u003cli\u003eA5 Blind Man Can See It \/ (It’s Not The Express) It’s The Monaurail – 2:21\u003c\/li\u003e\n\u003cli\u003eA6 Bin Bin – 2:31\u003c\/li\u003e\n\u003cli\u003eB1 Friday Morning – 6:42\u003c\/li\u003e\n\u003cli\u003eB2 Number 4 – 4:24\u003c\/li\u003e\n\u003cli\u003eB3 People Everywhere (Still Alive) – 9:36\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJackson Gibbs – Artwork (Tour Poster Art)\u003c\/li\u003e\n\u003cli\u003eNick Scott (9) – Artwork, Layout\u003c\/li\u003e\n\u003cli\u003eLaura Lee (5) – Bass, Vocals\u003c\/li\u003e\n\u003cli\u003eDonald Johnson, Jr. – Drums, Keyboards, Vocals\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Edited By\u003c\/li\u003e\n\u003cli\u003eMark Speer – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eChris Longwood – Mastered By\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Performer, Written By, Arranged By, Concept By, Curated By, Producer\u003c\/li\u003e\n\u003cli\u003eJackie Lee Young – Photography\u003c\/li\u003e\n\u003cli\u003eJade Payne – Recorded By, Mixed By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547816120638,"sku":"449681","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633315279166-transparent-v2.png?v=1791440105"},{"product_id":"yung-lean-jonatan-lp-vinyl","title":"Yung Lean – Jonatan","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eYung Lean built his reputation on a specific kind of melancholy, the hazy, lo-fi cloud rap he pioneered out of Stockholm in the early 2010s that influenced a generation of artists who followed. Naming an album after his given first name signals something different, a reckoning with identity that goes beyond the persona he's inhabited since those early mixtape days.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhether via Yung Lean, JonatanLeandoer96, Dod Mark, or through visual art and acting, Jonatan Leandoer Hastad has consistently reinvented himself and pushed the boundaries of self-expression throughout his decade-plus career. With Jonatan, he makes his most direct artistic statement yet, one that synthesizes his career to date into a singular and powerful statement of intent. “Take off your mask” he sings on lead single “Forever Yung,” a fitting metaphor for this new, more direct, and earnest approach.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Jonatan Intro (1:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Might Not B (2:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Yung (3:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Horses (3:35)\u003c\/div\u003e\n\u003cdiv\u003e5. Paranoid Paparazzi (3:16)\u003c\/div\u003e\n\u003cdiv\u003e6. Babyface Maniacs (3:41)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I'm Your Dirt, I'm Your Love (2:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Teenage Symphonies 4 God (God Will Only) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Changes (3:49)\u003c\/div\u003e\n\u003cdiv\u003e4. My Life (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Swan Song (2:58)\u003c\/div\u003e\n\u003cdiv\u003e6. Terminator Symphony (1:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Lessons From Above (2:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5056167181316\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e World Affairs Ab\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e World Affairs (YNGLN001LP)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Jonatan Intro – 1:19\u003c\/li\u003e\n\u003cli\u003eA2 Might Not B – 2:46\u003c\/li\u003e\n\u003cli\u003eA3 Forever Yung – 3:20\u003c\/li\u003e\n\u003cli\u003eA4 Horses – 3:35\u003c\/li\u003e\n\u003cli\u003eA5 Paranoid Paparazzi – 3:16\u003c\/li\u003e\n\u003cli\u003eA6 Babyface Maniacs – 3:41\u003c\/li\u003e\n\u003cli\u003eB1 I'm Your Dirt, I'm Your Love – 2:51\u003c\/li\u003e\n\u003cli\u003eB2 Teenage Symphonies 4 God (God Will Only) – 3:29\u003c\/li\u003e\n\u003cli\u003eB3 Changes – 3:49\u003c\/li\u003e\n\u003cli\u003eB4 My Life – 3:34\u003c\/li\u003e\n\u003cli\u003eB5 Swan Song – 2:58\u003c\/li\u003e\n\u003cli\u003eB6 Terminator Symphony – 1:42\u003c\/li\u003e\n\u003cli\u003eB7 Lessons From Above – 2:31\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549887746366,"sku":"229728781","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Yung-Lean-Jonatan-180g-LP-Vinyl.jpg?v=1791150566"}],"url":"https:\/\/reserveselects.myshopify.com\/collections\/prog-psych.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}