{"title":"R\u0026B","description":null,"products":[{"product_id":"van-morrison-the-prophet-speaks-lp-vinyl","title":"Van Morrison – The Prophet Speaks","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eVan Morrison has been channeling the blues and soul masters since his days fronting Them in Belfast, so this collection of covers feels less like a detour and more like a homecoming. The original compositions woven throughout prove he's still drawing from the same deep well, not just paying tribute to it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing in gatefold jacket. 2018 album from the veteran singer\/songwriter. This fourteen track album follows a recent run of hugely acclaimed albums (Roll With The Punches, Versatile and You're Driving Me Crazy), each of which has delved deep into the musical styles that have continued to inspire Van throughout his life - vocal jazz and R\u0026amp;B. Here, Van takes on a series of unarguable classics by the likes of John Lee Hooker, Sam Cooke and Solomon Burke (among others) and makes them unmistakably his own. Alongside these reinterpretations, The Prophet Speaks features six phenomenal new Van Morrison compositions. \"It was important for me to get back to recording new music as well as doing some of the blues material that has inspired me from the beginning. Writing songs and making music is what I do, and working with great musicians makes it all the more enjoyable.\" Van Morrison. The Prophet Speaks again finds Van working with the incredible multi-instrumentalist Joey DeFrancesco (the artist co-credited on You're Driving Me Crazy) and his band (including Dan Wilson on guitar, Michael Ode on drums and Troy Roberts on tenor saxophone).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Gonna Send You Back To Where I Got You From (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Dimples (5:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Got To Go Where The Love Is (4:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Laughin And Clownin (5:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. 5 Am Greenwich Mean Time (5:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Gotta Get You Off My Mind (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Teardrops (6:00)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love The Life I Live (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Worried Blues\/Rollin And Tumblin (6:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Aint Gonna Moan No More (6:16)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Is A Five Letter Word (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Love Is Hard Work (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Spirit Will Provide (4:03)\u003c\/div\u003e\n\u003cdiv\u003e4. The Prophet Speaks (4:55)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602577071737\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Exile\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.7.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Exile (7707173); 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The vinyl audio uses high resolution digital transfers of the stereo master mixes, from\u003cbr\u003ethe original studio recordings, remastered at half-speed at Abbey Road Studios. The\u003cbr\u003eelaborate, half-speed mastering process has produced exceptionally clean and detailed\u003c\/p\u003e\r\n\u003cp\u003eaudio whilst remaining faithful to the band’s intended sound. No additional digital limiting was\u003cbr\u003eused in the mastering process, so the album benefits from the advantage of extra clarity and\u003cbr\u003epure fidelity, preserving the dynamic range of the original mixes, presented on pure 180-\u003cbr\u003egram heavyweight black vinyl. The original album sleeve and packaging elements have been\u003cbr\u003emeticulously reproduced in exact detail with authentic paper and printing methods.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. No Ordinary Love\u003c\/div\u003e\n\u003cdiv\u003e2. Feel No Pain\u003c\/div\u003e\n\u003cdiv\u003e3. I Couldn't Love You More\u003c\/div\u003e\n\u003cdiv\u003e4. Like A Tattoo\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Kiss Of Life\u003c\/div\u003e\n\u003cdiv\u003e2. Cherish The Day\u003c\/div\u003e\n\u003cdiv\u003e3. Pearls\u003c\/div\u003e\n\u003cdiv\u003e4. Bullet Proof Soul\u003c\/div\u003e\n\u003cdiv\u003e5. Mermaid\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587848316\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (196587848316, 472626 1); Sony Music (196587848316)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 No Ordinary Love\u003c\/li\u003e\n\u003cli\u003eA2 Feel No Pain\u003c\/li\u003e\n\u003cli\u003eA3 I Couldn't Love You More\u003c\/li\u003e\n\u003cli\u003eA4 Like A Tattoo\u003c\/li\u003e\n\u003cli\u003eB1 Kiss Of Life\u003c\/li\u003e\n\u003cli\u003eB2 Cherish The Day\u003c\/li\u003e\n\u003cli\u003eB3 Pearls\u003c\/li\u003e\n\u003cli\u003eB4 Bullet Proof Soul\u003c\/li\u003e\n\u003cli\u003eB5 Mermaid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eQuest Typesetting – Artwork (Production)\u003c\/li\u003e\n\u003cli\u003ePaul S. Denman – Bass\u003c\/li\u003e\n\u003cli\u003eMike Pela – Co-producer (Co-produced By)\u003c\/li\u003e\n\u003cli\u003ePeter Brawne – Design\u003c\/li\u003e\n\u003cli\u003eAdrian Moore (3) – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eMarc Williams (3) – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eSandro Franchin – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eMike Pela – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eChris Lord-Alge – Engineer (Engineered By), Mixed By\u003c\/li\u003e\n\u003cli\u003eStuart Matthewman – Guitar (Guitars), Saxophone (Sax)\u003c\/li\u003e\n\u003cli\u003eAndrew Hale – Keyboards\u003c\/li\u003e\n\u003cli\u003eMiles Showell – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRoger Davies – Management (Manager)\u003c\/li\u003e\n\u003cli\u003eStephen Marcussen – Mastered By\u003c\/li\u003e\n\u003cli\u003eGavyn Wright – Orchestra (Leader)\u003c\/li\u003e\n\u003cli\u003eAlbert Watson – Photography By\u003c\/li\u003e\n\u003cli\u003eSade – Producer (Produced By), Arranged By\u003c\/li\u003e\n\u003cli\u003eLeroy Osbourne – Vocals (With)\u003c\/li\u003e\n\u003cli\u003eSade Adu – Vocals, Lyrics By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560857918,"sku":"218315","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213763902-transparent-v2.png?v=1791445512"},{"product_id":"lauryn-hill-miseducation-of-lauryn-hill-2-lp-vinyl","title":"Lauryn Hill – Miseducation of Lauryn Hill (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen it dropped in the summer of 1998, Miseducation felt less like a debut than a fully realized statement from someone who had already paid serious dues with the Fugees. Hill wove neo-soul, reggae, hip-hop, and raw gospel confession into something that resonated far beyond any single genre, speaking directly to a generation hungry for music with both emotional depth and technical command.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Miseducation of Lauryn Hill is the debut solo album studio by Lauryn Hill. Released August 25, 1998, the album swept the Grammy Awards in 1999, being nominated for 10 and winning five. 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This album redefined 90s R\u0026amp;B, featuring chart-topping anthems like “Weak” and “Right Here,” which continues to resonate with fans and influence artists today. Each track embodies the group’s signature harmonies and emotional depth. 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Radius, originally released in 2015, found him pushing deeper into funk-laced grooves and tight production without losing the raw, preacher's-son conviction that first turned heads.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWith his 3rd record, Stone proves himself deeply devoted to the making of uncompromisingly soulful music. Made in close collaboration with Swedish soul singer\/songwriter\/phenom Magnus Tingsek and producers Benny Cassette (Kanye West) and Malay (Frank Ocean), Radius captures the warmth and energy of that creative connection and transports the listener to a higher, more exalted plane. New 2023 pressing on coke bottle clear vinyl with revised artwork and new photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Perfect World (3:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Fake Future (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. American Privilege (3:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Circle (3:29)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Upside (4:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Freezer Burn (2:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Love (2:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Where You're At (2:39)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Symmetrical (3:48)\u003c\/div\u003e\n\u003cdiv\u003e2. The Wire (2:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Guardian Angel (4:41)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Freedom (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Barbwire (4:03)\u003c\/div\u003e\n\u003cdiv\u003e3. I Know That I Wasn't Right (6:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882557812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.16.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0297)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Perfect World – 3:16\u003c\/li\u003e\n\u003cli\u003eA2 Fake Future – 2:55\u003c\/li\u003e\n\u003cli\u003eA3 American Privilege – 3:32\u003c\/li\u003e\n\u003cli\u003eA4 Circle – 3:29\u003c\/li\u003e\n\u003cli\u003eB1 Upside – 4:01\u003c\/li\u003e\n\u003cli\u003eB2 Freezer Burn – 2:44\u003c\/li\u003e\n\u003cli\u003eB3 Love – 2:56\u003c\/li\u003e\n\u003cli\u003eB4 Where You're At – 2:39\u003c\/li\u003e\n\u003cli\u003eC1 Symmetrical – 3:48\u003c\/li\u003e\n\u003cli\u003eC2 The Wire – 2:47\u003c\/li\u003e\n\u003cli\u003eC3 Guardian Angel – 4:41\u003c\/li\u003e\n\u003cli\u003eD1 Freedom – 3:51\u003c\/li\u003e\n\u003cli\u003eD2 Barbwire – 4:03\u003c\/li\u003e\n\u003cli\u003eD3 I Know That I Wasn't Right – 6:50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547566395710,"sku":"102899","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633217237310-transparent-v2-r2.png?v=1791328440"},{"product_id":"leon-bridges-happiness-anytime-white-sand-lp-vinyl","title":"Leon Bridges – Happiness Anytime (White Sand LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLeon Bridges built his reputation on aching, Sam Cooke-influenced soul, but his evolution has always been restless. 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His catalog of originals and reimagined classics sits at the intersection of classic R\u0026amp;B tradition and pop craftsmanship, a lineage that runs straight back to his early work as a session singer and arranger for artists like David Bowie and Bette Midler before his own star took over.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eLuther Vandross - Never Too Much: Greatest Hits - Vinyl 2 LP\u003c\/h2\u003e\u003cp\u003eSony Music Vision and FoxxHole Productions produced the Luther Vandross:  Never Too Much which will premiere on CNN on January 1, 2025.  Directed by Dawn Porter, the film features interviews with many artists who worked with or were influenced by Luther including Mariah Carey, Roberta Flack, Jamie Foxx, Richard Marx and Dionne Warwick.  As a companion piece to the documentary, Legacy will release a greatest hits album.  The album features the studio versions of all the songs that were included in the documentary.  The album also features 4 previously unreleased tracks including The Beatles classic \"Michelle\" which was recorded in June 1989.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Never Too Much (3:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Power Of Love \/ Love Power (4:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Give Me The Reason (4:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Stop To Love (5:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Take You Out (3:26)\u003c\/div\u003e\n\u003cdiv\u003e6. Any Love (4:21)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Endless Love (4:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Always And Forever (4:52)\u003c\/div\u003e\n\u003cdiv\u003e3. A House Is Not A Home (7:07)\u003c\/div\u003e\n\u003cdiv\u003e4. Superstar \/ Until You Come Back To Me (9:18)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Here And Now (5:23)\u003c\/div\u003e\n\u003cdiv\u003e2. I'd Rather (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. So Amazing (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Dance With My Father (4:26)\u003c\/div\u003e\n\u003cdiv\u003e5. The Closer I Get To You (4:57)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Michelle (6:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Speak Your Love (5:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Never Too Much (Lost Frequencies Edit) (5:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Get Myself Together (Louie Vega Radio Remix) (3:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588870514\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.13.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (19658887051); Legacy (19658887051)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Canada\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Never Too Much – 3:50\u003c\/li\u003e\n\u003cli\u003eA2 Power Of Love \/ Love Power – 4:19\u003c\/li\u003e\n\u003cli\u003eA3 Give Me The Reason – 4:45\u003c\/li\u003e\n\u003cli\u003eA4 Stop To Love – 5:10\u003c\/li\u003e\n\u003cli\u003eA5 Take You Out – 3:26\u003c\/li\u003e\n\u003cli\u003eA6 Any Love – 4:21\u003c\/li\u003e\n\u003cli\u003eB1 Endless Love – 4:18\u003c\/li\u003e\n\u003cli\u003eB2 Always And Forever – 4:52\u003c\/li\u003e\n\u003cli\u003eB3 A House Is Not A Home – 7:07\u003c\/li\u003e\n\u003cli\u003eB4 Superstar \/ Until You Come Back To Me – 9:18\u003c\/li\u003e\n\u003cli\u003eC1 Here And Now – 5:23\u003c\/li\u003e\n\u003cli\u003eC2 I'd Rather – 4:20\u003c\/li\u003e\n\u003cli\u003eC3 So Amazing – 3:42\u003c\/li\u003e\n\u003cli\u003eC4 Dance With My Father – 4:26\u003c\/li\u003e\n\u003cli\u003eC5 The Closer I Get To You – 4:57\u003c\/li\u003e\n\u003cli\u003eD1 Michelle – 6:30\u003c\/li\u003e\n\u003cli\u003eD2 Speak Your Love – 5:07\u003c\/li\u003e\n\u003cli\u003eD3 Never Too Much (Lost Frequencies Edit) – 5:21\u003c\/li\u003e\n\u003cli\u003eD4 Get Myself Together (Louie Vega Radio Remix) – 3:47\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJeff James – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eFrank Harkins – Design\u003c\/li\u003e\n\u003cli\u003eTom Burleigh – Directed By (Product Director)\u003c\/li\u003e\n\u003cli\u003eChris Poppe – Directed By (Project Director)\u003c\/li\u003e\n\u003cli\u003eDawn Porter – Liner Notes\u003c\/li\u003e\n\u003cli\u003eMarcus Miller – Liner Notes\u003c\/li\u003e\n\u003cli\u003eDavid Gottlieb – Management\u003c\/li\u003e\n\u003cli\u003eJames Tobin – Mastered By (Mastered For Vinyl)\u003c\/li\u003e\n\u003cli\u003eGuzman – Photography By\u003c\/li\u003e\n\u003cli\u003eNorman Jean Roy – Photography By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547581043006,"sku":"604423","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633222578494-transparent-v2.png?v=1791440213"},{"product_id":"sade-lovers-rock-lp-vinyl","title":"Sade – Lovers Rock","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSade's band had been quiet for six years when *Lovers Rock* arrived in 2000, and the album's unhurried confidence made the wait feel intentional. Rooted in the warm, bass-heavy soul the group had refined across the previous decade, it finds Sade Adu's voice more assured than ever, wrapping themes of devotion and heartbreak in arrangements that breathe and linger long after the needle lifts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLovers Rock (2000) is Sade’s fifth album, featuring the singles “By Your Side” and “King Of\u003cbr\u003eSorrow.” The album was recorded at Sarm Hook End (England), El Cortijo (Spain), and\u003cbr\u003eDeliverance Studios (England). The vinyl audio uses high resolution digital transfers of the\u003cbr\u003estereo master mixes, from the original studio recordings, remastered at half-speed at Abbey\u003cbr\u003eRoad Studios. The elaborate, half-speed mastering process has produced exceptionally\u003cbr\u003eclean and detailed audio whilst remaining faithful to the band’s intended sound. No\u003cbr\u003eadditional digital limiting was used in the mastering process, so the album benefits from the\u003cbr\u003eadvantage of extra clarity and pure fidelity, preserving the dynamic range of the original\u003cbr\u003emixes, presented on pure 180-gram heavyweight black vinyl. 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The Ending (5:00)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072081284\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy (FAN00407)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2019  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Signs, High Times – 3:51\u003c\/li\u003e\n\u003cli\u003eA2 I’m Gonna Be There – 5:49\u003c\/li\u003e\n\u003cli\u003eA3 When Will I Begin – 4:18\u003c\/li\u003e\n\u003cli\u003eA4 Walk Through This Life – 4:46\u003c\/li\u003e\n\u003cli\u003eA5 Strengthen What Remains – 2:37\u003c\/li\u003e\n\u003cli\u003eB1 Still Your Mind – 4:58\u003c\/li\u003e\n\u003cli\u003eB2 Hard Case – 3:23\u003c\/li\u003e\n\u003cli\u003eB3 Shame – 4:55\u003c\/li\u003e\n\u003cli\u003eB4 All The World – 3:21\u003c\/li\u003e\n\u003cli\u003eB5 They Don’t Shine – 3:27\u003c\/li\u003e\n\u003cli\u003eBonus Etched 7\" Vinyl\u003c\/li\u003e\n\u003cli\u003eC The Ending – 5:00\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSusan Tedeschi – Guitar, Lead Vocals\u003c\/li\u003e\n\u003cli\u003eKevin Gray – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eBobby Tis – Producer, Engineer, Mixed By\u003c\/li\u003e\n\u003cli\u003eJim Scott – Producer, Engineer, Mixed By\u003c\/li\u003e\n\u003cli\u003eDerek Trucks – Producer, Engineer, Mixed By, Guitar\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778306366,"sku":"141988","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633303810366-transparent-v2.png?v=1791445634"},{"product_id":"van-morrison-moondance-deluxe-3-lp-vinyl","title":"Van Morrison – Moondance (Deluxe 3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in New York in 1969 and released in January 1970, Moondance marked the moment Van Morrison fully synthesized his Belfast soul roots with American jazz, R\u0026amp;B, and folk into something entirely his own. The additional session material spread across three sides of vinyl here gives collectors and serious listeners a rare window into how deliberately, and how beautifully, that alchemy was constructed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA perennial favorite, Moondance is often regarded as one of the best albums of all time. Ten years ago, the deluxe edition of the record was released to wide acclaim, with critics and fans basking in the context provided by previously unreleased songs from the recording session. This one extends that look behind the curtain into the \"making of\" a masterpiece. The RIAA-platinum certified classic was written and composed by Van Morrison himself, and is often credited with ushering in the \"soft rock\" era. Hits from the collection include \"Come Running,\" \"Into the Mystic,\" \"Crazy Love,\" and of course, the title track \"Moondance.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. And It Stoned Me (4:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Moondance (4:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Crazy Love (2:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Caravan (2:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Into The Mystic (3:25)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Come Running (2:30)\u003c\/div\u003e\n\u003cdiv\u003e2. These Dreams Of You (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Brand New Day (5:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Everyone (3:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Glad Tidings (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Into The Mystic (Take 11) (4:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Caravan (Take 4) (5:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Glad Tidings (Remix 2) (3:51)\u003c\/div\u003e\n\u003cdiv\u003e4. These Dreams Of You (Remix) (4:29)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Come Running (Take 2) (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Brand New Day (Take 3) (5:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Glad Tidings (Alt. Version) (3:39)\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Love (Alternative Mix) (2:37)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Caravan (Redo: Take 3) (4:57)\u003c\/div\u003e\n\u003cdiv\u003e2. These Dreams Of You (Alt. Version) (4:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Moondance (Take 22) (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Glad Tidings (Take 9) (4:01)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. I Shall Sing (Take 7) (3:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Nobody Knows You When You're Down And Out (Outtake) (3:25)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Been Working (Early Version, Take 5) (10:23)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227820992\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.1.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. - Seven Arts Records (WS 1835)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1970  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 And It Stoned Me – 4:30\u003c\/li\u003e\n\u003cli\u003eA2 Moondance – 4:35\u003c\/li\u003e\n\u003cli\u003eA3 Crazy Love – 2:34\u003c\/li\u003e\n\u003cli\u003eA4 Caravan – 4:57\u003c\/li\u003e\n\u003cli\u003eA5 Into The Mystic – 3:25\u003c\/li\u003e\n\u003cli\u003eB1 Come Running – 2:30\u003c\/li\u003e\n\u003cli\u003eB2 These Dreams Of You – 3:50\u003c\/li\u003e\n\u003cli\u003eB3 Brand New Day – 5:09\u003c\/li\u003e\n\u003cli\u003eB4 Everyone – 3:31\u003c\/li\u003e\n\u003cli\u003eB5 Glad Tidings – 3:13\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJohn Klingberg – Bass\u003c\/li\u003e\n\u003cli\u003eJeff Labes – Clavinet (Clavinette), Piano, Organ\u003c\/li\u003e\n\u003cli\u003eGuy Masson – Congas\u003c\/li\u003e\n\u003cli\u003eGary Mallaber – Drums, Vibraphone, Percussion\u003c\/li\u003e\n\u003cli\u003eLewis Merenstein – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eJohn Platania – Lead Guitar, Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eVan Morrison – Producer\u003c\/li\u003e\n\u003cli\u003eVan Morrison – Rhythm Guitar, Vocals, Tambourine\u003c\/li\u003e\n\u003cli\u003eJack Schroer – Soprano Saxophone, Alto Saxophone\u003c\/li\u003e\n\u003cli\u003eCollin Tilton – Tenor Saxophone, Flute\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778502974,"sku":"283723","price":72.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633303974206-transparent-v2.png?v=1792219597"},{"product_id":"gary-clark-jr-jpeg-raw-2-lp-vinyl","title":"Gary Clark Jr. – JPEG RAW (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAustin's Gary Clark Jr. has always carried the weight of expectation lightly, earning his reputation the hard way through relentless live performance before ever making a studio statement. JPEG RAW finds him in full creative control, produced alongside Jacob Picture, pushing into territory that feels personal rather than calculated. For fans who know him from his scorching Antone's sets or his early Bright Lights EP, this is the album where the ambition finally matches the talent.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eGary Clark Jr.’s forthcoming album entitled JPEG RAW, his fourth studio release,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emarks a grand step in his musical evolution…. A powerful and expansive artistic statement.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile retaining the deep and true resonance of his blues foundations and guitar virtuosity with subtlety yet conviction, he reaches well beyond this time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe emphasis here is on song and studio craft without losing the rawness of his young legend. (Rolling Stone Magazine called him, The Chosen One).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music is dense and adventurous with a more cohesive synthesis of his eclectic musical  palette.  Hip samples, Thelonious Monk and Sonny Boy Williamson decorate flourishes of African,  World Music, even Jazz while merging with blues , rock, R\u0026amp;B and rap; familiar areas he has ventured before, this time with more unity forging a fresh new style.  Clark’s lyrics are  pointed, deeply personal, outspoken and socially conscious with occasional forays into  rap and spoken word from Clark himself.  The sonics are immersive verging on modern groove-oriented psychedelia with hip-hop driven beats in verses giving way to anthemic choruses, rich with power-chording and wide fuzz riffage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSongs like “Maktub”, “JPEG RAW”, “This Is Who We Are”, “Hyperwave” and the epic 10-minute Habits, break fresh ground defying categorization in the ever corporatized, predictable “alt” music world.  The co-written Stevie Wonder duet, “What About The Children” feels like an immediate classic that could have lived on Innervisions or Talking Book if not for Clark’s fuzzed out riff and hip-hop pocket.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClark has always had swagger and sex in his sound and very dangerous hands when wielding 6 strings. JPEG RAW is all of that and breaks new ground that is both thrilling and inspiring on every level.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Maktub\u003c\/div\u003e\n\u003cdiv\u003e2. JPEG RAW\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Start\u003c\/div\u003e\n\u003cdiv\u003e4. This Is Who We Are\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. To The End Of The Earth\u003c\/div\u003e\n\u003cdiv\u003e2. Alone Together\u003c\/div\u003e\n\u003cdiv\u003e3. What About The Children\u003c\/div\u003e\n\u003cdiv\u003e4. Hearts In Retrograde\u003c\/div\u003e\n\u003cdiv\u003e5. Hyperwave\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Funk Witch U\u003c\/div\u003e\n\u003cdiv\u003e2. Triumph\u003c\/div\u003e\n\u003cdiv\u003e3. Habits\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624847762\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hotwire Unlimited (093624873105); Warner Records (093624873105)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Maktub\u003c\/li\u003e\n\u003cli\u003eA2 JPEG RAW\u003c\/li\u003e\n\u003cli\u003eA3 Don't Start\u003c\/li\u003e\n\u003cli\u003eA4 This Is Who We Are\u003c\/li\u003e\n\u003cli\u003eB1 To The End Of The Earth\u003c\/li\u003e\n\u003cli\u003eB2 Alone Together\u003c\/li\u003e\n\u003cli\u003eB3 What About The Children\u003c\/li\u003e\n\u003cli\u003eB4 Hearts In Retrograde\u003c\/li\u003e\n\u003cli\u003eB5 Hyperwave\u003c\/li\u003e\n\u003cli\u003eC1 Funk Witch U\u003c\/li\u003e\n\u003cli\u003eC2 Triumph\u003c\/li\u003e\n\u003cli\u003eC3 Habits\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLenny Waronker – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eMichelle Gomez (3) – A\u0026amp;R, Administrator\u003c\/li\u003e\n\u003cli\u003eFrank Maddocks – Creative Director\u003c\/li\u003e\n\u003cli\u003eGary Clark Jr. – Creative Director\u003c\/li\u003e\n\u003cli\u003eFrank Maddocks – Design\u003c\/li\u003e\n\u003cli\u003eGary Clark Jr. – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eStephen Weintraub – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003ePaul Schindler – Legal\u003c\/li\u003e\n\u003cli\u003eBrian Cohen (3) – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003eBrian Edelman – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003eJohn Marx – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003ePam Adams – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003eSeth Seigle – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003eStephen Weintraub – Management (Artist Management)\u003c\/li\u003e\n\u003cli\u003eW.F. 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The Walsall-born artist rose to prominence in the mid-2010s UK scene, earning a BRIT Critics' Choice Award before her debut album even dropped, and her voice has always carried a weight that translates across genres. Pairing that vocal presence with P2J's production and the kinetic energy of UK garage and grime feels like a genuinely new chapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMulti-award-winning singer and songwriter Jorja Smith announces her new album, “What Are The Odds” featuring sole production from P2J and collaborations with Afrobeat star Wizkid and Grime icon Devlin.\u003c\/p\u003e\u003cp\u003eWith her third album “What Are The Odds”, Jorja continues to build on her legacy with a euphoric offering rooted firmly in dance music. Confidently channelling UKG, Grime, 2Step, Funky House, Soulful House and Afro House, this thrilling, pulsating record rarely dips below 140 BPM.\u003c\/p\u003e\u003cp\u003e“This is music to make you move” says Jorja. “I want people to hear it on the dancefloor, where the sun is shining, in the car and in their headphones on the night bus home. This is a record for driving and vibing.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFor Life\u003c\/li\u003e\n\u003cli\u003eWhat Are The Odds\u003c\/li\u003e\n\u003cli\u003eWhat's Done Is Done\u003c\/li\u003e\n\u003cli\u003eThis City (feat. Devlin)\u003c\/li\u003e\n\u003cli\u003ePretend\u003c\/li\u003e\n\u003cli\u003eThe Way It Was\u003c\/li\u003e\n\u003cli\u003eI Lied, You Lied\u003c\/li\u003e\n\u003cli\u003eDancing\u003c\/li\u003e\n\u003cli\u003eAlive (feat. 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Think of the seminal 1993 East LA film Blood In Blood Out - three protagonists bound together through hardship, strife, and diverging roads, who ultimately circle back to reckon with why they remain. It's a similar story here. Love Stories isn't interested in the happy ending. It's interested in everything that comes before it, after it, and in spite of it.Of course, none of this is accidental. More than a new record, Love Stories is a portrait of a band that has finally grown into itself - one that knows exactly who it is and isn't shy about saying so. As Quiñones puts it: \"It's a solidifying statement of where we are now. This is our style.\"Bassist Christopher Manjarrez described that confidence as something you can hear: \"Everything was just that notch up.\" In contrast to Sinseerly Yours, which had developed organically from a four-piece into an eleven-member ensemble, Love Stories was built from the ground up as a collective effort - every role established before the band entered the studio. \"We went in knowing these are the roles that are gonna be played by these people,\" Quiñones says. \"Everybody was considered wholeheartedly in every arrangement aspect.\"That collective approach extended into the sonic choices themselves. Every member zoomed out - listening not just to their own parts but to the record as a whole, what Quiñones calls thinking like \"a beautiful painting\" rather than a collection of individual tracks. With that foundation in place, the band handed the final mix to engineer Kelly Finnigan. \"We could get so far with our opinions,\" Quiñones admits, \"but at the end of the day there's still 10 or 11 of us trying to figure out what's right.\" The band also leaned into earthier instrumentation - standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone - pulling inspiration from wherever it presented itself, even the most unlikely of places. It's that cross-genre thinking that Quiñones sees as the record's defining quality. \"It didn't feel like we were making soul music at any point,\" he says. \"It felt like we were making our music.\"But the sonic ambition of Love Stories only tells half the story. The band sought to capture something more honest than a highlight reel - showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. On \"Let's Fall In Love (Again),\" Quiñones's protagonist pleads for a second chance before stopping mid-song to acknowledge his own role in the heartbreak - trading wishful fantasy for something far more honest. It's that kind of emotional candor that runs throughout the record. The band's parents appear in the album art, their own love stories folded into the record's visual identity, some of those stories still standing, others not. As Manjarrez puts it: \"Every single song title directs you down a different road of love - whether you win or lose.\" Quiñones wanted listeners to sit with that ambiguity. \"Love is never-ending,\" he says. \"It stretches beyond lifetimes. I want people to still be confused - I want it to be left like an open book.\"To achieve what they're reaching for, every member of Thee Sinseers has had to check their ego at the door - and mean it. \"The sense of ego is, in a weird way, non-existent when it comes to recording and writing,\" Quiñones says. \"We're all fans of each other at the end of the day.\" It's the kind of trust earned on the road, forged through years of shared miles and close quarters - and reflected in a lineup that welcomed new additions seamlessly, including expanded roles for familiar faces and string arrangements from newcomer Skip Heller that push the songs into new territory.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOh Love\u003c\/li\u003e\n\u003cli\u003eDid Ya Know?\u003c\/li\u003e\n\u003cli\u003eLet's Fall In Love (Again)\u003c\/li\u003e\n\u003cli\u003eThere She Goes\u003c\/li\u003e\n\u003cli\u003eLet 'Em Shine\u003c\/li\u003e\n\u003cli\u003eHow Lonely Is Lonely\u003c\/li\u003e\n\u003cli\u003eWhat Can I Do?\u003c\/li\u003e\n\u003cli\u003eCry Baby\u003c\/li\u003e\n\u003cli\u003eMinute By Minute\u003c\/li\u003e\n\u003cli\u003eShe Was In Love\u003c\/li\u003e\n\u003cli\u003eWhile You Were Sleeping\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648564359082\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Colemine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Colemine Records (CLMN 12074)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Oh Love – 3:09\u003c\/li\u003e\n\u003cli\u003eA2 Did Ya Know? – 3:41\u003c\/li\u003e\n\u003cli\u003eA3 Let's Fall In Love (Again) – 3:14\u003c\/li\u003e\n\u003cli\u003eA4 There She Goes – 3:37\u003c\/li\u003e\n\u003cli\u003eA5 Let ' Em Shine – 3:13\u003c\/li\u003e\n\u003cli\u003eB1 How Lonely Is Lonely – 3:30\u003c\/li\u003e\n\u003cli\u003eB2 What Can I Do? – 3:41\u003c\/li\u003e\n\u003cli\u003eB3 Cry Baby – 3:25\u003c\/li\u003e\n\u003cli\u003eB4 Minute By Minute – 3:48\u003c\/li\u003e\n\u003cli\u003eB5 She Was In Love – 2:43\u003c\/li\u003e\n\u003cli\u003eB6 While You Were Sleeping – 2:42\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJJ Golden – Mastered By\u003c\/li\u003e\n\u003cli\u003eKelly Finnigan – Mixed By\u003c\/li\u003e\n\u003cli\u003eJoey Quiñones – Producer\u003c\/li\u003e\n\u003cli\u003eJoey Quiñones – Written-By\u003c\/li\u003e\n\u003cli\u003eThee Sinseers – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616230718,"sku":"192004152","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Thee-Sinseers-Love-Stories-LP-Vinyl.jpg?v=1791133877"},{"product_id":"sade-this-far-6-lp-vinyl","title":"Sade – This Far (6-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSade's studio catalog spans nearly three decades, yet the band has released only six albums, a restraint that only deepened the devotion of their following. Sade Adu's voice and the group's unhurried blend of soul, jazz, and quiet storm R\u0026amp;B influenced generations of artists while never chasing trends, making each release feel like an event unto itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003eThis box set features remastered versions of all of Sade's studio albums to date, on pure 180-gram black vinyl the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums: Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000), and Solder Of Love (2010) are packaged into the beautifully finished, white case-bound box. Revisiting the audio, the band and Miles Showell worked from high resolution digital transfers of the stereo master mixes, from the original analogue studio tapes, remastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering process has produced exceptionally clean and detailed audio whilst remaining faithful to the band s intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time. The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eDiamond Life\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eA1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSmooth Operator 4:58\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eA2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eYour Love Is King 3:40\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eA3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eHang On To Your Love 5:54\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eA4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eFrankie's First Affair 4:38\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eA5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eWhen Am I Going To Make A Living 3:25\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eB1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eCherry Pie 6:20\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eB2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSally 5:20\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eB3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eI Will Be Your Friend 4:43\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eB4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eWhy Can't We Live Together 5:27\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003ePromise\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eC1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eIs It A Crime 6:18\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eC2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eThe Sweetest Taboo 4:35\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eC3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eWar Of The Hearts 6:47\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eC4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eJezebel 5:30\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eD1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eMr Wrong 2:50\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eD2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eNever As Good As The First Time 5:01\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eD3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eFear 4:05\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eD4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eTar Baby 3:58\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eD5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eMaureen 4:22\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eStronge  Than Pride\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eE1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eLove Is Stronger Than Pride 4:16\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eE2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eParadise 4:01\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eE3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eNothing Can Come Between Us 4:21\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eE4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eHaunt Me 5:48\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eE5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eTurn My Back On You 6:05\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eF1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eKeep Looking 5:20\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eF2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eClean Heart 3:59\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eF3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eGive It Up 3:49\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eF4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eI Never Thought I'd See The Day 4:12\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eF5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSiempre Hay Esperanza 5:16\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eLove Deluxe\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eG1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eNo Ordinary Love\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eG2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eFeel No Pain\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eG3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eI Couldn't Love You More\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eG4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eLike A Tattoo\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eH1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eKiss Of Life\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eH2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eCherish The Day\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eH3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003ePearls\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eH4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eBullet Proof Soul\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eH5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eMermaid\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eLovers Rock\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eI1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eBy Your Side\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e4:34\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eI2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eFlow\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e4:34\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eI3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eKing Of Sorrow\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e4:53\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eI4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSomebody Already Broke My Heart\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e5:01\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eI5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eAll About Our Love\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eI6\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSlave Song\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e4:12\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eJ1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eThe Sweetest Gift\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eJ2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eEvery Word\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e4:04\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eJ3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eImmigrant\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e3:48\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eJ4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eLovers Rock\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e4:13\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eJ5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eIt's Only Love That Gets You Through\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e3:53\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eSoldier Of Love\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eK1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eThe Moon And The Sky\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eK2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSoldier Of Love\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eK3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eMorning Bird\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eK4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eBabyfather\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eK5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eLong Hard Road\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eL1\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eBe That Easy\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eL2\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eBring Me Home\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eL3\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eIn Another Time\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eL4\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eSkin\u003c\/div\u003e\n\u003cdiv style=\"-webkit-font-smoothing: subpixel-antialiased; color: rgb(59, 59, 59); font-family: arial, helvetica, sans-serif; font-weight: 400; background-color: rgb(255, 255, 255); text-align: left;\"\u003eL5\u003cspan style=\"-webkit-font-smoothing: subpixel-antialiased; white-space: pre;\"\u003e \u003c\/span\u003eThe Safest Place\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854561215\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.30.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (88985456121); Sony Music (88985456121)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA, Canada \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDiamond Life\u003c\/li\u003e\n\u003cli\u003eA1 Smooth Operator – 4:58\u003c\/li\u003e\n\u003cli\u003eA2 Your Love Is King – 3:40\u003c\/li\u003e\n\u003cli\u003eA3 Hang On To Your Love – 5:54\u003c\/li\u003e\n\u003cli\u003eA4 Frankie's First Affair – 4:38\u003c\/li\u003e\n\u003cli\u003eA5 When Am I Going To Make A Living – 3:25\u003c\/li\u003e\n\u003cli\u003eB1 Cherry Pie – 6:20\u003c\/li\u003e\n\u003cli\u003eB2 Sally – 5:20\u003c\/li\u003e\n\u003cli\u003eB3 I Will Be Your Friend – 4:43\u003c\/li\u003e\n\u003cli\u003eB4 Why Can't We Live Together – 5:27\u003c\/li\u003e\n\u003cli\u003ePromise\u003c\/li\u003e\n\u003cli\u003eC1 Is It A Crime – 6:18\u003c\/li\u003e\n\u003cli\u003eC2 The Sweetest Taboo – 4:35\u003c\/li\u003e\n\u003cli\u003eC3 War Of The Hearts – 6:47\u003c\/li\u003e\n\u003cli\u003eC4 Jezebel – 5:30\u003c\/li\u003e\n\u003cli\u003eD1 Mr Wrong – 2:50\u003c\/li\u003e\n\u003cli\u003eD2 Never As Good As The First Time – 5:01\u003c\/li\u003e\n\u003cli\u003eD3 Fear – 4:05\u003c\/li\u003e\n\u003cli\u003eD4 Tar Baby – 3:58\u003c\/li\u003e\n\u003cli\u003eD5 Maureen – 4:22\u003c\/li\u003e\n\u003cli\u003eStronger Than Pride\u003c\/li\u003e\n\u003cli\u003eE1 Love Is Stronger Than Pride – 4:16\u003c\/li\u003e\n\u003cli\u003eE2 Paradise – 4:01\u003c\/li\u003e\n\u003cli\u003eE3 Nothing Can Come Between Us – 4:21\u003c\/li\u003e\n\u003cli\u003eE4 Haunt Me – 5:48\u003c\/li\u003e\n\u003cli\u003eE5 Turn My Back On You – 6:05\u003c\/li\u003e\n\u003cli\u003eF1 Keep Looking – 5:20\u003c\/li\u003e\n\u003cli\u003eF2 Clean Heart – 3:59\u003c\/li\u003e\n\u003cli\u003eF3 Give It Up – 3:49\u003c\/li\u003e\n\u003cli\u003eF4 I Never Thought I'd See The Day – 4:12\u003c\/li\u003e\n\u003cli\u003eF5 Siempre Hay Esperanza – 5:16\u003c\/li\u003e\n\u003cli\u003eLove Deluxe\u003c\/li\u003e\n\u003cli\u003eG1 No Ordinary Love\u003c\/li\u003e\n\u003cli\u003eG2 Feel No Pain\u003c\/li\u003e\n\u003cli\u003eG3 I Couldn't Love You More\u003c\/li\u003e\n\u003cli\u003eG4 Like A Tattoo\u003c\/li\u003e\n\u003cli\u003eH1 Kiss Of Life\u003c\/li\u003e\n\u003cli\u003eH2 Cherish The Day\u003c\/li\u003e\n\u003cli\u003eH3 Pearls\u003c\/li\u003e\n\u003cli\u003eH4 Bullet Proof Soul\u003c\/li\u003e\n\u003cli\u003eH5 Mermaid\u003c\/li\u003e\n\u003cli\u003eLovers Rock\u003c\/li\u003e\n\u003cli\u003eI1 By Your Side – 4:34\u003c\/li\u003e\n\u003cli\u003eI2 Flow – 4:34\u003c\/li\u003e\n\u003cli\u003eI3 King Of Sorrow – 4:53\u003c\/li\u003e\n\u003cli\u003eI4 Somebody Already Broke My Heart – 5:01\u003c\/li\u003e\n\u003cli\u003eI5 All About Our Love – 2:40\u003c\/li\u003e\n\u003cli\u003eI6 Slave Song – 4:12\u003c\/li\u003e\n\u003cli\u003eJ1 The Sweetest Gift – 2:18\u003c\/li\u003e\n\u003cli\u003eJ2 Every Word – 4:04\u003c\/li\u003e\n\u003cli\u003eJ3 Immigrant – 3:48\u003c\/li\u003e\n\u003cli\u003eJ4 Lovers Rock – 4:13\u003c\/li\u003e\n\u003cli\u003eJ5 It's Only Love That Gets You Through – 3:53\u003c\/li\u003e\n\u003cli\u003eSoldier Of Love\u003c\/li\u003e\n\u003cli\u003eK1 The Moon And The Sky\u003c\/li\u003e\n\u003cli\u003eK2 Soldier Of Love\u003c\/li\u003e\n\u003cli\u003eK3 Morning Bird\u003c\/li\u003e\n\u003cli\u003eK4 Babyfather\u003c\/li\u003e\n\u003cli\u003eK5 Long Hard Road\u003c\/li\u003e\n\u003cli\u003eL1 Be That Easy\u003c\/li\u003e\n\u003cli\u003eL2 Bring Me Home\u003c\/li\u003e\n\u003cli\u003eL3 In Another Time\u003c\/li\u003e\n\u003cli\u003eL4 Skin\u003c\/li\u003e\n\u003cli\u003eL5 The Safest Place\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTom Hingston Studio – Design\u003c\/li\u003e\n\u003cli\u003eMiles Showell – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eMiles Showell – Remastered By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616263486,"sku":"391269","price":229.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Sade-This-Far-6-LP-Vinyl.jpg?v=1791133911"},{"product_id":"sade-diamond-life-lp-vinyl","title":"Sade – Diamond Life","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen Diamond Life arrived in 1984, it introduced a sound so assured and fully formed it was hard to believe it was a debut. Sade Adu's cool, unhurried delivery sat against jazz-inflected arrangements and understated funk grooves in a way that felt genuinely new, drawing comparisons to everything from soul and bossa nova to quiet storm R\u0026amp;B without sounding quite like any of them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDiamond Life (1984) is Sade’s debut album, featuring the singles “Your Love Is King”,\u003cbr\u003e“When Am I Going To Make A Living”, “Smooth Operator”, and “Hang On To Your Love.”\u003cbr\u003eThe album was recorded at Power Plant Studios (England). The vinyl audio uses high\u003cbr\u003eresolution digital transfers of the stereo master mixes, from the original studio recordings,\u003cbr\u003eremastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering\u003cbr\u003eprocess has produced exceptionally clean and detailed audio whilst remaining faithful to the\u003cbr\u003eband’s intended sound. No additional digital limiting was used in the mastering process, so\u003cbr\u003ethe album benefits from the advantage of extra clarity and pure fidelity, preserving the\u003cbr\u003edynamic range of the original mixes, presented on pure 180-gram heavyweight black vinyl.\u003cbr\u003eThe original album sleeve and packaging elements have been meticulously reproduced in\u003cbr\u003eexact detail with authentic paper and printing methods.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Smooth Operator (4:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Your Love Is King (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Hang On To Your Love (5:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Frankie's First Affair (4:38)\u003c\/div\u003e\n\u003cdiv\u003e5. When Am I Going To Make A Living (3:25)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Cherry Pie (6:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Sally (5:20)\u003c\/div\u003e\n\u003cdiv\u003e3. I Will Be Your Friend (4:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Why Can't We Live Together (5:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587848019\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (EPC 26044, 26044)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1984  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Smooth Operator – 4:57\u003c\/li\u003e\n\u003cli\u003eA2 Your Love Is King – 3:55\u003c\/li\u003e\n\u003cli\u003eA3 Hang On To Your Love – 5:56\u003c\/li\u003e\n\u003cli\u003eA4 Frankie's First Affair – 4:34\u003c\/li\u003e\n\u003cli\u003eA5 When Am I Going To Make A Living – 3:26\u003c\/li\u003e\n\u003cli\u003eB1 Cherry Pie – 6:17\u003c\/li\u003e\n\u003cli\u003eB2 Sally – 5:19\u003c\/li\u003e\n\u003cli\u003eB3 I Will Be Your Friend – 4:41\u003c\/li\u003e\n\u003cli\u003eB4 Why Can't We Live Together – 5:28\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul S. Denman – Band (Sade Are), Bass\u003c\/li\u003e\n\u003cli\u003eAndrew Hale – Band (Sade Are), Keyboards\u003c\/li\u003e\n\u003cli\u003eStuart Matthewman – Band (Sade Are), Saxophone (Sax), Guitar\u003c\/li\u003e\n\u003cli\u003eSade Adu – Band (Sade Are), Vocals\u003c\/li\u003e\n\u003cli\u003eDave Early – Drums\u003c\/li\u003e\n\u003cli\u003ePaul Cooke – Drums\u003c\/li\u003e\n\u003cli\u003eMike Pela – Engineer (Production Engineer)\u003c\/li\u003e\n\u003cli\u003eLee Barrett (2) – Management (Manager)\u003c\/li\u003e\n\u003cli\u003eDave Early – Percussion\u003c\/li\u003e\n\u003cli\u003eMartin Ditcham – Percussion\u003c\/li\u003e\n\u003cli\u003eChris Roberts (10) – Photography By (Photos)\u003c\/li\u003e\n\u003cli\u003eRobin Millar – Producer\u003c\/li\u003e\n\u003cli\u003eGraham Smith (5) – Sleeve, Design\u003c\/li\u003e\n\u003cli\u003eGordon Matthewman – Trumpet\u003c\/li\u003e\n\u003cli\u003eTerry Bailey – Trumpet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616361790,"sku":"531722","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633504973118-transparent-v2.png?v=1791445511"},{"product_id":"sade-promise-lp-vinyl","title":"Sade – Promise","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSade's sophomore record arrived just a year after her breakthrough debut, yet *Promise* deepened rather than repeated the formula, showcasing the band's gift for restraint and space as much as melody. Helen Folasade Adu's voice remains one of the most distinct instruments in modern soul, and the sparse, late-night arrangements here hold up remarkably well four decades on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePromise (1985) is Sade’s second album, featuring the singles “The Sweetest Taboo”, “Is It\u003cbr\u003eA Crime?”, and “Never As Good As The First Time.” The album was recorded at Power Plant\u003cbr\u003eStudios (England) and Studio Miraval (France). The vinyl audio uses high resolution digital\u003cbr\u003etransfers of the stereo master mixes, from the original studio recordings, remastered at half-\u003cbr\u003espeed at Abbey Road Studios. The elaborate, half-speed mastering process has produced\u003cbr\u003eexceptionally clean and detailed audio whilst remaining faithful to the band’s intended sound.\u003cbr\u003eNo additional digital limiting was used in the mastering process, so the album benefits from\u003cbr\u003ethe advantage of extra clarity and pure fidelity, preserving the dynamic range of the original\u003cbr\u003emixes, presented on pure 180-gram heavyweight black vinyl. The original album sleeve and\u003cbr\u003epackaging elements have been meticulously reproduced in exact detail with authentic paper\u003cbr\u003eand printing methods.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Is It A Crime (6:18)\u003c\/div\u003e\n\u003cdiv\u003e2. The Sweetest Taboo (4:35)\u003c\/div\u003e\n\u003cdiv\u003e3. War Of The Hearts (6:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Jezebel (5:30)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mr Wrong (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Never As Good As The First Time (5:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Fear (4:05)\u003c\/div\u003e\n\u003cdiv\u003e4. Tar Baby (3:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Maureen (4:22)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587848118\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic (EPC 86318)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1985  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Is It A Crime – 6:18\u003c\/li\u003e\n\u003cli\u003eA2 The Sweetest Taboo – 4:35\u003c\/li\u003e\n\u003cli\u003eA3 War Of The Hearts – 6:47\u003c\/li\u003e\n\u003cli\u003eA4 Jezebel – 5:30\u003c\/li\u003e\n\u003cli\u003eB1 Mr Wrong – 2:50\u003c\/li\u003e\n\u003cli\u003eB2 Never As Good As The First Time – 5:01\u003c\/li\u003e\n\u003cli\u003eB3 Fear – 4:05\u003c\/li\u003e\n\u003cli\u003eB4 Tar Baby – 3:58\u003c\/li\u003e\n\u003cli\u003eB5 Maureen – 4:22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSade – Arranged By\u003c\/li\u003e\n\u003cli\u003ePaul S. Denman – Bass\u003c\/li\u003e\n\u003cli\u003eDave Early – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eMike Pela – Engineer\u003c\/li\u003e\n\u003cli\u003eMike Pela – Engineer (Production)\u003c\/li\u003e\n\u003cli\u003eAndrew Hale – Keyboards\u003c\/li\u003e\n\u003cli\u003eTim Young – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eLee Barrett (2) – Management\u003c\/li\u003e\n\u003cli\u003eMartin Ditcham – Percussion\u003c\/li\u003e\n\u003cli\u003eRobin Millar – Producer\u003c\/li\u003e\n\u003cli\u003eStuart Matthewman – Saxophone, Guitar\u003c\/li\u003e\n\u003cli\u003eGraham Smith (5) – Sleeve, Design\u003c\/li\u003e\n\u003cli\u003ePete Beachill – Trombone\u003c\/li\u003e\n\u003cli\u003eTerry Bailey – Trumpet\u003c\/li\u003e\n\u003cli\u003eSade Adu – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616394558,"sku":"84804","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633505071422-transparent-v2.png?v=1791445512"},{"product_id":"sade-soldier-of-love-lp-vinyl","title":"Sade – Soldier Of Love","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA decade of silence made *Soldier of Love* one of the most anticipated returns in modern soul history, and the band delivered without compromise. Sade Adu's voice, always more instrument than ornament, carries the weight of that long absence across these ten tracks, while the group's signature restraint, sparse arrangements built around groove and space, feels more purposeful than ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSoldier Of Love (2010) is Sade’s sixth album, featuring the singles “Soldier Of Love”,\u003cbr\u003e“Babyfather”, and “The Moon And The Sky.” The album was recorded at Realworld Studios\u003cbr\u003e(England) and El Cortijo (Spain). The vinyl audio uses high resolution digital transfers of the\u003cbr\u003estereo master mixes, from the original studio recordings, remastered at half-speed at Abbey\u003cbr\u003eRoad Studios. The elaborate, half-speed mastering process has produced exceptionally\u003cbr\u003eclean and detailed audio whilst remaining faithful to the band’s intended sound. No\u003cbr\u003eadditional digital limiting was used in the mastering process, so the album benefits from the\u003cbr\u003eadvantage of extra clarity and pure fidelity, preserving the dynamic range of the original\u003cbr\u003emixes, presented on pure 180-gram heavyweight black vinyl. The original album sleeve and\u003cbr\u003epackaging elements have been meticulously reproduced in exact detail with authentic paper\u003cbr\u003eand printing methods.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Moon And The Sky (4:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Soldier Of Love (5:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Morning Bird (3:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Babyfather (4:40)\u003c\/div\u003e\n\u003cdiv\u003e5. Long Hard Road (3:03)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Be That Easy (3:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Bring Me Home (4:09)\u003c\/div\u003e\n\u003cdiv\u003e3. In Another Time (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Skin (4:13)\u003c\/div\u003e\n\u003cdiv\u003e5. The Safest Place (2:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587848514\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RCA (88697638812); Epic (88697638812); Sony Music (88697638812)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2010  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 The Moon And The Sky – 4:28\u003c\/li\u003e\n\u003cli\u003e2 Soldier Of Love – 5:59\u003c\/li\u003e\n\u003cli\u003e3 Morning Bird – 3:55\u003c\/li\u003e\n\u003cli\u003e4 Babyfather – 4:40\u003c\/li\u003e\n\u003cli\u003e5 Long Hard Road – 3:03\u003c\/li\u003e\n\u003cli\u003e6 Be That Easy – 3:41\u003c\/li\u003e\n\u003cli\u003e7 Bring Me Home – 4:09\u003c\/li\u003e\n\u003cli\u003e8 In Another Time – 5:06\u003c\/li\u003e\n\u003cli\u003e9 Skin – 4:13\u003c\/li\u003e\n\u003cli\u003e10 The Safest Place – 2:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSophie Muller – Art Direction, Photography By\u003c\/li\u003e\n\u003cli\u003ePaul S. Denman – Bass\u003c\/li\u003e\n\u003cli\u003eIan Burdge – Cello\u003c\/li\u003e\n\u003cli\u003eMike Pela – Co-producer\u003c\/li\u003e\n\u003cli\u003eTom Hingston Studio – Design\u003c\/li\u003e\n\u003cli\u003eMartin Ditcham – Drums\u003c\/li\u003e\n\u003cli\u003ePete Lewinson – Drums\u003c\/li\u003e\n\u003cli\u003eMike Pela – Engineer\u003c\/li\u003e\n\u003cli\u003eStuart Matthewman – Guitar, Saxophone\u003c\/li\u003e\n\u003cli\u003eAndrew Hale – Keyboards\u003c\/li\u003e\n\u003cli\u003eSade Adu – Lyrics By\u003c\/li\u003e\n\u003cli\u003eJohn Davis (4) – Mastered By\u003c\/li\u003e\n\u003cli\u003eMark Stent – Mixed By\u003c\/li\u003e\n\u003cli\u003eMichael H. Brauer – Mixed By\u003c\/li\u003e\n\u003cli\u003eMike Pela – Mixed By\u003c\/li\u003e\n\u003cli\u003eMartin Ditcham – Percussion\u003c\/li\u003e\n\u003cli\u003eSophie Muller – Photography By\u003c\/li\u003e\n\u003cli\u003eSade – Producer\u003c\/li\u003e\n\u003cli\u003eAndrew Hale – Programmed By\u003c\/li\u003e\n\u003cli\u003eSade Adu – Programmed By\u003c\/li\u003e\n\u003cli\u003eStuart Matthewman – Programmed By\u003c\/li\u003e\n\u003cli\u003eGordon Matthewman – Trumpet\u003c\/li\u003e\n\u003cli\u003eNoel Langley – Trumpet\u003c\/li\u003e\n\u003cli\u003eSophie Muller – Ukulele\u003c\/li\u003e\n\u003cli\u003eEverton Nelson – Violin\u003c\/li\u003e\n\u003cli\u003eLeroy Osbourne – Vocals\u003c\/li\u003e\n\u003cli\u003eSade Adu – Vocals\u003c\/li\u003e\n\u003cli\u003eTony Momrelle – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616427326,"sku":"620630","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633505104190-transparent-v2.png?v=1791445513"},{"product_id":"usher-confessions-2-lp-vinyl","title":"USHER – Confessions - (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2004, *Confessions* became one of the best-selling R\u0026amp;B albums of the 2000s, spending months atop the charts and producing four number-one singles. Usher recorded it during a deeply personal period, and that emotional directness translated into a cultural moment that defined an era of mainstream soul. The orchestral bonus tracks on this anniversary pressing reframe the album's most vulnerable songs in a new light.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003eConfessions\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAnniversary Edition contains alternative album artwork and orchestral versions of “Burn” and “Superstar” as bonus tracks on a 2-LP black vinyl.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Intro (0:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Yeah! 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(4:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Do It To Me (3:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Take Your Hand (2:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Follow Me (3:13)\u003c\/div\u003e\n\u003cdiv\u003e6. My Boo (3:43)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Red Light (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Seduction (3:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Confessions (Part II Remix) (4:26)\u003c\/div\u003e\n\u003cdiv\u003e4. Superstar (Orchestral Mix) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Burn (Orchestral Mix) (3:52)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028267915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.1.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arista (19439916621); Sony Music Commercial Music Group (19439916621)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Intro\u003c\/li\u003e\n\u003cli\u003eA2 Yeah!\u003c\/li\u003e\n\u003cli\u003eA3 Throwback\u003c\/li\u003e\n\u003cli\u003eA4 Confessions\u003c\/li\u003e\n\u003cli\u003eA5 Confessions Part II\u003c\/li\u003e\n\u003cli\u003eA6 Burn\u003c\/li\u003e\n\u003cli\u003eB1 Caught Up\u003c\/li\u003e\n\u003cli\u003eB2 Superstar (Interlude)\u003c\/li\u003e\n\u003cli\u003eB3 Superstar\u003c\/li\u003e\n\u003cli\u003eB4 Truth Hurts\u003c\/li\u003e\n\u003cli\u003eB5 Simple Things\u003c\/li\u003e\n\u003cli\u003eB6 Bad Girl\u003c\/li\u003e\n\u003cli\u003eC1 That's What It's Made For\u003c\/li\u003e\n\u003cli\u003eC2 Can U Handle It?\u003c\/li\u003e\n\u003cli\u003eC3 Do It To Me\u003c\/li\u003e\n\u003cli\u003eC4 Take Your Hand\u003c\/li\u003e\n\u003cli\u003eC5 Follow Me\u003c\/li\u003e\n\u003cli\u003eD1 My Boo\u003c\/li\u003e\n\u003cli\u003eD2 Red Light\u003c\/li\u003e\n\u003cli\u003eD3 Seduction\u003c\/li\u003e\n\u003cli\u003eD4 Confessions Part II Remix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBarry Grint – Lacquer Cut By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549616460094,"sku":"455267","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633505136958-transparent-v2.png?v=1791446287"},{"product_id":"alicia-keys-unplugged-2-lp-vinyl","title":"Alicia Keys – Unplugged (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded live at Brooklyn's Riverside Church in 2005, Keys stripped her piano-driven R\u0026amp;B down to its essential soul, delivering performances that reminded a generation why real musicianship still mattered in an era of heavy production. 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The Virginia-raised, multi-instrumentalist and producer has been one of the most restless creative voices in contemporary soul since his early SoundCloud days, and Fix Your Face finds him operating at full confidence, leaning into the Caribbean and African influences woven through his upbringing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn Fix Your Face, Masego transforms a familiar phrase into a triple entendre: a reflection on his past, a reminder to move through life’s trials with composure, and a promise of the instinctive reaction these sonics will provoke. Across 16 tracks, with appearances from Leon Thomas, Keyshia Cole, Foggieraw, Buju Banton, Lekan and Musiq Soulchild, Masego channels resilience, growth and Black cultural expression into a project built to provoke an immediate reaction. 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Colemine, home to kindred spirits across the funk and soul underground, is a natural fit for a band whose sound lives in the spaces between heartbreak and devotion.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCatching up with Thee Sinseers ahead of their new Colemine Records release, Love Stories, one thing becomes abundantly clear: this is not an LP that explores a neat and tidy love story.The vision of love put forth on this record is full-spectrum. Think of the seminal 1993 East LA film Blood In Blood Out - three protagonists bound together through hardship, strife, and diverging roads, who ultimately circle back to reckon with why they remain. It's a similar story here. Love Stories isn't interested in the happy ending. It's interested in everything that comes before it, after it, and in spite of it.Of course, none of this is accidental. 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Every member zoomed out - listening not just to their own parts but to the record as a whole, what Quiñones calls thinking like \"a beautiful painting\" rather than a collection of individual tracks. With that foundation in place, the band handed the final mix to engineer Kelly Finnigan. \"We could get so far with our opinions,\" Quiñones admits, \"but at the end of the day there's still 10 or 11 of us trying to figure out what's right.\" The band also leaned into earthier instrumentation - standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone - pulling inspiration from wherever it presented itself, even the most unlikely of places. It's that cross-genre thinking that Quiñones sees as the record's defining quality. \"It didn't feel like we were making soul music at any point,\" he says. \"It felt like we were making our music.\"But the sonic ambition of Love Stories only tells half the story. The band sought to capture something more honest than a highlight reel - showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. On \"Let's Fall In Love (Again),\" Quiñones's protagonist pleads for a second chance before stopping mid-song to acknowledge his own role in the heartbreak - trading wishful fantasy for something far more honest. It's that kind of emotional candor that runs throughout the record. The band's parents appear in the album art, their own love stories folded into the record's visual identity, some of those stories still standing, others not. As Manjarrez puts it: \"Every single song title directs you down a different road of love - whether you win or lose.\" Quiñones wanted listeners to sit with that ambiguity. \"Love is never-ending,\" he says. \"It stretches beyond lifetimes. 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Recorded in 2020 and 2021 when touring stopped and all four were in Denver, the album grew from informal sessions built on decades of shared history. Deitch and Smirnoff have played together for more than thirty years, earning multiple No. 1 debuts on the Billboard jazz charts and a Grammy nomination for Best Contemporary Instrumental Album. Porter and Sayers came up through The Motet, a long-running Colorado band that has headlined Red Rocks and built a national audience through steady touring.\u003c\/p\u003e\u003cp\u003eOn 'Stealth,' the band locks into tight, interlocking parts. Deitch and Sayers anchor a deep-pocket, syncopated groove shaped by the approach of Tower of Power bassist Rocco Prestia, while Smirnoff's guitar moves between rhythmic drive and tonal detail. Porter brings talkbox and vocoder into the core of the arrangements, giving the group a distinct sonic identity. 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Put on Stealth at a party and watch everyone get up and dance!\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Can Leave But It's Going To Cost You\u003c\/li\u003e\n\u003cli\u003eTurning Up The Heat\u003c\/li\u003e\n\u003cli\u003eFunky Strummer\u003c\/li\u003e\n\u003cli\u003eStar Of The Show\u003c\/li\u003e\n\u003cli\u003eMy Time\u003c\/li\u003e\n\u003cli\u003eGaribaldi\u003c\/li\u003e\n\u003cli\u003eDoin' It\u003c\/li\u003e\n\u003cli\u003eThe Kid\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 784085106580\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Golden Wolf Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Golden Wolf Records (GW0014)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 You Can Leave But It's Going To Cost You – 7:04\u003c\/li\u003e\n\u003cli\u003eA2 Turning Up The Heat – 4:17\u003c\/li\u003e\n\u003cli\u003eA3 Funky Strummer – 4:39\u003c\/li\u003e\n\u003cli\u003eA4 Star Of The Show – 5:30\u003c\/li\u003e\n\u003cli\u003eB1 My Time – 5:38\u003c\/li\u003e\n\u003cli\u003eB2 Garibaldi – 7:19\u003c\/li\u003e\n\u003cli\u003eB3 Doin' It – 7:26\u003c\/li\u003e\n\u003cli\u003eB4 The Kid – 5:10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGarrett Sayers – Bass, Producer\u003c\/li\u003e\n\u003cli\u003eDoug Sirois – Cover\u003c\/li\u003e\n\u003cli\u003eAdam Deitch – Drums, Percussion, Producer\u003c\/li\u003e\n\u003cli\u003eAdam Smirnoff – Guitar, Producer\u003c\/li\u003e\n\u003cli\u003eHillary Clinton (2) – Management\u003c\/li\u003e\n\u003cli\u003eSavannah Bergeron – Management\u003c\/li\u003e\n\u003cli\u003eJoshua Fairman – Producer, Mixed By, Engineer\u003c\/li\u003e\n\u003cli\u003eJoey Porter – Talkbox, Clavinet, Electric Piano, Organ, Synthesizer, Producer, Mixed By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549625864510,"sku":"303092448","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/MTN-LION-Stealth-LP-Vinyl.jpg?v=1791134500"},{"product_id":"allen-stone-apart-lp-vinyl","title":"Allen Stone – APART","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAllen Stone's Pacific Northwest roots run deep in his sound, a churchraised vocalist whose soulful delivery draws direct lines from classic R\u0026amp;B and gospel tradition. This translucent orange pressing makes a strong case for hearing these stripped arrangements the way they were meant to be experienced, with the warmth and intimacy of analog perfectly suited to Stone's voice at its most unguarded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOn APART Allen Stone reimagines some of his most beloved songs to date, stripping each back to the essence of its creation. The result is both an ideal showcase for his powerful, emotive voice and a testament to the magic within Stone’s artistry: a profound understanding of music's potential to imprint upon our lives. APART features 11 songs pulled from across Stone’s catalog—and one exquisite Bob Marley cover. Alessia Cara joins for a duet on \"Bed I Made\", a song she has previously covered.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882455217\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Unaware\u003c\/div\u003e\n\u003cdiv\u003e2. Give You Blue\u003c\/div\u003e\n\u003cdiv\u003e3. Bed I Made\u003c\/div\u003e\n\u003cdiv\u003e4. Brown Eyed Lover\u003c\/div\u003e\n\u003cdiv\u003e5. Lay It Down\u003c\/div\u003e\n\u003cdiv\u003e6. Consider Me\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. American Privilege\u003c\/div\u003e\n\u003cdiv\u003e2. Circle\u003c\/div\u003e\n\u003cdiv\u003e3. The Wire\u003c\/div\u003e\n\u003cdiv\u003e4. Where You're At\u003c\/div\u003e\n\u003cdiv\u003e5. I Know That I Wasn't Right\u003c\/div\u003e\n\u003cdiv\u003e6. Is This Love\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0575)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Unaware\u003c\/li\u003e\n\u003cli\u003eA2 Give You Blue\u003c\/li\u003e\n\u003cli\u003eA3 Bed I Made\u003c\/li\u003e\n\u003cli\u003eA4 Brown Eyed Lover\u003c\/li\u003e\n\u003cli\u003eA5 Lay It Down\u003c\/li\u003e\n\u003cli\u003eA6 Consider Me\u003c\/li\u003e\n\u003cli\u003eB1 American Privilege\u003c\/li\u003e\n\u003cli\u003eB2 Circle\u003c\/li\u003e\n\u003cli\u003eB3 The Wire\u003c\/li\u003e\n\u003cli\u003eB4 Where You're At\u003c\/li\u003e\n\u003cli\u003eB5 I Know That I Wasn't Right\u003c\/li\u003e\n\u003cli\u003eB6 Is This Love\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549625962814,"sku":"356493","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Allen-Stone-APART-Translucent-Orange-LP-Vinyl.jpg?v=1791134500"},{"product_id":"allen-stone-naturally-lp-vinyl","title":"Allen Stone – Naturally","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWashington State's Allen Stone has spent years proving that classic soul DNA runs just as deep in the Pacific Northwest as it does in Memphis or Muscle Shoals. Cut on limited brown vinyl for Record Store Day 2019, this four-song set captures him at his most unguarded, balancing romantic longing with the kind of raw, room-filling vocal presence that made him a festival favorite long before the algorithm caught up.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e4 track EP containing Allen's latest tracks \"Brown Eyed Lover\", \"Warriors\", \"Taste of You\" and brand new track \"Naturally\" Limited Edition Brown Vinyl!\u003cbr\u003e\u003cbr\u003e1. \"Brown Eyed Lover\"\u003cbr\u003e2. \"Warriors\"\u003cbr\u003e3. \"Taste of You\"\u003cbr\u003e4. \"Naturally\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882350017\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.13.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Brown Eyed Lover (3:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Taste Of You (3:32)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Warriors (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Naturally (4:52)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0493)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2019  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Brown Eyed Lover – 3:59\u003c\/li\u003e\n\u003cli\u003eA2 Taste Of You – 3:32\u003c\/li\u003e\n\u003cli\u003eB1 Warriors – 3:18\u003c\/li\u003e\n\u003cli\u003eB2 Naturally – 4:52\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549626028350,"sku":"540220","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633507365182-transparent-v2.png?v=1791326607"},{"product_id":"dinner-party-whatchu-bringing-lp-vinyl","title":"Dinner Party – Whatchu Bringing","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTerrace Martin, Robert Glasper, Kamasi Washington, and 9th Wonder represent four of the most consequential threads in contemporary Black music, and hearing them work together still feels like a genuine event. 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Martin's collaborative album with Kenyon Dixon, Come As You Are, was nominated for Best Progressive R\u0026amp;B Album, while it's single \"\"WeMaj\"\" (feat. Rapsody) earned a nod for Best Melodic Rap Performance at the 68th Annual Grammy Awards. The nominations arrived in the middle of an especially prolific run for Martin, who spent early 2026 rolling out his ambitious four-part album series - Passion, Peace, Purpose, and Perspective - building toward the full-length Love Is Louder Than Algorithms. 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Nearly a decade of fan-dubbed files and unofficial rips later, this anniversary pressing finally gives the project the physical treatment it always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn January 2016, a 21-year-old Jacquees confidently stepped into the spotlight and officially shifted the climate of modern R\u0026amp;B. Released as a mixtape hosted by DJ Spinz, Mood wasn't just a collection of songs-it was a bold sonic manifesto. Merging classic, unbridled Southern R\u0026amp;B vocals with the heavy, localized bounce of Atlanta's dominant trap scene, the project gave a generation of fans their definitive late-night soundtrack. Now, a decade after it's initial release, the foundational classic is finally making it's official debut on all major streaming services, as well as arriving on CD and vinyl for the very first time. Produced primarily by Nash B, Mood captured an artist on the precipice of superstardom. Backed by executive support from Birdman and the Cash Money Records family, the project features a powerhouse lineup of mid-2010s royalty, including standout guest verses from Kevin Gates, DeJ Loaf, Rich Homie Quan, Kirko Bangz, and Young Scooter. For years, Mood lived in the digital underground of mixtape websites and YouTube rips, passed around by R\u0026amp;B purists like a treasured secret. Whether you're streaming it on the go, spinning the rich analog grooves of the vinyl, or popping the CD into your car, this release honors the timeless body of work that cemented Jacquees as the King of R\u0026amp;B. 1xLP, Pressed on Orange Marbled Vinyl\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199316693706\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fyb Records Llc\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Cash Money Records (none); Universal Republic (none)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 New Wave (Intro)\u003c\/li\u003e\n\u003cli\u003e2 Set It Off\u003c\/li\u003e\n\u003cli\u003e3 Hot Girl\u003c\/li\u003e\n\u003cli\u003e4 B.E.D\u003c\/li\u003e\n\u003cli\u003e5 On It\u003c\/li\u003e\n\u003cli\u003e6 Know You\u003c\/li\u003e\n\u003cli\u003e7 Them Other Girls (Interlude)\u003c\/li\u003e\n\u003cli\u003e8 Ready\u003c\/li\u003e\n\u003cli\u003e9 9\u003c\/li\u003e\n\u003cli\u003e10 Ex Games\u003c\/li\u003e\n\u003cli\u003e11 Pandora\u003c\/li\u003e\n\u003cli\u003e12 Bounce\u003c\/li\u003e\n\u003cli\u003e13 R\u0026amp;B Nigga\u003c\/li\u003e\n\u003cli\u003e14 Come Thru\u003c\/li\u003e\n\u003cli\u003e15 Like Baby\u003c\/li\u003e\n\u003cli\u003e16 T-Shirt \u0026amp; Panties\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBirdman (2) – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eForteBowie – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eJacquees – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eDJ Spinz – Hosted By\u003c\/li\u003e\n\u003cli\u003eCassius Jay – Producer\u003c\/li\u003e\n\u003cli\u003eDJ Spinz – Producer\u003c\/li\u003e\n\u003cli\u003eE-Sharpe – Producer\u003c\/li\u003e\n\u003cli\u003eExoticMuzik – Producer\u003c\/li\u003e\n\u003cli\u003eForteBowie – Producer\u003c\/li\u003e\n\u003cli\u003eKB (10) – Producer\u003c\/li\u003e\n\u003cli\u003eLondon On Da Track – Producer\u003c\/li\u003e\n\u003cli\u003eNash B – Producer\u003c\/li\u003e\n\u003cli\u003eThe Love (2) – Producer\u003c\/li\u003e\n\u003cli\u003eYoG$ – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549626126654,"sku":"293292602","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/4529756-3672327.jpg?v=1791134502"},{"product_id":"meshell-ndegeocello-synonym-2-lp-vinyl","title":"Meshell Ndegeocello – Synonym (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNdegeocello has spent three decades reshaping what bass-driven music can hold, from her 1993 debut *Plantation Lullabies* through jazz, funk, soul, and quiet storm without ever settling into a predictable lane. *Synonym* finds her in genuinely rare company, and the same-gender pairing concept isn't a gimmick; it's a framework that strips away the usual romantic tension and asks what intimacy between voices actually sounds like when that subtext is removed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMeshell Ndegeocello returns with Synonym, her third Blue Note album, featuring stunning duets on beloved songs that span genres, moods, and eras. 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This edition also features brand-new alternative cover art, including Amy’s handwritten lyrics and never-before-seen photos by original album photographers, Mischa Richter and Alex Lake, plus brand-new, exclusive liner notes from Mark Ronson and Salaam Remi. 2026 celebrates the 20th anniversary of the 5x Grammy Award-winning album, Back To Black, universally regarded as one of the greatest, most important and influential albums in pop history.\u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e\u003cbr\u003eRehab\u003cbr\u003eYou Know I'm No Good\u003cbr\u003eMe \u0026amp; Mr Jones\u003cbr\u003eJust Friends\u003cbr\u003eBack To Black\u003cbr\u003eLove Is A Losing Game\u003cbr\u003eTears Dry On Their Own\u003cbr\u003eWake Up Alone\u003cbr\u003eSome Unholy War\u003cbr\u003eHe Can Only Hold Her\u003cbr\u003eAddicted\u003cbr\u003eValerie\u003cbr\u003eMonkey Man\u003cbr\u003eHey Little Rich Girl\u003cbr\u003eYou're Wondering Now\u003cbr\u003eDo Me Good\u003cbr\u003eClose To The Front\u003cbr\u003eI'm No Good\u003cbr\u003eFuckery\u003cbr\u003eI've Been Drinkin'\u003cbr\u003eBack To Black [Original Demo]\u003cbr\u003eLove Is A Losing Game\u003cbr\u003eTears Dry\u003cbr\u003eAddicted\u003cbr\u003eJust Friends\u003cbr\u003eTears Dry On Their Own\u003cbr\u003eHe Can Only Hold Her \/ Doo Wop (That Thing)\u003cbr\u003eWake Up Alone\u003cbr\u003eBack To Black\u003cbr\u003eYou Know I'm No Good\u003cbr\u003eMe \u0026amp; Mr Jones\u003cbr\u003eRehab\u003cbr\u003eLove Is A Losing Game\u003cbr\u003eValerie\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957690102\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Universal Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Universal Music TV (none)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2006  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIsland Records Forthcoming Q4\u003c\/li\u003e\n\u003cli\u003e1-1 Love Ir When You Call – 3:37\u003c\/li\u003e\n\u003cli\u003e1-2 Joker \u0026amp; The Thief – 4:42\u003c\/li\u003e\n\u003cli\u003e1-3 Rehab – 3:34\u003c\/li\u003e\n\u003cli\u003e1-4 The Time (I'm Gonna Try It My May) – 3:03\u003c\/li\u003e\n\u003cli\u003e1-5 Nothing In My Way – 3:59\u003c\/li\u003e\n\u003cli\u003e1-6 Whistle For The Choir – 3:37\u003c\/li\u003e\n\u003cli\u003e1-7 Easy – 3:38\u003c\/li\u003e\n\u003cli\u003e1-8 Grace Kelly – 3:07\u003c\/li\u003e\n\u003cli\u003e1-9 Going Home – 4:06\u003c\/li\u003e\n\u003cli\u003e1-10 Middle Of The Hill – 2:28\u003c\/li\u003e\n\u003cli\u003e1-11 Come Get It – 3:28\u003c\/li\u003e\n\u003cli\u003e1-12 Love Me Or Hate Me – 3:31\u003c\/li\u003e\n\u003cli\u003e1-13 Push – 2:55\u003c\/li\u003e\n\u003cli\u003e1-14 Best Days – 4:20\u003c\/li\u003e\n\u003cli\u003e1-15 It's Not Your Fault – 3:38\u003c\/li\u003e\n\u003cli\u003e1-16 Lie About Us – 3:49\u003c\/li\u003e\n\u003cli\u003e1-17 Hate Me – 3:47\u003c\/li\u003e\n\u003cli\u003e1-18 Trumpets – 3:06\u003c\/li\u003e\n\u003cli\u003eMercury Records Forthcoming Q4\u003c\/li\u003e\n\u003cli\u003e2-1 America – 4:11\u003c\/li\u003e\n\u003cli\u003e2-2 When You Were Young – 3:40\u003c\/li\u003e\n\u003cli\u003e2-3 Writer's Block – 3:42\u003c\/li\u003e\n\u003cli\u003e2-4 Le Disko – 3:24\u003c\/li\u003e\n\u003cli\u003e2-5 Don't Let It Go To Waste – 4:49\u003c\/li\u003e\n\u003cli\u003e2-6 Sinking In – 3:54\u003c\/li\u003e\n\u003cli\u003e2-7 I Call It Love – 3:19\u003c\/li\u003e\n\u003cli\u003e2-8 We Ride – 3:50\u003c\/li\u003e\n\u003cli\u003e2-9 Shoot Me Down – 3:41\u003c\/li\u003e\n\u003cli\u003e2-10 W.A.Y.U.H. 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Producers Ricky Reed and Kaelin Ellis shaped a sound that owes as much to D'Angelo and Frank Ocean as it does to Sam Cooke, and the result is Bridges at his most contemporary and most comfortable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e1 standard weight BLACK Vinyl LP, in mirror-board finish jacket, printed inner sleeve, and 20 page 12”x 12” booklet\u003cbr\u003e\u003cbr\u003e\u003ci\u003eGold-Diggers Sound\u003c\/i\u003e\u003cspan\u003e is the new album from Leon Bridges. This R\u0026amp;B collection is birthed from extended late nights at the Los Angeles, California studio of the same name. The album celebrates Leon’s immersive experience of creating music in the same East Hollywood room where he lived, worked and drank over the course of two years. The soulful collaboration between Leon as an artist and the space itself was so encompassing that he chose to name the album after the soon-to-be legendary complex.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Born Again\u003c\/div\u003e\n\u003cdiv\u003e2. Motorbike\u003c\/div\u003e\n\u003cdiv\u003e3. Steam\u003c\/div\u003e\n\u003cdiv\u003e4. Why Don't You Touch Me\u003c\/div\u003e\n\u003cdiv\u003e5. Magnolias\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Gold-Diggers (Junior's Fanfare)\u003c\/div\u003e\n\u003cdiv\u003e2. Details\u003c\/div\u003e\n\u003cdiv\u003e3. Sho Nuff\u003c\/div\u003e\n\u003cdiv\u003e4. Sweeter\u003c\/div\u003e\n\u003cdiv\u003e5. Don't Worry\u003c\/div\u003e\n\u003cdiv\u003e6. Blue Mesas\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194398869919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.23.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (19439886991, 19439886991 S1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Born Again\u003c\/li\u003e\n\u003cli\u003eA2 Motorbike\u003c\/li\u003e\n\u003cli\u003eA3 Steam\u003c\/li\u003e\n\u003cli\u003eA4 Why Don't You Touch Me\u003c\/li\u003e\n\u003cli\u003eA5 Magnolias\u003c\/li\u003e\n\u003cli\u003eB1 Gold-Diggers (Junior's Fanfare)\u003c\/li\u003e\n\u003cli\u003eB2 Details\u003c\/li\u003e\n\u003cli\u003eB3 Sho Nuff\u003c\/li\u003e\n\u003cli\u003eB4 Sweeter\u003c\/li\u003e\n\u003cli\u003eB5 Don't Worry\u003c\/li\u003e\n\u003cli\u003eB6 Blue Mesas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTina Ibañez – Artwork, Design\u003c\/li\u003e\n\u003cli\u003eLeon Bridges – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eRicky Reed – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eChris Kwon – Illustration (Sleeve Illustrations)\u003c\/li\u003e\n\u003cli\u003eMark Santangelo – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eDaddy Kev – Mastered By\u003c\/li\u003e\n\u003cli\u003eDustin McLaughlin (2) – Photography By (Booklet Cover)\u003c\/li\u003e\n\u003cli\u003eCedrick Jones – Photography By (Booklet Interior)\u003c\/li\u003e\n\u003cli\u003eCory Gehr – Photography By (Booklet Interior)\u003c\/li\u003e\n\u003cli\u003eJustin Hardiman – Photography By (Cover Back Cover)\u003c\/li\u003e\n\u003cli\u003eNate Mercereau – Producer\u003c\/li\u003e\n\u003cli\u003eRicky Reed – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549626683710,"sku":"93306","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633507987774-transparent-v2.png?v=1791440162"},{"product_id":"leon-bridges-leon-lp-vinyl","title":"Leon Bridges – Leon","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTexas native Leon Bridges began his career by paying homage to a beloved classic sound: His 2015 debut Coming Home felt like a companion album to a Sam Cooke classic. But the honey-voiced singer-songwriter didn't stay put within that nostalgic vibe. Rather, with each album, it seems like he's zeroing in on his own iconic style. Maybe that's why he named his fourth record Leon; this 13-track collection is refreshingly personal and astonishingly beautiful. Bridges traveled to Mexico to lay down these warm, airy R\u0026amp;B tunes, which are lit up with fluttering live instrumentation. Simply put, Bridges is among the best at what he does. You won't find soul music that feels as unique, authentic and damn good as this anywhere else in 2024. Bridges' 2020 collaboration with groove-masters Khruangbin leaves its imprint here as well— second single \"Laredo\" paints an impressionistic evening in the Texas town, the singer vibing with a new lover over a heartbeat-bassline and twirling flute. \"[She] grew up in a border town, took me to an empty dive\/ Such a pretty silhouette, show me how to two-step,\" he coos. \"What if I stayed in Laredo just one more night?\" It's sexy, it's catchy, it's magic. On Leon's first track, \"When a Man Cries,\" Bridges opens his chest and lets his heart spill out over echoing piano and a steady beat: \"Turn my pain into power\/ My fear into desire.\" This opening salvo carries through the album—a once in-a-generation talent facing self-doubt and showing his true colors. It's a spectacular beginning to an album that weaves between uplifting soul ballads (\"Never Satisfied\") and undulating grooves (\"Peaceful Place\").\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Justin Jacobs, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/leon-bridges-leon\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLeon Bridges built his reputation on a sound so rooted in early soul and R\u0026amp;B that his 2015 debut, \"Coming Home,\" felt like a transmission from another era entirely. \"Leon\" finds him turning the lens inward, trading the period-faithful aesthetic of his early work for something more nakedly autobiographical and sonically expansive, without losing the warmth and specificity that made Fort Worth feel like holy ground in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e‘Leon’ is the highly anticipated fourth album from Grammy Award-winning recording artist, songwriter, and performer Leon Bridges. With 13 tracks featuring Leon’s signature storytelling and a unique blend of organic genre alchemy, ‘Leon’ is his most poignant, powerful, and personal work to date. He takes fans on a trip through the heart of Ft. Worth he knows best, the things he holds dear, and the people and places that shaped him. Featuring production by Ian Fitchuk (Beyonce, Noah Kahan), Daniel Tashian (Kacey Musgraves), and Tyler Johnson (Harry Styles, Miley Cyrus), Leon describes the album as “somewhat of a self-portrait… I'm excited to share these stories about my home, about nostalgia, about my upbringing, about where I'm from, with all of you. I hope this music brings you back to your roots and your journey.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. When A Man Cries\u003c\/div\u003e\n\u003cdiv\u003e2. That's What I Love\u003c\/div\u003e\n\u003cdiv\u003e3. Laredo\u003c\/div\u003e\n\u003cdiv\u003e4. Panther City\u003c\/div\u003e\n\u003cdiv\u003e5. Ain't Got Nothing On You\u003c\/div\u003e\n\u003cdiv\u003e6. Simplify\u003c\/div\u003e\n\u003cdiv\u003e7. Teddy's Tune\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Never Satisfied\u003c\/div\u003e\n\u003cdiv\u003e2. Peaceful Place\u003c\/div\u003e\n\u003cdiv\u003e3. Can't Have It All\u003c\/div\u003e\n\u003cdiv\u003e4. Ivy\u003c\/div\u003e\n\u003cdiv\u003e5. Ghetto Honeybee\u003c\/div\u003e\n\u003cdiv\u003e6. God Loves Everyone\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028293112\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.4.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (19802829311)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 When A Man Cries\u003c\/li\u003e\n\u003cli\u003eA2 That's What I Love\u003c\/li\u003e\n\u003cli\u003eA3 Laredo\u003c\/li\u003e\n\u003cli\u003eA4 Panther City\u003c\/li\u003e\n\u003cli\u003eA5 Ain't Got Nothing On You\u003c\/li\u003e\n\u003cli\u003eA6 Simplify\u003c\/li\u003e\n\u003cli\u003eA7 Teddy's Tune\u003c\/li\u003e\n\u003cli\u003eB1 Never Satisfied\u003c\/li\u003e\n\u003cli\u003eB2 Peaceful Place\u003c\/li\u003e\n\u003cli\u003eB3 Can't Have It All\u003c\/li\u003e\n\u003cli\u003eB4 Ivy\u003c\/li\u003e\n\u003cli\u003eB5 Ghetto Honeybee\u003c\/li\u003e\n\u003cli\u003eB6 God Loves Everyone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJohn Doelp – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eJonathan Eshak – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eZeke Hutchins – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eChris Black (36) – Creative Director (Creative Direction)\u003c\/li\u003e\n\u003cli\u003eOliver Shaw (4) – Design, Art Direction\u003c\/li\u003e\n\u003cli\u003eDan Davis (20) – Engineer (Assisted By)\u003c\/li\u003e\n\u003cli\u003eJoe Nino-Hernes – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eGreg Calbi – Mastered By\u003c\/li\u003e\n\u003cli\u003eSteve Fallone – Mastered By\u003c\/li\u003e\n\u003cli\u003eJoshua Moore – Mixed By\u003c\/li\u003e\n\u003cli\u003eKonrad Snyder – Mixed By\u003c\/li\u003e\n\u003cli\u003eApolinar Cruz – Other (Studio Host, El Desierto Casa Estudio)\u003c\/li\u003e\n\u003cli\u003eEli Vargas (2) – Other (Studio Host, El Desierto Casa Estudio)\u003c\/li\u003e\n\u003cli\u003eEusebio Quintos – Other (Studio Host, El Desierto Casa Estudio)\u003c\/li\u003e\n\u003cli\u003eGabriel Sandoval (2) – Other (Studio Host, El Desierto Casa Estudio)\u003c\/li\u003e\n\u003cli\u003eKari Vargas – Other (Studio Host, El Desierto Casa Estudio)\u003c\/li\u003e\n\u003cli\u003eJackie Booler – Photography By\u003c\/li\u003e\n\u003cli\u003eDaniel Bitran Azripe – Recorded By\u003c\/li\u003e\n\u003cli\u003eIsrael Rodriguez (4) – Recorded By\u003c\/li\u003e\n\u003cli\u003eJC Vertti – Recorded By\u003c\/li\u003e\n\u003cli\u003eKonrad Snyder – Recorded By\u003c\/li\u003e\n\u003cli\u003eJoshua Moore – Recorded By (Additional Recording)\u003c\/li\u003e\n\u003cli\u003eJustin Francis (3) – Recorded By (Additional Recording)\u003c\/li\u003e\n\u003cli\u003eJustin Francis (3) – Recorded By (Initial Recording)\u003c\/li\u003e\n\u003cli\u003eZack Pancoast – Recorded By (Initial Recording)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549626716478,"sku":"376728","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633508053310-transparent-v2.png?v=1791440162"},{"product_id":"jorja-smith-what-are-the-odds-simple-black-lp-vinyl","title":"Jorja Smith – What Are The Odds (Simple Black LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWalsall-raised and globally minded, Jorja Smith has always worn her UK roots loudly, but \"What Are The Odds\" finds her planting her flag deepest yet in the sound that raised her. 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The Deluxe Edition expands her sonic universe even further — introducing four new songs that fuse sensuality, rhythm, and empowerment with global influences—featuring standout singles like the globally acclaimed “Low” (with Diamond Platnumz), “Ecstasy” (featuring Normani \u0026amp; Teyana Taylor), “How We Roll” (with Chris Brown), amongst other hits, the project seamlessly blends Ciara’s R\u0026amp;B and pop legacy with futuristic production, cross-continental energy, and unfiltered storytelling. Among them, “Low” stands as a defining moment — an electrifying fusion of Afrobeats and R\u0026amp;B that bridges Atlanta and East Africa in one hypnotic groove. The visual, rich with dance-floor heat and unapologetic sensuality, showcases Ciara’s signature choreography and global reach, earning millions of views and sparking an international dance challenge. For over two decades, Ciara has defined what it means to be a cultural force — from trendsetting choreography to genre-shaping hits. 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BME empowers her to own her narrative, lead with vision, and build legacy — on her terms.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Made It (2:42)\u003c\/div\u003e\n\u003cdiv\u003e2. How We Roll (3:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Run It Up (3:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Dance With Me (2:23)\u003c\/div\u003e\n\u003cdiv\u003e5. BRB (2:28)\u003c\/div\u003e\n\u003cdiv\u003e6. Low Key (3:30)\u003c\/div\u003e\n\u003cdiv\u003e7. Type A Party (3:46)\u003c\/div\u003e\n\u003cdiv\u003e8. Ecstasy (3:59)\u003c\/div\u003e\n\u003cdiv\u003e9. Wassup (2:52)\u003c\/div\u003e\n\u003cdiv\u003e10. Drop Your Love (3:26)\u003c\/div\u003e\n\u003cdiv\u003e11. This Right Here (3:10)\u003c\/div\u003e\n\u003cdiv\u003e12. 2 In Luv (2:58)\u003c\/div\u003e\n\u003cdiv\u003e13. Forever (2:55)\u003c\/div\u003e\n\u003cdiv\u003e14. Winning (2:31)\u003c\/div\u003e\n\u003cdiv\u003e15. Low (3:31)\u003c\/div\u003e\n\u003cdiv\u003e16. Nice N’ Sweet (2:39)\u003c\/div\u003e\n\u003cdiv\u003e17. Infinite Imagination (3:46)\u003c\/div\u003e\n\u003cdiv\u003e18. LMOL (3:32)\u003c\/div\u003e\n\u003cdiv\u003e19. Ecstasy (Remix) (3:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732717306\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Beauty Marks Ent\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Beauty Marks Entertainment (502132717306)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2026  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Made It – 2:42\u003c\/li\u003e\n\u003cli\u003e2 How We Roll – 3:20\u003c\/li\u003e\n\u003cli\u003e3 Run It Up – 3:12\u003c\/li\u003e\n\u003cli\u003e4 Dance With Me – 2:23\u003c\/li\u003e\n\u003cli\u003e5 BRB – 2:28\u003c\/li\u003e\n\u003cli\u003e6 Low Key – 3:30\u003c\/li\u003e\n\u003cli\u003e7 Type A Party – 3:46\u003c\/li\u003e\n\u003cli\u003e8 Ecstasy – 3:59\u003c\/li\u003e\n\u003cli\u003e9 Wassup – 2:52\u003c\/li\u003e\n\u003cli\u003e10 Drop Your Love – 3:26\u003c\/li\u003e\n\u003cli\u003e11 This Right Here – 3:10\u003c\/li\u003e\n\u003cli\u003e12 2 In Luv – 2:58\u003c\/li\u003e\n\u003cli\u003e13 Forever – 2:55\u003c\/li\u003e\n\u003cli\u003e14 Winning – 2:31\u003c\/li\u003e\n\u003cli\u003e15 Low – 3:31\u003c\/li\u003e\n\u003cli\u003e16 Nice N’ Sweet – 2:39\u003c\/li\u003e\n\u003cli\u003e17 Infinite Imagination – 3:46\u003c\/li\u003e\n\u003cli\u003e18 LMOL – 3:32\u003c\/li\u003e\n\u003cli\u003e19 Ecstasy (Remix) – 3:30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549629174078,"sku":"65886087","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633509691710-transparent-v2.png?v=1791433252"},{"product_id":"alicia-keys-songs-in-a-minor-2-lp-vinyl","title":"Alicia Keys – Songs In A Minor (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen Songs in A Minor dropped in June 2001, it moved over 236,000 copies in its first week and spent 41 weeks on the Billboard 200, announcing Alicia Keys as one of the defining voices of a generation. Rooted equally in classical piano training and New York soul, the album bridged R\u0026amp;B, hip-hop, and blues in a way that felt genuinely earned. This marbled vinyl pressing gives the record the physical weight it always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSongs in A Minor (25th Anniversary) features the classic, 5-time Grammy winning debut album augmented with two bonus tracks from the original album recording sessions: “Foolish Heart” and “Crazy (Mi Corazon),”. This limited edition 2LP set spreads 18 total tracks across the four sides and is housed in a luxe gatefold package.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Piano \u0026amp; I (1:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Girlfriend (3:34)\u003c\/div\u003e\n\u003cdiv\u003e3. How Come You Don't Call Me (3:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Fallin' (3:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Troubles (4:28)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Rock Wit U (5:36)\u003c\/div\u003e\n\u003cdiv\u003e2. A Woman's Worth (5:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Jane Doe (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Goodbye (4:17)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Life (5:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Mr. Man (4:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Never Felt This Way (Interlude) (2:01)\u003c\/div\u003e\n\u003cdiv\u003e4. Butterflyz (4:12)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Why Do I Feel So Sad (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Caged Bird (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Lovin U (3:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Foolish Heart (4:39)\u003c\/div\u003e\n\u003cdiv\u003e5. Crazy (Mi Corazón) (3:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584568614\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e MBK Entertainment (88985344291); AKW (88985344291); J Records (88985344291)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2016  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Piano \u0026amp; I – 1:51\u003c\/li\u003e\n\u003cli\u003eA2 Girlfriend – 3:34\u003c\/li\u003e\n\u003cli\u003eA3 How Come You Don't Call Me – 3:57\u003c\/li\u003e\n\u003cli\u003eA4 Fallin' – 3:30\u003c\/li\u003e\n\u003cli\u003eA5 Troubles – 4:28\u003c\/li\u003e\n\u003cli\u003eB1 Rock Wit U – 5:36\u003c\/li\u003e\n\u003cli\u003eB2 A Woman's Worth – 5:03\u003c\/li\u003e\n\u003cli\u003eB3 Jane Doe – 3:48\u003c\/li\u003e\n\u003cli\u003eC1 Goodbye – 4:20\u003c\/li\u003e\n\u003cli\u003eC2 The Life – 5:25\u003c\/li\u003e\n\u003cli\u003eC3 Mr. Man – 4:09\u003c\/li\u003e\n\u003cli\u003eD1 Never Felt This Way (Interlude) – 2:00\u003c\/li\u003e\n\u003cli\u003eD2 Butterflyz – 4:08\u003c\/li\u003e\n\u003cli\u003eD3 Why Do I Feel So Sad – 4:25\u003c\/li\u003e\n\u003cli\u003eD4 Caged Bird – 3:02\u003c\/li\u003e\n\u003cli\u003eD5 Lovin U – 3:48\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlicia Keys – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eClive Davis – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eJeff Robinson (4) – Executive-Producer\u003c\/li\u003e\n\u003cli\u003ePeter Edge – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eGerald Flowers – Guitar\u003c\/li\u003e\n\u003cli\u003eErnest Manigo – Management\u003c\/li\u003e\n\u003cli\u003eJeff Robinson (4) – Management\u003c\/li\u003e\n\u003cli\u003eJohn Gore (4) – Management\u003c\/li\u003e\n\u003cli\u003eJoseph Conrad Robinson – Management\u003c\/li\u003e\n\u003cli\u003eAlicia Keys – Producer\u003c\/li\u003e\n\u003cli\u003eKerry Brothers – Producer\u003c\/li\u003e\n\u003cli\u003eKerry Brothers – Programmed By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549629206846,"sku":"185706263","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633509855550-transparent-v2-r2.png?v=1791328440"}],"url":"https:\/\/reserveselects.myshopify.com\/collections\/rnb.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}