{"title":"Rock","description":null,"products":[{"product_id":"fleetwood-mac-rumours-lp-vinyl","title":"Fleetwood Mac – Rumours","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during a period of simultaneous romantic collapse among nearly every member of the band, the tension and heartbreak behind *Rumours* is inseparable from its sonic perfection. Tracking largely at Record Plant in Sausalito in 1976, the band channeled genuine personal wreckage into performances of startling warmth and clarity, with Ken Caillat and Richard Dashut helping shape a production that still sounds immaculate on vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe undisputed crown-jewel of the Fleetwood Mac catalog, Rumours has been certified an incredible nineteen times platinum and is one of the best-selling albums in music history. A rare effort that transcends genre, generations, and the personnel that created it, Rumours is quite possibly the definitive album of the '70s and unquestionably, one of the most vital rock LPs ever made. With classic rock staples galore such as \"Dreams,\" \"Don't Stop,\" \"Go Your Own Way,\" \"You Make Loving Fun,\" \"The Chain,\" and \"Gold Dust Woman,\" Rumours reads like a greatest hits package. Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, and Co. Simply make magic on every track. And while celebrated as one of the best break-up releases to enter the public realm, Rumours succeeds primarily because of the impeccable songwriting and passioned playing. Vinyl LP pressing of the British-American rock band's monumental 1977 album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Second Hand News (2:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Dreams (4:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Never Going Back Again (2:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Stop (3:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Go Your Own Way (3:40)\u003c\/div\u003e\n\u003cdiv\u003e6. Songbird (3:18)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Chain (4:27)\u003c\/div\u003e\n\u003cdiv\u003e2. You Make Loving Fun (3:33)\u003c\/div\u003e\n\u003cdiv\u003e3. I Don't Want To Know (3:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Oh Daddy (3:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Gold Dust Woman (5:13)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497816163\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. 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Pulled from the original stereo master tapes, the low-end punch and vocal clarity here reveal details that decades of radio play and digital compression had buried.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003ci\u003e16 of Journey’s most beloved recordings on 2 LP’s. Features the all-time favorites “Don’t Stop Believin’”, “Separate Ways (Worlds Apart)”, “Who’s Crying Now” and “Any Way You Want It”. 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Michael Barbiero – Remix\u003c\/li\u003e\n\u003cli\u003eCyndy Poon – Research (Memorabilia \u0026amp; Expertise Courtesy Of)\u003c\/li\u003e\n\u003cli\u003eLora Beard – Research (Memorabilia \u0026amp; Expertise Courtesy Of)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547562135870,"sku":"119358","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633214943550-transparent-v4.png?v=1791326585"},{"product_id":"david-bowie-aladdin-sane-lp-vinyl","title":"David Bowie – Aladdin Sane","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWritten during Bowie's first North American tour in 1972 and 1973, Aladdin Sane captured a artist in the throes of fame and its fractures, with Mike Garson's jarring, avant-garde piano work on the title track alone marking one of the most startling moments in classic rock. The album pushed the Ziggy Stardust character toward something darker and more fractured, a \"Ziggy goes to America\" document that still sounds like nothing else in the Bowie catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBreakout from the David Bowie 'Five Years: 1969-1973' box. Now available on 1LP 180g Audiophile vinyl.Aladdin Saneis the sixth album by David Bowie. The follow-up to his break through The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was the first album he wrote and released as a bona fide rock star.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Watch That Man (4:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Aladdin Sane (1913-1938-197?) 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The record leans into a kind of weathered, literary heaviness that has nothing to do with the genre its title invokes, trading instead in the weight of language and atmosphere.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited silver colored vinyl LP pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Rolling Stones (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Nausicaä (Love Will Be Revealed) (4:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Love Takes Miles (3:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Drinking Age (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Cancer Of The Skull (5:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Try As I May (4:47)\u003c\/div\u003e\n\u003cdiv\u003e2. We're Thinking The Same Thing (2:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Nina + Field Of Cops (5:52)\u003c\/div\u003e\n\u003cdiv\u003e4. $0 (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Can't Keep Anything (3:49)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5400863170660\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.6.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records (PTPS 50LPX, PTPS50LP); Play It Again Sam (PTPS 50LPX, PTPS50LP)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA, Canada \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 The Rolling Stones – 3:18\u003c\/li\u003e\n\u003cli\u003eA2 Nausicaä (Love Will Be Revealed) – 4:11\u003c\/li\u003e\n\u003cli\u003eA3 Love Takes Miles – 3:18\u003c\/li\u003e\n\u003cli\u003eA4 Drinking Age – 3:30\u003c\/li\u003e\n\u003cli\u003eA5 Cancer Of The Skull – 5:31\u003c\/li\u003e\n\u003cli\u003eB1 Try As I May – 4:47\u003c\/li\u003e\n\u003cli\u003eB2 We're Thinking The Same Thing – 2:47\u003c\/li\u003e\n\u003cli\u003eB3 Nina + Field Of Cops – 5:52\u003c\/li\u003e\n\u003cli\u003eB4 $0 – 6:43\u003c\/li\u003e\n\u003cli\u003eB5 Can't Keep Anything – 3:49\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIsmael Pieter – Design\u003c\/li\u003e\n\u003cli\u003eTim Widden – Drawing (Forensic Sketch)\u003c\/li\u003e\n\u003cli\u003eAdam Powell (10) – Photography By (Cover)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547578618174,"sku":"397813","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633220579646-transparent-v2.png?v=1791433162"},{"product_id":"bob-dylan-tribute-listen-to-bob-dylan-colored-2-lp-vinyl","title":"Bob Dylan Tribute – Listen To Bob Dylan (Colored 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDylan's catalog has always been communal property, songs so deeply embedded in American musical life that every generation finds new ways to inhabit them. 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Featuring faithfully replicated artwork\u003c\/p\u003e\u003cp\u003eand a new four-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Want To Hold Your Hand (2:24)\u003c\/div\u003e\n\u003cdiv\u003e2. I Saw Her Standing There (2:50)\u003c\/div\u003e\n\u003cdiv\u003e3. This Boy (2:11)\u003c\/div\u003e\n\u003cdiv\u003e4. It Won't Be Long (2:11)\u003c\/div\u003e\n\u003cdiv\u003e5. All I've Got To Do (2:05)\u003c\/div\u003e\n\u003cdiv\u003e6. All My Loving (2:04)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Bother Me (2:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Little Child (1:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Till There Was You (2:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Hold Me Tight (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. I Wanna Be Your Man (1:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Not A Second Time (2:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602468019718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol Records (ST 2047, ST-2047)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1964  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 I Want To Hold Your Hand – 2:24\u003c\/li\u003e\n\u003cli\u003eA2 I Saw Her Standing There – 2:50\u003c\/li\u003e\n\u003cli\u003eA3 This Boy – 2:11\u003c\/li\u003e\n\u003cli\u003eA4 It Won't Be Long – 2:11\u003c\/li\u003e\n\u003cli\u003eA5 All I've Got To Do – 2:05\u003c\/li\u003e\n\u003cli\u003eA6 All My Loving – 2:04\u003c\/li\u003e\n\u003cli\u003eB1 Don't Bother Me – 2:28\u003c\/li\u003e\n\u003cli\u003eB2 Little Child – 1:46\u003c\/li\u003e\n\u003cli\u003eB3 Till There Was You – 2:12\u003c\/li\u003e\n\u003cli\u003eB4 Hold Me Tight – 2:30\u003c\/li\u003e\n\u003cli\u003eB5 I Wanna Be Your Man – 1:59\u003c\/li\u003e\n\u003cli\u003eB6 Not A Second Time – 2:03\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRingo Starr – Drums, Vocals\u003c\/li\u003e\n\u003cli\u003ePaul McCartney – Electric Bass, Vocals\u003c\/li\u003e\n\u003cli\u003eGeorge Harrison – Lead Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eRobert Freeman (4) – Photography By (Cover)\u003c\/li\u003e\n\u003cli\u003eJohn Lennon – Rhythm Guitar, Harmonica, Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778339134,"sku":"26088404","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633303843134-transparent-v2.png?v=1791445636"},{"product_id":"tom-petty-the-heartbreakers-mojo-2-lp-vinyl","title":"Tom Petty \u0026 The Heartbreakers – Mojo (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMojo arrived as a full-throated return to the blues-soaked roots that shaped Petty and the Heartbreakers from the beginning, drawing on the kind of slow, greasy grooves more associated with the Sunset Strip clubs of their formative years than the arena rock they'd long since conquered. Recorded largely live in the studio, it captures a band playing for themselves as much as anyone, loose and confident after decades together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Mojo is the 12th studio album by Tom Petty and the Heartbreakers, released on June 15, 2010. It is Petty's first album with the Heartbreakers in eight years. Mojo debuted at #2 on the U.S. Billboard 200, selling 125, 000 copies in it's first week of release. The album is also the band's first full album with bassist Ron Blair since 1981's Hard Promises, as he played on only two tracks on the previous Heartbreakers album, The Last DJ. The Independent said \"it's one of their very best efforts, as ought to be the case when a band plugs into the potency of raw R'n'B spirit.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Jefferson Jericho Blues (3:23)\u003c\/div\u003e\n\u003cdiv\u003e2. First Flash Of Freedom (6:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Running Man's Bible (6:01)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Trip To Pirate's Cove (4:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Candy (4:11)\u003c\/div\u003e\n\u003cdiv\u003e3. No Reason To Cry (3:04)\u003c\/div\u003e\n\u003cdiv\u003e4. I Should Have Known It (3:36)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. U.S. 41 (3:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Takin' My Time (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Let Yourself Go (3:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Pull Me Over (4:04)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Lover's Touch (4:23)\u003c\/div\u003e\n\u003cdiv\u003e2. High In The Morning (3:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Something Good Coming (4:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Good Enough (5:48)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624918882\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.21.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise Records (523971-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2010  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA, Canada \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Jefferson Jericho Blues – 3:23\u003c\/li\u003e\n\u003cli\u003eA2 First Flash Of Freedom – 6:55\u003c\/li\u003e\n\u003cli\u003eA3 Running Man's Bible – 6:01\u003c\/li\u003e\n\u003cli\u003eB1 The Trip To Pirate's Cove – 4:59\u003c\/li\u003e\n\u003cli\u003eB2 Candy – 4:11\u003c\/li\u003e\n\u003cli\u003eB3 No Reason To Cry – 3:04\u003c\/li\u003e\n\u003cli\u003eB4 I Should Have Known It – 3:36\u003c\/li\u003e\n\u003cli\u003eC1 U.S. 41 – 3:00\u003c\/li\u003e\n\u003cli\u003eC2 Takin' My Time – 4:21\u003c\/li\u003e\n\u003cli\u003eC3 Let Yourself Go – 3:23\u003c\/li\u003e\n\u003cli\u003eC4 Don't Pull Me Over – 4:04\u003c\/li\u003e\n\u003cli\u003eD1 Lover's Touch – 4:23\u003c\/li\u003e\n\u003cli\u003eD2 High In The Morning – 3:36\u003c\/li\u003e\n\u003cli\u003eD3 Something Good Coming – 4:11\u003c\/li\u003e\n\u003cli\u003eD4 Good Enough – 5:48\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJeri Heiden – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eJohn Heiden – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eNick Steinhardt – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eRon Blair – Bass\u003c\/li\u003e\n\u003cli\u003eSteve Ferrone – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eGreg Looper – Engineer (Monitor, Recording)\u003c\/li\u003e\n\u003cli\u003eRyan Ulyate – Engineer (Recording), Mixed By\u003c\/li\u003e\n\u003cli\u003eTom Petty – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eScott Thurston – Harmonica, Guitar\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eMike Campbell – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Mastered By\u003c\/li\u003e\n\u003cli\u003eSam Jones (13) – Photography By\u003c\/li\u003e\n\u003cli\u003eBenmont Tench – Piano, Organ\u003c\/li\u003e\n\u003cli\u003eMike Campbell – Producer\u003c\/li\u003e\n\u003cli\u003eRyan Ulyate – Producer\u003c\/li\u003e\n\u003cli\u003eTom Petty – Producer\u003c\/li\u003e\n\u003cli\u003eMike Campbell – Written-By\u003c\/li\u003e\n\u003cli\u003eTom Petty – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778371902,"sku":"25856988","price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633303875902-transparent-v2.png?v=1791446228"},{"product_id":"john-fogerty-legacy-the-creedence-clearwater-revival-years-2-lp-vinyl","title":"John Fogerty – Legacy: the Creedence Clearwater Revival years -  (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe decades-long legal battle Fogerty fought to reclaim ownership of his CCR songs is one of rock's more painful stories, a wound that kept him from performing his own classics for years. Hearing him tear into \"Proud Mary\" or \"Born on the Bayou\" now, with his sons backing him, carries a weight that goes beyond nostalgia. This is a man who earned these songs twice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFogerty celebrates the songs that shaped rock history—on his own terms. For the first time, he fully owns the rights to his music. This marks both celebration and reclamation. With newly recorded versions of his hits, Legacy captures his raw energy with renewed fire. Backed by his family band and buoyed by a wave of fresh recognition, Fogerty remains both fierce and joyful. Legacy is not just a celebration of one of the greatest catalogs in rock \u0026amp; roll—it’s the sound of an American original claiming his place, once more, at center stage.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Up Around The Bend (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Who'll Stop The Rain (2:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Proud Mary (3:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Have You Ever Seen The Rain (2:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Lookin' Out My Back Door (2:34)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Born On The Bayou (5:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Run Through The Jungle (3:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Someday Never Comes (4:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Porterville (2:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Tonight (2:39)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Lodi (3:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Wrote A Song For Everyone (4:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Bootleg (3:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Look Now (2:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Long As I Can See The Light (3:32)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Down On The Corner (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Bad Moon Rising (2:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Travelin' Band (2:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Green River (2:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Fortunate Son (2:17)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072709737\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Concord Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Concord Records (CRE03076)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Up Around The Bend – 2:44\u003c\/li\u003e\n\u003cli\u003eA2 Who'll Stop The Rain – 2:29\u003c\/li\u003e\n\u003cli\u003eA3 Proud Mary – 3:06\u003c\/li\u003e\n\u003cli\u003eA4 Have You Ever Seen The Rain – 2:42\u003c\/li\u003e\n\u003cli\u003eA5 Lookin' Out My Back Door – 2:34\u003c\/li\u003e\n\u003cli\u003eB1 Born On The Bayou – 5:12\u003c\/li\u003e\n\u003cli\u003eB2 Run Through The Jungle – 3:04\u003c\/li\u003e\n\u003cli\u003eB3 Someday Never Comes – 4:03\u003c\/li\u003e\n\u003cli\u003eB4 Porterville – 2:21\u003c\/li\u003e\n\u003cli\u003eB5 Hey Tonight – 2:39\u003c\/li\u003e\n\u003cli\u003eC1 Lodi – 3:12\u003c\/li\u003e\n\u003cli\u003eC2 Wrote A Song For Everyone – 4:51\u003c\/li\u003e\n\u003cli\u003eC3 Bootleg – 3:04\u003c\/li\u003e\n\u003cli\u003eC4 Don't Look Now – 2:11\u003c\/li\u003e\n\u003cli\u003eC5 Long As I Can See The Light – 3:32\u003c\/li\u003e\n\u003cli\u003eD1 Down On The Corner – 2:44\u003c\/li\u003e\n\u003cli\u003eD2 Bad Moon Rising – 2:21\u003c\/li\u003e\n\u003cli\u003eD3 Travelin' Band – 2:08\u003c\/li\u003e\n\u003cli\u003eD4 Green River – 2:33\u003c\/li\u003e\n\u003cli\u003eD5 Fortunate Son – 2:17\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJohn Fogerty – Arranged By\u003c\/li\u003e\n\u003cli\u003eJohn Fogerty – Producer\u003c\/li\u003e\n\u003cli\u003eJohn Fogerty – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778470206,"sku":"26433227","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/John-Fogerty-Legacy-the-Creedence-Clearwater-Revival-years-2-LP-Vinyl.jpg?v=1791079549"},{"product_id":"the-who-live-at-leeds-lp-vinyl","title":"The Who – Live At Leeds","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded on Valentine's Day 1970 at the University of Leeds Refectory, this is the performance that set the standard for what a live rock record could be. 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The title track, written by Dylan, became one of her signature recordings, a song he never officially released himself, leaving her version as the definitive document.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFarewell, Angelina is the sixth studio album by folk icon, Joan Baez. Originally released in 1965, the album peaked at #10 on the Billboard 200. Featuring traditional folk standards alongside tracks written by Bob Dylan, Woody Guthrie, Pete Seeger, and more, No Depression hailed the album as “perhaps the finest sounding folk record ever.” This album has been pressed on 180-gram vinyl at Fidelity Record Pressing with lacquers cut by Kevin Gray at Cohearent Audio and is housed in a tip-on jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Farewell, Angelina (3:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Daddy, You Been On My Mind (2:15)\u003c\/div\u003e\n\u003cdiv\u003e3. It's All Over Now, Baby Blue (3:21)\u003c\/div\u003e\n\u003cdiv\u003e4. The Wild Mountain Thyme (4:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Ranger's Command (3:13)\u003c\/div\u003e\n\u003cdiv\u003e6. Colours (3:02)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Satisfied Mind (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. The River In The Pines (3:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Pauvre Ruteboeuf (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Sagt Mir Wo Die Blumen Sind (4:00)\u003c\/div\u003e\n\u003cdiv\u003e5. A Hard Rain's A-Gonna Fall (7:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072705371\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.3.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Vanguard (VSD-79200)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1971  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Farewell, Angelina – 3:13\u003c\/li\u003e\n\u003cli\u003eA2 Daddy, You Been On My Mind – 2:15\u003c\/li\u003e\n\u003cli\u003eA3 It's All Over Now, Baby Blue – 3:21\u003c\/li\u003e\n\u003cli\u003eA4 The Wild Mountain Thyme – 4:34\u003c\/li\u003e\n\u003cli\u003eA5 Ranger's Command – 3:13\u003c\/li\u003e\n\u003cli\u003eA6 Colours – 3:02\u003c\/li\u003e\n\u003cli\u003eB1 Satisfied Mind – 3:22\u003c\/li\u003e\n\u003cli\u003eB2 The River In The Pines – 3:33\u003c\/li\u003e\n\u003cli\u003eB3 Pauvre Ruteboeuf – 3:28\u003c\/li\u003e\n\u003cli\u003eB4 Sagt Mir Wo Die Blumen Sind – 4:00\u003c\/li\u003e\n\u003cli\u003eB5 A Hard Rain's A-Gonna Fall – 7:36\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRuss Savakus – Bass\u003c\/li\u003e\n\u003cli\u003eJules Halfant – Design\u003c\/li\u003e\n\u003cli\u003eBruce Langhorne – Electric Guitar\u003c\/li\u003e\n\u003cli\u003eJoan Baez – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eMary Stafford – Photography By (Back Cover)\u003c\/li\u003e\n\u003cli\u003eRichard Avedon – Photography By (Front Cover)\u003c\/li\u003e\n\u003cli\u003eJoan Baez – Sleeve Notes\u003c\/li\u003e\n\u003cli\u003eBob Dylan – Written-By\u003c\/li\u003e\n\u003cli\u003eTraditional – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547778666814,"sku":"25795554","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633304203582-transparent-v2.png?v=1791440042"},{"product_id":"dire-straits-communique-lp-vinyl","title":"Dire Straits – Communiqué","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the Bahamas with producer Jerry Wexler and Barry Beckett fresh off their work with Bob Dylan's \"Slow Train Coming,\" Communiqué carries the warm, unhurried soul of those Compass Point sessions in every note. Mark Knopfler's fingerpicked Stratocaster work here owes as much to Chet Atkins and J.J. Cale as it does to anything coming out of the British rock scene at the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDIRE STRAITS \/ COMMUNIQUE - original album on 180 gram vinyl. The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. Long after it's original release in June 1979, Communique rightfully takes it's place as the group's most underrated record - a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity. 180g 45RPM 2LP Reissue 1\/4\" \/ 15 IPS analog master to DSD 256 to analog console to lathe.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Once Upon A Time In The West (5:22)\u003c\/div\u003e\n\u003cdiv\u003e2. News (4:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Where Do You Think You're Going? (3:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Communiqué (5:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Lady Writer (3:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Angel Of Mercy (4:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Portobello Belle (4:29)\u003c\/div\u003e\n\u003cdiv\u003e4. Single-Handed Sailor (4:41)\u003c\/div\u003e\n\u003cdiv\u003e5. Follow Me Home (5:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497848607\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.22.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Vertigo (6360 170)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1979  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Scandinavia\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Once Upon A Time In The West – 5:24\u003c\/li\u003e\n\u003cli\u003eA2 News – 4:13\u003c\/li\u003e\n\u003cli\u003eA3 Where Do You Think You're Going? – 3:50\u003c\/li\u003e\n\u003cli\u003eA4 Communiqué – 5:50\u003c\/li\u003e\n\u003cli\u003eB1 Lady Writer – 3:44\u003c\/li\u003e\n\u003cli\u003eB2 Angel Of Mercy – 4:35\u003c\/li\u003e\n\u003cli\u003eB3 Portobello Belle – 4:31\u003c\/li\u003e\n\u003cli\u003eB4 Single-Handed Sailor – 4:40\u003c\/li\u003e\n\u003cli\u003eB5 Follow Me Home – 5:53\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlan Schmidt – Art Direction\u003c\/li\u003e\n\u003cli\u003eJohn Illsley – Bass, Vocals\u003c\/li\u003e\n\u003cli\u003eHothouse (2) – Design\u003c\/li\u003e\n\u003cli\u003ePick Withers – Drums\u003c\/li\u003e\n\u003cli\u003eClack Inc. Sound Studios – Effects (Sound Effects Provided By)\u003c\/li\u003e\n\u003cli\u003eJack Nuber – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eGregg Hamm – Engineer (Mix)\u003c\/li\u003e\n\u003cli\u003eGeoff Halpin – Illustration (Cover)\u003c\/li\u003e\n\u003cli\u003eB. Bear – Keyboards\u003c\/li\u003e\n\u003cli\u003eBobby Hata – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eBarry Schultz – Photography By (Back Cover Portrait Photos By)\u003c\/li\u003e\n\u003cli\u003eGovert de Roos – Photography By (Band Photo On The Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003eCharlot Wissing – Photography By (Portrait Of John Illsley, Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003eAdrian Boot – Photography By (Portrait Of Pick Withers, Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003ePeter Brill – Photography By (Portraits Of Mark Knopfler and David Knopfler, Inner Sleeve)\u003c\/li\u003e\n\u003cli\u003eBarry Beckett – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eJerry Wexler – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eDavid Knopfler – Rhythm Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eMark Knopfler – Songwriter (Songs By)\u003c\/li\u003e\n\u003cli\u003eThelbert Rigby – Tape Op (Tape Operator)\u003c\/li\u003e\n\u003cli\u003eMark Knopfler – Vocals, Lead Guitar, Rhythm Guitar\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547779158334,"sku":"117569","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633304662334-transparent-v2.png?v=1791433341"},{"product_id":"the-doors-weird-scenes-inside-the-goldmine-2-lp-vinyl","title":"The Doors – Weird Scenes Inside The Goldmine (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in the shadow of Morrison's July 1971 death in Paris, this double LP arrived as both a farewell and a reassessment, spanning the band's full arc from the psychedelic menace of their 1967 debut through the John Densmore, Robby Krieger, and Manzarek trio that carried on without him. The amber vinyl pressing gives the collection a fitting warmth, the color of late-night bars and candlelit stages where this music has always lived best.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReissue on amber vinyl of the 1972 Elektra Records release. It was the second compilation by the group and the first release following the death of Jim Morrison. It features the first album release of two B-sides, Willie Dixon's \"(You Need Meat) Don't Go No Further,\" sung by Ray Manzarek, originally on the flip side of the 1971 45 \"Love Her Madly,\" and the beautiful \"Who Scared You,\" \"Wishful Sinful\"'s flip with Jim Morrison on vocals from a session in 1969. Both are worthwhile additions not found on their first \"greatest hits\" collection, 13.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Break On Through (2:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Strange Days (3:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Shaman's Blues (4:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Love Street (3:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Peace Frog \/ Blue Sunday (5:00)\u003c\/div\u003e\n\u003cdiv\u003e6. The Wasp (Texas Radio \u0026amp; The Big Beat) (4:12)\u003c\/div\u003e\n\u003cdiv\u003e7. End Of The Night (2:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Her Madly (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Spanish Caravan (2:58)\u003c\/div\u003e\n\u003cdiv\u003e3. Ship Of Fools (3:06)\u003c\/div\u003e\n\u003cdiv\u003e4. The Spy (4:15)\u003c\/div\u003e\n\u003cdiv\u003e5. The End (11:35)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Take It As It Comes (2:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Running Blue (2:27)\u003c\/div\u003e\n\u003cdiv\u003e3. L.A. 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The Forum shows were a hometown coronation of sorts, and hearing Nicks, Buckingham, and McVie work through the catalog in that room carries a different gravity than any studio version ever could.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTriple vinyl LP pressing. Fleetwood Mac - Mirage Tour '82. Featuring live recordings from Fleetwood Mac's Mirage Tour, captured at The Forum in Los Angeles on October 21-22, 1982. Includes the classic Mirage tracks \"Gypsy, \" \"Hold Me, \" \u0026amp; \"Eyes Of The World, \" along with six previously unreleased tracks including \"Don't Stop, \" \"Dreams, \" \"Oh Well, \" \"Landslide, \" \"Never Going Back Again\" \u0026amp; \"Sara\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Second Hand News (4:05)\u003c\/div\u003e\n\u003cdiv\u003e2. The Chain (6:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Stop (3:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Dreams (4:13)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Oh Well (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Rhiannon (8:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Brown Eyes (4:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Eyes Of The World (4:10)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Gypsy (4:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Love In Store (3:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Not That Funny (9:06)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Never Going Back Again (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Landslide (4:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Tusk (5:57)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Sara (6:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Hold Me (4:14)\u003c\/div\u003e\n\u003cdiv\u003e3. You Make Loving Fun (4:43)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm So Afraid (6:29)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Go Your Own Way (6:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Letter (4:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Sisters Of The Moon (8:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Songbird (3:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497823642\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records (RCV1 726705, 081227814656)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Second Hand News – 4:05\u003c\/li\u003e\n\u003cli\u003eA2 The Chain – 6:33\u003c\/li\u003e\n\u003cli\u003eA3 Don't Stop – 3:52\u003c\/li\u003e\n\u003cli\u003eA4 Dreams – 4:13\u003c\/li\u003e\n\u003cli\u003eB1 Oh Well – 3:34\u003c\/li\u003e\n\u003cli\u003eB2 Rhiannon – 8:02\u003c\/li\u003e\n\u003cli\u003eB3 Brown 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Bass Guitar\u003c\/li\u003e\n\u003cli\u003eMick Fleetwood – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eDan Hersch – Mastered By\u003c\/li\u003e\n\u003cli\u003eBill Inglot – Mixed By\u003c\/li\u003e\n\u003cli\u003eBrian Kehew – Mixed By\u003c\/li\u003e\n\u003cli\u003eKen Caillat – Mixed By\u003c\/li\u003e\n\u003cli\u003eNeil Zlozower – Photography By\u003c\/li\u003e\n\u003cli\u003eKen Caillat – Producer\u003c\/li\u003e\n\u003cli\u003eBrian Dodd – Product Manager\u003c\/li\u003e\n\u003cli\u003ePatrick Milligan – Project Manager\u003c\/li\u003e\n\u003cli\u003eLindsey Buckingham – Vocals, Guitar\u003c\/li\u003e\n\u003cli\u003eChristine McVie – Vocals, Organ, Piano, Accordion, Maracas, Tambourine\u003c\/li\u003e\n\u003cli\u003eStevie Nicks – Vocals, Tambourine, Cowbell\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547780108606,"sku":"599383","price":72.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633305645374-transparent-v2.png?v=1792219596"},{"product_id":"van-halen-live-in-dallas-1991-2-lp-vinyl","title":"Van Halen – Live In Dallas 1991 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe For Unlawful Carnal Knowledge Tour found Van Halen at a commercial peak, with the album debuting at number one and the band selling out arenas on the strength of Sammy Hagar's polished hard rock swagger. 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The band also played Panama, plus two of Hagar's hits: I Can't Drive 55 and There's Only One Way To Rock.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Poundcake (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Judgement Day (5:16)\u003c\/div\u003e\n\u003cdiv\u003e3. There's Only One Way To Rock (4:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Runaround (4:51)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Why Can't This Be Love (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Panama (5:33)\u003c\/div\u003e\n\u003cdiv\u003e3. A Apolitical Blues (2:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Finish What Ya Started (5:19)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Can't Drive 55 (5:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Best Of Both Worlds (4:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Top Of The World (6:23)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497818655\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino Records (2) (RCV1 726720); Warner Records (081227814717)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2024  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Poundcake – 5:31\u003c\/li\u003e\n\u003cli\u003eA2 Judgement Day – 5:16\u003c\/li\u003e\n\u003cli\u003eA3 There's Only One Way To Rock – 4:54\u003c\/li\u003e\n\u003cli\u003eA4 Runaround – 4:51\u003c\/li\u003e\n\u003cli\u003eB1 Why Can't This Be Love – 4:42\u003c\/li\u003e\n\u003cli\u003eB2 Panama – 5:33\u003c\/li\u003e\n\u003cli\u003eB3 A Apolitical Blues – 2:13\u003c\/li\u003e\n\u003cli\u003eB4 Finish What Ya Started – 5:19\u003c\/li\u003e\n\u003cli\u003eC1 I Can't Drive 55 – 5:24\u003c\/li\u003e\n\u003cli\u003eC2 Best Of Both Worlds – 4:35\u003c\/li\u003e\n\u003cli\u003eC3 Top Of The World – 6:23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTom Jermann – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003et42design – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eRory Wilson – Design (Design Supervision)\u003c\/li\u003e\n\u003cli\u003eAmelia Halverson – Image Editor (Photo Editor)\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Mastered By\u003c\/li\u003e\n\u003cli\u003eBill Inglot – Mixed By\u003c\/li\u003e\n\u003cli\u003eBrian Kehew – Mixed By\u003c\/li\u003e\n\u003cli\u003eShaun Clark – Photography By\u003c\/li\u003e\n\u003cli\u003eJason Jones (30) – Producer (Produced for Release)\u003c\/li\u003e\n\u003cli\u003eBrian Dodd – Product Manager\u003c\/li\u003e\n\u003cli\u003eEric Bello (2) – Product Manager (Packaging Manager)\u003c\/li\u003e\n\u003cli\u003eAllison Boron – Project Manager (Project Assistant)\u003c\/li\u003e\n\u003cli\u003eMike Engstrom – Project Manager (Project Assistant)\u003c\/li\u003e\n\u003cli\u003eSam Stone (7) – Project Manager (Project Assistant)\u003c\/li\u003e\n\u003cli\u003eSheryl Farber – Project Manager (Project Assistant)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547782992190,"sku":"159778","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633307545918-transparent-v2.png?v=1791446287"},{"product_id":"coheed-and-cambria-no-world-for-tomorrow-2-lp-vinyl","title":"Coheed and Cambria – No World For Tomorrow (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eClosing out the Good Apollo arc, Claudio Sanchez brought the Amory Wars saga to a visceral climax here, drawing on the full weight of a prog-metal band that had spent years building one of rock's most ambitious narrative universes. The album's dense, theatrical guitar work sits alongside some of the band's most direct songwriting, a tension that kept their devoted following hungry for every plot twist and riff.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eCoheed and Cambria’s 4th studio album, originally released in 2007, is one of the most chronologically recent entries in the band’s ongoing \u003c\/span\u003e\u003ci\u003eAmory Wars\u003c\/i\u003e\u003cspan\u003eseries of concept albums.  This vinyl reissue is pressed on 180-gram vinyl and comprised of 13 tracks including “The Running Free” and “Feathers” in addition to a Side D etching.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Reaping\u003c\/div\u003e\n\u003cdiv\u003e2. No World For Tomorrow\u003c\/div\u003e\n\u003cdiv\u003e3. The Hound (of Blood And Rank)\u003c\/div\u003e\n\u003cdiv\u003e4. Feathers\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Running Free\u003c\/div\u003e\n\u003cdiv\u003e2. Mother Superior\u003c\/div\u003e\n\u003cdiv\u003e3. Gravemakers \u0026amp; 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Gunslingers – 4:20\u003c\/li\u003e\n\u003cli\u003e8 Justice In Murder – 4:28\u003c\/li\u003e\n\u003cli\u003eThe End Complete\u003c\/li\u003e\n\u003cli\u003e9 I - The Fall Of House Atlantic – 1:04\u003c\/li\u003e\n\u003cli\u003e10 II - Radio Bye Bye – 4:54\u003c\/li\u003e\n\u003cli\u003e11 III - The End Complete – 7:43\u003c\/li\u003e\n\u003cli\u003e12 IV - The Road And The Damned – 3:35\u003c\/li\u003e\n\u003cli\u003e13 V - On The Brink – 7:08\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRick Rubin – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eMeaghan Lyons – A\u0026amp;R (Operations)\u003c\/li\u003e\n\u003cli\u003eKen Kelly – Artwork\u003c\/li\u003e\n\u003cli\u003eChondra Echert – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eMichael Todd – Bass\u003c\/li\u003e\n\u003cli\u003eCoheed And Cambria – Co-producer\u003c\/li\u003e\n\u003cli\u003eClaudio Sanchez – Concept By (Art)\u003c\/li\u003e\n\u003cli\u003eBill Scoville – Design, Layout\u003c\/li\u003e\n\u003cli\u003eChris Pennie – Drums\u003c\/li\u003e\n\u003cli\u003eTaylor Hawkins – Drums\u003c\/li\u003e\n\u003cli\u003ePaul Fig – Engineer\u003c\/li\u003e\n\u003cli\u003eZeph Sowers – Engineer (Second)\u003c\/li\u003e\n\u003cli\u003eTravis Stever – Guitar, Backing Vocals\u003c\/li\u003e\n\u003cli\u003eClaudio Sanchez – Lyrics By\u003c\/li\u003e\n\u003cli\u003eBlaze James – Management\u003c\/li\u003e\n\u003cli\u003eLindsey Nutter – Management (Assistant)\u003c\/li\u003e\n\u003cli\u003eBrian Gardner – Mastered By\u003c\/li\u003e\n\u003cli\u003eRandy Staub – Mixed By\u003c\/li\u003e\n\u003cli\u003eZach Blackstone – Mixed By (Assistant)\u003c\/li\u003e\n\u003cli\u003eCoheed And Cambria – Music By\u003c\/li\u003e\n\u003cli\u003eNick Raskulinecz – Producer, Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eNina Webb – Product Manager\u003c\/li\u003e\n\u003cli\u003ePeter Stahl – Production Manager\u003c\/li\u003e\n\u003cli\u003eStevie Blacke – Strings, Violin, Viola, Cello\u003c\/li\u003e\n\u003cli\u003eRami Jaffee – Synth, Piano\u003c\/li\u003e\n\u003cli\u003eJon Nicholson (3) – Technician (Drum)\u003c\/li\u003e\n\u003cli\u003eClaudio Sanchez – Vocals, Guitar, Keyboards, Synth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547783254334,"sku":"432250","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633307840830-transparent-v2.png?v=1791433253"},{"product_id":"deep-purple-machine-head-lp-vinyl","title":"Deep Purple – Machine Head","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the Grand Hotel in Montreux, Switzerland in December 1971 using the Rolling Stones' Mobile Studio, Machine Head captured a band at the absolute peak of their Mark II lineup, with \"Smoke on the Water\" documenting the casino fire that interrupted those very sessions. Dweezil Zappa, himself a lifelong student of guitar tone and studio craft, brings fresh ears to Roger Glover's original tracks without disturbing what made this one of hard rock's foundational documents.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1lp black vinyl (breakout). This 1-LP black vinyl version features the 2024 Dweezil Zappa remixes of the revered album. Analog Planet lauds \"Dweezils' mix of Machine Head here is clearly an improvement over the original mix, while also honouring the album's original vibe and intent.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Highway Star\u003c\/div\u003e\n\u003cdiv\u003e2. Maybe I'm A Leo\u003c\/div\u003e\n\u003cdiv\u003e3. Pictures Of Home\u003c\/div\u003e\n\u003cdiv\u003e4. Never Before\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Smoke On The Water\u003c\/div\u003e\n\u003cdiv\u003e2. Lazy\u003c\/div\u003e\n\u003cdiv\u003e3. When a Blind Man Cries\u003c\/div\u003e\n\u003cdiv\u003e4. Space Truckin'\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497825318\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.4.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. Records (BS 2607)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1972  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Highway Star – 6:05\u003c\/li\u003e\n\u003cli\u003eA2 Maybe I'm A Leo – 4:51\u003c\/li\u003e\n\u003cli\u003eA3 Pictures Of Home – 5:03\u003c\/li\u003e\n\u003cli\u003eA4 Never Before – 3:56\u003c\/li\u003e\n\u003cli\u003eB1 Smoke On The Water – 5:40\u003c\/li\u003e\n\u003cli\u003eB2 Lazy – 7:19\u003c\/li\u003e\n\u003cli\u003eB3 Space Truckin' – 4:31\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMartin Birch – Engineer\u003c\/li\u003e\n\u003cli\u003eDeep Purple – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547783876926,"sku":"49475","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633308463422-transparent-v2.png?v=1791433300"},{"product_id":"rush-rush-mobile-fidelity-180-gram-2-lp-vinyl","title":"Rush – Rush (Mobile Fidelity 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Neil Peart's arrival reshaped the band's identity and ambitions, Rush arrived as a lean, blues-driven hard rock trio from Toronto, clearly schooled on Led Zeppelin and Cream. Drummer John Rutsey's no-nonsense playing and Geddy Lee's raw, unfiltered vocals give this debut a street-level energy that the band's later, more elaborate work never quite revisited. It's a fascinating document of a band still figuring out who they were, right before everything changed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Debut That Launched a Five-Decade-Plus Career and Turned Rush into International Icons: Band's Eponymous Album Includes 'Working Man' and 'Finding My Way'Hear the Trio's 1974 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180g 45RPM 2LP Set Plays with Stunning Presence, Detail, and DefinitionRush's eponymous debut remains unique for being the only entry in the trio's extensive catalog that doesn't feature it's renowned drummer and lyricist, Neil Peart. That distinction informs the foundational content and independent-minded account of Rush - whose straightforward performances and no-frills songwriting still fascinate more than five decades after it's original release in March 1974.Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set presents the Canadian trio's self-titled effort in definitive audiophile sound. Benefitting from superb groove definition, an ultra-low noise floor, and dead-quiet surfaces, it captures what went down at two Toronto studios with engaging presence, tonal precision, and enhanced dynamics. The fullness, body, and extension of the instruments emerge with newfound clarity and perspective. Afforded revealing separation, soundstaging, and imaging, the music comes across with a scale and size true to the asteroid-burst-like cover art and group's 'Energized Rock' motto. 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By the time he appeared in Austin, Lewis had outlasted trends, scandals, and contemporaries alike, arriving as a living proof that rock and roll was never a pose for him. It was just the truth.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“Rock and Roll’s the thing and Jerry Lee’s the King …” or so said an English fan once upon a time somewhere. Elvis fans might dispute that title, but nobody else in the history of popular music would dare call himself “The Killer.” Of all the legends who came out of Sun Records in the 1950s – Elvis, Johnny Cash, Carl Perkins, Roy Orbison – no one would have bet the last one standing would be the pill-popping, whiskey-guzzling, gun-waving hellion from Ferriday, LA except The Killer, of course. Jerry Lee Lewis took black rhythm \u0026amp; blues, white gospel and other funky Mississippi sounds and turned them into rock and roll. But Jerry Lee’s life also is, and has always been, his piano; he has kicked and banged and set on fire (literally) many of them over the course of six-plus decades. He almost never made it to Austin City Limits. He cancelled one appearance and, only weeks before this recording on October 17, 1983, his wife died in a freak swimming pool accident at their home. But he did make it, and what we have here is one of the most amazing performances ever to go down on the ACL stage. Throughout the day he was a perfect gentleman, showing up on time and acting very graciously to one and all, but once he hit the stage, all hell broke loose. The songs speak for themselves; they’re ALL here. For many years later, Jerry Lee would carry a tape of this show to play for friends (and himself, many times). When I tried to book him again for a return performance, the response was, “Jerry Lee doesn’t think he could possibly do a better show.” – Terry Lickona (producer Austin City Limits®)\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Keep My Motor Runnin’ (3:02)\u003c\/div\u003e\n\u003cdiv\u003e2. You Win Again (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Sweet Little 16 (3:34)\u003c\/div\u003e\n\u003cdiv\u003e4. 39 And Holding (4:04)\u003c\/div\u003e\n\u003cdiv\u003e5. Think About It Darlin' (2:28)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Rock \u0026amp; Roll Over (Teenage Queen) (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Boogie Woogie Country Man (3:18)\u003c\/div\u003e\n\u003cdiv\u003e3. C C Rider (4:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Chantilly Lace (2:39)\u003c\/div\u003e\n\u003cdiv\u003e5. I’ll Find It Where I Can (2:58)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. In The Garden (4:05)\u003c\/div\u003e\n\u003cdiv\u003e2. No Headstone On My Grave (4:19)\u003c\/div\u003e\n\u003cdiv\u003e3. What’d I Say (3:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Great Balls Of Fire (1:50)\u003c\/div\u003e\n\u003cdiv\u003e5. Whole Lotta Shakin’ Goin’ On (5:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396516315\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.9.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records (NW5163)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2017  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Keep My Motor Runnin’ – 3:02\u003c\/li\u003e\n\u003cli\u003eA2 You Win Again – 3:08\u003c\/li\u003e\n\u003cli\u003eA3 Sweet Little 16 – 3:34\u003c\/li\u003e\n\u003cli\u003eA4 39 And Holding – 4:04\u003c\/li\u003e\n\u003cli\u003eA5 Think About It Darlin' – 2:28\u003c\/li\u003e\n\u003cli\u003eB1 Rock \u0026amp; Roll Over (Teenage Queen) – 3:22\u003c\/li\u003e\n\u003cli\u003eB2 Boogie Woogie Country Man – 3:18\u003c\/li\u003e\n\u003cli\u003eB3 C C Rider – 4:18\u003c\/li\u003e\n\u003cli\u003eB4 Chantilly Lace – 2:39\u003c\/li\u003e\n\u003cli\u003eB5 I’ll Find It Where I Can – 2:58\u003c\/li\u003e\n\u003cli\u003eC1 In The Garden – 4:05\u003c\/li\u003e\n\u003cli\u003eC2 No Headstone On My Grave – 4:19\u003c\/li\u003e\n\u003cli\u003eC3 What’d I Say – 3:51\u003c\/li\u003e\n\u003cli\u003eC4 Great Balls Of Fire – 1:50\u003c\/li\u003e\n\u003cli\u003eC5 Whole Lotta Shakin’ Goin’ On – 5:07\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePaul Moore (2) – Design (Original Package Design)\u003c\/li\u003e\n\u003cli\u003eCameron Strang – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eDaniel Krieger – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eTom Bejgrowicz – Layout\u003c\/li\u003e\n\u003cli\u003eTerry Lickona – Liner Notes\u003c\/li\u003e\n\u003cli\u003eJim Wilson (6) – Mastered By (Additional Mastering For Vinyl)\u003c\/li\u003e\n\u003cli\u003eJerry Tubb – Mastered By (Original Mastering)\u003c\/li\u003e\n\u003cli\u003eChet Himes – Mixed By\u003c\/li\u003e\n\u003cli\u003eGary Briggs – Mixed By\u003c\/li\u003e\n\u003cli\u003eJerry Lee Lewis – Piano\u003c\/li\u003e\n\u003cli\u003eCameron Strang – Producer\u003c\/li\u003e\n\u003cli\u003eGary Briggs – Producer\u003c\/li\u003e\n\u003cli\u003eJeff Peterson (7) – Producer (Associate Producer)\u003c\/li\u003e\n\u003cli\u003eSusan Caldwell (3) – Producer (Associate Producer)\u003c\/li\u003e\n\u003cli\u003eJerry Lee Lewis – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54549631467838,"sku":"76981","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633510904126-transparent-v2.png?v=1791440040"}],"url":"https:\/\/reserveselects.myshopify.com\/collections\/rock.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}