{"title":"Vinyl","description":null,"products":[{"product_id":"anderson-paak-cordae-heavy-is-the-crown-lp-vinyl","title":"Anderson .Paak \/ Cordae – Heavy Is The Crown","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCordae came up citing J. Cole and Kendrick Lamar as touchstones, while .Paak built his name straddling soul, funk, and West Coast rap with a drummer's instinct for pocket and feel. That their chemistry clicked so immediately on \"RNP\" made a full collaborative project feel inevitable, even overdue. Heavy Is The Crown arrives as both artists are hitting their strides as fathers and figures, giving the project a lived-in emotional stakes that separates it from the average rap collab.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNine-time GRAMMY® winner Anderson .Paak and GRAMMY®-nominated rapper Cordae have been operating on the same wavelength for years. 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Stepping fully into that tradition, he brings the same reverence for Black American music here that shaped his earliest work in Asbury Park, treating these classics not as nostalgia but as living repertoire.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eOnly The Strong Survive\u003c\/em\u003e\u003cspan\u003e is the new album from Bruce Springsteen, and his first new studio album since 2020’s \u003c\/span\u003e\u003cem\u003eLetter To You\u003c\/em\u003e\u003cspan\u003e. The album is a collection of soul music gems, that celebrate the legendary songbooks of Gamble and Huff, Motown, Stax and many more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnly The Strong Survive\u003c\/em\u003e\u003cspan\u003e features vocals from Springsteen and instrumentation primarily from his longtime producer Ron Aniello. The album also features guest vocals from Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes and backing vocals from Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Fonzi Thornton and Dennis Collins.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Only The Strong Survive\u003cbr\u003e\nA2. Soul Days\u003cbr\u003e\nA3. Nightshift\u003cbr\u003e\nA4. Do I Love You (Indeed I Do)\u003cbr\u003e\nA5. The Sun Ain't Gonna Shine Anymore\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Turn Back The Hands Of Time\u003cbr\u003e\nB2. When She Was My Girl\u003cbr\u003e\nB3. Hey, Western Union Man\u003cbr\u003e\nB4. I Wish It Would Rain\u003cbr\u003e\nB5. 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Someday We'll Be Together\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587453619\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.11.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (19658745361)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Only The Strong Survive\u003c\/li\u003e\n\u003cli\u003eA2 Soul Days\u003c\/li\u003e\n\u003cli\u003eA3 Nightshift\u003c\/li\u003e\n\u003cli\u003eA4 Do I Love You (Indeed I Do)\u003c\/li\u003e\n\u003cli\u003eA5 The Sun Ain't Gonna Shine Anymore\u003c\/li\u003e\n\u003cli\u003eB1 Turn Back The Hands Of Time\u003c\/li\u003e\n\u003cli\u003eB2 When She Was My Girl\u003c\/li\u003e\n\u003cli\u003eB3 Hey, Western Union Man\u003c\/li\u003e\n\u003cli\u003eB4 I Wish It Would Rain\u003c\/li\u003e\n\u003cli\u003eB5 Don't Play That Song\u003c\/li\u003e\n\u003cli\u003eC1 Any Other Way\u003c\/li\u003e\n\u003cli\u003eC2 I Forgot To Be Your Lover\u003c\/li\u003e\n\u003cli\u003eC3 7 Rooms Of Gloom\u003c\/li\u003e\n\u003cli\u003eC4 What Becomes Of The Brokenhearted\u003c\/li\u003e\n\u003cli\u003eC5 Someday We'll Be Together\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRob Mathis (3) – Arranged By (Strings), Conductor\u003c\/li\u003e\n\u003cli\u003eMeghan Foley – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eMichelle Holme – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eEd Manion – Baritone Saxophone (E Street Horns)\u003c\/li\u003e\n\u003cli\u003eTom Timko – Baritone Saxophone (E Street Horns)\u003c\/li\u003e\n\u003cli\u003eCreative Artists Agency – Booking (Agency)\u003c\/li\u003e\n\u003cli\u003eRob Light – Booking (Agency)\u003c\/li\u003e\n\u003cli\u003eBarry Bell (2) – Booking (Agent)\u003c\/li\u003e\n\u003cli\u003eLisa Kim – Concertmaster\u003c\/li\u003e\n\u003cli\u003eShari Sutcliffe – Contractor (Music)\u003c\/li\u003e\n\u003cli\u003eSandra Park – Contractor (String)\u003c\/li\u003e\n\u003cli\u003eRob Lebret – Engineer\u003c\/li\u003e\n\u003cli\u003eRon Aniello – Engineer\u003c\/li\u003e\n\u003cli\u003eAndres Bermudez – Engineer (Sam Moore Vocal)\u003c\/li\u003e\n\u003cli\u003eJon Landau – Executive-Producer\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAllen Grubman – Legal\u003c\/li\u003e\n\u003cli\u003eDon Friedman (3) – Legal\u003c\/li\u003e\n\u003cli\u003eGrubman, Shire, Meiselas \u0026amp; 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The sessions capture the ragged, sprawling Horse at their most elemental, with Young channeling environmental urgency into long-form electric explorations alongside Billy Talbot and Ralph Molina, the rhythm section that's anchored this sound since the early 1970s.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Colorado\" is the first new Neil Young with Crazy Horse album since 2012's \"Psychedelic Pill\". The album will be released on October 25th and features 10 new Neil Young compositions. It includes several songs that Neil has been playing live in the past few months (eg: \"Rainbow of Colors\", \"Green Is Blue\" and \"Milky Way\"), and the epic 13+ minute track \"She Showed Me Love\".\u003cbr\u003e\u003cbr\u003eThe vinyl version of the album comes with a bonus 7\" single, featuring an album outtake \"Truth Kills\". 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Truth Kills (2:49)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624898917\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise Records (093624898917)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2019  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Think Of Me – 3:02\u003c\/li\u003e\n\u003cli\u003eA2 She Showed Me Love – 13:36\u003c\/li\u003e\n\u003cli\u003eB1 Olden Days – 4:04\u003c\/li\u003e\n\u003cli\u003eB2 Help Me Lose My Mind – 4:14\u003c\/li\u003e\n\u003cli\u003eB3 Green Is Blue – 3:48\u003c\/li\u003e\n\u003cli\u003eB4 Shut It Down – 3:43\u003c\/li\u003e\n\u003cli\u003eC1 Milky Way – 5:59\u003c\/li\u003e\n\u003cli\u003eC2 Eternity – 2:45\u003c\/li\u003e\n\u003cli\u003eC3 Rainbow Of Colors – 3:37\u003c\/li\u003e\n\u003cli\u003eC4 I Do – 5:36\u003c\/li\u003e\n\u003cli\u003eE Rainbow Of Colors – 3:51\u003c\/li\u003e\n\u003cli\u003eF Truth Kills – 2:49\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlex Tenta – Art Direction (Art Coordination)\u003c\/li\u003e\n\u003cli\u003eDaniele Taska – Art Direction (Art Coordination)\u003c\/li\u003e\n\u003cli\u003eBilly Talbot – Band (Crazy Horse)\u003c\/li\u003e\n\u003cli\u003eNeil Young – Band (Crazy Horse)\u003c\/li\u003e\n\u003cli\u003eNils Lofgren – Band (Crazy Horse)\u003c\/li\u003e\n\u003cli\u003eRalph Molina – Band (Crazy Horse)\u003c\/li\u003e\n\u003cli\u003edhlovelife – Cover (Back Cover)\u003c\/li\u003e\n\u003cli\u003eHonga – Crew (Catering)\u003c\/li\u003e\n\u003cli\u003eJess Rice – Crew (Catering)\u003c\/li\u003e\n\u003cli\u003eSteven Drymalski – Crew (Logistics), Equipment\u003c\/li\u003e\n\u003cli\u003edhlovelife – Design (Album Front Cover Art Design), Photography By (Top Right Photograph), Layout (Composition)\u003c\/li\u003e\n\u003cli\u003eGreg Naylor – Engineer (Assistant Engineers)\u003c\/li\u003e\n\u003cli\u003eLynn Peterson – Engineer (Assistant Engineers)\u003c\/li\u003e\n\u003cli\u003eJohn Hanlon – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eDylan Neustadter – Engineer (Shangri-La Assistant Engineers)\u003c\/li\u003e\n\u003cli\u003eRob Bisel – Engineer (Shangri-La Assistant Engineers)\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eBonnie Levetin – Management\u003c\/li\u003e\n\u003cli\u003eFrank Gironda – Management\u003c\/li\u003e\n\u003cli\u003eLookout Management – Management\u003c\/li\u003e\n\u003cli\u003eElliot Roberts – Management (Direction)\u003c\/li\u003e\n\u003cli\u003eChris Bellman – Mastered By\u003c\/li\u003e\n\u003cli\u003eJohn Hanlon – Mixed By\u003c\/li\u003e\n\u003cli\u003eBilly Talbot – Mixed By (With)\u003c\/li\u003e\n\u003cli\u003eNeil Young – Mixed By (With)\u003c\/li\u003e\n\u003cli\u003eNils Lofgren – Mixed By (With)\u003c\/li\u003e\n\u003cli\u003eRalph Molina – Mixed By (With)\u003c\/li\u003e\n\u003cli\u003eAmber Young – Painting (Front Cover Art Painting)\u003c\/li\u003e\n\u003cli\u003eDrew Doggett – Photography By (Front Cover Top Left Image Credit)\u003c\/li\u003e\n\u003cli\u003eAdam CK Vollick – Photography By (Inside Spread Photo)\u003c\/li\u003e\n\u003cli\u003edhlovelife – Photography By (Single Cover Photo (Highway))\u003c\/li\u003e\n\u003cli\u003eDon Michael Sampson – Photography By (Single Cover Photo (Horse))\u003c\/li\u003e\n\u003cli\u003eJohn Hanlon – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eNeil Young – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eDana Nielsen – Recorded By, Edited By\u003c\/li\u003e\n\u003cli\u003eNeil Young – Songwriter (All Songs By)\u003c\/li\u003e\n\u003cli\u003ePhillip Broussard – Tape Op (Tape Operator), Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eJeff Pinn – Technician (Amplifier Tech)\u003c\/li\u003e\n\u003cli\u003eKurt Kasinoff – Technician (Guitar Tech)\u003c\/li\u003e\n\u003cli\u003eBob Rice – Technician (Keyboard Tech)\u003c\/li\u003e\n\u003cli\u003eNeil Young – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547559973182,"sku":"662242","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Neil-Young-Colorado-2-LP-7-LP-Vinyl.jpg?v=1791058937"},{"product_id":"my-morning-jacket-the-waterfall-ii-clear-lp-vinyl","title":"My Morning Jacket – The Waterfall II (Clear LP 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Recorded during the same Stinson Beach sessions as its predecessor, the material here had been sitting for years, and hearing it finally surface adds a bittersweet, almost archival quality to the listening experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eStandard weight clear vinyl\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, \"this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSpinning my Wheels\u003c\/li\u003e\n\u003cli\u003eStill Thinkin\u003c\/li\u003e\n\u003cli\u003eClimbing the Ladder\u003c\/li\u003e\n\u003cli\u003eFeel You\u003c\/li\u003e\n\u003cli\u003eBeautiful Love\u003c\/li\u003e\n\u003cli\u003eMagic Bullet\u003c\/li\u003e\n\u003cli\u003eRun It\u003c\/li\u003e\n\u003cli\u003eWasted\u003c\/li\u003e\n\u003cli\u003eWelcome Home\u003c\/li\u003e\n\u003cli\u003eThe First Time\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882415112\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0530)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Spinning My Wheels\u003c\/li\u003e\n\u003cli\u003eA2 Still Thinkin'\u003c\/li\u003e\n\u003cli\u003eA3 Climbing The Ladder\u003c\/li\u003e\n\u003cli\u003eA4 Feel You\u003c\/li\u003e\n\u003cli\u003eA5 Beautiful Love (Wasn't Enough)\u003c\/li\u003e\n\u003cli\u003eB1 Magic Bullet\u003c\/li\u003e\n\u003cli\u003eB2 Run It\u003c\/li\u003e\n\u003cli\u003eB3 Wasted\u003c\/li\u003e\n\u003cli\u003eB4 Welcome Home\u003c\/li\u003e\n\u003cli\u003eB5 The First Time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJames Cerreta – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eJim James – Artwork\u003c\/li\u003e\n\u003cli\u003eNeil Krug – Artwork\u003c\/li\u003e\n\u003cli\u003eAnna Fritz – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eBrittany Howard – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eKacey Johansing – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eKyleen King – Backing Vocals\u003c\/li\u003e\n\u003cli\u003ePatti King – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eKevin Ratterman – Engineer\u003c\/li\u003e\n\u003cli\u003eMichael Finn (5) – Engineer\u003c\/li\u003e\n\u003cli\u003eDanny Cash – Layout\u003c\/li\u003e\n\u003cli\u003eEmily Lazar – Mastered By\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Mixed By\u003c\/li\u003e\n\u003cli\u003eDanny Clinch – Photography\u003c\/li\u003e\n\u003cli\u003eJim James – Producer\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Producer\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Recorded By\u003c\/li\u003e\n\u003cli\u003eAnna Fritz – Strings\u003c\/li\u003e\n\u003cli\u003eKyleen King – Strings\u003c\/li\u003e\n\u003cli\u003ePatti King – Strings\u003c\/li\u003e\n\u003cli\u003eJim James – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547559842110,"sku":"159723","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/My-Morning-Jacket-The-Waterfall-II-Clear-LP-Vinyl.jpg?v=1791058936"},{"product_id":"king-gizzard-the-lizard-wizard-live-in-san-francisco-16-random-color-2-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Live In San Francisco '16 (Random Color 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNonagon Infinity had just dropped in May 2016, and King Gizzard were still road-testing its interlocking, infinite-loop architecture in rooms where you could feel the volume in your chest. 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The original compositions woven throughout prove he's still drawing from the same deep well, not just paying tribute to it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing in gatefold jacket. 2018 album from the veteran singer\/songwriter. This fourteen track album follows a recent run of hugely acclaimed albums (Roll With The Punches, Versatile and You're Driving Me Crazy), each of which has delved deep into the musical styles that have continued to inspire Van throughout his life - vocal jazz and R\u0026amp;B. Here, Van takes on a series of unarguable classics by the likes of John Lee Hooker, Sam Cooke and Solomon Burke (among others) and makes them unmistakably his own. Alongside these reinterpretations, The Prophet Speaks features six phenomenal new Van Morrison compositions. \"It was important for me to get back to recording new music as well as doing some of the blues material that has inspired me from the beginning. Writing songs and making music is what I do, and working with great musicians makes it all the more enjoyable.\" Van Morrison. The Prophet Speaks again finds Van working with the incredible multi-instrumentalist Joey DeFrancesco (the artist co-credited on You're Driving Me Crazy) and his band (including Dan Wilson on guitar, Michael Ode on drums and Troy Roberts on tenor saxophone).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Gonna Send You Back To Where I Got You From (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Dimples (5:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Got To Go Where The Love Is (4:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Laughin And Clownin (5:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. 5 Am Greenwich Mean Time (5:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Gotta Get You Off My Mind (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Teardrops (6:00)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love The Life I Live (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Worried Blues\/Rollin And Tumblin (6:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Aint Gonna Moan No More (6:16)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Is A Five Letter Word (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Love Is Hard Work (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Spirit Will Provide (4:03)\u003c\/div\u003e\n\u003cdiv\u003e4. The Prophet Speaks (4:55)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602577071737\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Exile\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.7.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Exile (7707173); Caroline International (7707173)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2018  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Gonna Send You Back To Where I Got You From – 4:42\u003c\/li\u003e\n\u003cli\u003eA2 Dimples – 5:33\u003c\/li\u003e\n\u003cli\u003eA3 Got To Go Where The Love Is – 4:23\u003c\/li\u003e\n\u003cli\u003eA4 Laughin And Clownin – 5:31\u003c\/li\u003e\n\u003cli\u003eB5 5 AM Greenwich Mean Time – 5:37\u003c\/li\u003e\n\u003cli\u003eB6 Gotta Get You Off My Mind – 3:44\u003c\/li\u003e\n\u003cli\u003eB7 Teardrops – 6:00\u003c\/li\u003e\n\u003cli\u003eC8 I Love The Life I Live – 3:35\u003c\/li\u003e\n\u003cli\u003eC9 Worried Blues\/Rollin And Tumblin – 6:22\u003c\/li\u003e\n\u003cli\u003eC10 Aint Gonna Moan No More – 6:16\u003c\/li\u003e\n\u003cli\u003eD11 Love Is A Five Letter Word – 3:46\u003c\/li\u003e\n\u003cli\u003eD12 Love Is Hard Work – 4:29\u003c\/li\u003e\n\u003cli\u003eD13 Spirit Will Provide – 4:03\u003c\/li\u003e\n\u003cli\u003eD14 The Prophet Speaks – 4:55\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTroy Roberts (2) – Acoustic Bass\u003c\/li\u003e\n\u003cli\u003eDan Wilson (13) – Acoustic Guitar\u003c\/li\u003e\n\u003cli\u003eVan Morrison – Alto Saxophone\u003c\/li\u003e\n\u003cli\u003eShana Morrison – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eTroy Roberts (2) – Bass\u003c\/li\u003e\n\u003cli\u003eJoey DeFrancesco – Co-producer (Co-Produced By)\u003c\/li\u003e\n\u003cli\u003ePaperjam Design – Design\u003c\/li\u003e\n\u003cli\u003eMichael Ode – Drums\u003c\/li\u003e\n\u003cli\u003eJason Victorine – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eJoel Jaffe – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eKenny Evans – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eDan Wilson (13) – Guitar\u003c\/li\u003e\n\u003cli\u003eVan Morrison – Harmonica\u003c\/li\u003e\n\u003cli\u003eJoey DeFrancesco – Keyboards (Keyboard)\u003c\/li\u003e\n\u003cli\u003eJoey DeFrancesco – Organ\u003c\/li\u003e\n\u003cli\u003eRichard Wade (2) – Photography By\u003c\/li\u003e\n\u003cli\u003eVan Morrison – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eJim Stern – Recorded By, Mixed By, Mastered By\u003c\/li\u003e\n\u003cli\u003eTroy Roberts (2) – Soprano Saxophone\u003c\/li\u003e\n\u003cli\u003eJim Stern – Tambourine\u003c\/li\u003e\n\u003cli\u003eTroy Roberts (2) – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003ePete Parsons (2) – Tour Manager, Production Manager\u003c\/li\u003e\n\u003cli\u003eJoey DeFrancesco – Trumpet\u003c\/li\u003e\n\u003cli\u003eVan Morrison – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560005950,"sku":"657987","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633212944702-transparent-v2.png?v=1791446288"},{"product_id":"bob-marley-legend-lp-vinyl","title":"Bob Marley – Legend","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompiled in 1984, three years after Marley's death, Legend remains the best-selling reggae album of all time and the record that brought songs like \"Redemption Song\" and \"No Woman, No Cry\" to generations who never saw him perform live. For collectors and true believers alike, hearing these tracks on vinyl is the closest thing to the warmth and weight the music was always meant to carry.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Is This Love\u003c\/div\u003e\n\u003cdiv\u003e2. No Woman No Cry - Live\u003c\/div\u003e\n\u003cdiv\u003e3. Could You Be Loved\u003c\/div\u003e\n\u003cdiv\u003e4. Three Little Birds\u003c\/div\u003e\n\u003cdiv\u003e5. Buffalo Soldier\u003c\/div\u003e\n\u003cdiv\u003e6. Get Up Stand Up\u003c\/div\u003e\n\u003cdiv\u003e7. Stir It Up\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. One Love \/ People Get Ready\u003c\/div\u003e\n\u003cdiv\u003e2. I Shot The Sheriff\u003c\/div\u003e\n\u003cdiv\u003e3. Waiting In Vain\u003c\/div\u003e\n\u003cdiv\u003e4. Redemption Song\u003c\/div\u003e\n\u003cdiv\u003e5. Satisfy My Soul\u003c\/div\u003e\n\u003cdiv\u003e6. Exodus\u003c\/div\u003e\n\u003cdiv\u003e7. Jamming\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 600753030523\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tuff Gong \/ Umgd\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.7.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tuff Gong (0600753030523); Island Records (0600753030523); Universal Music Group International (0600753030523)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2015  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Is This Love – 3:52\u003c\/li\u003e\n\u003cli\u003eA2 No Woman No Cry – 4:02\u003c\/li\u003e\n\u003cli\u003eA3 Could You Be Loved – 3:35\u003c\/li\u003e\n\u003cli\u003eA4 Three Little Birds – 2:58\u003c\/li\u003e\n\u003cli\u003eA5 Buffalo Soldier – 2:43\u003c\/li\u003e\n\u003cli\u003eA6 Get Up Stand Up – 3:14\u003c\/li\u003e\n\u003cli\u003eA7 Stir It Up – 3:38\u003c\/li\u003e\n\u003cli\u003eB1 One Love \/ People Get Ready – 2:53\u003c\/li\u003e\n\u003cli\u003eB2 I Shot The Sheriff – 3:46\u003c\/li\u003e\n\u003cli\u003eB3 Waiting In Vain – 4:06\u003c\/li\u003e\n\u003cli\u003eB4 Redemption Song – 3:46\u003c\/li\u003e\n\u003cli\u003eB5 Satisfy My Soul – 3:49\u003c\/li\u003e\n\u003cli\u003eB6 Exodus – 4:16\u003c\/li\u003e\n\u003cli\u003eB7 Jamming – 3:17\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBob Marley – Acoustic Guitar\u003c\/li\u003e\n\u003cli\u003eEarl \"Wire\" Lindo – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eJudy Mowatt – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eJunior Marvin – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eMarcia Griffiths – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eRita Marley – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eTyrone Downie – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eAston \"Family Man\" Barrett – Bass\u003c\/li\u003e\n\u003cli\u003eBunny Wailer – Bongos\u003c\/li\u003e\n\u003cli\u003eBob Marley \u0026amp; The Wailers – Co-producer\u003c\/li\u003e\n\u003cli\u003eChris Blackwell – Co-producer\u003c\/li\u003e\n\u003cli\u003eBunny Wailer – Congas\u003c\/li\u003e\n\u003cli\u003eCarlton Barrett – Drums\u003c\/li\u003e\n\u003cli\u003ePeter Tosh – Guitar\u003c\/li\u003e\n\u003cli\u003eEarl \"Wire\" Lindo – Keyboards\u003c\/li\u003e\n\u003cli\u003eTyrone Downie – Keyboards\u003c\/li\u003e\n\u003cli\u003eLex van Coeverden – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAl Anderson – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eDonald Kinsey – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eEarl \"Chinna\" Smith – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eJunior Marvin – Lead Guitar\u003c\/li\u003e\n\u003cli\u003eBob Marley – Lead Vocals\u003c\/li\u003e\n\u003cli\u003eBernard \"Touter\" Harvey – Organ\u003c\/li\u003e\n\u003cli\u003ePeter Tosh – Organ\u003c\/li\u003e\n\u003cli\u003eAlvin \"Seeco\" Patterson – Percussion\u003c\/li\u003e\n\u003cli\u003eAston \"Family Man\" Barrett – Percussion\u003c\/li\u003e\n\u003cli\u003eBob Marley – Percussion\u003c\/li\u003e\n\u003cli\u003eCarlton Barrett – Percussion\u003c\/li\u003e\n\u003cli\u003eEarl \"Chinna\" Smith – Percussion\u003c\/li\u003e\n\u003cli\u003eEarl \"Wire\" Lindo – Percussion\u003c\/li\u003e\n\u003cli\u003eJoe Higgs – Percussion\u003c\/li\u003e\n\u003cli\u003eTyrone Downie – Percussion\u003c\/li\u003e\n\u003cli\u003eBernard \"Touter\" Harvey – Piano\u003c\/li\u003e\n\u003cli\u003ePeter Tosh – Piano\u003c\/li\u003e\n\u003cli\u003eBob Marley – Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eEarl \"Chinna\" Smith – Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eBunny Wailer – Vocals\u003c\/li\u003e\n\u003cli\u003ePeter Tosh – Vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560038718,"sku":"498712","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633212977470-transparent-v2.png?v=1791387595"},{"product_id":"my-morning-jacket-holiday-7-vinyl","title":"My Morning Jacket – Holiday (7\" Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLouisville's My Morning Jacket were deep into the creative stretch that produced *Circuital* when these two tracks came together, offering a glimpse into a band that had long rewarded fans who paid close attention to the edges of their catalog. Released just before the holidays, this red vinyl pressing was a genuine gift to the record store faithful.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMY MORNING JACKET  This is a special 7” that streets on 12\/13 and the band has been telling their fans about it. It’s exclusive to indie stores. It’s a red vinyl 7” that contains two unreleased tracks.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA. Friends Again\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB. Outta My System (Alternate Universe Take)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882178222\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.13.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0655)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Feelin Sorry\u003c\/li\u003e\n\u003cli\u003eA2 I'll Be Home For Christmas\u003c\/li\u003e\n\u003cli\u003eA3 Welcome Home (Snowy Version)\u003c\/li\u003e\n\u003cli\u003eA4 Christmas Must Be Tonight\u003c\/li\u003e\n\u003cli\u003eA5 Please Come Home For Christmas\u003c\/li\u003e\n\u003cli\u003eB1 Oh My Christmas Tree\u003c\/li\u003e\n\u003cli\u003eB2 Have Yourself A Merry Little Christmas\u003c\/li\u003e\n\u003cli\u003eB3 When The Bells Start Ringing\u003c\/li\u003e\n\u003cli\u003eB4 Wonderful (Snowy Version)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGlen Nakasako – Design\u003c\/li\u003e\n\u003cli\u003eGlen Nakasako – Layout\u003c\/li\u003e\n\u003cli\u003eBob Ludwig – Mastered By\u003c\/li\u003e\n\u003cli\u003eEric Spring – Mixed By\u003c\/li\u003e\n\u003cli\u003eJason Marcucci – Mixed By\u003c\/li\u003e\n\u003cli\u003eMichael Judeh – Mixed By\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Mixed By\u003c\/li\u003e\n\u003cli\u003eDanny Clinch – Photography\u003c\/li\u003e\n\u003cli\u003eBart Wagemakers – Recorded By\u003c\/li\u003e\n\u003cli\u003eJim James – Recorded By\u003c\/li\u003e\n\u003cli\u003eTucker Martine – Recorded By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560071486,"sku":"602990","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213010238-transparent-v2.png?v=1791443370"},{"product_id":"my-morning-jacket-evil-urges-cream-w-black-blob-2-lp-vinyl","title":"My Morning Jacket – Evil Urges (Cream w\/Black Blob 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJim James and company took a genuine left turn with this one, pushing into falsetto-heavy funk and slick R\u0026amp;B territory that caught plenty of longtime fans off guard before winning them over completely. The 2008 release captured MMJ at their most restless and experimental, and the years since have only made its ambition look more prescient.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNew repressing of the Grammy-nominated 5th studio album from My Morning Jacket. \"Evil Urges\" was an album of the year at SPIN and Rolling Stone upon it's release in 2008 and subsequent touring led to epic performances at Bonnaroo and on Saturday Night Live. Pressed on Cream\/Black Blob vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Evil Urges\u003cbr\u003e\nA2. Touch Me I'm Going To Scream Pt. 1\u003cbr\u003e\nA3. Highly Suspicious\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. I'm Amazed\u003cbr\u003e\nB2. Thank You Too!\u003cbr\u003e\nB3. Sec Walkin\u003cbr\u003e\nB4. 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Good Intentions\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882450915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (88088-21626-1 ATO0058)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2008  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Evil Urges\u003c\/li\u003e\n\u003cli\u003eA2 Touch Me I'm Going To Scream Pt. 1\u003c\/li\u003e\n\u003cli\u003eA3 Highly Suspicious\u003c\/li\u003e\n\u003cli\u003eB1 I'm Amazed\u003c\/li\u003e\n\u003cli\u003eB2 Thank You Too!\u003c\/li\u003e\n\u003cli\u003eB3 Sec Walkin\u003c\/li\u003e\n\u003cli\u003eB4 Two Halves\u003c\/li\u003e\n\u003cli\u003eC1 Librarian\u003c\/li\u003e\n\u003cli\u003eC2 Look At You\u003c\/li\u003e\n\u003cli\u003eC3 Aluminum Park\u003c\/li\u003e\n\u003cli\u003eC4 Remnants\u003c\/li\u003e\n\u003cli\u003eD1 Smokin From Shootin\u003c\/li\u003e\n\u003cli\u003eD2 Touch Me I'm Going To Scream Pt. 2\u003c\/li\u003e\n\u003cli\u003eD3 Good Intentions\u003c\/li\u003e\n\u003cli\u003eCD-1 Evil Urges\u003c\/li\u003e\n\u003cli\u003eCD-2 Touch Me I'm Going To Scream Pt. 1\u003c\/li\u003e\n\u003cli\u003eCD-3 Highly Suspicious\u003c\/li\u003e\n\u003cli\u003eCD-4 I'm Amazed\u003c\/li\u003e\n\u003cli\u003eCD-5 Thank You Too!\u003c\/li\u003e\n\u003cli\u003eCD-6 Sec Walkin\u003c\/li\u003e\n\u003cli\u003eCD-7 Two Halves\u003c\/li\u003e\n\u003cli\u003eCD-8 Librarian\u003c\/li\u003e\n\u003cli\u003eCD-9 Look At You\u003c\/li\u003e\n\u003cli\u003eCD-10 Aluminum Park\u003c\/li\u003e\n\u003cli\u003eCD-11 Remnants\u003c\/li\u003e\n\u003cli\u003eCD-12 Smokin From Shootin\u003c\/li\u003e\n\u003cli\u003eCD-13 Touch Me I'm Going To Scream Pt. 2\u003c\/li\u003e\n\u003cli\u003eCD-14 Good Intentions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eWes Garland – Lacquer Cut By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560235326,"sku":"411049","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/My-Morning-Jacket-Evil-Urges-Cream-wBlack-Blob-2-LP-Vinyl.jpg?v=1791058937"},{"product_id":"khruangbin-texas-sun-lp-vinyl","title":"Khruangbin – Texas Sun","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLeon Bridges and Khruangbin had already carved out their own distinct corners of American music before this 2020 collaboration brought them together, Bridges rooted in Fort Worth soul and Khruangbin in their Houston-born blend of global influences and cinematic groove. The pairing feels less like a calculated crossover than a natural conversation between neighbors, unhurried and wide open.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDriving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R\u0026amp;B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. \"Big sky country, that's what they call Texas,\" Khruangbin bassist Laura Lee says. \"The horizon line goes all the way from one side to another without interruption. There's something really comforting about that.\" On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Texas Sun\u003c\/div\u003e\n\u003cdiv\u003e2. Midnight\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. C-Side\u003c\/div\u003e\n\u003cdiv\u003e2. Conversion\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605151410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC214); Columbia (DOC214); Night Time Stories (DOC214)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2020  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Texas Sun – 4:13\u003c\/li\u003e\n\u003cli\u003eA2 Midnight – 5:15\u003c\/li\u003e\n\u003cli\u003eB1 C-Side – 4:44\u003c\/li\u003e\n\u003cli\u003eB2 Conversion – 6:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAaron Denton – Artwork, Design\u003c\/li\u003e\n\u003cli\u003ePete Norman – Mastered By\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Recorded By, Mixed By, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560300862,"sku":"178103","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213075774-transparent-v2.png?v=1791440159"},{"product_id":"primus-desaturating-seven-lp-vinyl","title":"Primus – Desaturating Seven","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePrimus has always thrived in the space where children's logic meets genuinely unsettling sound design, and this 2017 concept record leans into that tension harder than anything in their catalog since \"Frizzle Fry.\" Les Claypool's bass is as physically imposing as ever, but the real surprise is how restrained and atmospheric the trio plays it, letting the darkness of the source material breathe rather than burying it in pyrotechnics.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Desaturating Seven was the 9th studio album by Primus and features the classic lineup of Les Claypool (vocals\/bass), Larry LaLonde (guitar), and Tim Alexander (drums). It was inspired by \"The Rainbow Goblins,\" a story which Claypool read to his children, centered around seven goblins (each representing a color of the rainbow) who pull all of the color out of the world. This seventh anniversary edition comes in a goid-foil stamped jacket and is pressed on \"midnight rainbow\" vinyl.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Valley (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. The Seven (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. The Trek (7:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Scheme (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. The Dream (6:36)\u003c\/div\u003e\n\u003cdiv\u003e3. The Storm (7:47)\u003c\/div\u003e\n\u003cdiv\u003e4. The Ends? (1:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882621612\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO 0404); Prawn Song (0882305710)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2017  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 The Valley – 4:43\u003c\/li\u003e\n\u003cli\u003eA2 The Seven – 3:08\u003c\/li\u003e\n\u003cli\u003eA3 The Trek – 7:50\u003c\/li\u003e\n\u003cli\u003eB1 The Scheme – 2:50\u003c\/li\u003e\n\u003cli\u003eB2 The Dream – 6:36\u003c\/li\u003e\n\u003cli\u003eB3 The Storm – 7:47\u003c\/li\u003e\n\u003cli\u003eB4 The Ends? – 1:44\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eUl de Rico – Artwork By\u003c\/li\u003e\n\u003cli\u003eLes Claypool – Bass, Vocals, Producer, Engineer, Lyrics By, Music By\u003c\/li\u003e\n\u003cli\u003eAgent Ogden – Design, Layout\u003c\/li\u003e\n\u003cli\u003eTim \"Herb\" Alexander – Drums, Percussion\u003c\/li\u003e\n\u003cli\u003eLarry LaLonde – Guitar\u003c\/li\u003e\n\u003cli\u003eBrad Sands – Management\u003c\/li\u003e\n\u003cli\u003eRed Light Management – Management\u003c\/li\u003e\n\u003cli\u003eStephen Marcussen – Mastered By\u003c\/li\u003e\n\u003cli\u003eJason Gibbs – Musical Assistance\u003c\/li\u003e\n\u003cli\u003eTodd McMechen – Musical Assistance\u003c\/li\u003e\n\u003cli\u003eJustin Chancellor – Narrator (The Goblin Master)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560268094,"sku":"184946","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/Primus-Desaturating-Seven-Midnight-Rainbow-7th-Anniversary-Edition-Gold-Foil-StampingMidnight-Rainbow-Splatter-LP-Vinyl.jpg?v=1791058937"},{"product_id":"steely-dan-aja-lp-vinyl","title":"Steely Dan – Aja","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWalter Becker and Donald Fagen were already studio perfectionists by the time they made Aja, but this 1977 release marked the moment that obsession crystallized into something the broader world couldn't ignore, earning the album a Grammy for Album of the Year. The drummer roster alone, including Steve Gadd, Bernard Purdie, and Rick Marotta, reads like a clinic in rhythmic sophistication, each track essentially its own ensemble.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Aja is the sixth studio album by Steely Dan, originally released in 1977. On the album, band leaders Donald Fagen and Walter Becker pushed Steely Dan further into experimenting with different combinations of session players, enlisting the services of nearly 40 musicians, while pursuing longer, more sophisticated compositions and arrangements.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Cow (5:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Aja (7:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Deacon Blues (7:26)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Peg (3:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Home At Last (5:31)\u003c\/div\u003e\n\u003cdiv\u003e3. I Got The News (5:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Josie (4:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445359639\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Geffen Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia (COBY-90092)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1999  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Japan\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 Introduction\u003c\/li\u003e\n\u003cli\u003e2 Josie\u003c\/li\u003e\n\u003cli\u003e3 Peg\u003c\/li\u003e\n\u003cli\u003e4 Deacon Blues\u003c\/li\u003e\n\u003cli\u003e5 Black Cow\u003c\/li\u003e\n\u003cli\u003e6 Home At Last\u003c\/li\u003e\n\u003cli\u003e7 Aja\u003c\/li\u003e\n\u003cli\u003e7 Peg (Instrumental)\u003c\/li\u003e\n\u003cli\u003e9 Josie (Instrumental)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMichael McDonald – Backing Vocals\u003c\/li\u003e\n\u003cli\u003eBernard Purdie – Drums\u003c\/li\u003e\n\u003cli\u003eRick Marotta – Drums\u003c\/li\u003e\n\u003cli\u003eChuck Rainey – Electric Bass\u003c\/li\u003e\n\u003cli\u003eDenny Dias – Electric Guitar\u003c\/li\u003e\n\u003cli\u003eLarry Carlton – Electric Guitar\u003c\/li\u003e\n\u003cli\u003eWalter Becker – Electric Guitar, Electric Bass\u003c\/li\u003e\n\u003cli\u003eRoger Nichols – Engineer\u003c\/li\u003e\n\u003cli\u003eDonald Fagen – Keyboards, Vocals\u003c\/li\u003e\n\u003cli\u003eGary Katz – Mastered By\u003c\/li\u003e\n\u003cli\u003eWayne Shorter – Tenor Saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560202558,"sku":"69615","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213141310-transparent-v2.png?v=1791445576"},{"product_id":"mavis-staples-sad-beautiful-world-lp-vinyl","title":"Mavis Staples – Sad \u0026 Beautiful World","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAfter 38 minutes of stirring, spiritual music, Mavis Staples' Sad and Beautiful World ends with a chuckle—that deep, joyful laugh reflecting 86 years of a life lived righteously.\u003c\/p\u003e\u003cp\u003eIt's like a hidden track, coming 20 seconds after Staples' uplifting version of Eddie Hinton's \"Everybody Needs Love\" fades away. Staples' laughter ends the album on a perfect note; though the song would've been fine, too.\u003c\/p\u003e\u003cp\u003eSad and Beautiful World begins 38 minutes earlier with Staples' powerful take on Tom Waits' \"Chicago,\" on which Buddy Guy and Derek Trucks tangle and Staples sings with grit and gusto.\u003c\/p\u003e\u003cp\u003eAll but one of the 10 tracks is a cover, but that doesn't make Sad and Beautiful World, with additional cameos from Bonnie Raitt, Jeff Tweedy, Justin Vernon and others, any less a Mavis Staples album. By the time she's finished with Sparklehorse's gentle title track, Curtis Mayfield urgent \"We Got to Have Peace,\" Kevin Morby's heart-wrenching \"Beautiful Strangers,\" they're all Mavis Staples songs.\u003c\/p\u003e\u003cp\u003e\"Think of mother\/I am a rock,\" Staples sings on the latter. And though she didn't write these words, she owns them now.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/mavis-staples-sad-and-beautiful-world\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMavis Staples has been singing for justice and comfort since the Staple Singers were soundtracking the civil rights movement in the 1960s, and her voice has only deepened with the weight of everything she's witnessed since. At 85, she remains one of the few artists alive whose presence on a recording feels genuinely consecrated, a living connection between gospel's roots and the restless present.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrim days call for fierce love. And Mavis Staples, one of the most enduring figures in American music, is laying it down. Sad And Beautiful World is the latest solo album from a national treasure and multigenerational talent. Produced by Brad Cook, Sad And Beautiful World spans seven decades of the American songbook - a range nearly as vast as Mavis' career - and includes reinventions of timeless songs by Tom Waits, Sparklehorse, Gillian Welch, Frank Ocean and more. Cook imagined an album in the tradition of Nitty Gritty Dirt Band's Will the Circle Be Unbroken, a group of artists coming together to celebrate community - in this case, one centered on Mavis. Collaborators include Buddy Guy, Bonnie Raitt, Jeff Tweedy, Derek Trucks, Katie Crutchfield, MJ Lenderman, and Justin Vernon. Inducted into several halls of fame (Blues, Rock, and Gospel), a Kennedy Center Honoree, a winner of multiple GRAMMYs (including a Lifetime Achievement Award), Mavis is musical history. 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Ezra Koenig and company drew equally from Paul Simon's \"Graceland\" era and the college rock of Rostam Batmanglij's classical training, landing somewhere nobody had quite charted before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis NY four-piece draw on their diverse backgrounds and interests, experimenting with African guitar music, the Western classical canon, hazy memories of Cape Cod summers, winters in upper Manhattan, and reggaeton. \"Equal parts shruggy New York indie strumming and groovy Afro-pop, Vampire Weekend's organ-and-drum runs highlight narratives about relationships, punctuation, and sometimes both\" - Spin. Named \"Hot New Kids\" in Rolling Stone's \"Hot\" issue. 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4:30\u003c\/li\u003e\n\u003cli\u003eB3 Seen And Not Seen – 3:20\u003c\/li\u003e\n\u003cli\u003eB4 Listening Wind – 4:42\u003c\/li\u003e\n\u003cli\u003eB5 The Overload – 6:00\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTalking Heads – Arranged By (All Arrangements By The Musicians)\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Arranged By (Vocal Arrangements)\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Arranged By (Vocal Arrangements)\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Bass\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Bass\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Bass\u003c\/li\u003e\n\u003cli\u003eTina Weymouth – Bass\u003c\/li\u003e\n\u003cli\u003eC\/T – CGI Artist (Computer Images)\u003c\/li\u003e\n\u003cli\u003eDDD (5) – CGI Artist (Computer Images)\u003c\/li\u003e\n\u003cli\u003eHCL (2) – CGI Artist (Computer Images)\u003c\/li\u003e\n\u003cli\u003eJPT (2) – CGI Artist (Computer Images)\u003c\/li\u003e\n\u003cli\u003ePaul (149) – CGI Artist (Computer Images)\u003c\/li\u003e\n\u003cli\u003eWalter GP – CGI Artist (Computer Images)\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Drums (Drum Kit)\u003c\/li\u003e\n\u003cli\u003eDave Jerden – Engineer\u003c\/li\u003e\n\u003cli\u003eJack Nuber – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eJohn Potoker – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eRhett Davies – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eSteven Stanley – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eKendal Stubbs – Engineer (Assisted By)\u003c\/li\u003e\n\u003cli\u003eM\u0026amp;Co. – Graphic Design\u003c\/li\u003e\n\u003cli\u003eAdrian Belew – Guitar\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Guitar\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Guitar\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Keyboards\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Keyboards\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Keyboards\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Keyboards\u003c\/li\u003e\n\u003cli\u003eTina Weymouth – Keyboards\u003c\/li\u003e\n\u003cli\u003eGary Kurfirst – Management\u003c\/li\u003e\n\u003cli\u003eGreg Calbi – Mastered By\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Mixed By\u003c\/li\u003e\n\u003cli\u003eDave Jerden – Mixed By\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Mixed By\u003c\/li\u003e\n\u003cli\u003eJohn Potoker – Mixed By\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Percussion\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Percussion\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Percussion\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Percussion\u003c\/li\u003e\n\u003cli\u003eJose Rossy – Percussion\u003c\/li\u003e\n\u003cli\u003eRobert Palmer – Percussion\u003c\/li\u003e\n\u003cli\u003eTina Weymouth – Percussion\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Producer\u003c\/li\u003e\n\u003cli\u003eFrank Gallagher (4) – Technician (Live Sound)\u003c\/li\u003e\n\u003cli\u003eJon Hassell – Trumpet, Arranged By (Horn Arrangements)\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Voice\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Voice\u003c\/li\u003e\n\u003cli\u003eNona Hendryx – Voice\u003c\/li\u003e\n\u003cli\u003eBrian Eno – Written-By (All Songs Written By)\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Written-By (All Songs Written By)\u003c\/li\u003e\n\u003cli\u003eTalking Heads – Written-By (All Songs Written By)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560431934,"sku":"154205","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213305150-transparent-v2.png?v=1791321284"},{"product_id":"pink-floyd-the-dark-side-of-the-moon-50th-anniversary-lp-vinyl","title":"Pink Floyd – The Dark Side of the Moon: 50th Anniversary","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGuthrie's involvement here is significant: the engineer and producer has been the steward of the Floyd catalog for decades, and his touch on previous remasters has consistently drawn praise from audiophiles who care about preserving the spatial depth Roger Waters, David Gilmour, Nick Mason, and Richard Wright built into the original 1973 Abbey Road sessions. Nearly a year on the charts and half a century later, the sonic architecture of this album still holds up as a genuine engineering achievement.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe 50\u003csup\u003eth\u003c\/sup\u003e anniversary edition of the original studio album remastered by James Guthrie\u003c\/span\u003e\u003cspan\u003e on 180g vinyl comes \u003c\/span\u003e\u003cspan\u003ein a ga\u003c\/span\u003e\u003cspan\u003etefold jacket with posters and stickers\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Speak To Me (1:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Breathe (In The Air) (2:43)\u003c\/div\u003e\n\u003cdiv\u003e3. On The Run (3:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Time (6:53)\u003c\/div\u003e\n\u003cdiv\u003e5. The Great Gig In The Sky (4:15)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Money (6:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Us And Them (7:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Any Colour You Like (3:24)\u003c\/div\u003e\n\u003cdiv\u003e4. Brain Damage (3:50)\u003c\/div\u003e\n\u003cdiv\u003e5. Eclipse (1:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587202712\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records (PFR50, 190296203671)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2023  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Dark Side Of The Moon\u003c\/li\u003e\n\u003cli\u003eRemastered Original Studio Album\u003c\/li\u003e\n\u003cli\u003eCD1-1 Speak To Me – 1:12\u003c\/li\u003e\n\u003cli\u003eCD1-2 Breathe (In The Air) – 2:46\u003c\/li\u003e\n\u003cli\u003eCD1-3 On The Run – 3:33\u003c\/li\u003e\n\u003cli\u003eCD1-4 Time – 7:06\u003c\/li\u003e\n\u003cli\u003eCD1-5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eCD1-6 Money – 6:22\u003c\/li\u003e\n\u003cli\u003eCD1-7 Us And Them – 7:50\u003c\/li\u003e\n\u003cli\u003eCD1-8 Any Colour You Like – 3:26\u003c\/li\u003e\n\u003cli\u003eCD1-9 Brain Damage – 3:50\u003c\/li\u003e\n\u003cli\u003eCD1-10 Eclipse – 2:09\u003c\/li\u003e\n\u003cli\u003eThe Dark Side Of The Moon Live At Wembley Empire Pool, London, 1974\u003c\/li\u003e\n\u003cli\u003eCD2-1 Speak To Me – 2:46\u003c\/li\u003e\n\u003cli\u003eCD2-2 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Them – 7:57\u003c\/li\u003e\n\u003cli\u003eBD-1.2.8 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eBD-1.2.9 Brain Damage – 3:52\u003c\/li\u003e\n\u003cli\u003eBD-1.2.10 Eclipse – 2:14\u003c\/li\u003e\n\u003cli\u003eOriginal Album 5.1 Surround Mix – dts-HD MA\u003c\/li\u003e\n\u003cli\u003eBD-1.3.1 Speak To Me – 1:08\u003c\/li\u003e\n\u003cli\u003eBD-1.3.2 Breathe (In The Air) – 2:49\u003c\/li\u003e\n\u003cli\u003eBD-1.3.3 On The Run – 3:34\u003c\/li\u003e\n\u003cli\u003eBD-1.3.4 Time – 7:04\u003c\/li\u003e\n\u003cli\u003eBD-1.3.5 The Great Gig In The Sky – 4:44\u003c\/li\u003e\n\u003cli\u003eBD-1.3.6 Money – 6:17\u003c\/li\u003e\n\u003cli\u003eBD-1.3.7 Us And Them – 7:57\u003c\/li\u003e\n\u003cli\u003eBD-1.3.8 Any Colour You Like – 3:25\u003c\/li\u003e\n\u003cli\u003eBD-1.3.9 Brain Damage – 3:52\u003c\/li\u003e\n\u003cli\u003eBD-1.3.10 Eclipse – 2:14\u003c\/li\u003e\n\u003cli\u003eOriginal Album Stereo Mix – dts-HD MA\u003c\/li\u003e\n\u003cli\u003eBD-1.4.1 Speak To Me – 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Mason – Drums\u003c\/li\u003e\n\u003cli\u003eAlan Parsons – Engineer\u003c\/li\u003e\n\u003cli\u003eBrian Humphries – Engineer\u003c\/li\u003e\n\u003cli\u003ePhill Brown – Engineer\u003c\/li\u003e\n\u003cli\u003ePeter James – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eGeorge Hardie – Graphics, Artwork\u003c\/li\u003e\n\u003cli\u003eRichard Wright – Keyboards, Vocals, Synthesizer (VCS3)\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eStuart Hawkes – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Lyrics By (All Lyrics By)\u003c\/li\u003e\n\u003cli\u003eJames Guthrie – Mastered By\u003c\/li\u003e\n\u003cli\u003eJoel Plante – Mastered By\u003c\/li\u003e\n\u003cli\u003eAndy Jackson – Mastered By, Mixed By\u003c\/li\u003e\n\u003cli\u003eDamon Iddins – Mixed By\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Organ\u003c\/li\u003e\n\u003cli\u003eNick Mason – Percussion, Tape (Effects)\u003c\/li\u003e\n\u003cli\u003ePeter 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– Vocals, Guitar (Guitars), Synthesizer (Synthi AKS)\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Vocals, Guitar (Guitars), Synthesizer (VCS3)\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour – Written-By\u003c\/li\u003e\n\u003cli\u003eNick Mason – Written-By\u003c\/li\u003e\n\u003cli\u003eRichard Wright – Written-By\u003c\/li\u003e\n\u003cli\u003eRoger Waters – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560530238,"sku":"641645","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213337918-transparent-v2.png?v=1791443494"},{"product_id":"eagles-their-greatest-hits-1971-1975-lp-vinyl","title":"Eagles – Their Greatest Hits 1971-1975","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Henley and Frey parted ways, before the \"Hell freezes over\" reunion became its own cultural moment, these ten tracks captured a band hitting its commercial and creative stride in real time. The country-rock DNA runs deep here, from the Gram Parsons-influenced harmonies to Bernie Leadon's banjo and steel guitar work that grounded the whole enterprise in something rootsy before the band pivoted toward harder rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIs the fifth album by the American rock band The Eagles, a compilation of singles. Their Greatest Hits (1971-1975) comprises nine best-selling singles released between 1972 and 1975.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Take It Easy\u003c\/div\u003e\n\u003cdiv\u003e2. Witchy Woman\u003c\/div\u003e\n\u003cdiv\u003e3. Lyin' Eyes\u003c\/div\u003e\n\u003cdiv\u003e4. Already Gone\u003c\/div\u003e\n\u003cdiv\u003e5. Desperado\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. One Of These Nights\u003c\/div\u003e\n\u003cdiv\u003e2. Tequila Sunrise\u003c\/div\u003e\n\u003cdiv\u003e3. Take It To The Limit\u003c\/div\u003e\n\u003cdiv\u003e4. Peaceful Easy Feeling\u003c\/div\u003e\n\u003cdiv\u003e5. Best Of My Love\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227979379\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.8.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Asylum Records (7E-1052)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1976  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Take It Easy – 3:29\u003c\/li\u003e\n\u003cli\u003eA2 Witchy Woman – 4:10\u003c\/li\u003e\n\u003cli\u003eA3 Lyin' Eyes – 6:21\u003c\/li\u003e\n\u003cli\u003eA4 Already Gone – 4:13\u003c\/li\u003e\n\u003cli\u003eA5 Desperado – 3:33\u003c\/li\u003e\n\u003cli\u003eB1 One Of These Nights – 4:51\u003c\/li\u003e\n\u003cli\u003eB2 Tequila Sunrise – 2:52\u003c\/li\u003e\n\u003cli\u003eB3 Take It To The Limit – 4:48\u003c\/li\u003e\n\u003cli\u003eB4 Peaceful, Easy Feeling – 4:16\u003c\/li\u003e\n\u003cli\u003eB5 Best Of My Love – 4:35\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBill Szymczyk – Producer\u003c\/li\u003e\n\u003cli\u003eGlyn Johns – Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560464702,"sku":"466764","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213370686-transparent-v2.png?v=1791433345"},{"product_id":"bon-iver-sable-fable-2-lp-vinyl","title":"Bon Iver – SABLE, fABLE (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJustin Vernon has been quietly reshaping what indie rock can sound like for nearly two decades, from the woodstove isolation of \"For Emma, Forever Ago\" through the orchestral maximalism of \"22, A Million.\" SABLE, fABLE arrives as a genuinely rare thing in his catalog: a record oriented outward, toward another person, rather than inward. For listeners who've followed Vernon's long arc of sonic experimentation, hearing that impulse turned into something this direct feels like a significant turn.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cb\u003eBon Iver’\u003c\/b\u003e\u003cspan\u003es\u003c\/span\u003e\u003cspan\u003e three-song collection \u003c\/span\u003e\u003cb\u003eSABLE\u003c\/b\u003e\u003cspan\u003e, was a prologue mired \u003c\/span\u003e\u003cspan\u003ein darkness, a controlled burn clearing the way for new \u003c\/span\u003e\u003cspan\u003epossibilities. \u003c\/span\u003e\u003cb\u003efABLE\u003c\/b\u003e\u003cspan\u003e is the book that follows. 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This is someone filled with light and purpose seeing an entire future right in front of him: a partner, new memories, maybe a family. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThere’s something undeniably healing about infatuation. Cleaving to someone else can feel like light pouring in from a door that’s suddenly swung wide. But there’s a reason SABLE, is of a piece with fABLE; the shadow still rears its head in lighter times. Even when you’ve reached a new chapter, you’ll still find yourself back in your own foundational muck. A fable isn’t a fairy tale. There’s good stuff: unbridled joy and trips to Spain. But fables aren’t hinged on happy endings; they’re here to instill a lesson. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs the album winds to a close, he acknowledges the need for patience and a commitment to put in the work. There’s a selfless rhythm required when you’re enmeshing yourself with another person. The song—and by extension the entire album—is a pledge. He’s ready to find that pace.\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Things Behind Things Behind Things (3:33)\u003c\/div\u003e\n\u003cdiv\u003e2. S P E Y S I D E (3:29)\u003c\/div\u003e\n\u003ch4\u003eSable,\u003c\/h4\u003e\n\u003cdiv\u003e1. Awards Season (5:16)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Short Story (1:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Everything Is Peaceful Love (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Walk Home (3:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Day One (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. From (3:03)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I'll Be There (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. If Only I Could Wait (3:22)\u003c\/div\u003e\n\u003cdiv\u003e3. There's A Rhythmn (5:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Au Revoir (2:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605245010\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jagjaguwar\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.11.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jagjaguwar (JAG450)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Worldwide\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSable,\u003c\/li\u003e\n\u003cli\u003eA1 Things Behind Things Behind Things – 3:33\u003c\/li\u003e\n\u003cli\u003eA2 S P E Y S I D E – 3:29\u003c\/li\u003e\n\u003cli\u003eB Awards Season – 5:16\u003c\/li\u003e\n\u003cli\u003efABLE\u003c\/li\u003e\n\u003cli\u003eC1 Short Story – 1:56\u003c\/li\u003e\n\u003cli\u003eC2 Everything Is Peaceful Love – 3:30\u003c\/li\u003e\n\u003cli\u003eC3 Walk Home – 3:46\u003c\/li\u003e\n\u003cli\u003eC4 Day One – 3:33\u003c\/li\u003e\n\u003cli\u003eC5 From – 3:03\u003c\/li\u003e\n\u003cli\u003eD1 I'll Be There – 2:55\u003c\/li\u003e\n\u003cli\u003eD2 If Only I Could Wait – 3:22\u003c\/li\u003e\n\u003cli\u003eD3 There's A Rhythmn – 5:16\u003c\/li\u003e\n\u003cli\u003eD4 Au Revoir – 2:02\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eJustin Vernon – Art Direction\u003c\/li\u003e\n\u003cli\u003eMiles Johnson – Art Direction\u003c\/li\u003e\n\u003cli\u003eRuben Nusz – Art Direction\u003c\/li\u003e\n\u003cli\u003eJoe Richmond – Engineer (Additional Engineering)\u003c\/li\u003e\n\u003cli\u003eKyle Parker Smith – Engineer (Assistant Engineer)\u003c\/li\u003e\n\u003cli\u003eIan Gold – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eJustin Vernon – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eJosh Bonati – Lacquer Cut By (Uncredited)\u003c\/li\u003e\n\u003cli\u003eThird Wave Management – Management\u003c\/li\u003e\n\u003cli\u003eHeba Kadry – Mastered By\u003c\/li\u003e\n\u003cli\u003eRyan Olson – Producer (Additional Production)\u003c\/li\u003e\n\u003cli\u003eAsher Weisberg – Producer (Additional Production), Engineer (Additional Engineering), Technician (Assistance)\u003c\/li\u003e\n\u003cli\u003eJim-E Stack – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eJustin Vernon – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003eMichael Cina – Typography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560563006,"sku":"98781","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213403454-transparent-v2.png?v=1791433159"},{"product_id":"wu-tang-mathematics-black-samson-the-bastard-swordsman-wu-tang-the-saga-continues-collection-lp-vinyl","title":"Wu-Tang \u0026 Mathematics – Black Samson, The Bastard Swordsman: Wu-Tang, The Saga Continues Collection","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMathematics has been the Wu-Tang Clan's in-house producer and DJ since the late 1990s, making him the natural architect for a project this significant. Getting all nine living members on a single record is a rare alignment, a reminder of the collective's unbreakable bond even as the chapter closes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl LP pressing. Black Samson, The Bastard Swordsman is the first Wu-Tang record in 11 years to feature all 9 living members. The record is being dropped during their 2025 farewell tour which will definitely ignite interest in the album. This Studio 4 Vinyl Signature SeriesT is an audiophile-grade, collectors-quality 180g vinyl mastered and pressed on buyer-sourced NeotechT 100% virgin vinyl processed with no pollutants or additives for cleaner fidelity and extended lifetime playback durability.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sucker Free City (Intro) (0:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Mandingo (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Roar Of The Lion (The Lion’s Pit) (4:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Claudine (3:56)\u003c\/div\u003e\n\u003cdiv\u003e5. Shaolin Vs. Lama (3:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Executioners From Shaolin (2:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Cleopatra Jones (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Warriors Two, Cooley High (3:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Let’s Do It Again (4:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Dolemite (4:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Trouble Man (Outro) (1:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 727252577363\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ruffnation Ent.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RuffNation Music (085218108229)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2025  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Sucker Free City – 1:01\u003c\/li\u003e\n\u003cli\u003eA2 Mandingo – 4:29\u003c\/li\u003e\n\u003cli\u003eA3 Roar Of The Lion (The Lion's Pit) – 4:09\u003c\/li\u003e\n\u003cli\u003eB1 Claudine – 3:56\u003c\/li\u003e\n\u003cli\u003eB2 Shaolin Vs. Lama – 3:52\u003c\/li\u003e\n\u003cli\u003eB3 Executioners From Shaolin – 2:35\u003c\/li\u003e\n\u003cli\u003eC1 Cleopatra Jones – 3:34\u003c\/li\u003e\n\u003cli\u003eC2 Warriors Two, Cooley High – 3:13\u003c\/li\u003e\n\u003cli\u003eC3 Let's Do It Again – 4:16\u003c\/li\u003e\n\u003cli\u003eD1 Dolemite – 4:05\u003c\/li\u003e\n\u003cli\u003eD2 Trouble Man – 1:53\u003c\/li\u003e\n\u003cli\u003eD3 Charleston Blue, Legend Of A Fighter – 2:49\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560595774,"sku":"343672","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213436222-transparent-v2.png?v=1791446291"},{"product_id":"talking-heads-talking-heads-77-lp-vinyl","title":"Talking Heads – Talking Heads: 77","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn its debut, Talking Heads: 77, the future Rock and Roll Hall of Famers sound like a collection of musicians whose core met at the Rhode Island School of Design. The songs come at you in unanticipated angles, using rock ‘n’ roll basics as rules to follow, bend and break with lyrics that bound from naturalistic to surrealistic and occasionally highlight the awesomeness of overlooked everyday moments. A nervous, tense-and-release fashions an unending energy. Altogether, the sonic palette strikes out with an individualistic stance, particularly when compared to the rawness of many of their New York punk contemporaries.\u003c\/p\u003e\u003cp\u003eThis Super Deluxe Edition provides the requisite remastered sound for added clarity, a dozen rarities, a live set from The Heads’ last gig at CBGB plus an 80-page hardcover book with never-before-seen photos, fliers, artwork and liner notes by the four bandmembers and recording engineer Ed Stasium.\u003c\/p\u003e\u003cp\u003eOn the album’s 11 numbers, the rhythm attack by bassist extraordinaire Tina Weymouth and tight, metronomic drummer Chris Frantz gives the material a slinky funkiness as David Byrne shouts out lines that inhabit an innocent persona rediscovering everything at the dawn of a new day (“Don’t Worry About the Government”) or someone about to break down due to the overwhelmingness of it all (a “real live wire” on “Psycho Killer” and literally falling apart on “Pulled Up”). Newest member Jerry Harrison, fresh off the dissolution of The Modern Lovers, supplies musical support throughout the album.\u003c\/p\u003e\u003cp\u003eUpbeat and cheerful, “Uh-Oh, Love Comes to Town” begins the musical journey, while “Happy Day” is downright blissful. Much of “77” also provides a musical roadmap that indicates what’s to come on future releases. “Tentative Decisions” hints at the style of 1979’s Fear of Music and 1980’s Remain in Light and the marching rhythm of single “Road to Nowhere,” while the horn arrangements on Alternate Pop Version of “Pulled Up” nods to the Head’s “Naked” and Byrne’s future solo endeavors.\u003c\/p\u003e\u003cp\u003eThe rarities range from B-sides and alternate versions , previously-released tracks include the sweet acoustic pop of “Sugar On My Tongue” and an acoustic “Psycho Killer featuring cellist Arthur Russell that amps up the track’s uneasiness and danger with Alternate Pop Versions of “Uh-Oh, Love Comes to Town,” and “New Feeling” (with horns!) finally make it to an official release. Also unearthed is a previously unreleased Alternate Version of “Psycho Killer” as well as an unheard Alternate Pop Version of “Pulled Up.”\u003c\/p\u003e\u003cp\u003eFinally, the 13 previously unreleased live recordings on Oct. 10, 1977 , less than a month after Talking Heads: ‘77 came out – find the quartet already moving forward with a cover of Al Green’s “Take Me to the River,” “Thank You for Sending Me an Angel” and “Stay Hungry” in its set. All three songs will show up on its next album, More Songs About Buildings \u0026amp; Food.\u003c\/p\u003e\u003cp\u003eTalking Heads: ‘77 presents a band that sounded like no one else of its time, as if the members were aliens dropped off in the Bowery and took advantage of an opportunity to unleash its creative inclinations to the world. This release reinforces that y presenting the band sounds as fresh today as it was nearly 50 years ago.\u003c\/p\u003e\u003cp\u003eThe Super Deluxe Edition is sold as either 4LPs (1 LP of the remastered original album, 1 LP of rare and previously unreleased demos and outtakes, and a 2 LPs featuring 13 previously unreleased live recordings captured during their last performance Live at CBGB, New York, NY, Oct. 10, 1977 with four 7” singles set in a gatefold format with a black and white image of the band or a 3-CD\/Blu-Ray set. Both include the same 80-page hardcover book. The Blu-Ray has an Atmos Mix, 5.1 Mix DTS-HD MA, 5.1 Mix LPCM, all overseen by Harrison, and a 2024 Stereo Remaster.\u003c\/p\u003e\u003cp\u003eAlso available is a 2LP Neon Green Vinyl version only available at Barnes \u0026amp; Noble, a 2LP Standard Black Vinyl at all general retailers.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— John Patrick Gatta, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/02\/22\/talking-heads-77-super-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTalking Heads arrived on their 1977 debut as something genuinely strange in the landscape of late-70s New York, too nervy and intellectual for punk, too angular for pop. David Byrne's twitchy anxieties and the band's locked rhythmic tension introduced a voice that would rewire rock's relationship to art and discomfort, and songs like \"Psycho Killer\" and \"Uh-Oh, Love Comes to Town\" still carry that original voltage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e180 gram vinyl mastered at Acoustech Mastering. Packaged in a single pocket gatefold jacket with insert.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Uh-Oh, Love Comes To Town\u003c\/div\u003e\n\u003cdiv\u003e2. New Feeling\u003c\/div\u003e\n\u003cdiv\u003e3. Tentative Decisions\u003c\/div\u003e\n\u003cdiv\u003e4. Happy Day\u003c\/div\u003e\n\u003cdiv\u003e5. Who Is It?\u003c\/div\u003e\n\u003cdiv\u003e6. No Compassion\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Book I Read\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Worry About The Government\u003c\/div\u003e\n\u003cdiv\u003e3. First Week Last Week…Carefree\u003c\/div\u003e\n\u003cdiv\u003e4. Psycho Killer\u003c\/div\u003e\n\u003cdiv\u003e5. Pulled Up\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227988418\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sire (SR 6036)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1977  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Uh-Oh, Love Comes To Town – 2:48\u003c\/li\u003e\n\u003cli\u003eA2 New Feeling – 3:09\u003c\/li\u003e\n\u003cli\u003eA3 Tentative Decisions – 3:04\u003c\/li\u003e\n\u003cli\u003eA4 Happy Day – 3:55\u003c\/li\u003e\n\u003cli\u003eA5 Who Is It? – 1:41\u003c\/li\u003e\n\u003cli\u003eA6 No Compassion – 4:47\u003c\/li\u003e\n\u003cli\u003eB1 The Book I Read – 4:06\u003c\/li\u003e\n\u003cli\u003eB2 Don't Worry About The Government – 3:00\u003c\/li\u003e\n\u003cli\u003eB3 First Week\/Last Week...Carefree – 3:19\u003c\/li\u003e\n\u003cli\u003eB4 Psycho Killer – 4:19\u003c\/li\u003e\n\u003cli\u003eB5 Pulled Up – 4:29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTina Weymouth – Bass\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Cover\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Drums\u003c\/li\u003e\n\u003cli\u003eEd Stasium – Engineer\u003c\/li\u003e\n\u003cli\u003eJerry Harrison – Guitar, Keyboards, Vocals (2nd Singer)\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Guitar, Vocals (Singer)\u003c\/li\u003e\n\u003cli\u003eJoe Gastwirt – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eJoe Gastwirt – Mastered By\u003c\/li\u003e\n\u003cli\u003eMick Rock – Photography By\u003c\/li\u003e\n\u003cli\u003eLance Quinn – Producer\u003c\/li\u003e\n\u003cli\u003eTalking Heads – Producer\u003c\/li\u003e\n\u003cli\u003eTony Bongiovi – Producer\u003c\/li\u003e\n\u003cli\u003eChris Frantz – Written-By\u003c\/li\u003e\n\u003cli\u003eDavid Byrne – Written-By\u003c\/li\u003e\n\u003cli\u003eTina Weymouth – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560366398,"sku":"627934","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213468990-transparent-v2.png?v=1791445633"},{"product_id":"mavis-staples-well-never-turn-back-15th-anniversary-edition-lp-vinyl","title":"Mavis Staples – We'll Never Turn Back: 15th Anniversary Edition","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMavis Staples was standing at the intersection of gospel, soul, and civil rights decades before that phrase became a cliché, marching alongside Dr. King and channeling that witness directly into the Staple Singers' music. Produced by Ry Cooder, \"We'll Never Turn Back\" arrived in 2007 as both a personal testament and a pointed reminder that the struggle those songs were born from remains unfinished.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhen we started our family group, The Staple Singers, we started out mostly singing in churches in the south. Pops saw Dr. Martin Luther King speak in 1963 and from there we started to broaden our musical vision beyond just gospel songs. Pops told us, “I like this man. I like his message. and if he can preach it, we can sing it” So we started to write “Freedom Songs,” like “Why Am I Treated So Bad,” “When Will We Be Paid For The Work We’ve Done,” “Long Walk To DC,” and many others. Like many in the civil rights movement, we drew on the spirituality and the strength from the church to help gain social justice and try to achieve equal rights.\u003cbr\u003e\u003cbr\u003eWe became a major voice for the civil rights movement and hopefully helped to make a difference in this country. It was a difficult and dangerous time (in 1965 we spent a night in jail in West Memphis, Arkansas and I wondered if we’d ever make it out alive) but we felt we needed to stand up and be heard.\u003cbr\u003e\u003cbr\u003eSo for us, and for many in the civil rights movement, we looked to the church for inner strength and to help make positive changes. And that seems to be missing today. Here it is, 2007, and there are still so many problems and social injustices in the world. Well, I tell you we need a change now more than ever, and I’m turning to the church again for strength.\u003cbr\u003e\u003cbr\u003eWith this record, I hope to get across the same feeling, the same spirit and the same message as we did with the Staple Singers and to hopefully continue to make positive changes. We’ve got to keep pushing to make the world a better place. 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The film it accompanied earned him an Academy Award for Best Original Song Score, the only Oscar of his career.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited vinyl picture disc LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, \"When Doves Cry\" and \"Let's Go Crazy\", topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. 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Records (25110-1, 1-25110, 9 25110-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1984  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Let's Go Crazy – 4:39\u003c\/li\u003e\n\u003cli\u003eA2 Take Me With U – 3:54\u003c\/li\u003e\n\u003cli\u003eA3 The Beautiful Ones – 5:15\u003c\/li\u003e\n\u003cli\u003eA4 Computer Blue – 3:59\u003c\/li\u003e\n\u003cli\u003eA5 Darling Nikki – 4:15\u003c\/li\u003e\n\u003cli\u003eB1 When Doves Cry – 5:52\u003c\/li\u003e\n\u003cli\u003eB2 I Would Die 4 U – 2:51\u003c\/li\u003e\n\u003cli\u003eB3 Baby I'm A Star – 4:20\u003c\/li\u003e\n\u003cli\u003eB4 Purple Rain – 8:45\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePrince – Art Direction\u003c\/li\u003e\n\u003cli\u003eBrownmark – Bass, Voice\u003c\/li\u003e\n\u003cli\u003eLouis \u0026amp; Vaughn – Costume Designer (Rags By)\u003c\/li\u003e\n\u003cli\u003eMarie France (5) – Costume Designer (Rags By)\u003c\/li\u003e\n\u003cli\u003ePrince – Costume Designer (Rags By)\u003c\/li\u003e\n\u003cli\u003eLaura LiPuma – Design\u003c\/li\u003e\n\u003cli\u003eWendy Melvoin – Guitar, Voice\u003c\/li\u003e\n\u003cli\u003eEarl Jones (6) – Hair (On The Hair Side)\u003c\/li\u003e\n\u003cli\u003eLisa Coleman – Keyboards, Voice\u003c\/li\u003e\n\u003cli\u003eMatt Fink – Keyboards, Voice\u003c\/li\u003e\n\u003cli\u003eJayson Jefferys – Make-Up\u003c\/li\u003e\n\u003cli\u003eBernie Grundman – Mastered By (Originally Mastered By)\u003c\/li\u003e\n\u003cli\u003eDavid Leonard – Overdubbed By (All Overdubs)\u003c\/li\u003e\n\u003cli\u003ePeggy McCreary – Overdubbed By (All Overdubs)\u003c\/li\u003e\n\u003cli\u003eBobby Z. – Percussion\u003c\/li\u003e\n\u003cli\u003eLarry Williams (9) – Photography By (Additional Photography)\u003c\/li\u003e\n\u003cli\u003eEd Thrasher \u0026amp; Associates – Photography By (Front Cover Photo)\u003c\/li\u003e\n\u003cli\u003eRon Slenzak – Photography By (Front Cover)\u003c\/li\u003e\n\u003cli\u003eLarry Williams (9) – Photography By (Photos By)\u003c\/li\u003e\n\u003cli\u003eRon Slenzak – Photography By (Photos By)\u003c\/li\u003e\n\u003cli\u003ePrince And The Revolution – Producer, Arranged By, Composed By, Performer\u003c\/li\u003e\n\u003cli\u003eDavid Leonard – Recorded By (At The Warehouse In The Summer Of '83)\u003c\/li\u003e\n\u003cli\u003eSusan Rogers – Recorded By (At The Warehouse In The Summer Of '83)\u003c\/li\u003e\n\u003cli\u003eDavid Leonard – Recorded By (Live At 1st Avenue In The Summer Of '83 By)\u003c\/li\u003e\n\u003cli\u003eDavid Rivkin – Recorded By (Live At 1st Avenue In The Summer Of '83 By)\u003c\/li\u003e\n\u003cli\u003eDavid Leonard – Recorded By (Sunset Sound)\u003c\/li\u003e\n\u003cli\u003ePeggy McCreary – Recorded By (Sunset Sound)\u003c\/li\u003e\n\u003cli\u003eDoug Henders – Sleeve (Dust Sleeve Painting), Painting (Dust Sleeve Painting)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560628542,"sku":"628005","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213600062-transparent-v2.png?v=1791443497"},{"product_id":"mumford-sons-babel-lp-vinyl","title":"Mumford \u0026 Sons – Babel","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBabel arrived in 2012 riding one of the most unlikely commercial waves in recent folk history, with Mumford \u0026amp; Sons having gone from London pub circuit unknowns to festival headliners almost overnight. The album debuted at number one on both sides of the Atlantic and took home the Grammy for Album of the Year, cementing a sound rooted in banjo, acoustic drive, and anthemic dynamics that had already converted arenas full of skeptics.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. 2012 release, the sophomore album from the British Indie\/Folk band. As with their 2009 debut, Sigh No More, Babel was produced by producer Markus Dravs. \"We are more than excited to release Babel into the world. We had started writing new songs well before we got into the studio to record. At first, we peeled ourselves off the road quite reluctantly. We love playing live, obviously, but it had also become an important part of our creative process, we had been writing and rehearsing in soundchecks, and sort of 'road-testing' new songs on our very gracious audiences. But then we fell in love with recording again. The album started to come together, and with the help of Markus Dravs once more (and engineer Robin Baynton), we started to relish the challenge of making this album. As a band, we've never been closer or more collaborative, all working to our strengths. And so we feel that this record is a natural progression that we're proud of, and we cannot wait to take it out on the road.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Babel (3:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Whispers In The Dark (3:15)\u003c\/div\u003e\n\u003cdiv\u003e3. I Will Wait (4:36)\u003c\/div\u003e\n\u003cdiv\u003e4. Holland Road (4:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Ghosts That We Knew (5:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Lover Of The Light (5:14)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Lovers' Eyes (5:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Reminder (2:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Hopeless Wanderer (5:07)\u003c\/div\u003e\n\u003cdiv\u003e4. Broken Crown (4:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Below My Feet (4:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Not With Haste (4:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 892038002633\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Glassnote (chord)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Glassnote (2) (GLS-0130-01); Gentlemen Of The Road (GLS-0130-01)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2012  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Canada\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Babel – 3:28\u003c\/li\u003e\n\u003cli\u003eA2 Whispers In The Dark – 3:15\u003c\/li\u003e\n\u003cli\u003eA3 I Will Wait – 4:36\u003c\/li\u003e\n\u003cli\u003eA4 Holland Road – 4:13\u003c\/li\u003e\n\u003cli\u003eA5 Ghosts That We Knew – 5:39\u003c\/li\u003e\n\u003cli\u003eA6 Lover Of The Light – 5:14\u003c\/li\u003e\n\u003cli\u003eB1 Lovers' Eyes – 5:21\u003c\/li\u003e\n\u003cli\u003eB2 Reminder – 2:04\u003c\/li\u003e\n\u003cli\u003eB3 Hopeless Wanderer – 5:07\u003c\/li\u003e\n\u003cli\u003eB4 Broken Crown – 4:16\u003c\/li\u003e\n\u003cli\u003eB5 Below My Feet – 4:52\u003c\/li\u003e\n\u003cli\u003eB6 Not With Haste – 4:09\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDave Williamson (3) – Arranged By (Horns)\u003c\/li\u003e\n\u003cli\u003eMumford \u0026amp; Sons – Arranged By (Horns)\u003c\/li\u003e\n\u003cli\u003eNick Etwell – Arranged By (Horns)\u003c\/li\u003e\n\u003cli\u003eMumford \u0026amp; Sons – Arranged By (Strings)\u003c\/li\u003e\n\u003cli\u003eNell Catchpole – Arranged By (Strings)\u003c\/li\u003e\n\u003cli\u003eRoss Holmes – Arranged By (Strings)\u003c\/li\u003e\n\u003cli\u003eChristopher Allan – Cello\u003c\/li\u003e\n\u003cli\u003eRoss Stirling – Design, Art Direction\u003c\/li\u003e\n\u003cli\u003eRobin Baynton – Engineer\u003c\/li\u003e\n\u003cli\u003eGreg Freeman (3) – Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eMatt Lawrence – Engineer (Additional)\u003c\/li\u003e\n\u003cli\u003eDaniel Moyler – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eGarret Miller – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eGeorge Murphy (5) – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eMario Leal – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003ePete Prokopiw – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eRobbie Nelson (2) – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eTom A.D. Fuller – Engineer (Assistant)\u003c\/li\u003e\n\u003cli\u003eRoss Holmes – Fiddle\u003c\/li\u003e\n\u003cli\u003eWes Garland – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eAdam Tudhope – Management\u003c\/li\u003e\n\u003cli\u003eEverybody's Management – Management\u003c\/li\u003e\n\u003cli\u003eLaura Taylor (8) – Management\u003c\/li\u003e\n\u003cli\u003eBob Ludwig – Mastered By\u003c\/li\u003e\n\u003cli\u003eRuadhri Cushnan – Mixed By\u003c\/li\u003e\n\u003cli\u003eJames Marcus Haney – Photography By\u003c\/li\u003e\n\u003cli\u003eMarkus Dravs – Producer\u003c\/li\u003e\n\u003cli\u003eDave Williamson (3) – Trombone\u003c\/li\u003e\n\u003cli\u003eNick Etwell – Trumpet, Flugelhorn\u003c\/li\u003e\n\u003cli\u003eNell Catchpole – Violin, Viola\u003c\/li\u003e\n\u003cli\u003eMumford \u0026amp; Sons – Written-By, Arranged By, Performer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560694078,"sku":"327982","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213632830-transparent-v2.png?v=1791443370"},{"product_id":"khruangbin-mordechai-remixes-2-lp-vinyl","title":"Khruangbin – Mordechai Remixes (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhen listening to really anything by the Houston, Texas-based groove-psych trio Khruangbin, it's easy to imagine their music as perfect fodder for remixes. Their sound is rooted in dub, which includes a tradition of remix. Mordechai Remixes continues this approach, turning over their 2020 album to a handful of artists who put electro spins on their chilled-out grooves. This isn't the first time they've flipped an entire album; the trio's 2018 breakout Con Todo El Mundo yielded a dub version of the album, Hasta El Cielo, in 2019. If Mordechai itself is akin to your Sunday-morning-I-need-to-ease-into-the-week Khruangbin, then Remixes is that late-night comedown session. On Natasha Diggs' \"First Class (Soul in the Horn Remix),\" she upgrades the Mordechai opener to a Thievery Corporation-style groove, with yes, a boost of soulful horns throughout. Veteran house DJ Ron Trent takes the closer \"Shida,\" and puts a shimmering effect on the band's groove, moving the guitar line to the background, and pulling up the island rhythms, front and center. And \"Pelota\" gets a tempo upgrade from New York City-based electronic artist Quantic, breathing a more dance-driven life into the original. It's that notion that Remixes excels at. The original Mordechai was uber chill; Remixes smartly interjects some urgency into the album's foundation.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-mordechai-remixes\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio built *Mordechai* on texture, restraint, and a kind of stateless groove that borrows equally from Thai funk, dub, and soul without fully belonging to any of them, which makes it ideal raw material for reimagination. Contributors here approach those original recordings the way a good jam band approaches a standard, finding new corridors inside familiar architecture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening.\"Albert Goldman \"A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original.\" Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work.  Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R\u0026amp;B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow').  Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. \"We write our music to be interpreted; this is another wonderful interpretation of the music,\" reassure Khruangbin. \"There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves.\" The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right?  Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. \"A good remix deconstructs, recontextualizes, or simply extends a good time,\" say the band. Amen and out. Bill Brewster\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Father Bird, Mother Bird (Sunbirds) (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Connaissais De Face (Tiger?) (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Dearest Alfred (MyJoy) (3:16)\u003c\/div\u003e\n\u003cdiv\u003e4. First Class (Soul In The Horn Remix) (6:20)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. If There Is No Question (Soul Clap's Wild, But Not Crazy Mix) (7:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Pelota (Cut A Rug Mix) (5:02)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Time (You And I) (Put A Smile On DJ's Face Mix) (9:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Shida (Bella's Suite) (8:35)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. So We Won't Forget (Mang Dynasty Version) (6:32)\u003c\/div\u003e\n\u003cdiv\u003e2. One To Remember (Forget Me Nots Dub) (5:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605153018\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.29.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans (DOC230); Night Time Stories (DOC230)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2021  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e USA \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Father Bird, Mother Bird (Sunbirds) – 2:53\u003c\/li\u003e\n\u003cli\u003eA2 Connaissais De Face (Tiger?) – 3:02\u003c\/li\u003e\n\u003cli\u003eA3 Dearest Alfred (MyJoy) – 3:16\u003c\/li\u003e\n\u003cli\u003eA4 First Class (Soul In The Horn Remix) – 6:20\u003c\/li\u003e\n\u003cli\u003eB1 If There Is No Question (Soul Clap's Wild, But Not Crazy Mix) – 7:19\u003c\/li\u003e\n\u003cli\u003eB2 Pelota (Cut A Rug Mix) – 5:02\u003c\/li\u003e\n\u003cli\u003eC1 Time (You And I) (Put A Smile On DJ's Face Mix) – 9:15\u003c\/li\u003e\n\u003cli\u003eC2 Shida (Bella's Suite) – 8:35\u003c\/li\u003e\n\u003cli\u003eD1 So We Won't Forget (Mang Dynasty Version) – 6:32\u003c\/li\u003e\n\u003cli\u003eD2 One To Remember (Forget Me Nots Dub) – 5:12\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eChris Longwood – Mastered By\u003c\/li\u003e\n\u003cli\u003eKhruangbin – Recorded By, Arranged By, Producer\u003c\/li\u003e\n\u003cli\u003eSteve Christensen – Recorded By, Arranged By, Producer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547560759614,"sku":"613390","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213665598-transparent-v2.png?v=1791440105"},{"product_id":"alabama-shakes-boys-girls-10-year-deluxe-edition-2-lp-vinyl","title":"Alabama Shakes – Boys \u0026 Girls: 10 Year Deluxe Edition (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrittany Howard's voice hit like a revelation when Boys \u0026amp; Girls landed in 2012, drawing a direct line from the Alabama hill country to the church, the juke joint, and the arena. The Athens, Alabama quartet arrived fully formed, rooted in Southern soul and classic rock without sounding like a throwback to either.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp style=\"\"\u003e10-year anniversary edition of the debut record by Alabama Shakes.  \u003cstrong\u003eBoys \u0026amp; Girls\u003c\/strong\u003e, has sold over 1 millions copies, was nominated for multiple Grammys and brought the band international acclaim.\u003cbr\u003e\u003cbr\u003eIt is repackaged here in a foil-board gatefold jacket with new photos and a \u003cstrong\u003ebonus radio session of 12 raw and explosive tracks from KCRW\u003c\/strong\u003e, recorded in January 2012 just as the band were ready to be unleashed. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hold On\u003c\/div\u003e\n\u003cdiv\u003e2. I Found You\u003c\/div\u003e\n\u003cdiv\u003e3. Hang Loose\u003c\/div\u003e\n\u003cdiv\u003e4. Rise To The Sun\u003c\/div\u003e\n\u003cdiv\u003e5. You Ain't Alone\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Goin' To The Party\u003c\/div\u003e\n\u003cdiv\u003e2. Heartbreaker\u003c\/div\u003e\n\u003cdiv\u003e3. Boys \u0026amp; Girls\u003c\/div\u003e\n\u003cdiv\u003e4. Be Mine\u003c\/div\u003e\n\u003cdiv\u003e5. I Ain't The Same\u003c\/div\u003e\n\u003cdiv\u003e6. On Your Way\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Hang Loose [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e2. I Found You [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e3. Be Mine [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e4. I Ain't The Same [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e5. Mama [Live at KCRW]\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Goin' To The Party [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e2. Hold On [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e3. Boys \u0026amp; Girls [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e4. Always Alright [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e5. Rise To The Sun [Live at KCRW]\u003c\/div\u003e\n\u003cdiv\u003e6. Heavy Chevy [Live at KCRW]\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882472412\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.9.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records (ATO0629)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Hold On\u003c\/li\u003e\n\u003cli\u003eA2 I Found You\u003c\/li\u003e\n\u003cli\u003eA3 Hang Loose\u003c\/li\u003e\n\u003cli\u003eA4 Rise To The Sun\u003c\/li\u003e\n\u003cli\u003eA5 You Ain't Alone\u003c\/li\u003e\n\u003cli\u003eB1 Goin' To The Party\u003c\/li\u003e\n\u003cli\u003eB2 Heartbreaker\u003c\/li\u003e\n\u003cli\u003eB3 Boys \u0026amp; 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class=\"relix-editorial\"\u003e\n\u003cp\u003eAfter the orchestrated excess of The Soft Parade, the Doors stripped everything back and walked into a real Los Angeles skid row hotel to shoot the cover, a fitting image for an album that sounds like the band rediscovering why they started. 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Woman.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRoadhouse Blues\u003c\/li\u003e\n\u003cli\u003eWaiting for the Sun\u003c\/li\u003e\n\u003cli\u003eYou Make Me Real\u003c\/li\u003e\n\u003cli\u003ePeace Frog\u003c\/li\u003e\n\u003cli\u003eBlue Sunday\u003c\/li\u003e\n\u003cli\u003eShip of Fools\u003c\/li\u003e\n\u003cli\u003eLand Ho!\u003c\/li\u003e\n\u003cli\u003eThe Spy\u003c\/li\u003e\n\u003cli\u003eQueen of the Highway 1\u003c\/li\u003e\n\u003cli\u003eIndian Summer 1\u003c\/li\u003e\n\u003cli\u003eMaggie M'gill\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227986537\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.15.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra (EKS-75007)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1970  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eOne: Hard Rock Cafe\u003c\/li\u003e\n\u003cli\u003eA1 Roadhouse Blues – 4:04\u003c\/li\u003e\n\u003cli\u003eA2 Waiting For The Sun – 3:58\u003c\/li\u003e\n\u003cli\u003eA3 You Make Me Real – 2:50\u003c\/li\u003e\n\u003cli\u003eA4 Peace Frog – 2:52\u003c\/li\u003e\n\u003cli\u003eA5 Blue Sunday – 2:08\u003c\/li\u003e\n\u003cli\u003eA6 Ship Of Fools – 3:06\u003c\/li\u003e\n\u003cli\u003eTwo: Morrison Hotel\u003c\/li\u003e\n\u003cli\u003eB1 Land Ho! – 4:08\u003c\/li\u003e\n\u003cli\u003eB2 The Spy – 4:15\u003c\/li\u003e\n\u003cli\u003eB3 Queen Of The Highway – 2:47\u003c\/li\u003e\n\u003cli\u003eB4 Indian Summer – 2:33\u003c\/li\u003e\n\u003cli\u003eB5 Maggie M'Gill – 4:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLonnie Mack – Bass\u003c\/li\u003e\n\u003cli\u003eRay Neapolitan – Bass\u003c\/li\u003e\n\u003cli\u003eGary Burden – Design\u003c\/li\u003e\n\u003cli\u003eJohn Densmore – Drums\u003c\/li\u003e\n\u003cli\u003eBruce Botnick – Engineer\u003c\/li\u003e\n\u003cli\u003eRobby Krieger – Guitar\u003c\/li\u003e\n\u003cli\u003eThe Doors – Music By\u003c\/li\u003e\n\u003cli\u003eHenry Diltz – Photography By\u003c\/li\u003e\n\u003cli\u003eRay Manzarek – Piano, Organ\u003c\/li\u003e\n\u003cli\u003ePaul A. 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The B-Sides \u0026amp; Bonus Tracks discs include the extended versions of the A \u0026amp; B sides including the remix of \"Paisley Park\", the extended version of \"Girl\" and \"Hello (Fresh Dance Mix)\", the nearly 22-minute 12\" version of \"America\", and two versions of the 1985 song, \"4 The Tears In Your Eyes\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Around The World In A Day (3:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Paisley Park (4:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Condition Of The Heart (6:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Raspberry Beret (3:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Tamborine (2:46)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. America (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Pop Life (3:42)\u003c\/div\u003e\n\u003cdiv\u003e3. The Ladder (5:26)\u003c\/div\u003e\n\u003cdiv\u003e4. Temptation (8:21)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Raspberry Beret (New Mix) (6:36)\u003c\/div\u003e\n\u003cdiv\u003e2. She's Always In My Hair (New Mix) (6:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Paisley Park (Remix) (6:53)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Pop Life (Fresh Dance Mix) (6:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Pop Life (Extended Version) (9:07)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Hello (Fresh Dance Mix) (6:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Girl (12\" Version) (7:36)\u003c\/div\u003e\n\u003cdiv\u003e3. 4 The Tears In Your Eyes ('We Are The World' Version) (2:49)\u003c\/div\u003e\n\u003cdiv\u003e4. 4 The Tears In Your Eyes ('The Hits\/The B-Sides' Version) (3:23)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. America (12\" Version) (21:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029337112\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Paisley Park (9 25286-1, 1-25286)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 1985  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e US\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Around The World In  A Day – 3:25\u003c\/li\u003e\n\u003cli\u003eA2 Paisley Park – 4:41\u003c\/li\u003e\n\u003cli\u003eA3 Condition Of The Heart – 6:46\u003c\/li\u003e\n\u003cli\u003eA4 Raspberry Beret – 3:31\u003c\/li\u003e\n\u003cli\u003eA5 Tamborine – 2:46\u003c\/li\u003e\n\u003cli\u003eB1 America – 3:40\u003c\/li\u003e\n\u003cli\u003eB2 Pop Life – 3:42\u003c\/li\u003e\n\u003cli\u003eB3 The Ladder – 5:26\u003c\/li\u003e\n\u003cli\u003eB4 Temptation – 8:21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDoug Henders – Cover (Cover Painting), Painting (Cover Painting)\u003c\/li\u003e\n\u003cli\u003eLaura LiPuma – Design (Design And Assembly)\u003c\/li\u003e\n\u003cli\u003eDavid Leonard – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eDavid Tickle – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003ePeggy McCreary – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003ePrince – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eSusan Rogers – Engineer (Engineered By)\u003c\/li\u003e\n\u003cli\u003eDan Chapman (3) – Illustration (Photo Illustration)\u003c\/li\u003e\n\u003cli\u003eLee Phillips (2) – Legal (Legal Rep)\u003c\/li\u003e\n\u003cli\u003eCavallo, Ruffalo \u0026amp; 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Baker had relocated to Lagos in the early '70s, immersing himself in the music long before this recording, and his chemistry with Tony Allen, one of the most important drummers in modern music history, runs deep. That 16-minute duet is essential listening for anyone who wants to understand where rhythm itself was heading.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2014 vinyl LP pressing reissue. Originally recorded in 1971 and 1978 by Fela Kuti's band, Africa 70, with the addition of former Cream drummer Ginger Baker, this album contains 4 songs plus a bonus track 16-minute drum duet between Baker and Africa 70's drummer Tony Allen recorded at the 1978 Berlin Jazz Festival.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Let's Start (7:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Black Man's Cry (11:36)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Ye Ye De Smell (13:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Egbe Mi O (12:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 720841206316\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Knitting Factory Records (KFR2003-3); Partisan Records (KFR2003-3)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2022  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e UK \u0026amp; Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Let's Start\u003c\/li\u003e\n\u003cli\u003eA2 Black Man's Cry\u003c\/li\u003e\n\u003cli\u003eB1 Ye Ye De Smell\u003c\/li\u003e\n\u003cli\u003eB2 Egbe Mi O (Carry Me I Want To Die)\u003c\/li\u003e\n\u003cli\u003eC1 Ginger Baker And Tony Allen Drum Solo, Part I (Live At Berlin Jazz Festival, 1978)\u003c\/li\u003e\n\u003cli\u003eC2 Ginger Baker And Tony Allen Drum Solo, Part II (Live At Berlin Jazz Festival, 1978)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eChris May (6) – Author (Insert Notes)\u003c\/li\u003e\n\u003cli\u003eLekan Animashaun – Baritone Saxophone\u003c\/li\u003e\n\u003cli\u003eHenry Koffi – Congas (First)\u003c\/li\u003e\n\u003cli\u003eFriday Jumbo – Congas (Second)\u003c\/li\u003e\n\u003cli\u003eAkwesi Korranting – Congas (Third)\u003c\/li\u003e\n\u003cli\u003eTony Allen – Drums\u003c\/li\u003e\n\u003cli\u003eGinger Baker – Drums (Uncredited)\u003c\/li\u003e\n\u003cli\u003eMaurice Ekpo – Guitar (Bass)\u003c\/li\u003e\n\u003cli\u003eMiles Showell – Lacquer Cut By\u003c\/li\u003e\n\u003cli\u003eMiles Showell – Mastered By\u003c\/li\u003e\n\u003cli\u003eTony Abayomi – Percussion (Sticks)\u003c\/li\u003e\n\u003cli\u003eJeff Jarratt – Producer (Produced By)\u003c\/li\u003e\n\u003cli\u003ePeter Animashaun – Rhythm Guitar\u003c\/li\u003e\n\u003cli\u003eIsaac Olaleye – Shekere\u003c\/li\u003e\n\u003cli\u003eIgo Chico – Tenor Saxophone\u003c\/li\u003e\n\u003cli\u003eTunde Williams – Trumpet (First, Solo)\u003c\/li\u003e\n\u003cli\u003eEddie Faychum – Trumpet (Second)\u003c\/li\u003e\n\u003cli\u003eFela Kuti – Vocals, Saxophone (Uncredited)\u003c\/li\u003e\n\u003cli\u003eFela Kuti – Written-By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561152830,"sku":"36273","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213927742-transparent-v2.png?v=1791436074"},{"product_id":"nirvana-nevermind-lp-vinyl","title":"Nirvana – Nevermind","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Sound City Studios in Van Nuys with producer Butch Vig, Nevermind captured a Seattle underground scene on the verge of exploding into something no one could have predicted. Kurt Cobain's melodic instincts and Dave Grohl's ferocious drumming gave the record a radio-ready punch that underground rock had never quite wielded before, pulling an entire generation away from the mainstream pop and hair metal dominating the charts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl pressing of this classic 1991 album from Kurt Cobain and the boys. Nevermind became a surprise success in late 1991, largely due to the popularity of its first single, \"Smells Like Teen Spirit\". By January 1992, it had replaced Michael Jackson's album Dangerous at #1 on the Billboard 200 chart. The album also produced three other successful singles: \"Come as You Are\", \"Lithium\", and \"In Bloom\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Smells Like Teen Spirit (Radio Version)\u003c\/div\u003e\n\u003cdiv\u003e2. In Bloom\u003c\/div\u003e\n\u003cdiv\u003e3. Come As You Are (Radio Version)\u003c\/div\u003e\n\u003cdiv\u003e4. Breed\u003c\/div\u003e\n\u003cdiv\u003e5. Lithium\u003c\/div\u003e\n\u003cdiv\u003e6. Polly\u003c\/div\u003e\n\u003cdiv\u003e7. Untitled\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Territorial Pissings\u003c\/div\u003e\n\u003cdiv\u003e2. Drain You\u003c\/div\u003e\n\u003cdiv\u003e3. Lounge Act\u003c\/div\u003e\n\u003cdiv\u003e4. On A Plain\u003c\/div\u003e\n\u003cdiv\u003e5. Stay Away\u003c\/div\u003e\n\u003cdiv\u003e6. Something In The Way\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 720642442517\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Geffen Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.13.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- discogs-import --\u003e\n\u003cdiv class=\"discogs-import\"\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e DGC (424 425-1); Sub Pop (424 425-1)  ·  \u003cstrong\u003eReleased:\u003c\/strong\u003e 2015  ·  \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Smells Like Teen Spirit – 5:00\u003c\/li\u003e\n\u003cli\u003eA2 In Bloom – 4:13\u003c\/li\u003e\n\u003cli\u003eA3 Come As You Are – 3:38\u003c\/li\u003e\n\u003cli\u003eA4 Breed – 3:03\u003c\/li\u003e\n\u003cli\u003eA5 Lithium – 4:16\u003c\/li\u003e\n\u003cli\u003eA6 Polly – 2:56\u003c\/li\u003e\n\u003cli\u003eB1 Territorial Pissings – 2:22\u003c\/li\u003e\n\u003cli\u003eB2 Drain You – 3:43\u003c\/li\u003e\n\u003cli\u003eB3 Lounge Act – 2:35\u003c\/li\u003e\n\u003cli\u003eB4 Stay Away – 3:30\u003c\/li\u003e\n\u003cli\u003eB5 On A Plain – 3:12\u003c\/li\u003e\n\u003cli\u003eB6 Something In The Way – 3:43\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCredits\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGary Gersh – A\u0026amp;R\u003c\/li\u003e\n\u003cli\u003eRobert Fisher (4) – Art Direction, Design\u003c\/li\u003e\n\u003cli\u003eKrist Novoselic – Bass, Vocals\u003c\/li\u003e\n\u003cli\u003eDave Grohl – Drums, Vocals\u003c\/li\u003e\n\u003cli\u003eCraig Doubet – Engineer (Assistant, Mixing)\u003c\/li\u003e\n\u003cli\u003eJeff Sheehan – Engineer (Assistant, Recording)\u003c\/li\u003e\n\u003cli\u003eAlan Mintz – Legal (Legal Affairs)\u003c\/li\u003e\n\u003cli\u003eZiffren, Brittenham \u0026amp; Branca – Legal (Legal Affairs)\u003c\/li\u003e\n\u003cli\u003eDanny Goldberg – Management\u003c\/li\u003e\n\u003cli\u003eJohn Silva (3) – Management\u003c\/li\u003e\n\u003cli\u003eHowie Weinberg – Mastered By\u003c\/li\u003e\n\u003cli\u003eAndy Wallace – Mixed By\u003c\/li\u003e\n\u003cli\u003eNirvana – Music By\u003c\/li\u003e\n\u003cli\u003eMichael Lavine – Photography By\u003c\/li\u003e\n\u003cli\u003eKirk Weddle – Photography By (Cover Photo)\u003c\/li\u003e\n\u003cli\u003eKurt Cobain – Photography By (Monkey Photo)\u003c\/li\u003e\n\u003cli\u003eButch Vig – Producer, Engineer\u003c\/li\u003e\n\u003cli\u003eNirvana – Producer, Engineer\u003c\/li\u003e\n\u003cli\u003eKurt Cobain – Vocals, Guitar, Lyrics By\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":54547561218366,"sku":"149180","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/files\/12633213960510-transparent-v2.png?v=1791443431"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/4609\/5166\/collections\/IMG-2027.webp?v=1792300230","url":"https:\/\/reserveselects.myshopify.com\/collections\/vinyl-sample.oembed","provider":"Reserve Selects","version":"1.0","type":"link"}